Relevant bibliographies by topics / Social aspects of Public sculpture

Contents

  1. Journal articles
  2. Dissertations / Theses
  3. Books
  4. Book chapters
  5. Conference papers
  6. Reports

Academic literature on the topic 'Social aspects of Public sculpture'

Author: Grafiati
Published: 4 June 2021
Last updated: 15 February 2022

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Journal articles on the topic "Social aspects of Public sculpture"

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Januchta-Szostak, Anna. "METHODOLOGY OF VISUAL ART LOCALIZATION IN PUBLIC SPACES ON EXAMPLE OF POZNAN CITY." Journal of Architecture and Urbanism 31, no. 1 (March 31, 2007): 29–38. http://dx.doi.org/10.3846/13921630.2007.10697086.

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In the times of unification of cultural patterns the art in public areas takes on a very responsible role – creating cognitive map and emphasizing identity of the place. Valuable architectural and sculpture monuments take deserved top position in creating unique townscape. But not only spectacular buildings create the image of the city, sometimes inconspicuous sculptures become city symbols. The subject of research conveyed by the author in Poznan was the quality of public areas and possibilities of making them more attractive by introducing monuments and water elements. Autor define the typology of public art objects (considering their function, form and scale) and methodology of lacalization from the city-scale (according to the viewing popularity aspects and rank of the place) to the csale of indyvidual urban interior. The spatial and social role of sculpture in urban area was analized on examples of public places in Poznan. Vizualinio meno lokalizacijos viešosiose erdvėse metodologija poznanės pavyzdžiu Santrauka Vienodėjant kultūriniams kontekstams viešųjų erdvių menas įgyja ypatingą ir labai svarbią reikšmę kaip atpažinimo elementais atskleidžiantis ir pabrėžiantis vietos identitetą. Vertingi architektūriniai ir skulptūriniai elementai tampa svarbiausiais unikalių miestovaizdžių formantais. Tačiau ne tik įspūdingi statiniai kuria miesto vaizdą. Kartais niekuo neišsiskiriančios, vos pastebimos skulptūros tampa miesto simboliais. Tyrimo, atlikto Poznanės mokslininkės, tema yra viešųjų erdvių kokybė ir galimybė padidinti jų patrauklumą meno kūriniais ir vandens elementais. Autorė apibrėžė viešojo meno objektų tipologiją, įvertindama jų paskirtį, formą ir mastelį, ir lokalizacijos metodiką nuo viso miesto masto iki mažiausiojo mastelio nominalių erdvių, įvertindama apžvalgos populiarumą ir vietos kategoriją. Poznanės pavyzdžiu išanalizuotas tiek erdvinis, tiek visuomeninis miesto skulptūrų vaidmuo.
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Zobec, Marco, Oliver Betz, and Philipp Andreas Unterweger. "Perception of Urban Green Areas Associated with Sociodemographic Affiliation, Structural Elements, and Acceptance Stripes." Urban Science 4, no. 1 (February 8, 2020): 9. http://dx.doi.org/10.3390/urbansci4010009.

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The extensification (opposite of intensification) of urban public green spaces offers great potential for conservation. One major issue for the long-term success of such a measure is, however, its acceptance by the urban population. This contribution presents the results of an image-based online questionnaire that we set to elucidate the role of sociodemographic affiliations regarding the perception of urban green areas. We also asked whether acceptability can be increased by the presence of additional structural elements (sculptures, benches) and “acceptance stripes”, i.e., stripes regularly mowed only at the margins of a natural green space. Regarding structural elements, 40- to 60-year-olds consistently rejected intensely maintained lawns and perceived a lawn as positive only in combination with a sculpture. A regularly mowed acceptance stripe resulted in a positive perception of natural meadows by people with an affinity for city life, classified based on their actual place of residence and/or their social dimension including aspects such as sense of place, familiarity, profession, and interests. Thus, decision-making processes of policy makers must be evaluated together with the urban population and should be assessed multidimensionally, i.e., by considering various criteria (e.g., ecological, social, and aesthetic aspects) in order to meet the requirements of residents and achieve an increase in biodiversity.
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Smith, R. R. R. "The Public Image of Licinius I: Portrait Sculpture and Imperial Ideology in the Early Fourth Century." Journal of Roman Studies 87 (November 1997): 170–202. http://dx.doi.org/10.2307/301374.

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Ancient history, it could be said, is composed of long and broad bands of unchanging social and political culture, punctuated in the upper levels by periods of upheaval and re-orientation. Ancient art works document and make visible both aspects: numbing continuity and static production on the one hand and sudden shifts and sharp turns in representation on the other. This paper takes as an example one of those periods of highly-charged visual re-orientation, the early fourth century A.D., and is intended as an alternative to the discussion and explanation of ancient images in this period in terms of artistic and formal processes. It aims to set an unusual and fat-faced late antique portrait (Pl. I) in its proper context alongside the thin-faced portraits of a better known figure (Pl. XII), and looks at the wider implications of this for the interpretation of imperial portrait sculpture as a significant expression of political ideology. The leanfaced man is Constantine, the other it will be argued is Licinius.
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Hlushko, Mariia. "Representation of Emmanuil Mysko's works on the pages of art magazines." Bulletin of Lviv National Academy of Arts, no. 40 (July 26, 2019): 38–45. http://dx.doi.org/10.37131/2524-0943-2019-40-5.

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This paper analyzes art magazines and other periodicals in the context of the presentation of works by the famous sculptor Emmanuil Mysko, who holds a special place in the fine arts of Ukraine. The research material provides a brief overview of publications in art magazines and other periodicals that thoroughly acquaint the reader with the formation and evolution of Emmanuil Mysko's creative path. The focus is made on a holistic analysis of articles by art historians describing the artist's work, as well as publications containing only specific references to him. A number of well-known national art magazines, newspapers, newsletters, etc. covering the cultural and artistic events were selected for the study, namely, the magazine of the National Union of Artists of Ukraine "Fine Arts", "Art" magazine, "Free Ukraine" newspaper, Bulletin of the Lviv National Academy of Arts , "People's Notebooks", "Art Horizons" and others. The study outlines a number of trends regarding the presentation of material about Emmanuil Mysko, through which it can be argued that each of the authors tried to highlight as much as possible the key aspects of Emmanuil Mysko's activity in the field of monumental and decorative sculpture and to emphasize his contribution to the development of Ukrainian art. It is revealed that the talent, pedagogical and social activity, human qualities of Emmanuil Mysko and its impact on culture and art, have not been neglected by national scientists, art historians, researchers who in their works published on pages of art magazines and other periodicals describe various aspects of the life and work of a prominent Ukrainian sculptor, art critic, teacher, public figure Emmanuil Mysko. The need to create a structured bibliographic index has been identified, which will contain a complete list of articles on E. Mysko published since 1996, since the Bibliographic Index was published by that year. Also the main provisions and conclusions of the article can be used in the formation of the relevant sections of the new Bibliographic Index, which will become a basis for young researchers who will study the work of E. Mysko.
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Bogatova, O. A., and E. N. Guseva. "HISTORICAL MEMORY AND ETHNICITY IN THE URBAN ARCHITECTURAL ENVIRONMENT AS A FACTOR OF SOCIAL IDENTITY CONSTRUCTION IN THE CAPITALS OF THE RUSSIAN FEDERATION REPUBLICS ON THE EXAMPLE OF IZHEVSK AND SARANSK." Вестник Удмуртского университета. Социология. Политология. Международные отношения 3, no. 4 (December 25, 2019): 409–29. http://dx.doi.org/10.35634/2587-9030-2019-3-4-409-429.

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The article analyzes the social practices of memorization and ethnicization in the process of post-Soviet transformation of the architectural landscape of the capitals of the Finno-Ugric republics, by the republican elites with the aim of constructing a stable regional identity of the capital’s population on the example of the Republic of Mordovia and the Udmurt Republic. The purpose of the study is to identify the basic social technologies for using the cultural and symbolic aspects of the urban architectural environment, including the historical and cultural heritage, and the newly created elements for the purpose of “memorial management” and to give ethnic flavor, the trends in their evolution and the main results of using such technologies in the post-Soviet period. Based on the data of standardized observation, the intensity of the concentration of ethnicization of the urban architectural environment is compared, the main places of concentration of signs of ethnicity and historical memory in the urban space of Izhevsk and Saransk, common features, strategic features, results and limitations in the research perspective of sociological concepts of identity politics, historical politics, city sociology, public spaces, “places” and “non-places” are identified. The main verbal (language of signs, slogans), monumental (sculpture, commemorative signs, architectural decoration of buildings, stairs, fountains, etc.), visual (social advertising, ethnic symbols in illuminations, holiday decoration of buildings) means of ethnicization of urban environment design are described, as well as architectural images that indicate alternative ethnic strategies for the formation of the capital’s identity. The general trends and problems associated with the redevelopment of the urban environment and the transformation of “arrogant” Soviet public spaces into places of recreation and communication are revealed. Among the limitations of the effectiveness of the historical policy and the policy of ethnicization of urban spaces, the author considers the conscious implementation of alternative strategies for the formation of urban identity by various social actors, the binding of iconic architectural objects to “empty” pseudo-public spaces or sports facilities that are not “anchor” objects, the creation of symbolic transit spaces in the status of “non-places”, the visual ethnic specificity of which is not available to those who use them.
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Chirico, Robert. "From Cave to Caféé: Artists' Gatherings." Gastronomica 2, no. 4 (2002): 33–41. http://dx.doi.org/10.1525/gfc.2002.2.4.33.

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Historical documentation regarding public festivals and banquets continually acknowledges the alliance of painting, poetry, music, and design, but in contrast to these records, accounts of artists personal revelries remain scarce. This article discusses the festive, social, political, and artistic aspects of notable gatherings that took place over the past five centuries. Among the examples mentioned are the serious gatherings of Baccio Bandinelli's Academy and the meetings of the Dutch Rhetoricians (Rederijkers); the lavish parties of the 16th century artist Rustici and the modern-day Art Students League;the scandalous doings of the Dutch painters guild (Bentvueghels) in Rome and the antics of the Swedish sculptor Sergel. It also touches upon pre- and postwar banquets in Paris,Futurist and Dadaist gatherings, and the socializing of the New York School.
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Zheng, Jane. "“Aesthetic regime” in urban entrepreneurialism: public art venues in Shanghai." Asian Education and Development Studies 8, no. 2 (April 8, 2019): 109–25. http://dx.doi.org/10.1108/aeds-03-2017-0026.

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Purpose The purpose of this paper is to understand urban sculpture venues that emerged in the recent decade and their connections to the on-going entrepreneurial urban policies and urban strategies in Shanghai. How does this phenomenon relate to Shanghai’s urban policies? How does urban sculpture development reflect the nature and characteristics of the urban sculpture authority? Design/methodology/approach Case study is the major research method used to achieve an in-depth understanding of the developmental processes, mechanisms and characteristics of urban sculpture projects. Three cases were selected and studied using purposeful sampling methods, including Duolun Road Sculpture Project (2002), the Shanghai International Sculpture Center (2006) and the Jing’an Sculpture Park (2009). Findings A twofold main argument is established in this paper. Urban sculpture venues emerged as a new type of instrument to advance urban entrepreneurial policies; the use of this instrument, however, also involves politics in that art politically transforms the features and functions of open spaces in Shanghai. Originality/value Although scholarly interest in exploring cultural development through urban planning in the Chinese context is evident, urban sculpture planning (termed as “urban sculpture” in the Chinese ideological context) in Chinese metropolitan cities, in particular, is an unexplored topic, and thus leaves a gap in the knowledge. This paper introduces a new conceptual model, i.e., “aesthetic regime,” to describe the role of the urban sculpture authority in the development of the urban sculpture scene. It looks at the artistic representation of artworks, design of the sculpture venues, functionality of the artworks and social mechanisms for the actualization of these projects. An evolutional trend of the three sites across the decade is concerned.
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Vukotić-Lazar, Marta, and Olivera Marković-Savić. "Cultural policy and memory of the fighters of the People's Liberation War: The central role of the army in political legitimation of the new political structure." Зборник радова Филозофског факултета у Приштини 50, no. 3 (2020): 27–44. http://dx.doi.org/10.5937/zrffp50-28005.

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The fighters of the People's Liberation War (PLW) enjoyed the social prestige and the monuments of the killed fighters served the role of the ideological interests of the ruling class at the time. The aim of this paper is to show the link between the alive social actors and the chosen dead ones (fighters of the PLW, partisans) through the use of the anthropological anxiety of the cessation of life through metaphorical immortality and eternal memory. Essentially, this was the illusion for ideological foundation, special thematic and ideological orientation of sculptures within the public space. Via symbolic contents, such as monuments in this case, death is shown as the transition, that is, new beginning of life and not its end. Active involvement of a number of artists from all parts of former Yugoslavia within the units of the Partisan army in the PLW is the phenomenon which unequivocally testifies about the link of their political commitment and artistic creation, which also got particularly strong momentum immediately after the Liberation. The most important social task in the Socialist Federal Republic of Yugoslavia (SFRY) was nurturing of the revolutionary tradition, especially seen in the erection of memorials, then in (re)naming of the towns with Tito's name or the names of the local heroes, as well as streets, schools, factories, but also in organizing marches to places where the famous battles and Partisan sessions during the PLW occurred, etc. This paper, among other things, deals with extremely fruitful production of the sculptors in the liberated country, especially from the aspect of extensive social orders, which at the same time encouraged and enabled fast and diverse development of the public monuments within urban areas on the ground of the whole former Yugoslavia, whose modus operandi was reshaping of the political and ideological map of The New Yugoslavia and ideological and political battle with "relapses of the past".
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Amir, Muhammad Zulfadhli Amir Rasidi, Rusmadiah Anwar, and Amer Shakir Zainol. "Theoretical Framework to Analyzing Public Sculpture Form and Content." Advanced Science Letters 23, no. 8 (August 1, 2017): 7775–78. http://dx.doi.org/10.1166/asl.2017.9574.

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Szaja, Marta. "Social aspects of revitalization of urban public spaces." European Journal of Service Management 28 (2018): 463–69. http://dx.doi.org/10.18276/ejsm.2018.28/2-55.

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Dissertations / Theses on the topic "Social aspects of Public sculpture"

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Samwanda, Biggie. "Postcolonial monuments and public sculpture in Zimbabwe." Thesis, Rhodes University, 2013. http://hdl.handle.net/10962/d1006825.

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The study critically examines public art in postcolonial Zimbabwe‘s cities of Harare and Bulawayo. In a case by case approach, I analyse the National Heroes Acre and Old Bulawayo monuments, and three contemporary sculptures – Dominic Benhura‘s Leapfrog (1993) and Adam Madebe‘s Ploughman (1987) and Looking into the future (1985). I used a qualitative research methodology to collect and analyse data. My research design utilised in-depth interviews, observation, content and document analysis, and photography to gather nuanced data and these methods ensured that data collected is validated and/or triangulated. I argue that in Zimbabwe, monuments and public sculpture serve as the necessary interface of the visual, cultural and political discourse of a postcolonial nation that is constantly in transition and dialogue with the everyday realities of trying to understand and construct a national identity from a nest of sub-cultures. I further argue that monuments and public sculpture in Zimbabwe abound with political imperatives given that, as visual artefacts that interlace with ritual performance, they are conscious creations of society and are therefore constitutive of that society‘s heritage and social memory. Since independence in 1980, monuments and public sculpture have helped to open up discursive space and dialogue on national issues and myths. Such discursive spaces and dialogues, I also argue, have been particularly animated from the late 1990s to the present, a period in which the nation has engaged in self-introspection in the face of socio-political change and challenges in the continual process of imagining the Zimbabwean nation. Little research focusing on postcolonial public art in Zimbabwe has hitherto been undertaken. This study addresses gaps in this literature while also providing a spring board from which future studies may emerge.
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Seassaud, Eric. "Le capital de l'entreprise publique : aspects juridiques." Paris 12, 1995. http://www.theses.fr/1995PA122009.

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Keyser, Nicolet. "The transition from an object-oriented to a systems-oriented approach in art, leading to a redefinition of the concept of sculpture." Thesis, Stellenbosch : Stellenbosch University, 2000. http://hdl.handle.net/10019.1/52031.

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Thesis (MA)--Stellenbosch University, 2000
ENGLISH ABSTRACT: In this thesis I look at the impact of technology on the concept of sculpture. However, I am more concerned with the principles behind technological change as influence, than looking at high-technology advances. A key issue that I address is the consideration of changes in society and art, and I ask the question, to what extent does three-dimensional art remain in any traditional sense 'sculpture'? It is my objective to show these changes, indicated by the transition from an object-oriented to a systems-oriented approach in art leading to a redefinition of the concept of sculpture. Although I deal with my practical work as a separate part in the thesis, there is a close integration and mutual objectives between the practical and theoretical components. The transition occurring in sculpture can directly be traced to the technological advances in society. Scientific knowledge in any period of history reflects the way people understand their world, thus affecting human perceptions of the natural world and in turn influencing artistic creation. In Chapter One, attention is given in general to some of these scientific discoveries, for example the shift from classical science to an organismic approach with its focus on the interconnectedness of all things. Also of importance is the beginning of Chaos Theory, introducing the element of chance. In Chapter Two, more specific changes in the concept of art and sculpture are dealt with. Referring to some important predecessors earlier in the zo" century. I look at art becoming an interactive system, and find the interrelationship between sculpture and architecture useful in illustrating this, because of the foregrounding of the concept of space. In Chapter Three, I examine the different way that artists deal with the issues of urbanity', for example, the Minimalists putting emphasis on the idea of sculpture as an infinitely malleable category. Shifting definitions of urbanity were responses to specific new conditions in the environment, for example, as seen in the changing features of the city. Chapter Four deals with contemporary artists' response to these conditions, starting with examples of an object-oriented approach to sculpture, moving step by step towards a different systems-oriented approach. To conclude, I speculate on all the possibilities that the virtual environments that modern computers allow us to create may for the first time open up. We are at the beginning of a new century full of promise to artists in all fields.
AFRIKAANSE OPSOMMING: In hierdie tesis kyk ek na die impak van tegnologie op die konsep van beeldhou. Maar, ek is egter meer geintereseerd in die invloed van die beginsels agter tegnologiese verandering as in die gebruik van uiters gevorderde tegnologiese instrumente. 'n Belangrike aspek vir my is die wyse waarop die veranderinge in die samelewing afgedruk work op kuns. Derhalwe vra ek tot watter mate drie-dimensionele kuns op enige tradisionele wyse steed as 'beeldhou' beskou kan word? Dit is my doelwit om hierdie veranderinge uit te wys, soos gesien kan word in die transformasie vanaf 'n objek-gerigte benadering na 'n sisteem-gerigte benadering tot die konsep van beeldhou. Hoewel ek die praktiese werk as 'n aparte deel van die tesis hanteer, is daar in nabye integrasie met gemeenskaplike doelwitte tussen die praktiese en teoretiese komponente. Die transformasie in beeldhou kan direk verbind word met die tegnologiese vooruitgang in die samelewing. Wetenskaplike kennis van enige tydperk, is 'n indikasie van die wyse waarop die mense hulomgewing verstaan. Dus affekteer dit mense se persepsie van die natuur, en in reaksie die persepsie van die kunstenaar. In hoofstuk een, word aandag gegee in die algemeen aan sommige van hierdie wetenskaplike ontdekkings, byvoorbeeld die skuif vanaf klassieke wetenskap na 'n organismiese benadering met sy fokus op die integrasie van alle dinge. Ook belangrik is die onstaan van Chaos Teorie wat klem plaas op die onvoorspelbaarheid van dinge. In hoofstuk twee kyk ek na meer spesifieke veranderinge in die konsep van kuns in die algemeen, asook beeldbou. Daar word terugverwys na sommige belangrike kunstenaars aan die begin van die 20ste eeu. Klem word geplaas op kuns as interaktiewe sisteem, en ek vind die interverhouding tussen beeldhou en argitektuur as 'n belangrike voorbeeld, as gevolg van die benadering tot die konsep van ruimte. Hoofstuk drie ondersoek die verskeie wyses waarop beeldhouers kyk na kwessies soos verstedeliking, byvoorbeeld die Minimaliste met hul beklemtoning van die idee van beeldhou as manipuleerbare kategorie. AI hierdie veranderinge is 'n reaksie op spesifieke nuwe kondisies binne die samelewing, byvoorbeeld soos gesien in die veranderende kenmerke van stede. Hoostuk vier deel dan spesifiek met hedendaagse beeldhouers se reaksie op hierdie kondisies, met die doelom voorbeelde te bespreek van van 'n objek-gerigte benadering tot beeldhou asook 'n sisteem-gerigte benadering tot beeldhou. Om af te sluit, spekuleer ek oor al die nuwe moontlikhede wat 'virtuele realiteif, daar gestel deur die moderne rekenaars, aan beeldhou kan bied. Ons staan aan die begin van 'n nuwe eeu vol potensiaal vir kunstenaars op alle gebiede.
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Wilson, Kevin G. 1952. "The social significance of home networking : public surveillance and social management." Thesis, McGill University, 1985. http://digitool.Library.McGill.CA:80/R/?func=dbin-jump-full&object_id=72035.

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This thesis analyzes the social significance of the integration of the home into computer networks. The social significance of home networking is grasped when these systems are understood in their relationship to emerging forms of electronic social control. The thesis establishes this connection through an analysis of structural trends in the videotex industry which demonstrates the value to the corporate sector of cybernetic information generated by interactive systems. The North American tradition of privacy policy is reviewed and demonstrated as inadequate for the protection of personal privacy in home networking. It is further shown that privacy policy does not represent an adequate theorization of social control in computer networking, since it does not account for practices of aggregate social control, which have been termed in the thesis "social management," so vital to the cybernetic economy of late capitalism. Finally, the thesis argues that current conceptual frameworks and policy mechanisms cannot assure the socially beneficial development of home networking, given the tendency towards the integration of such systems into structures of social control.
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Ku, Wai-keung, and 顧惠強. "The social impact of privatization of public housing in Hong Kong." Thesis, The University of Hong Kong (Pokfulam, Hong Kong), 1999. http://hub.hku.hk/bib/B43894100.

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Lee, Kwok-yu Edward, and 李國宇. "Commodification of public housing in Hong Kong and its impacts on social fragmentation." Thesis, The University of Hong Kong (Pokfulam, Hong Kong), 1997. http://hub.hku.hk/bib/B31968296.

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Hui, Yin-wah Eva, and 許燕華. "Adolescent bullying in public housing estates." Thesis, The University of Hong Kong (Pokfulam, Hong Kong), 1998. http://hub.hku.hk/bib/B31978538.

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Boardman, Jason David. "The social determinants of health race, resources, and neighborhoods in the Detroit tri-county area /." Access restricted to users with UT Austin EID Full text (PDF) from UMI/Dissertation Abstracts International, 2002. http://wwwlib.umi.com/cr/utexas/fullcit?p3077407.

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Chapman, Robert Timothy. "Media literacy in public schools." CSUSB ScholarWorks, 2002. https://scholarworks.lib.csusb.edu/etd-project/2949.

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This study investigates media literacy curricula in upper-income and lower-income public schools. Twelve principals participated in a telephone survey by answering fifteen questions about their schools and districts.
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Wong, Ian-ian, and 黃茵茵. "Public rental housing and social inequity in Hong Kong." Thesis, The University of Hong Kong (Pokfulam, Hong Kong), 2003. http://hub.hku.hk/bib/B43895566.

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Books on the topic "Social aspects of Public sculpture"

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Klaus, Herlitz, and Herlitz Eva, eds. United Buddy Bears: Die Kunst der Toleranz = the art of tolerance. [Berlin]: Bostelmann & Siebenhaar, 2003.

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Joanna, Besley, ed. Monumental Queensland: Signposts on a cultural landscape. St. Lucia, Qld: University of Queensland Press, 2004.

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Standing soldiers, kneeling slaves: Race, war, and monument in nineteenth-century America. Princeton, N.J: Princeton University Press, 1997.

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Pótó, János. Emlékművek, politika, közgondolkodás: Budapest köztéri emlékmüvei, 1945-1949 : így épült a Sztálin-szobor, 1949-1953. Budapest: MTA Töténettudományi Intézet, 1989.

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Kǣongāmprasœ̄t, Sāiphin. Kānmư̄ang nai ʻanusāwarī Thāo Suranārī. Krung Thēp: Samnakphim Matichon, 1995.

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Escultura y poder en el espacio público. Buenos Aires: Acervo Editora Argentina, 2007.

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Torjman, Sherri. Public discourse on public education. Ottawa: Caledon Institute of Social Policy, 2000.

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Bodmer, W. F. The public understanding of science. London: Birkbeck, 1986.

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The public understanding of science. London: The Society, 1985.

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Berggren, Lars. Giordano Bruno på Campo dei fiori: Ett monumentprojekt i Rom 1876-1889. [Lund, Sweden]: Artifex, 1991.

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Book chapters on the topic "Social aspects of Public sculpture"

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Stadler, Jonathan. "Intentional Infections: Public Discourses of HIV Spread." In Social Aspects of HIV, 91–103. Cham: Springer International Publishing, 2021. http://dx.doi.org/10.1007/978-3-030-69437-1_4.

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Davis, Mark. "Making the Ideal Real: Biomedical HIV Prevention as Social Public Health." In Social Aspects of HIV, 35–45. Cham: Springer International Publishing, 2021. http://dx.doi.org/10.1007/978-3-030-69819-5_3.

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Brisson, Julien, Vardit Ravitsky, and Bryn Williams-Jones. "Agency, Pleasure and Justice: A Public Health Ethics Perspective on the Use of PrEP by Gay and Other Homosexually-Active Men." In Social Aspects of HIV, 131–41. Cham: Springer International Publishing, 2021. http://dx.doi.org/10.1007/978-3-030-69819-5_10.

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Moen, Kåre, Elia John Mmbaga, Alexander Mwijage Ishungisa, and Melkizedeck Thomas Leshabari. "Hardship, Public Health, Heshima, Lube and Problem Trees: Forces Shaping Grassroots Organizing Against HIV Among Same-Sex Attracted Men in Dar es Salaam." In Social Aspects of HIV, 93–115. Cham: Springer International Publishing, 2021. http://dx.doi.org/10.1007/978-3-030-73726-9_5.

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Rushing, William A. "Medical Care: Actual Effects and Public Perception." In Social Functions and Economic Aspects of Health Insurance, 43–75. Dordrecht: Springer Netherlands, 1986. http://dx.doi.org/10.1007/978-94-009-4231-8_3.

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Russell, Daniel M., Clemens Drews, and Alison Sue. "Social Aspects of Using Large Public Interactive Displays for Collaboration." In UbiComp 2002: Ubiquitous Computing, 229–36. Berlin, Heidelberg: Springer Berlin Heidelberg, 2002. http://dx.doi.org/10.1007/3-540-45809-3_18.

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Braysmith, Hilary A. "Public Sculpture Exhibitions in Neighborhoods: Arts-Driven, Heritage-Based, Urban Revitalization, and Social Practice (Part 1)." In Socially Engaged Art History and Beyond, 143–58. Cham: Springer International Publishing, 2021. http://dx.doi.org/10.1007/978-3-030-43609-4_11.

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Ye, Xinyue, Bo Zhao, Thien Huu Nguyen, and Shaohua Wang. "Social Media and Social Awareness." In Manual of Digital Earth, 425–40. Singapore: Springer Singapore, 2019. http://dx.doi.org/10.1007/978-981-32-9915-3_12.

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Abstract The human behaviors and interactions on social media have maintained themselves as highly dynamic real-time social systems representing individual social awareness at fine spatial, temporal, and digital resolutions. In this chapter, we introduce the opportunities and challenges that human dynamics-centered social media bring to Digital Earth. We review the information diffusion of social media, the multi-faced implications of social media, and some real-world cases. Social media, on one hand, has facilitated the prediction of human dynamics in a wide spectrum of aspects, including public health, emergency response, decision making, and social equity promotion, and will also bring unintended challenges for Digital Earth, such as rumors and location spoofing on the other. Considering the multifaceted implications, this chapter calls for GIScientists to raise their awareness of the complex impacts of social media, to model the geographies of social media, and to understand ourselves as a unique species living both on the Earth and in Digital Earth.
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Neresini, Federico. "Social Aspects of Biobanking: Beyond the Public/Private Distinction and Inside the Relationship Between the Body and Identity." In The International Library of Ethics, Law and Technology, 65–78. Dordrecht: Springer Netherlands, 2011. http://dx.doi.org/10.1007/978-94-007-1673-5_5.

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Jarke, Juliane. "Learning from Co-creation Practice." In Public Administration and Information Technology, 179–201. Cham: Springer International Publishing, 2020. http://dx.doi.org/10.1007/978-3-030-52873-7_8.

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Abstract This chapter reflects on the learnings from the three co-creation projects featured in this book and attends to the central research questions posed in the introduction. In sum, the chapter presents nine learning points. These cover very different aspects of co-creation ranging from the different roles local government, social care service providers, intermediaries and older citizens may assume, to the implications of embedding co-creation processes in existing service portfolios and strategic policies. The chapter furthermore reflects on different types of co-creation methods (e.g. cultural probes, data tables, data walks) and how they allow for meaningful participation and sharing of knowledge. Ultimately the chapter considers to what extent the openness of a co-creation process impacts on the sustainability of its results and the ways in which co-creation may contribute to joint socio-technical future-making.
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Conference papers on the topic "Social aspects of Public sculpture"

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Zhang, Lijuan. "Application of Ceramic Sculpture in Public Environment." In 2016 International Conference on Contemporary Education, Social Sciences and Humanities. Paris, France: Atlantis Press, 2016. http://dx.doi.org/10.2991/iccessh-16.2016.99.

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Holopainen, Jussi, Andrés Lucero, Hannamari Saarenpää, Timo Nummenmaa, Abdallah El Ali, and Tero Jokela. "Social and privacy aspects of a system for collaborative public expression." In the 8th International Conference. New York, New York, USA: ACM Press, 2011. http://dx.doi.org/10.1145/2071423.2071452.

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Ma, Kun, Runyuan Sun, and Ajith Abraham. "Toward a lightweight framework for monitoring public clouds." In 2012 Fourth International Conference on Computational Aspects of Social Networks (CASoN). IEEE, 2012. http://dx.doi.org/10.1109/cason.2012.6412429.

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PATRU, Radu. "ASPECTS REGARDING THE STATE AS THE MAIN SUBJECT OF PUBLIC INTERNATIONAL LAW." In 6th SWS International Scientific Conference on Social Sciences ISCSS 2019. STEF92 Technology, 2019. http://dx.doi.org/10.5593/sws.iscss.2019.1/s02.007.

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Sorio, Enrico, Alberto Bartoli, and Eric Medvet. "A look at hidden web pages in Italian public administrations." In 2012 Fourth International Conference on Computational Aspects of Social Networks (CASoN). IEEE, 2012. http://dx.doi.org/10.1109/cason.2012.6412417.

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Bundin, Mikhail, and Aleksei Martynov. "Legal and Ethical Aspects of Social Media Use by Public Employees in Russia." In ICEGOV '17: 10th International Conference on Theory and Practice of Electronic Governance. New York, NY, USA: ACM, 2017. http://dx.doi.org/10.1145/3047273.3047337.

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Berezin, Andrey. "ECONOMIC AND LEGAL ASPECTS OF THE PUBLIC-PRIVATE PARTNERSHIP MODEL DEVELOPMENT IN RUSSIA." In 2nd International Multidisciplinary Scientific Conference on Social Sciences and Arts SGEM2015. Stef92 Technology, 2015. http://dx.doi.org/10.5593/sgemsocial2015/b22/s6.020.

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Dai, Jiajie, and Shuixing Yu. "Subjective Aspects in the Process of Administrative Penalty." In Proceedings of the 2nd International Conference on Social Science, Public Health and Education (SSPHE 2018). Paris, France: Atlantis Press, 2019. http://dx.doi.org/10.2991/ssphe-18.2019.64.

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OGRYZEK, Marek, and Krzysztof RZĄSA. "THE SOCIAL ASPECTS OF RURAL DEVELOPMENT POLICY." In RURAL DEVELOPMENT. Aleksandras Stulginskis University, 2018. http://dx.doi.org/10.15544/rd.2017.153.

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The rural development policy of the Agricultural Property Stock of the State Treasury in Poland (APS) is conducted by The Agricultural Property Agency – APA (since 1.09.2017 – The National Centre for Agriculture Support). The property managed by the APA includes agricultural land, forests, farm buildings, residential buildings as well as equipment and devices that are part of the social, technical, production, commercial and service infrastructure. The aim of research was to proof the influence of the gratuitous transfer of land from the APS to local government units, to engage them in social activities. The main methods used for it were: the analyse of legal acts in Poland, the analyse of reports and statistic data from APA and method of cartographic presentation – quantitative, cartogram. This article focuses on the social aspects of the APA’s operations, based on an analysis of the data supplied by the Regional Branch of the Agricultural Property Agency in Olsztyn. The results of the analyses were presented in table format. The rural development policy concerning the performance of public purposes in rural areas was analysed. The obtained information and materials were analysed to identify social investments carried out on agricultural land donated to local authorities from Agricultural Property Stock of the State Treasury. The results were used to analyse and describe the social aspects of the APA’s operations in rural area in Poland. Rural areas require various types of social assistance services. The Agricultural Property Agency has successfully fostered social development in rural areas, and it has the required resources and experience to continue that mission.
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Machyniak, Jan. "POLITICAL ASPECTS AS A DETERMINANT OF PUBLIC ADMINISTRATION FUNCTIONING- THE CASE OF SLOVAKIA AFTER 1989." In 2nd International Multidisciplinary Scientific Conference on Social Sciences and Arts SGEM2015. Stef92 Technology, 2015. http://dx.doi.org/10.5593/sgemsocial2015/b21/s4.030.

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Reports on the topic "Social aspects of Public sculpture"

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Zinenko, Olena. THE SPECIFICITY OF INTERACTION OF JOURNALISTS WITH THE PUBLIC IN COVERAGE OF PUBLIC EVENTS ON SOCIAL TOPICS. Ivan Franko National University of Lviv, February 2021. http://dx.doi.org/10.30970/vjo.2021.49.11056.

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Consideration of aspects of the functioning of mass media in society requires a comprehensive approach based on universal media theory. The article presents an attempt to consider public events in terms of a functional approach to understanding the media, proposed by media theorist Dennis McQuayl in the theory of mass communication. Public events are analyzed, on the one hand, as a complex object of journalistic reflection and, on the other hand, as a situational media that examines the relationship of agents of the social and media fields in the space of communication interaction. Taking into account philosophical approaches to the interpretation of the concept of event, considering its semantic spectrum, specificity of use and synonyms in the Ukrainian language, a working definition of the concept of public event is given. Based on case-analysis of public events, In accordance with the functions of the media the functions of public events are outlined. This is is promising for the development of study on typology of public events in the context of mass communication theory. The realization of the functions of public events as situational media is illustrated with such vivid examples of cultural events as «Gogolfest» and «Book Forum in Lviv». The author shows that a functional approach to understanding public events in society and their place in the space of mass communication, opens prospects for studying the role of media in reflecting the phenomena of social reality, clarifying the presence and quality of communication between media producers and media consumers.
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Yatsymirska, Mariya. SOCIAL EXPRESSION IN MULTIMEDIA TEXTS. Ivan Franko National University of Lviv, February 2021. http://dx.doi.org/10.30970/vjo.2021.49.11072.

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The article investigates functional techniques of extralinguistic expression in multimedia texts; the effectiveness of figurative expressions as a reaction to modern events in Ukraine and their influence on the formation of public opinion is shown. Publications of journalists, broadcasts of media resonators, experts, public figures, politicians, readers are analyzed. The language of the media plays a key role in shaping the worldview of the young political elite in the first place. The essence of each statement is a focused thought that reacts to events in the world or in one’s own country. The most popular platform for mass information and social interaction is, first of all, network journalism, which is characterized by mobility and unlimited time and space. Authors have complete freedom to express their views in direct language, including their own word formation. Phonetic, lexical, phraseological and stylistic means of speech create expression of the text. A figurative word, a good aphorism or proverb, a paraphrased expression, etc. enhance the effectiveness of a multimedia text. This is especially important for headlines that simultaneously inform and influence the views of millions of readers. Given the wide range of issues raised by the Internet as a medium, research in this area is interdisciplinary. The science of information, combining language and social communication, is at the forefront of global interactions. The Internet is an effective source of knowledge and a forum for free thought. Nonlinear texts (hypertexts) – «branching texts or texts that perform actions on request», multimedia texts change the principles of information collection, storage and dissemination, involving billions of readers in the discussion of global issues. Mastering the word is not an easy task if the author of the publication is not well-read, is not deep in the topic, does not know the psychology of the audience for which he writes. Therefore, the study of media broadcasting is an important component of the professional training of future journalists. The functions of the language of the media require the authors to make the right statements and convincing arguments in the text. Journalism education is not only knowledge of imperative and dispositive norms, but also apodictic ones. In practice, this means that there are rules in media creativity that are based on logical necessity. Apodicticity is the first sign of impressive language on the platform of print or electronic media. Social expression is a combination of creative abilities and linguistic competencies that a journalist realizes in his activity. Creative self-expression is realized in a set of many important factors in the media: the choice of topic, convincing arguments, logical presentation of ideas and deep philological education. Linguistic art, in contrast to painting, music, sculpture, accumulates all visual, auditory, tactile and empathic sensations in a universal sign – the word. The choice of the word for the reproduction of sensory and semantic meanings, its competent use in the appropriate context distinguishes the journalist-intellectual from other participants in forums, round tables, analytical or entertainment programs. Expressive speech in the media is a product of the intellect (ability to think) of all those who write on socio-political or economic topics. In the same plane with him – intelligence (awareness, prudence), the first sign of which (according to Ivan Ogienko) is a good knowledge of the language. Intellectual language is an important means of organizing a journalistic text. It, on the one hand, logically conveys the author’s thoughts, and on the other – encourages the reader to reflect and comprehend what is read. The richness of language is accumulated through continuous self-education and interesting communication. Studies of social expression as an important factor influencing the formation of public consciousness should open up new facets of rational and emotional media broadcasting; to trace physical and psychological reactions to communicative mimicry in the media. Speech mimicry as one of the methods of disguise is increasingly becoming a dangerous factor in manipulating the media. Mimicry is an unprincipled adaptation to the surrounding social conditions; one of the most famous examples of an animal characterized by mimicry (change of protective color and shape) is a chameleon. In a figurative sense, chameleons are called adaptive journalists. Observations show that mimicry in politics is to some extent a kind of game that, like every game, is always conditional and artificial.
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Battakhov, P. P. MAIN PROVISIONS OF SOCIAL ENTERPRISE IN RUSSIA. DOICODE, 2020. http://dx.doi.org/10.18411/2276-6598-2020-58823.

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This article discusses the concept of the social orientation of activity and the entrepreneurial approach at the level of the Russian Federation, including a number of aspects of the legal regulation of public relations between organizations of state power and social entrepreneurs. The main problem of the study is the study of the sequence of the assignment of the status of a social enterprise by the authorities Russia at the federal level. Currently, the question is being raised about the adoption of a separate federal legislative act "On the development of small and medium-sized enterprises in the Russian Federation." The introduction of the relevant law is necessary, since the reasons are the basis for the inevitability of consideration of public problems and the adoption of relevant official documents in all regions of the Russian Federation.
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Ripoll, Santiago, Jennifer Cole, Olivia Tulloch, Megan Schmidt-Sane, and Tabitha Hrynick. SSHAP: 6 Ways to Incorporate Social Context and Trust in Infodemic Management. Institute of Development Studies (IDS), January 2021. http://dx.doi.org/10.19088/sshap.2021.001.

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Information epidemiology or infodemiology is the study of infodemics - defined by the World Health Organization as an overabundance of information, some accurate and some not, that occurs during a pandemic or other significant event that may impact public health. Infodemic management is the practice of infodemiology and may sit within the risk communication and community engagement (RCCE) pillar of a public health response. However, it is relevant to all aspects of preparedness and response, including the development and evaluation of interventions. Social scientists have much to contribute to infodemic management as, while it must be data and evidence driven, it must also be built on a thorough understanding of affected communities in order to develop participatory approaches, reinforce local capacity and support local solutions.
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Ripoll, Santiago, Jennifer Cole, Olivia Tulloch, Megan Schmidt-Sane, and Tabitha Hrynick. SSHAP: 6 Ways to Incorporate Social Context and Trust in Infodemic Management. Institute of Development Studies (IDS), January 2021. http://dx.doi.org/10.19088/sshap.2021.001.

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Information epidemiology or infodemiology is the study of infodemics - defined by the World Health Organization as an overabundance of information, some accurate and some not, that occurs during a pandemic or other significant event that may impact public health. Infodemic management is the practice of infodemiology and may sit within the risk communication and community engagement (RCCE) pillar of a public health response. However, it is relevant to all aspects of preparedness and response, including the development and evaluation of interventions. Social scientists have much to contribute to infodemic management as, while it must be data and evidence driven, it must also be built on a thorough understanding of affected communities in order to develop participatory approaches, reinforce local capacity and support local solutions.
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Schmidt-Sane, Megan, Tabitha Hrynick, Jennifer Cole, Santiago Ripoll, and Olivia Tulloch. SSHAP: 6 Ways to Incorporate Social Context and Trust in Infodemic Management. Institute of Development Studies (IDS), January 2021. http://dx.doi.org/10.19088/sshap.2021.009.

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Information epidemiology or infodemiology is the study of infodemics - defined by the World Health Organization as an overabundance of information, some accurate and some not, that occurs during a pandemic or other significant event that may impact public health. Infodemic management is the practice of infodemiology and may sit within the risk communication and community engagement (RCCE) pillar of a public health response. However, it is relevant to all aspects of preparedness and response, including the development and evaluation of interventions. Social scientists have much to contribute to infodemic management as, while it must be data and evidence driven, it must also be built on a thorough understanding of affected communities in order to develop participatory approaches, reinforce local capacity and support local solutions.
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Buraschi, Daniel, and Dirk Godenau. How does Tenerife society perceive immigration? Observatorio de la Inmigración de Tenerife. Departamento de Geografía e Historia. Universidad de La Laguna. Tenerife, 2020. http://dx.doi.org/10.25145/r.obitfact.2019.15.

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The social perceptions of immigration and the attitudes that Tenerife society has towards immigrants are essential aspects of the dynamics of intercultural coexistence. The Tenerife Immigration Observatory has conducted research that has shows that in general terms the society in Tenerife has a positive perception of immigration, although there is a generalized perception of comparative grievance, based on the idea that migrants are treated more favourably by public institutions
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