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1

Januchta-Szostak, Anna. "METHODOLOGY OF VISUAL ART LOCALIZATION IN PUBLIC SPACES ON EXAMPLE OF POZNAN CITY." Journal of Architecture and Urbanism 31, no. 1 (March 31, 2007): 29–38. http://dx.doi.org/10.3846/13921630.2007.10697086.

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In the times of unification of cultural patterns the art in public areas takes on a very responsible role – creating cognitive map and emphasizing identity of the place. Valuable architectural and sculpture monuments take deserved top position in creating unique townscape. But not only spectacular buildings create the image of the city, sometimes inconspicuous sculptures become city symbols. The subject of research conveyed by the author in Poznan was the quality of public areas and possibilities of making them more attractive by introducing monuments and water elements. Autor define the typology of public art objects (considering their function, form and scale) and methodology of lacalization from the city-scale (according to the viewing popularity aspects and rank of the place) to the csale of indyvidual urban interior. The spatial and social role of sculpture in urban area was analized on examples of public places in Poznan. Vizualinio meno lokalizacijos viešosiose erdvėse metodologija poznanės pavyzdžiu Santrauka Vienodėjant kultūriniams kontekstams viešųjų erdvių menas įgyja ypatingą ir labai svarbią reikšmę kaip atpažinimo elementais atskleidžiantis ir pabrėžiantis vietos identitetą. Vertingi architektūriniai ir skulptūriniai elementai tampa svarbiausiais unikalių miestovaizdžių formantais. Tačiau ne tik įspūdingi statiniai kuria miesto vaizdą. Kartais niekuo neišsiskiriančios, vos pastebimos skulptūros tampa miesto simboliais. Tyrimo, atlikto Poznanės mokslininkės, tema yra viešųjų erdvių kokybė ir galimybė padidinti jų patrauklumą meno kūriniais ir vandens elementais. Autorė apibrėžė viešojo meno objektų tipologiją, įvertindama jų paskirtį, formą ir mastelį, ir lokalizacijos metodiką nuo viso miesto masto iki mažiausiojo mastelio nominalių erdvių, įvertindama apžvalgos populiarumą ir vietos kategoriją. Poznanės pavyzdžiu išanalizuotas tiek erdvinis, tiek visuomeninis miesto skulptūrų vaidmuo.
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Zobec, Marco, Oliver Betz, and Philipp Andreas Unterweger. "Perception of Urban Green Areas Associated with Sociodemographic Affiliation, Structural Elements, and Acceptance Stripes." Urban Science 4, no. 1 (February 8, 2020): 9. http://dx.doi.org/10.3390/urbansci4010009.

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The extensification (opposite of intensification) of urban public green spaces offers great potential for conservation. One major issue for the long-term success of such a measure is, however, its acceptance by the urban population. This contribution presents the results of an image-based online questionnaire that we set to elucidate the role of sociodemographic affiliations regarding the perception of urban green areas. We also asked whether acceptability can be increased by the presence of additional structural elements (sculptures, benches) and “acceptance stripes”, i.e., stripes regularly mowed only at the margins of a natural green space. Regarding structural elements, 40- to 60-year-olds consistently rejected intensely maintained lawns and perceived a lawn as positive only in combination with a sculpture. A regularly mowed acceptance stripe resulted in a positive perception of natural meadows by people with an affinity for city life, classified based on their actual place of residence and/or their social dimension including aspects such as sense of place, familiarity, profession, and interests. Thus, decision-making processes of policy makers must be evaluated together with the urban population and should be assessed multidimensionally, i.e., by considering various criteria (e.g., ecological, social, and aesthetic aspects) in order to meet the requirements of residents and achieve an increase in biodiversity.
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Smith, R. R. R. "The Public Image of Licinius I: Portrait Sculpture and Imperial Ideology in the Early Fourth Century." Journal of Roman Studies 87 (November 1997): 170–202. http://dx.doi.org/10.2307/301374.

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Ancient history, it could be said, is composed of long and broad bands of unchanging social and political culture, punctuated in the upper levels by periods of upheaval and re-orientation. Ancient art works document and make visible both aspects: numbing continuity and static production on the one hand and sudden shifts and sharp turns in representation on the other. This paper takes as an example one of those periods of highly-charged visual re-orientation, the early fourth century A.D., and is intended as an alternative to the discussion and explanation of ancient images in this period in terms of artistic and formal processes. It aims to set an unusual and fat-faced late antique portrait (Pl. I) in its proper context alongside the thin-faced portraits of a better known figure (Pl. XII), and looks at the wider implications of this for the interpretation of imperial portrait sculpture as a significant expression of political ideology. The leanfaced man is Constantine, the other it will be argued is Licinius.
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4

Hlushko, Mariia. "Representation of Emmanuil Mysko's works on the pages of art magazines." Bulletin of Lviv National Academy of Arts, no. 40 (July 26, 2019): 38–45. http://dx.doi.org/10.37131/2524-0943-2019-40-5.

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This paper analyzes art magazines and other periodicals in the context of the presentation of works by the famous sculptor Emmanuil Mysko, who holds a special place in the fine arts of Ukraine. The research material provides a brief overview of publications in art magazines and other periodicals that thoroughly acquaint the reader with the formation and evolution of Emmanuil Mysko's creative path. The focus is made on a holistic analysis of articles by art historians describing the artist's work, as well as publications containing only specific references to him. A number of well-known national art magazines, newspapers, newsletters, etc. covering the cultural and artistic events were selected for the study, namely, the magazine of the National Union of Artists of Ukraine "Fine Arts", "Art" magazine, "Free Ukraine" newspaper, Bulletin of the Lviv National Academy of Arts , "People's Notebooks", "Art Horizons" and others. The study outlines a number of trends regarding the presentation of material about Emmanuil Mysko, through which it can be argued that each of the authors tried to highlight as much as possible the key aspects of Emmanuil Mysko's activity in the field of monumental and decorative sculpture and to emphasize his contribution to the development of Ukrainian art. It is revealed that the talent, pedagogical and social activity, human qualities of Emmanuil Mysko and its impact on culture and art, have not been neglected by national scientists, art historians, researchers who in their works published on pages of art magazines and other periodicals describe various aspects of the life and work of a prominent Ukrainian sculptor, art critic, teacher, public figure Emmanuil Mysko. The need to create a structured bibliographic index has been identified, which will contain a complete list of articles on E. Mysko published since 1996, since the Bibliographic Index was published by that year. Also the main provisions and conclusions of the article can be used in the formation of the relevant sections of the new Bibliographic Index, which will become a basis for young researchers who will study the work of E. Mysko.
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5

Bogatova, O. A., and E. N. Guseva. "HISTORICAL MEMORY AND ETHNICITY IN THE URBAN ARCHITECTURAL ENVIRONMENT AS A FACTOR OF SOCIAL IDENTITY CONSTRUCTION IN THE CAPITALS OF THE RUSSIAN FEDERATION REPUBLICS ON THE EXAMPLE OF IZHEVSK AND SARANSK." Вестник Удмуртского университета. Социология. Политология. Международные отношения 3, no. 4 (December 25, 2019): 409–29. http://dx.doi.org/10.35634/2587-9030-2019-3-4-409-429.

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The article analyzes the social practices of memorization and ethnicization in the process of post-Soviet transformation of the architectural landscape of the capitals of the Finno-Ugric republics, by the republican elites with the aim of constructing a stable regional identity of the capital’s population on the example of the Republic of Mordovia and the Udmurt Republic. The purpose of the study is to identify the basic social technologies for using the cultural and symbolic aspects of the urban architectural environment, including the historical and cultural heritage, and the newly created elements for the purpose of “memorial management” and to give ethnic flavor, the trends in their evolution and the main results of using such technologies in the post-Soviet period. Based on the data of standardized observation, the intensity of the concentration of ethnicization of the urban architectural environment is compared, the main places of concentration of signs of ethnicity and historical memory in the urban space of Izhevsk and Saransk, common features, strategic features, results and limitations in the research perspective of sociological concepts of identity politics, historical politics, city sociology, public spaces, “places” and “non-places” are identified. The main verbal (language of signs, slogans), monumental (sculpture, commemorative signs, architectural decoration of buildings, stairs, fountains, etc.), visual (social advertising, ethnic symbols in illuminations, holiday decoration of buildings) means of ethnicization of urban environment design are described, as well as architectural images that indicate alternative ethnic strategies for the formation of the capital’s identity. The general trends and problems associated with the redevelopment of the urban environment and the transformation of “arrogant” Soviet public spaces into places of recreation and communication are revealed. Among the limitations of the effectiveness of the historical policy and the policy of ethnicization of urban spaces, the author considers the conscious implementation of alternative strategies for the formation of urban identity by various social actors, the binding of iconic architectural objects to “empty” pseudo-public spaces or sports facilities that are not “anchor” objects, the creation of symbolic transit spaces in the status of “non-places”, the visual ethnic specificity of which is not available to those who use them.
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Chirico, Robert. "From Cave to Caféé: Artists' Gatherings." Gastronomica 2, no. 4 (2002): 33–41. http://dx.doi.org/10.1525/gfc.2002.2.4.33.

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Historical documentation regarding public festivals and banquets continually acknowledges the alliance of painting, poetry, music, and design, but in contrast to these records, accounts of artists personal revelries remain scarce. This article discusses the festive, social, political, and artistic aspects of notable gatherings that took place over the past five centuries. Among the examples mentioned are the serious gatherings of Baccio Bandinelli's Academy and the meetings of the Dutch Rhetoricians (Rederijkers); the lavish parties of the 16th century artist Rustici and the modern-day Art Students League;the scandalous doings of the Dutch painters guild (Bentvueghels) in Rome and the antics of the Swedish sculptor Sergel. It also touches upon pre- and postwar banquets in Paris,Futurist and Dadaist gatherings, and the socializing of the New York School.
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7

Zheng, Jane. "“Aesthetic regime” in urban entrepreneurialism: public art venues in Shanghai." Asian Education and Development Studies 8, no. 2 (April 8, 2019): 109–25. http://dx.doi.org/10.1108/aeds-03-2017-0026.

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Purpose The purpose of this paper is to understand urban sculpture venues that emerged in the recent decade and their connections to the on-going entrepreneurial urban policies and urban strategies in Shanghai. How does this phenomenon relate to Shanghai’s urban policies? How does urban sculpture development reflect the nature and characteristics of the urban sculpture authority? Design/methodology/approach Case study is the major research method used to achieve an in-depth understanding of the developmental processes, mechanisms and characteristics of urban sculpture projects. Three cases were selected and studied using purposeful sampling methods, including Duolun Road Sculpture Project (2002), the Shanghai International Sculpture Center (2006) and the Jing’an Sculpture Park (2009). Findings A twofold main argument is established in this paper. Urban sculpture venues emerged as a new type of instrument to advance urban entrepreneurial policies; the use of this instrument, however, also involves politics in that art politically transforms the features and functions of open spaces in Shanghai. Originality/value Although scholarly interest in exploring cultural development through urban planning in the Chinese context is evident, urban sculpture planning (termed as “urban sculpture” in the Chinese ideological context) in Chinese metropolitan cities, in particular, is an unexplored topic, and thus leaves a gap in the knowledge. This paper introduces a new conceptual model, i.e., “aesthetic regime,” to describe the role of the urban sculpture authority in the development of the urban sculpture scene. It looks at the artistic representation of artworks, design of the sculpture venues, functionality of the artworks and social mechanisms for the actualization of these projects. An evolutional trend of the three sites across the decade is concerned.
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Vukotić-Lazar, Marta, and Olivera Marković-Savić. "Cultural policy and memory of the fighters of the People's Liberation War: The central role of the army in political legitimation of the new political structure." Зборник радова Филозофског факултета у Приштини 50, no. 3 (2020): 27–44. http://dx.doi.org/10.5937/zrffp50-28005.

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The fighters of the People's Liberation War (PLW) enjoyed the social prestige and the monuments of the killed fighters served the role of the ideological interests of the ruling class at the time. The aim of this paper is to show the link between the alive social actors and the chosen dead ones (fighters of the PLW, partisans) through the use of the anthropological anxiety of the cessation of life through metaphorical immortality and eternal memory. Essentially, this was the illusion for ideological foundation, special thematic and ideological orientation of sculptures within the public space. Via symbolic contents, such as monuments in this case, death is shown as the transition, that is, new beginning of life and not its end. Active involvement of a number of artists from all parts of former Yugoslavia within the units of the Partisan army in the PLW is the phenomenon which unequivocally testifies about the link of their political commitment and artistic creation, which also got particularly strong momentum immediately after the Liberation. The most important social task in the Socialist Federal Republic of Yugoslavia (SFRY) was nurturing of the revolutionary tradition, especially seen in the erection of memorials, then in (re)naming of the towns with Tito's name or the names of the local heroes, as well as streets, schools, factories, but also in organizing marches to places where the famous battles and Partisan sessions during the PLW occurred, etc. This paper, among other things, deals with extremely fruitful production of the sculptors in the liberated country, especially from the aspect of extensive social orders, which at the same time encouraged and enabled fast and diverse development of the public monuments within urban areas on the ground of the whole former Yugoslavia, whose modus operandi was reshaping of the political and ideological map of The New Yugoslavia and ideological and political battle with "relapses of the past".
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9

Amir, Muhammad Zulfadhli Amir Rasidi, Rusmadiah Anwar, and Amer Shakir Zainol. "Theoretical Framework to Analyzing Public Sculpture Form and Content." Advanced Science Letters 23, no. 8 (August 1, 2017): 7775–78. http://dx.doi.org/10.1166/asl.2017.9574.

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10

Szaja, Marta. "Social aspects of revitalization of urban public spaces." European Journal of Service Management 28 (2018): 463–69. http://dx.doi.org/10.18276/ejsm.2018.28/2-55.

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11

Joos, W., V. Carabias, H. Winistoerfer, and A. Stuecheli. "Social aspects of public waste management in Switzerland." Waste Management 19, no. 6 (October 1999): 417–25. http://dx.doi.org/10.1016/s0963-9969(99)00087-3.

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12

Holubets, Orest. "Ukrainian sculpture of the late XX – early XXI centuries: diffusion effect." Bulletin of Lviv National Academy of Arts, no. 41 (December 26, 2019): 4–10. http://dx.doi.org/10.37131/2524-0943-2019-41-01.

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The article presents the consistent historical development of Ukrainian sculpture of the late XX - early XXI centuries. The reasons for the slow progress in the implementation of innovative ideas and technologies in three-dimensional plastics are emphasized by the continued use of the post-Soviet terminological concept of "Easel sculpture" and the monopoly of generations of experienced masters. The final selection and vision of creative works of young sculptors, was determined by older generation sculptors. The creative work of the artists who determined the progressive characteristics of Ukrainian sculpture is analyzed. They are conditionally divided into three generations. Three directions of blurring the traditional boundaries of the sculpture are analyzed. The first characterizes the appeal to the three-dimensional plastics of artists who did not study specialty in specialized departments. The second direction is characterized by a clear involvement in the sculpture of artists, who in the Soviet Union of Artists were called "applied artists". The third direction marks the exit of the sculpture within the limits of the latest art forms - installation, landscape art, body art, performance art, video art. Examples of creativity of well-known artists, new vision of sculpture, technological aspects, variety of materials are presented. The question of conceptual changes in the exhibition three-dimensional plastics, which in recent years have significantly influenced public sculpture, is being raised. It is determined that in the process of generational change, Ukrainian sculpture gets rid of post-Soviet stereotypes, becomes closer to a person, organically enters into an architectural or natural environment, and loses its usual outlines
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Mosz, Jakub. "Ancient Patterns of the Sporting Body." Physical Culture and Sport. Studies and Research 47, no. 1 (December 1, 2009): 137–43. http://dx.doi.org/10.2478/v10141-009-0041-x.

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Ancient Patterns of the Sporting BodyIn the world of ancient culture you can find images of corporeality which may be recognised as patterns of the sporting body. They come from Greek sculpture and vase painting. Among the preserved Greek cultural artefacts there can be pointed out three examples of patterns of male corporeality and one example of female corporeality connected with the world of sport. These are Polyclitus's sculptures "Doryphorus" and "Diadoumenos", Myron's sculpture "Discus Thrower", Lysippus's sculpture of "Heracles Farnese" and painting presenting Atalanta. They constitute ancient patterns of the sporting body, which are recognisable in the world of the European culture from the age of Renaissance to the 20th century. Each of those cultural artefacts points out to separate aspects of the world of sport: Polyclitus's sculptures are pictures of beauty of the body, Myron's sculpture expresses sporting movement, Lysippus's sculpture symbolises power and the figure of Atalanta is the first gender pattern in the world of sport. Ancient patterns of the sporting body perform functions of cultural archetypes in the contemporary world of sport. The contemporary sporting body is a corporeal form which is perceived and interpreted through the prism of the symbolic layer of ancient images of corporeal forms. A part of those corporeal patters has lost in European culture their sporting references, which were visible for Greek civilization. It refers to Polyclitus's sculptures and the figure of Atalanta, which was provided by Renaissance and Baroque art with a different semantic context. Research into cultural aspects of sport requires reconstruction of their sporting genealogy making it possible to construct wider interpretative contexts of contemporary corporeality. The notion of the "archetype of the sporting body" in European culture is enriched with a differentiated objective layer, which is composed of ancient patters of the sporting body encountered in social consciousness of the world of European art.
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Kuh, D. "Biosocial Aspects of Social Class." Journal of Epidemiology & Community Health 45, no. 1 (March 1, 1991): 87. http://dx.doi.org/10.1136/jech.45.1.87-a.

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Hawrysz, Liliana, and Joachim Foltys. "Environmental Aspects of Social Responsibility of Public Sector Organizations." Sustainability 8, no. 1 (December 25, 2015): 19. http://dx.doi.org/10.3390/su8010019.

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Thompson, John, and John Day. "Understanding the impact and value of temporary public art sculpture trails." Local Economy: The Journal of the Local Economy Policy Unit 35, no. 3 (May 2020): 186–208. http://dx.doi.org/10.1177/0269094220921811.

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Temporary public art sculpture trails (T-Pasts) have been used for over 20 years around the world to fulfil a number of objectives. They can help to generate revenue for host towns and cities; they can contribute to place branding; they can provide entertainment for residents and visitors; and they can raise funds for designated charitable causes. They typically feature object characters that have a relevance for the host place and they invariably utilise the same operational model. They receive significant local publicity and various claims are made concerning their economic, social and aesthetic impact. But there is a case to be made that they are ‘hidden in plain sight’ as some people will walk or drive past exhibits without ever seeing them. In this article, we track the history of T-Pasts, categorise them into different types, examine their value for different stakeholders, discuss their various impacts and offer a conceptual impact model. We conclude the article with a discussion that contextualises T-Pasts in relevant themes, including place enabling and place building, and also the significance of the temporary element.
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Corner, Lynne, Katie Brittain, and John Bond. "Social aspects of ageing." Women's Health Medicine 3, no. 2 (March 2006): 78–80. http://dx.doi.org/10.1383/wohm.2006.3.2.78.

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WALSH, LINDA. "THE “HARD FORM” OF SCULPTURE: MARBLE, MATTER AND SPIRIT IN EUROPEAN SCULPTURE FROM THE ENLIGHTENMENT THROUGH ROMANTICISM." Modern Intellectual History 5, no. 3 (November 2008): 455–86. http://dx.doi.org/10.1017/s1479244308001765.

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The apparently distinct aesthetic values of naturalism (a fidelity to external appearance) and neoclassicism (with its focus on idealization and intangible essence) came together in creative tension and fusion in much late eighteenth-century and early nineteenth-century sculptural theory and practice. The hybrid styles that resulted suited the requirements of the European sculpture-buying public. Both aesthetics, however, created difficulties for the German Idealists who represented a particularly uncompromising strain of Romantic theory. In their view, naturalism was too closely bound to the observable, familiar world, while neoclassicism was too wedded to notions of clearly defined forms. This article explores sculptural practice and theory at this time as a site of complex debates around the medium's potential for specific concrete representation in a context of competing Romantic visions (ethereal, social and commercial) of modernity.
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Аманжолова, Дина, and Dina Amanzholova. ""The only beauty is truth that become visible" (Urban sculpture as the factor of ethnical and civil identity construction in post-Soviet societies)." Service & Tourism: Current Challenges 7, no. 4 (December 24, 2013): 18–28. http://dx.doi.org/10.12737/1867.

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Author presents comparative analysis of urban sculpture in Kiev and Astana as important factors for construction of ethnical and civil identity in post-Soviet reality. Particular attention is paid to disbalance and continuity of present life with Soviet past, specifi cs and contradiction of ethno-social and cultural politics of Ukraine and Kazakhstan, sculpture plastics as the element of modern urban area for basic components of public conscience formation and value reference points of complex system of self-identifi cation in post-Soviet societies.
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Sidorchuk, Anatolii. "Theoretical aspects of state social security." Ukrainian society 2012, no. 3 (2012): 105–20. http://dx.doi.org/10.15407/socium2012.03.105.

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Theoretical bases of social security are presented, that, coming from logic of research, expresses ability of the state by the specially created collective insurance funds to satisfy the necessities of payers of insurance payments and relievers taking into account private and public interests.
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García Ubaque, Juan Carlos. "Cultural aspects regarding public health." Revista de Salud Pública 16, no. 4 (September 6, 2014): 489–90. http://dx.doi.org/10.15446/rsap.v16n4.52752.

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It is often perceived that cultural aspects represent a limitation which must be considered when regarding the development and implementation of public health intervention activities is often perceived, usually because there are varying degrees of difficulty concerning relationships, communication and understanding between communities and experts in this particular field. Nevertheless, different social groups’ beliefs and practices still survive and carry great force when addressing the various issues of interest regarding public health, as shown by the articles in this issue of the journal on such issues as cardiovascular risk factors, smoking and alcohol consumption, breastfeeding, physical activity, health service access, nutrition, healthcare team-patient-family relationship or implementing specific risk eradication, control or mitigation actions. However, there is relatively little public health-related information concerning how this issue can be understood and addressed, possibly because consensus is still lacking between sociologists and anthropologists working in the healthcare field. It would thus seem clear that more research is needed in this field, so that, while advances have been made regarding a situational description, advances should also be made in constructing diagnostic and intervention methodologies which would be truly accessible to those who (without being experts on this topic) are taking on the operational work amongst communities, so that cultural matters cease being a barrier and become rather an opportunity for the collective reconstruction of knowledge and practice regarding public health It may be realistic to consider formal and informal regulatory aspects, a sense of identity and belonging to a particular group and implicit or explicit power and control mechanisms incorporated into a group of interest’s everyday life as themes and possible starting points for such an approach. It is thus important to approach how these aspects are expressed in the home, jobs and public spaces (i.e. the three major areas of modern life) and as embodied in speech, language, customary practices, relationships and social organisation.
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Markovic, Aleksandra. "Social aspects of ethnic conflicts in Temerin." Sociologija 55, no. 1 (2013): 69–90. http://dx.doi.org/10.2298/soc1301069m.

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Ethnic tensions and conflicts in Temerin, a town located close to the capital of Vojvodina, Novi Sad, have attracted the attention of both the Serbian public and the public of Hungarian national minority in Vojvodina. The paper relates ethnic conflicts in Temerin with non-ethnic social dimensions. Generally, the author tests modernisation theory, as an example of developmentalist theory, as well as interactionist and instrumentalist theories of ethnicity. Particularly, the paper provides corroboration test of the ethnic competition hypothesis, posed by Sarah Belanger and Maurice Pinard, which specifies conditions that transform ethnic competition into ethnic conflict. Finally, the study has revealed that material status has no influence on national intolerance. However, at the level of ethnic groups, the issues of public usage of language and positioning in the labour market are related to the ethnic conflicts in Temerin.
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Shirey, Heather. "Engaging Black European Spaces and Postcolonial Dialogues through Public Art: Yinka Shonibare’s Nelson’s Ship in a Bottle." Open Cultural Studies 3, no. 1 (January 1, 2019): 362–72. http://dx.doi.org/10.1515/culture-2019-0031.

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Abstract Yinka Shonibare’s Nelson’s Ship in a Bottle, installed on the Fourth Plinth of London’s Trafalgar Square from May 24, 2010, to January 30, 2012, temporarily transformed a space dominated by the 19th-century monumental sculpture of Lord Horatio Nelson, Britain’s most famous naval hero. When installed in Trafalgar Square, Shonibare’s model ship in a bottle, with its sails made of factory-printed textiles associated with West African and African-European identities, contrasted dramatically with the bronze and stone that otherwise demarcate traditional sculpture. Shonibare’s sculpture served to activate public space by way of its references to global identities and African diasporic culture. Shonibare’s Nelson’s Ship, this paper argues, inserted a black diasporic perspective into Trafalgar Square, offering a conspicuous challenge to the normative power that defines social and political space in Great Britain. The installation in Trafalgar Square was only temporary, however, and the work was later moved to the National Maritime Museum in Greenwich, where it is on permanent display. This paper provides an investigation of the deeper historical references Shonibare made to the emergence of transnational identities in the 19th century and the continued negotiation of these identities today by considering the installation of Nelson’s Ship in a Bottle in relation to both sites.
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Zembylas, Michalinos. "The emotional aspects of leadership for social justice." Journal of Educational Administration 48, no. 5 (August 17, 2010): 611–25. http://dx.doi.org/10.1108/09578231011067767.

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Lehto, K. "Finland ∙ Environmental and Social Aspects of Public Procurement in Finland." European Procurement & Public Private Partnership Law Review 12, no. 3 (2017): 346–51. http://dx.doi.org/10.21552/epppl/2017/3/15.

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Dvořáčková, Dagmar, Romana Belešová, Alena Kajanová, and Brahim Bergougui. "Health and social aspects of homelessness." Kontakt 18, no. 3 (September 30, 2016): e179-e183. http://dx.doi.org/10.1016/j.kontakt.2016.08.004.

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Ferreira, Fabiane Ribeiro, Cibele Comini César, Fabíola Bof de Andrade, Paulo Roberto Borges de Souza Junior, Maria Fernanda Lima-Costa, and Fernando Augusto Proietti. "Aspects of social participation and neighborhood perception." Revista de Saúde Pública 52, Suppl 2 (January 29, 2019): 18s. http://dx.doi.org/10.11606/s1518-8787.2018052000647.

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OBJECTIVE: To determine the impact of the physical and social surroundings of the neighborhood, which are presented as facilitators or barriers for the social participation of Brazilian older adults. METHODS: The study was conducted in a probabilistic representative sample of the Brazilian population aged 50 years and older and who lived in urban areas (n = 7,935). The response variable was social participation, which was defined from two questions about activities performed with other persons: visited friends or relatives in their homes in the last 12 months (yes, no); went out with other persons to public places, such as restaurant, movies, club, park, in the last 12 months (yes, no). The explanatory variables included fear of falling because of defects in sidewalks, concern about the difficulty to get on a bus, subway, or train, difficulty to cross streets, and perception of violence in the neighborhood. Potential confounding variables included age, marital status, education level, self-rated health, living in an asphalted or paved street, time living in the municipality, and socioeconomic position score. Prevalence ratios and respective confidence intervals were estimated using Poisson regression. RESULT: Difficulty to cross streets presented an independent association with restricted social participation (PR = 0.95; 95%CI 0.93–0.98) among both women (PR = 0.96; 95%CI 0.92–0.99) and men (PR = 0.94; 95%CI 0.90–0.99). Concern about the difficulty to get on a bus, subway, or train was associated with the outcome only among men (PR = 0.95; 95%CI 0.91–0.99). The fear of falling because of defects in sidewalks and the perception of violence in the neighborhood were not associated with social participation. CONCLUSIONS: Urban characteristics that hinder the crossing of streets and accessibility to public transport can be inferred as important barriers for the social participation of Brazilian older adults.
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Scappaticci, Anne Lise Silveira, and Sergio Luis Blay. "Homeless teen mothers: social and psychological aspects." Journal of Public Health 17, no. 1 (June 4, 2008): 19–26. http://dx.doi.org/10.1007/s10389-008-0195-8.

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29

Woodward, Robin. "People, Place, Public: The Public Art of Nic Moon." Back Story Journal of New Zealand Art, Media & Design History, no. 4 (September 19, 2018): 19–37. http://dx.doi.org/10.24135/backstory.vi4.3.

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In the realm of public art, New Zealand artist Nic Moon’s practice extends from permanent outdoor sculpture to ephemeral, site-responsive installations and staged public events. Such a range spans the trajectory of contemporary public art, a genre which theorists struggle to define categorically: historical precedents for public art offer no template for the present or for the future. Working in conjunction with mana whenua iwi, local government agencies, art institutions, museums, architects and the community¸ Moon creates large-scale object art as well as temporary and relocatable works, circumstantial installations, public artworks as utilities, and ephemeral art with a short life span. Her public art encompasses a broad spectrum of forms while speaking constantly of human ecology - the interdisciplinary study of relationships between people, our social systems and our environments. It is these relationships that underpin the work of Moon who, in common with new genre public artists internationally, is prepared to work outside the historical framework of public art to engage her audience in socially conscious, political art.
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Bröchner, Jan, Carolina Camén, Henrik Eriksson, and Rickard Garvare. "Quality and legal aspects in public care procurement." TQM Journal 28, no. 4 (June 13, 2016): 648–63. http://dx.doi.org/10.1108/tqm-09-2014-0075.

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Purpose – The purpose of this paper is to assess the applicability of care quality concepts as contract award criteria for public procurement of health and social care, using the case of Sweden. Design/methodology/approach – Based on a literature review, European and Swedish legal texts, government regulations as well as 26 Swedish court review cases concerning care procurement have been analysed. Findings – Methods used for assessing care quality are seldom useful for predicting the quality to be delivered by a potential contractor. Legal principles of transparency and equal treatment of tenderers make it necessary to apply strict requirements for verification. Research limitations/implications – Results refer primarily to a Swedish context but could be applicable throughout the EU. Further studies of relations between award criteria and public/private collaborative practices for improving care quality during contractual periods are desirable. Practical implications – Local and regional procurement officials should benefit from a better understanding of how quality criteria should be designed and applied to the award procedures for care contracts. Care providers in the private sector would also be able to develop their quality strategies and present their abilities more efficiently when tendering for public contracts. Social implications – Issues of quality of health and social care are of obvious importance for social sustainability. Public awareness of care quality problems is evident and often a cause of media concern. Originality/value – This investigation pinpoints the difference between traditional care quality thinking and the legal principles underlying contract award in public procurement of care services.
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Majerová, Věra. "Social Aspects Of Rural Community Development." Acta Regionalia et Environmentalica 12, no. 1 (May 1, 2015): 11–14. http://dx.doi.org/10.1515/aree-2015-0003.

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Abstract A well-balanced relationship between economic and social progress is the main prerequisite of rural community stability. Economic development is influenced by many factors. Some of these are statistically discoverable and quantifiable, while others, which fall within the sphere of social relations and their identification, are more difficult to measure and interpret. Czech rural areas face many problems which arise from their specific features – socio-demographic structure, job possibility of various social groups, provision of the proper level of public services, transport accessibility, etc. However, there is no direct connection between economic factors and mutual relations within the rural community. Values, opinions and the behavioural patterns of people are immediately displayed in a locality, but their character is shaped by the regional and national assumptions of every stage of development. Contributions are drawn from the accessible literature and secondary data of empirical research projects.
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Davies, Martin F. "SELF-CONSCIOUSNESS AND THE COMPLEXITY OF PRIVATE AND PUBLIC ASPECTS OF IDENTITY." Social Behavior and Personality: an international journal 24, no. 2 (January 1, 1996): 113–18. http://dx.doi.org/10.2224/sbp.1996.24.2.113.

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Complexity of private and public aspects of the self was investigated as a function of private and public self-consciousness. Using a sorting task to assess self-complexity, it was found that private self-consciousness was associated with greater complexity of private aspects but not public aspects of the self, whereas public self-consciousness was associated with greater complexity of public aspects but not private aspects of the self. These findings complement and extend previous research on the articulation of self-schemas as a function of self-consciousness.
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Cook, Fay Lomax, and Edith J. Barrett. "Public support for social security." Journal of Aging Studies 2, no. 4 (December 1988): 339–56. http://dx.doi.org/10.1016/0890-4065(88)90020-5.

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34

Nenu, Carmen Constantina. "ANALYSIS OF NORMATIVE AND SOCIAL ASPECTS OF PUBLIC PROTECTION OF WAGES." Agora International Journal of Juridical Sciences 8, no. 1 (February 4, 2014): 109–13. http://dx.doi.org/10.15837/aijjs.v8i1.944.

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The need to protect employee wages is based on the premise that these wages fulfill avital function of maintenance and support of the employee and his family. Wage protectiontools provided by the legislation seek to ensure the actual receipt of payment by theemployer, either wholly or in a minimal part, even when their employer is in a situation ofinsolvency or inability to meet debt payment.
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ANDERSON, PETER. "The beverage alcohol industry's social aspects organizations: a public health warning." Addiction 99, no. 11 (November 2004): 1376–77. http://dx.doi.org/10.1111/j.1360-0443.2004.00866.x.

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36

Galiano-Coronil and MierTerán-Franco. "The Use of Social Digital Networks by NGDO from a Social Marketing Perspective." Social Sciences 8, no. 6 (June 18, 2019): 192. http://dx.doi.org/10.3390/socsci8060192.

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The social marketing paradigm has been changing due to the use of digital social networks. This causes Non-Governmental Development Organizations’ efforts to focus on achieving a greater reaction from the public in these communication channels. We propose that the way forward is to analyze aspects of messages that give rise to a greater response from the audience. In this regard, we have analyzed 3608 Facebook and Twitter publications with the combination of content analysis and correlation analysis. We have considered three aspects: purpose, theme, and quality of the message. We have also listed a breakdown of quality and purpose parameters in order to become more fully acquainted with these aspects. The objectives of this research are firstly to carry out the communication profiles of the NGDOs studied from the points of view of the organizations and the public. Secondly, to analyze the reaction from the public (interactions) measured by the sum of likes plus the number of shares for each post, on Facebook and Twitter, according the parameters considered. The results showed that the most published messages from the organizations do not usually coincide with those that have the most impact on the public. Another proven aspect is that Twitter posts about behavior have more effectiveness than informative messages. Likewise, quality aspects, such as hashtags, mentions, or links, are not succeeding in generating public reaction.
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Bygren, Lars Olov. "Egalitarian Aspects of Medical and Social Services." Journal of Public Health Policy 22, no. 2 (2001): 175. http://dx.doi.org/10.2307/3343458.

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38

Haapala, Irja, Simon Biggs, and Susan Kurrle. "Social aspects of dementia and dementia practice." International Psychogeriatrics 30, no. 11 (November 2018): 1579–81. http://dx.doi.org/10.1017/s1041610218001655.

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Social aspects of dementia are becoming increasingly important as part of a wider shift in emphasis from cure to care. This is partly because approaches based on finding a cure have proved far more difficult and complex than originally imagined (WHO, 2016). New evidence on the effectiveness of public health measures, that while incidence is growing as the proportion of older people in society increases its prevalence amongst older adults is actually falling, has also lead to increased interest in social dimensions of prevention, lifestyle change, and practical intervention in community settings (Prince et al., 2016; Kivipelto et al., 2017). This, in turn, has led to a rediscovery of the role of supports to people living with dementia in their daily lives, the needs of informal carers, and professional activities that can maintain the social engagement of each party (Winblad et al., 2016). The expansion of practice around person-centered care, beyond traditional institutional settings, has also contributed to a socialized view of how interactions in dementia care are thought about (Bartlett et al., 2017), as has an increased awareness of the effects of the social construction of dementia in the public mind (Biggs, 2018). Most recently, people living with dementia, and particularly with respect to younger onset dementia, have begun to find a voice and to make connections to the wider disability movement (Dementia Alliance International, 2017). Each of these developments, in their different ways, have led to a re-emphasis on psycho-social elements of dementia, its experience, and how that might translate into clinical practice and service delivery.
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Minssen, Timo, Kevin Outterson, Susan Rogers Van Katwyk, Pedro Henrique D. Batista, Clare I. R. Chandler, Francesco Ciabuschi, Stephan Harbarth, et al. "Social, cultural and economic aspects of antimicrobial resistance." Bulletin of the World Health Organization 98, no. 12 (December 1, 2020): 823–823. http://dx.doi.org/10.2471/blt.20.275875.

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40

Nyberg, Maria, and Tenna Doktor Olsen. "Meals at work: integrating social and architectural aspects." International Journal of Workplace Health Management 3, no. 3 (September 28, 2010): 222–32. http://dx.doi.org/10.1108/17538351011078956.

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41

Míka, Vladimír. "Social aspects of competences of crisis managers." Kontakt 12, no. 1 (March 31, 2010): 74–82. http://dx.doi.org/10.32725/kont.2010.009.

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42

Adnyana, I. Wayan. "Pita Maha Social-Institutional Capital (A Social Practice on Balinese Painters in 1930s)." International Journal of Creative and Arts Studies 2, no. 2 (December 18, 2015): 51. http://dx.doi.org/10.24821/ijcas.v2i2.1798.

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Research Topic: Pita Maha Social-Institutional Capital (A Social Practice on Balinese Painters in 1930s) aims at describing creative waves of Balinese village youth in designing new paintings. The artwork is considered to be the latest development of classical paintings of Kamasan puppet. The pattern of development is not just on artistic technique, but also on aesthetic paradigm. Yet, the invention and development of painting concept, which were previously adopted from stylistic pattern of puppet Kamasan has successfully disseminated paintings as a medium of personal expression. The artist and patron consolidated art practice in the art function, which was well ordered and professional. Agents including palaces, Balinese and foreign painters as well as collectors and dealers were united in arts social movement, named Pita Maha. Despite the fact that Pita Maha also encompassed the sculpture, this research focuses more on the path of paintings. Socio-historical method is applied to explore the characteristics and models of social capital-institutional ideology that brought forth and commercialized paintings on Pita Maha generation. This topic is also an important part of the writer’s dissertation entitled Pita Maha: Social Movement on Balinese Paintings in 1930s. The discussion on socialinstitutional capital enables expansion and exploration of a more complete socio-historical construction on Pita Maha existence. The study on social capital aspects, which embodies the initiation of Pita Maha, has constructed a tremendous growth of Balinese paintings, both in terms of aesthetic “ideology”, and institutional competence of the painters.
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43

Burliai, A. P. ,., V. S. Kostyuk, L. W. Smoliy, and A. A. Osipova. "Modern theories of economic development: social aspects." Collected Works of Uman National University of Horticulture 2, no. 98 (June 20, 2021): 221–31. http://dx.doi.org/10.31395/2415-8240-2021-98-2-221-231.

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The article examines modern theories of economic development in the context of social aspects. The aim of the study is to generalize the social aspects of modern economic theories of development to determine the trajectory and possible directions of social policy. The essence and evolution of models of economic development according to the concepts of welfare are determined. Many well-known foreign researchers are interested in the causes of the wealth of some nations and the poverty and decline of others. Thus, D. Acemoglu and J. Robinson proved that the main condition for achieving the well-being of nations are economic institutions – rules that determine the social efficiency of the economy, incentives and motivations of people, rather than natural and geographical factors. Norwegian A. Reinert believes that rich countries have become rich through a combination of government intervention, strategic investment and protectionism, rather than free trade. American economist M. Olson pointed to the role of private property, taxation, public goods, collective action and contractual rights in economic development. N. Rosenberg and L. Birzdel, A. Sen, E. Duflo and A. Banerjee emphasize that the only issue they focus on is how to increase the material well-being of people, which is measured by the presence of most opportunities to choose and shape the quality of their own lives, to fight not with the consequences of poverty, but with its causes, that is, starting with public education, basic medicine and hygiene. New theoretical approaches to the interpretation of social factors of economic development and social transformations in Ukraine have also been formed in the works of Ukrainian researchers. It is established that a prerequisite for the successful development of the national economic system is to ensure the priority of man, education, health care, environmental protection, which, in turn, stimulate significant economic potential and long-term prosperity of society.
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44

Pan-ngum, Wirichada, Tassawan Poomchaichote, Giulia Cuman, Phee-Kheng Cheah, Naomi Waithira, Mavuto Mukaka, Bhensri Naemiratch, et al. "Social, ethical and behavioural aspects of COVID-19." Wellcome Open Research 5 (June 25, 2020): 90. http://dx.doi.org/10.12688/wellcomeopenres.15813.2.

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Introduction: Vaccines and drugs for the treatment and prevention of COVID-19 require robust evidence generated from clinical trials before they can be used. Decisions on how to apply non-pharmaceutical interventions such as quarantine, self-isolation, social distancing and travel restrictions should also be based on evidence. There are some experiential and mathematical modelling data for these interventions, but there is a lack of data on the social, ethical and behavioural aspects of these interventions in the literature. Therefore, our study aims to produce evidence to inform (non-pharmaceutical) interventions such as communications, quarantine, self-isolation, social distancing, travel restrictions and other public health measures for the COVID-19 pandemic. Methods: The study will be conducted in the United Kingdom, Italy, Malaysia, Slovenia and Thailand. We propose to conduct 600-1000 quantitative surveys and 25-35 qualitative interviews per country. Data collection will follow the following four themes: (1) Quarantine and self-isolation (2) social distancing and travel restrictions (3) wellbeing and mental health (4) information, misinformation and rumours. In light of limitations of travel and holding in-person meetings, we will primarily use online/remote methods for collecting data. Study participants will be adults who have provided informed consent from different demographic, socio-economic and risk groups. Discussion: At the time of the inception of the study, United Kingdom, Italy, Malaysia, Slovenia and Thailand have initiated strict public health measures and varying degrees of “lockdowns” to curb the pandemic. These public health measures will change in the coming weeks and months depending on the number of cases of COVID-19 in the respective countries. The data generated from our study could inform these strategies in real time.
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45

Reyes, Giovanni E., Mark Govers, and Dirk Ruwaard. "A Mathematical and Conceptual Model Regarding Social Inclusion and Social Leverage." Mediterranean Journal of Social Sciences 9, no. 3 (May 1, 2018): 9–16. http://dx.doi.org/10.2478/mjss-2018-0043.

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Abstract This article discusses a comprehensive conceptual mathematical model to specify main theoretical concepts and their relationships, regarding social inclusion and social leverage. The particular elements of the model are related to: (i) key aspects of theoretical principles; (ii) major links among principal aspects; and (iii) interrelations regarding social and economic issues within any particular society. One of the principal aims of this research is going beyond the strictly economic elements, to complement a more holistic perspective with social aspects and public policy. This study is part of a broader research project that studies social investment in Latin America, particularly focused in the health sector. More specifically, this study will identify relationships between variables and indicators of social inclusion and social leverage, as basis for carrying out empirical studies on investments that Latin American countries make in health services. The model presented here allows the identification of elements of differentiated public policy, the role of public services aimed to assist especially the most vulnerable social sectors and the support of such services in relation to a country's competitiveness, social well-being and sustainable basis of human development.
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46

Pan-ngum, Wirichada, Tassawan Poomchaichote, Giulia Cuman, Phee-Kheng Cheah, Naomi Waithira, Mavuto Mukaka, Bhensri Naemiratch, et al. "Social, ethical and behavioural aspects of COVID-19." Wellcome Open Research 5 (May 7, 2020): 90. http://dx.doi.org/10.12688/wellcomeopenres.15813.1.

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Introduction: Vaccines and drugs for the treatment and prevention of COVID-19 require robust evidence generated from clinical trials before they can be used. Decisions on how to apply non-pharmaceutical interventions such as quarantine, self-isolation, social distancing and travel restrictions should also be based on evidence. There are some experiential and mathematical modelling data for these interventions, but there is a lack of data on the social, ethical and behavioural aspects of these interventions in the literature. Therefore, our study aims to produce evidence to inform (non-pharmaceutical) interventions such as communications, quarantine, self-isolation, social distancing, travel restrictions and other public health measures for the COVID-19 pandemic. Methods: The study will be conducted in the United Kingdom, Italy, Malaysia and Thailand. We propose to conduct 600-1000 quantitative surveys and 25-35 qualitative interviews per country. Data collection will follow the following four themes: (1) Quarantine and self-isolation (2) social distancing and travel restrictions (3) wellbeing and mental health (4) information, misinformation and rumours. In light of limitations of travel and holding in-person meetings, we will use online/remote methods for collecting data. Study participant will be adults who have provided informed consent from different demographic, socio-economic and risk groups. Discussion: At the time of writing, United Kingdom, Italy, Malaysia and Thailand have initiated strict public health measures and varying degrees of “lockdowns” to curb the pandemic. It is anticipated that these public health measures will continue in some countries (e.g. Italy, Malaysia) or be tightened further in other countries (e.g. Thailand, UK) to control the spread of the disease in the coming weeks and months. The data generated from our study could inform these strategies in real time.
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47

Leheza, Yevhen, Anzhelika Pylypenko, Larysa Svystun, Oksana Zuieva, and Inna Yefimova. "Social and civil aspects of intellectual property regulation in Ukraine." Revista de la Universidad del Zulia 12, no. 34 (September 2, 2021): 206–23. http://dx.doi.org/10.46925//rdluz.34.13.

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The purpose of the research. They are considered relevant issues of the administrative and legal situation of subjects of special competence in relation to public administration in the field of intellectual property. Main content. A circle of specific subjects in the public administration system is determined. It identifies the role of subjects of special competence in the performance of the tasks of public administration in the field of intellectual property. The classification of subjects of special competence in the public administration is presented. Methodology: Analysis of documentary sources; the basis is the dialectical method of knowledge of the facts of social reality, on which the comparative formal and legal approaches are largely based. Conclusions. Conclusions are drawn on the place of subjects of special competence in relation to public administration in the field of intellectual property. Proposals are made on the need to improve existing legislation in Ukraine on intellectual property.
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48

Becker, Karin, and Geska Helena Brečević. "More Than a Portrait: Framing the Photograph as Sculpture and Video Animation." Membrana Journal of Photography, Vol. 3, no. 2 (2018): 48–55. http://dx.doi.org/10.47659/m5.048.art.

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This essay traces the resurrection of the fotoescultura, a three-dimensional photographic portrait popular in rural Mexico in the early 20th century, as interpreted in recent works by Performing Pictures, a contemporary Swedish artist duo. The early fotoesculturas were an augmented form of portraiture, commissioned by family members who supplied photographs that artisans in Mexico City converted into framed sculptural portraits for display on family altars. We compare these »traditional« photographic objects with “new” digital forms of video animation on screen and in the public space that characterize Performing Pictures work, and explore how the fotoescultura inspired new incarnations of their series Men that Fall. At the intersection between the material aspects of a “traditional” vernacular art form and “new” media art, we identify a photographic aesthetic that shifts from seeing and perceiving to physical engagement, and discuss how the frame and its parergon augment the photographic gaze. The essay is accompanied by photos and video stills from Performing Pictures’ film poem Dreaming the Memories of Now (2018), depicting their work with the fotoesculturas. Keywords: fotoesculturas, frame, parergon, vernacular photography, videoart
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49

Dunn, Andrew. "Relative Poverty, British Social Policy Writing and Public Experience." Social Policy and Society 16, no. 3 (August 3, 2016): 377–90. http://dx.doi.org/10.1017/s1474746416000300.

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Relative poverty, a concept developed by left-wing social scientists, categorises as ‘poor’ those who fall seriously behind normal nationwide material standards. This article argues that the widespread view that the word ‘poverty’ means ‘relative poverty’, which in left-dominated social policy academia often extends to implying that those who do not define poverty this way are necessarily misguided, has led to an incomplete portrayal of poorer British people's lived experience. The article examines published empirical work, before presenting findings from British Social Attitudes surveys and interviews with forty unemployed Jobseeker's Allowance claimants and thirty employed people. Both the existing and new findings exposed aspects of public attitudes and experience which resonate with unanswered academic criticisms of defining poverty as relative poverty. These public contributions have tended to be glossed over or treated dismissively by social policy authors, despite them attaching importance to Left-friendly aspects of poorer people's experience and attitudes.
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50

Balula, L. D. "Formal and ethical aspects of security in public spaces." IEEE Technology and Society Magazine 23, no. 3 (2004): 15–16. http://dx.doi.org/10.1109/mtas.2004.1337878.

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