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Books on the topic 'Social aspects of Punk rock music'

Author: Grafiati

Published: 4 June 2021

Last updated: 28 July 2025

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1

Petraglione, Claudia Attimonelli. Underground zone: Dandy, punk, beautiful people. Caratteri mobili, 2011.

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2

Harris, Keith D. 'Music is my life'?: Discourse analysis and the interview talk of members of a music-based subculture. Goldsmiths College, University of London, 1997.

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3

Diaz, Martha, Anthony J. Nocella, Scott Robertson, and Priya Parmar. Rebel music: Resistance through hip hop and punk. Information Age Publishing, 2015.

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4

Bischoff, Jean-Louis. Tribus musicales, spiritualité et fait religieux: Enquête sur les mouvances rock, punk, skinhead, gothique, hardcore, techno, hip-hop. Harmattan, 2007.

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5

Hannon, Sharon M. Punks: A guide to an American subculture. Greenwood Press, 2010.

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6

Vries, Fred de. Club Risiko: De jaren tachtig, toen en nu. Nijg & Van Ditmar, 2006.

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7

Cooper, B. Lee. Rock music in American popular culture: Rock 'n' roll resources. Harrington Park Press, 1995.

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8

S, Haney Wayne, ed. Rock music in American popular culture: Rock 'n' roll resources. Haworth Press, 1994.

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9

Gray, Marcus. Route 19 revisited: The Clash and London calling. Soft Skull Press, 2010.

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10

Kulzick, Alfie. Chatterbox: Biography of a bar, San Francisco 1986-1990. Chatterbox Publishing, 2003.

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11

Barber-Kersovan, Alenka. Vom "Punk-Frühling" zum "Slowenischen Frühling": Der Beitrag des slowenischen Punk zur Demontage des sozialistischen Wertesystems. Krämer, 2005.

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12

Marcus, Greil. Lipstick traces: Secret history of the twentieth century. Harvard University Press, 1990.

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13

Садовский, Владимир, ред. Следы помады: Тайная история XX века. Гилея, 2019.

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14

Moore, Ryan. Sells like teen spirit: Music, youth culture, and social crisis. New York University Press, 2010.

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15

Rombes, Nicholas. Cultural Dictionary of Punk: 1974-1982. Bloomsbury Academic & Professional, 2010.

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16

A cultural dictionary of punk: 1974-1982. Continuum, 2009.

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17

Contemporary Punk Rock Communities: Scenes of Inclusion and Dedication. Rowman & Littlefield Publishers, Incorporated, 2019.

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18

DIY Cultures and Underground Music Scenes. Taylor & Francis Group, 2018.

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19

Bennett, Andy, and Paula Guerra. Diy Cultures and Underground Music Scenes. Taylor & Francis Group, 2020.

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20

Bennett, Andy, and Paula Guerra. DIY Cultures and Underground Music Scenes. Taylor & Francis Group, 2018.

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21

Bennett, Andy, and Paula Guerra. DIY Cultures and Underground Music Scenes. Taylor & Francis Group, 2018.

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22

Bennett, Andy, and Paula Guerra. DIY Cultures and Underground Music Scenes. Taylor & Francis Group, 2018.

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23

The politics of punk: Protest and revolt from the streets. Rowman & Littlefield Publishers, 2016.

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24

Greenwald, Andy. Nothing Feels Good: Punk Rock, Teenagers, and Emo. St. Martin's Press, 2003.

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25

Greenwald, Andy. Nothing Feels Good: Punk Rock, Teenagers, and Emo. Paw Prints 2008-05-22, 2008.

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26

Bottà, Giacomo. Deindustrialisation and Popular Music: Punk and 'Post-Punk' in Manchester, düsseldorf, Torino and Tampere. Rowman & Littlefield Publishers, Incorporated, 2022.

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27

Deindustrialisation and Popular Music: Punk and 'Post-Punk' in Manchester, düsseldorf, Torino and Tampere. Rowman & Littlefield Publishers, Incorporated, 2020.

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28

Makagon, Daniel. Underground: The subterranean culture of DIY punk shows. 2015.

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29

Raha, Maria. Cinderella's Big Score: Women of the Punk and Indie Underground (Live Girls). Seal Press, 2004.

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30

Leblanc, Lauraine. Pretty in Punk: Girls' Gender Resistance in a Boys' Subculture. Rutgers University Press, 1999.

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31

Networks of Sound, Style and Subversion: The Punk and Post-Punk Worlds of Manchester, London, Liverpool and Sheffield, 1975-80. Manchester University Press, 2015.

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32

Networks of Sound, Style and Subversion: The Punk and Post-Punk Worlds of Manchester, London, Liverpool and Sheffield, 1975-80. Manchester University Press, 2015.

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33

Martin, Peter, and Nick Crossley. Networks of Sound, Style and Subversion: The Punk and Post-Punk Worlds of Manchester, London, Liverpool and Sheffield, 1975-80. Manchester University Press, 2015.

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34

Sonnichsen, Tyler. Capitals of Punk: DC, Paris, and Circulation in the Urban Underground. Palgrave Macmillan, 2019.

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35

Sonnichsen, Tyler. Capitals of Punk: DC, Paris, and Circulation in the Urban Underground. Palgrave Macmillan, 2020.

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36

Hoffmann, Frank, Wayne S. Haney, and B. Lee Cooper. Rock Music in American Popular Culture: Rock 'n' Roll Resources. Taylor & Francis Group, 2013.

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37

Hoffmann, Frank, Wayne S. Haney, and B. Lee Cooper. Rock Music in American Popular Culture: Rock 'n' Roll Resources. Taylor & Francis Group, 2013.

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38

Hoffmann, Frank, Wayne S. Haney, and B. Lee Cooper. Rock Music in American Popular Culture: Rock 'n' Roll Resources. Taylor & Francis Group, 2013.

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39

Rock Music in American Popular Culture: Rock N Roll Resources. Routledge, 2013.

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40

Twilight of the gods: A journey to the end of classic rock. 2018.

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41

Anyone can do it: Empowerment, tradition and the punk underground. Ashgate, 2012.

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42

Making Scenes: Reggae, Punk, and Death Metal in 1990s Bali. Duke University Press, 2007.

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43

Baulch, Emma. Making Scenes: Reggae, Punk, and Death Metal in 1990s Bali. Duke University Press, 2007.

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44

Gray, Marcus. Route 19 Revisited: The Clash and London Calling. Penguin Random House, 2009.

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45

Misina, Dalibor. Shake, Rattle and Roll: Yugoslav Rock Music and the Poetics of Social Critique. Taylor & Francis Group, 2016.

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46

Misina, Dalibor. Shake, Rattle and Roll: Yugoslav Rock Music and the Poetics of Social Critique. Taylor & Francis Group, 2016.

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47

Misina, Dalibor. Shake, Rattle and Roll: Yugoslav Rock Music and the Poetics of Social Critique. Taylor & Francis Group, 2016.

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48

Shake rattle and roll: Yugoslav rock music and the poetics of social critique. Ashgate Pub. Company, 2013.

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49

Goodyer, Ian. Crisis Music: Cultural Politics Rock A. Manchester University Press, 2019.

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50

The England's dreaming tapes. Faber and Faber, 2009.

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