Log in

Relevant bibliographies by topics / Social aspects of Punk rock music / Dissertations / Theses

To see the other types of publications on this topic, follow the link: Social aspects of Punk rock music.

Dissertations / Theses on the topic 'Social aspects of Punk rock music'

Author: Grafiati

Published: 4 June 2021

Last updated: 28 July 2025

Create a spot-on reference in APA, MLA, Chicago, Harvard, and other styles

Select a source type:

Consult the top 20 dissertations / theses for your research on the topic 'Social aspects of Punk rock music.'

Next to every source in the list of references, there is an 'Add to bibliography' button. Press on it, and we will generate automatically the bibliographic reference to the chosen work in the citation style you need: APA, MLA, Harvard, Chicago, Vancouver, etc.

You can also download the full text of the academic publication as pdf and read online its abstract whenever available in the metadata.

Browse dissertations / theses on a wide variety of disciplines and organise your bibliography correctly.

1

Guy, Stephen. "The nature of community in the Newfoundland rock underground /." Thesis, McGill University, 2004. http://digitool.Library.McGill.CA:80/R/?func=dbin-jump-full&object_id=81493.

Full text

Abstract:

Twenty-five years of independent, underground, or punk rock music-making in St. John's, Newfoundland, have been defined by geographic isolation. In tracing a historical record of the small city's punk/indie scene, this project seeks to evaluate recent academic discussion surrounding the role of collectivity in artistic 'independence' and examine the impact of prevailing international aesthetics and changing communication technologies on local practice. The self-containment and self-sufficiency of the St. John's music community, largely the product of the city's isolated position on the

APA, Harvard, Vancouver, ISO, and other styles

2

Berkland, Darren Gary. "Androcentrism and misogyny in late twentieth century rock music." Thesis, Nelson Mandela Metropolitan University, 2015. http://hdl.handle.net/10948/d1021199.

Full text

Abstract:

Judith Butler’s writings on gender ostensibly changed the way gender is considered with regard to an individual’s subjectivity. Her writings expressed a discursive parameter that changed the theoretical standpoint of gender from that of performance, to that of performativity. In short, the notion of gender became understood as a power mechanism operating within society that compels individuals along the heteronormal binary tracts of male or female, man or woman. Within the strata of popular culture, this binarism is seemingly ritualized and repeated, incessantly. This treatise examines how roc

APA, Harvard, Vancouver, ISO, and other styles

3

Stahl, Geoff. "Troubling below : rethinking subcultural theory." Thesis, National Library of Canada = Bibliothèque nationale du Canada, 1998. http://www.collectionscanada.ca/obj/s4/f2/dsk1/tape11/PQDD_0001/MQ43954.pdf.

Full text

APA, Harvard, Vancouver, ISO, and other styles

4

Novillo, Perez Cecilio Jose, and Perez Cecilio Jose Novillo. "La Movida Madrileña and the Rock Radical Vasco as Political and Social Agents in Post-Franco Spain: Their influence on Popular Musical Practices of 21st-Century Spain." Thesis, The University of Arizona, 2017. http://hdl.handle.net/10150/626715.

Full text

Abstract:

In Spain, the era of political transition to democracy known as La Transición during the 1970s and 1980s led to changes in Spanish popular music (i.e., pop, rock, punk) which became the musical representation of the new democracy’s social and political changes. Two different musical movements of that period, La Movida Madrileña and Rock Radical Vasco, established boundaries between official mainstream music and its musical counterculture counterpart, underground, and subversive musical practices within Spanish democracy. This thesis examines the nature of those musical practices, their song ly

APA, Harvard, Vancouver, ISO, and other styles

5

Thompson, Pamela J. "Rock and roll and the counterculture : the search for alternative values and a new spirituality." Thesis, McGill University, 1989. http://digitool.Library.McGill.CA:80/R/?func=dbin-jump-full&object_id=59237.

Full text

Abstract:

Both the counterculture and its music will be examined using the concepts of heteronomy, autonomy, and theonomy and their dialectical relationship according to Paul Tillich's theory of religion and culture. The main themes beneath the emergence of the counterculture will be outlined, and the ways in which the dominant culture of the time may be considered what Tillich describes as a heteronomous phenomenon will be presented. The historical significance of the counterculture will then be demonstrated in terms of Tillich's concept of kairos. Through examination of the lyrics of some of the most

APA, Harvard, Vancouver, ISO, and other styles

6

Ball, Rebecca Elizabeth. "Portland's Independent Music Scene: The Formation of Community Identities and Alternative Urban Cultural Landscapes." PDXScholar, 2010. https://pdxscholar.library.pdx.edu/open_access_etds/126.

Full text

Abstract:

Portland has a rich, active, and fluid music culture which is constantly being (re)created and (re)defined by a loose network of local musicians who write, record, produce, promote, distribute, and perform their music locally (and sometimes regionally, nationally, and internationally) and local residents, or audiences, who engage in local musical practices. Independent ("indie") local music making in Portland, which is embedded in DIY (do it yourself) values, creates alternative cultural places and landscapes in the city and is one medium through which some people represent themselves in the c

APA, Harvard, Vancouver, ISO, and other styles

7

Shadrack, Jasmine Hazel. "Denigrata cervorum : interpretive performance autoethnography and female black metal performance." Thesis, University of Northampton, 2017. http://nectar.northampton.ac.uk/9679/.

Full text

Abstract:

I am concerned with the performance of subversive ... narratives ... the performance of possibilities aims to create ... a ... space where unjust systems and processes are identified and interrogated. (Madison 280). If a woman cannot feel comfortable in her own body, she has no home. (Winterson, J; The Guardian 29.03.2013). Black metal is beyond music. It exceeds its function of musical genre. It radiates with its sepulchral fire on every side of culture [...] Black metal is the suffering body that illustrates, in the same spring, all the human darkness as much as its vital impetus. (Lesourd 4

APA, Harvard, Vancouver, ISO, and other styles

8

Cummings, Joanne. "Sold out ! : an ethnographic study of Australian indie music festivals." Thesis, View thesis, 2007. http://handle.uws.edu.au:8081/1959.7/35961.

Full text

Abstract:

The focus of this sociological research is on the five most popular and commercially successful Australian indie music festivals: Livid, Big Day Out, the Falls festival, Homebake, and Splendour in the Grass. The three key features of Australian indie music festivals are, firstly, that they are multi-staged ticketed outdoor events, with clearly defined yet temporal boundaries. Secondly, the festivals have a youth-orientated focus yet are open to all ages. Finally, the festivals are primarily dominated by indie-guitar culture and music. My aim is to investigate how these music festivals are able

APA, Harvard, Vancouver, ISO, and other styles

9

Ballico, Christina. "Bury me deep in isolation: A cultural examination of a peripheral music industry and scene." Thesis, Edith Cowan University, Research Online, Perth, Western Australia, 2013. https://ro.ecu.edu.au/theses/682.

Full text

Abstract:

Since 1998, Perth bands have had a strong presence within the Australian music scene. Primarily, each year between 1998 and 2009, songs by indie pop/rock acts from Perth have charted within national broadcaster triple j’s Hottest 100 countdown. Many of the albums from which these songs have been taken have sold in excess of 35,000 copies, and a number of successful and recognised Perth bands have toured with the nation’s largest music festival, the Big Day Out as well as their own high profile national tours. At the same time, Perth’s local indie pop/rock music industry has undergone tremendou

APA, Harvard, Vancouver, ISO, and other styles

10

Johnson, Alfred B. "Fascination machine : a study of pop music, mass mediation, and cultural iconography." Virtual Press, 1998. http://liblink.bsu.edu/uhtbin/catkey/1185429.

Full text

Abstract:

The mediation of popular musicians in the twentieth century results in the construction of cultural formations-mass mediated pop musician icons-that are, to various degrees, weighted down by the ideologies and concerns of those who receive them as mediated texts. In passing judgment on these cultural icons, the public engages in a massive act of reading, and in the process the icons become sites of personal and cultural signification. This study examines the nature of signification in and through mass mediated popular music icons by exploring the processes by which popular music icons are prod

APA, Harvard, Vancouver, ISO, and other styles

11

Kyser, Tiffany S. "Folked, Funked, Punked: How Feminist Performance Poetry Creates Havens for Activism and Change." Thesis, Connect to resource online, 2010. http://hdl.handle.net/1805/2192.

Full text

Abstract:

Thesis (M.A.)--Indiana University, 2010.<br>Title from screen (viewed on July 19, 2010). Department of English, Indiana University-Purdue University Indianapolis (IUPUI). Advisor(s): Karen Kovacik, Peggy Zeglin Brand, Ronda C. Henry. Includes vitae. Includes bibliographical references (leaves 79-83).

APA, Harvard, Vancouver, ISO, and other styles

12

Van, der Meulen Lindy. "From rock'n'roll to hard core punk : an introduction to rock music in Durban, 1963-1985." Thesis, 1995. http://hdl.handle.net/10413/5019.

Full text

Abstract:

This thesis introduces the reader to rock music in Durban from 1963 to 1985, tracing the development of rock in Durban from rock'n'roll to hard core punk. Although the thesis is historically orientated, it also endeavours to show the relationship of rock music in Durban to three central themes, viz: the relationship of rock in Durban to the socio-political realities of apartheid in South Africa; the role of women in local rock, and the identity crisis experienced by white, English-speaking South Africans. Each of these themes is explored in a separate chapter, with Chapter Two providing the bu

APA, Harvard, Vancouver, ISO, and other styles

13

Takasugi, Fumiko. "Romantic, do-it-yourself, and sexually subversive an analysis of resistance in a Hawaiʻi local punk rock scene /". Thesis, 2004. http://proquest.umi.com/pqdweb?index=0&did=775161261&SrchMode=1&sid=1&Fmt=2&VInst=PROD&VType=PQD&RQT=309&VName=PQD&TS=1235090046&clientId=23440.

Full text

APA, Harvard, Vancouver, ISO, and other styles

14

Nell, Wendy Desre. "Afrikaanse liedtekste in konteks : die liedtekste van Bok van Blerk, Fokofpolisiekar, the Buckfever Underground en Karen Zoid." Diss., 2014. http://hdl.handle.net/10500/18832.

Full text

Abstract:

Text in Afrikaans<br>Die doel van hierdie studie is om op die liedtekste van die kunstenaars, Bok van Blerk, Fokofpolisiekar, The Buckfever Underground (en Toast Coetzer) en Karen Zoid te fokus en om te bepaal wat hulle funksie in die eietydse Afrikaanse kultuurlandskap is, en wat hulle rol in die definiëring van kulturele identiteit is. In hierdie studie sal daar ook klem gelê word op die sosiopolitieke faktore wat tot die opbloei van die Afrikaanse musiekbedryf gelei het. Deur die analise van dié kunstenaars se lirieke, sal ek vasstel of hulle wel betekenisvolle werk van literêre gehalte lew

APA, Harvard, Vancouver, ISO, and other styles

15

"Rock music and hegemony in China." Chinese University of Hong Kong, 1994. http://library.cuhk.edu.hk/record=b5887223.

Full text

Abstract:

by Wong Yan Chau, Christina.<br>Thesis (M.Phil.)--Chinese University of Hong Kong, 1994.<br>Includes bibliographical references (leaves 175-186).<br>Chapter I. --- Introduction --- p.2<br>Chapter II. --- Historical Background --- p.5<br>Chapter III. --- A Review of the Related Literature --- p.14<br>Chapter A. --- The Culture Industry Approach --- p.15<br>Chapter B. --- The Liberal-Pluralist Approach --- p.26<br>Chapter C. --- The Technological Approach --- p.31<br>Chapter IV. --- The Theoretical Perspective --- p.36<br>Chapter V. --- Methodological Approach to Study --- p.42<br>Chapte

APA, Harvard, Vancouver, ISO, and other styles

16

Muzzatti, Stephen L. "Post-industrial gothic punk 'n' roll on route 666 labeling theory, moral crusades and Marilyn Manson's Dead to the World tour /." 2000. http://wwwlib.umi.com/cr/yorku/fullcit?pNQ67936.

Full text

Abstract:

Thesis (Ph. D.)--York University, 2000. Graduate Programme in Sociology.<br>Typescript. Includes bibliographical references (leaves 379-409). Also available on the Internet. MODE OF ACCESS via web browser by entering the following URL: http://wwwlib.umi.com/cr/yorku/fullcit?pNQ67936.

APA, Harvard, Vancouver, ISO, and other styles

17

"Exploring the spaces for a voice: the noises of rock music in China (1985-2004)." Thesis, 2006. http://library.cuhk.edu.hk/record=b6074261.

Full text

Abstract:

Apart from politics and market, ideology was a significant factor in the realm of rock music. Upholding an ideology that focused on individuality and autonomy, and epousing a set of aesthetic value that placed emphases on live performance: how to maintain a balance between autonomy from politics and adaptation to market tastes became a question for both rock artists and the culture industry, a topic of which will be examined in the dissertation.<br>At the same time, this paper examined the struggle of rock artists against the official constraints and prohibitive coding via rock lyrics, the vis

APA, Harvard, Vancouver, ISO, and other styles

18

"The practice of marginality: a study of the subversiveness of Blackbird." 1999. http://library.cuhk.edu.hk/record=b5890039.

Full text

Abstract:

Lee Ying Chuen.<br>Thesis (M.Phil.)--Chinese University of Hong Kong, 1999.<br>Includes bibliographical references (leaves 104-110).<br>Abstracts in English and Chinese.<br>Chapter Chapter One --- Introduction --- p.6<br>Chapter Chapter Two --- Literature Review --- p.13<br>Chapter Chapter Three --- Mapping the Local Sound Scape --- p.29<br>Chapter Chapter Four --- Blackbird: A living Song --- p.54<br>Chapter Chapter Five --- Freedom of Art as Freedom of Life --Cultural Discourse as Political Activity --- p.80<br>Chapter Chapter Six --- Concluding Remarks --- p.95<br>Postscript --- p.9

APA, Harvard, Vancouver, ISO, and other styles

19

"學習"玩": 迷笛音樂節個案研究". 2013. http://library.cuhk.edu.hk/record=b5884265.

Full text

Abstract:

張武宜.<br>"2013年9月".<br>"2013 nian 9 yue".<br>Thesis (Ph.D.)--Chinese University of Hong Kong, 2013.<br>Includes bibliographical references (leaves 229-239).<br>Electronic reproduction. Hong Kong : Chinese University of Hong Kong, [2012] System requirements: Adobe Acrobat Reader. Available via World Wide Web.<br>Abstract in Chinese and English.<br>Zhang Wuyi.

APA, Harvard, Vancouver, ISO, and other styles

20

Cummings, Joanne, University of Western Sydney, College of Arts, and School of Social Sciences. "Sold out ! : an ethnographic study of Australian indie music festivals." 2007. http://handle.uws.edu.au:8081/1959.7/35961.

Full text

Abstract:

The focus of this sociological research is on the five most popular and commercially successful Australian indie music festivals: Livid, Big Day Out, the Falls festival, Homebake, and Splendour in the Grass. The three key features of Australian indie music festivals are, firstly, that they are multi-staged ticketed outdoor events, with clearly defined yet temporal boundaries. Secondly, the festivals have a youth-orientated focus yet are open to all ages. Finally, the festivals are primarily dominated by indie-guitar culture and music. My aim is to investigate how these music festivals are able

APA, Harvard, Vancouver, ISO, and other styles

We offer discounts on all premium plans for authors whose works are included in thematic literature selections. Contact us to get a unique promo code!