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Journal articles on the topic 'Social aspects of Tango (Dance)'

Author: Grafiati

Published: 4 June 2021

Last updated: 29 July 2024

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1

Buckland, Theresa Jill. "How the Waltz was Won: Transmutations and the Acquisition of Style in Early English Modern Ballroom Dancing. Part One: Waltzing Under Attack." Dance Research 36, no. 1 (2018): 1–32. http://dx.doi.org/10.3366/drs.2018.0218.

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This two-part article examines the contested transition in London's fashionable ballrooms from the established Victorian rotary waltz to the modern English waltz of the early 1920s. Existing scholarship on the dance culture of this period and locale has tended to focus on issues of national identity, gender, race, class and the institutionalisation of popular dance practices. Although these are of profound significance and are here integrated into the analysis, this fresh study focuses on the waltz's choreological aspects and relationship to its ballroom companions; on the dance backgrounds an

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Witkoś, Joanna, and Magdalena Hartman-Petrycka. "Implications of Argentine Tango for Health Promotion, Physical Well-Being as Well as Emotional, Personal and Social Life on a Group of Women Who Dance." International Journal of Environmental Research and Public Health 18, no. 11 (2021): 5894. http://dx.doi.org/10.3390/ijerph18115894.

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Background: The aim of the research was to determine the effect that dance has on the promotion of health, physical well-being, as well as the emotional, personal and social life of women who dance. In addition, the impact of the physical activity of long, often all-night dancing events on women’s health was investigated. This included possible disturbances in their monthly cycle and circadian rhythm, taking into account symptoms of biological rhythm disturbances. Methods: The study involved 214 women: tango group: 109, sedentary group: 105. The Mann–Whitney U and chi2 tests were used to compa

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Moţ, Raluca-Dana, and Bogdan Almăjan-Guţă. "Dance therapy for Parkinson’s disease: a systematic review." Timisoara Physical Education and Rehabilitation Journal 15, no. 28 (2022): 55–65. http://dx.doi.org/10.2478/tperj-2022-0007.

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Abstract Introduction: Dance therapy has rapidly gained popularity among patients with Parkinson’s disease because it is an enjoyable form of exercise and can provide multi-dimensional benefits. Clinical studies have shown that dance improves motor symptoms, particularly balance and mobility problems, as well as the overall physical condition of Parkinson’s patients. Purpose: The aim of this paper is to highlight the benefits of dance therapy in the clinical management of parkinsonian patients and also to find out which dance is the most advantageous for use in therapy and whether the type of

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Bortnyk, K. V. "Characteristic aspects of teaching the discipline “Dance” to the students of the specialization “Directing of the Drama Theatre”." Problems of Interaction Between Arts, Pedagogy and the Theory and Practice of Education 51, no. 51 (2018): 258–73. http://dx.doi.org/10.34064/khnum1-51.15.

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Background. Modern theatre education in Ukraine is carried out through the extensive teaching system, which also includes different aspects of the training of future directors of the drama theatre. Some hours in academic programmes of institutions of higher theatre education are given for plastic training, which is carried out in the lessons of eurhythmics, stage movement, stage fencing, as well as dance. As for the latter, among the whole complex of disciplines connected with moving, the discipline “Dance” has the most significant value, as choreography today is one of the most demanded expre

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Darmant, N., F. Fayet, C. Lambert, et al. "POS1475-HPR EFFECT OF ARGENTINE TANGO PRACTICE ON TOTAL PHYSICAL ACTIVITY TIME IN PATIENTS WITH CHRONIC INFLAMMATORY RHEUMATISM: A PILOT STUDY." Annals of the Rheumatic Diseases 80, Suppl 1 (2021): 1022.3–1023. http://dx.doi.org/10.1136/annrheumdis-2021-eular.690.

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Background:Most patients with chronic inflammatory rheumatism (CIR) have a physical activity (PA) level below recommendations [1,2]. Currently, adapted structures offer a range of activities supervised by adapted physical activity educators. To the best of our knowledge, Argentinean tango is not yet offered in these structures.Objectives:The objective of this pilot study was to study the effect of 24 consecutive sessions of Argentinean tango on the total PA level in patients with CIR, including rheumatoid arthritis (RA) and spondyloarthritis (AS).Methods:In this controlled, randomized, open-la

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Skinner, Jonathan. "Argentine Tango: social dance health ‘to’ you." Anthropology & Aging 34, no. 4 (2014): 260–63. http://dx.doi.org/10.5195/aa.2014.5.

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Zafeiroudi, Aglaia, Athanasia Chatzipanteli, Anna Christina Athanasiou, Ioannis Tsartsapakis, Aikaterini Kopanou, and Charilaos Kouthouris. "Exploring Self-Compassion among Recreational Dancers: Differences Between Tango and Ballet - Dance Teaching Implications Through Somatic and Embodied Disciplines." Journal of Educational and Social Research 12, no. 6 (2022): 1. http://dx.doi.org/10.36941/jesr-2022-0140.

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Self-compassion is considered a protective factor that promotes positive psychology, happiness, emotional regulation and embodiment. Self‐compassion offers an approach wherein individuals in dance can pursue optimal participation and performance without compromising health and well‐being. The present study aimed to explore self-compassion among recreational dancers and discover possible differences between tango and ballet. More specifically the study examined: i) the levels of self-compassion in recreational tango and ballet dancers; ii) differences in self-compassion according to demographic

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McMains, Juliet. "Rebellious Wallflowers and QueerTangueras: The Rise of Female Leaders in Buenos Aires’ Tango Scene." Dance Research 36, no. 2 (2018): 173–97. http://dx.doi.org/10.3366/drs.2018.0237.

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This paper interrogates the history of same-sex dancing among women in Buenos Aires' tango scene, focusing on its increasing visibility since 2005. Two overlapping communities of women are invoked. Queer tangueras are queer-identified female tango dancers and their allies who dance tango in a way that attempts to de-link tango's two roles from gender. Rebellious wallflowers are women who practice, teach, perform, and dance with other women in predominantly straight environments. It is argued that the growing acceptance of same-sex dancing in Argentina is due to the confluence of four developme

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Kovács, Nóra. "Intangible heritage in global space: tradition and the quest for the authentic dance experience in the international world of tango." Tánc és Nevelés 1, no. 1 (2020): 130–45. http://dx.doi.org/10.46819/tn.1.1.130-145.

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The ‘Tango of Argentina and Uruguay’ was inscribed in the List of Intangible Cultural Heritage of the UNESCO in 2009 to be safeguarded as one of humanity’s outstanding cultural achievements. Controversies and shortcomings related with the inscription have been pointed out by several scholars working on tango as a social phenomenon. Criticism about the nomination document and the decision about the inscription targeted two principal focus areas and were expressed from two different standpoints both of which miss the inclusion of living grassroots tango communities and what they stand for from t

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Emaus, Even. "Tango i kroppen; Hvordan danse- og bevegelsesterapeutiske metoder kan styrke selvfølelsen til tangodansere." Nordic Journal of Dance 13, no. 2 (2022): 20–29. http://dx.doi.org/10.2478/njd-2022-0007.

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Abstract During the height of the COVID-19 pandemic, social mixing was generally restricted based on the Corona Pandemic Infection Control Provisions. As a result, those of us who dance Argentinian tango were not allowed to practise together. A survey carried out among members of the Oslo Tango Queer (OTQ) club in Oslo found that people missed tango, felt tango withering in their bodies, and believed that their dancing skills were about to disappear. The survey also documented a sense of despair and loss of self-esteem. Practising dance movement therapy (DMT) recalled the feeling of tango in m

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Granec, Jozef, and Hermína Mareková. "INDICATIONS FOR DANCE THERAPY IN SOCIAL WORK." Proceedings of CBU in Social Sciences 3 (December 1, 2022): 28–34. http://dx.doi.org/10.12955/pss.v3.301.

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The present study analyses the therapeutic use of dance in social work, particularly the possibilities of using Argentine tango. Through dance, contacts are made, communication happens, and feelings are shared. It is wrong to perceive dancing as fun rather than one of the vital human needs. Dance is one of the binding forces holding people together that, despite all the differences, can prevent society from falling apart. Dance has the power of overcoming what otherwise is difficult; even without using drugs, it can reduce anxiety. The rediscovery of dance, the use of dance movements, and mu

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Yuna, Melin Levent. "A Neoliberal Semi-Public Space in the Era of the JDP: Tango in Istanbul." Dance Research 39, no. 2 (2021): 158–81. http://dx.doi.org/10.3366/drs.2021.0341.

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How has Argentine tango dance, that appears to represent publicly an erotic relationship between the female and the male, found the space to expand in Turkey pioneered by urban Istanbul despite the conservative JDP regime? While the tango dance shifted to a global entertainment and culture industry in the 21st century providing global belongingness, it locally became one neoliberal semi-public space of secular upper and middle class Turkish Muslims to reflect and reproduce their self-identity by distinguishing themselves from new Islamic bourgeoisie as well as lower social classes. This charac

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Hall, Joshua M. "An Intimate Trespass of Peregrina Chorines." Philosophy in the Contemporary World 28, no. 2 (2022): 96–122. http://dx.doi.org/10.5840/pcw202228213.

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A recent (2020) special issue in Critical Philosophy of Race dedicated to Maria Lugones illustrates and thematizes the continuing challenge of (re)constructing coalitions among Latina and Black feminists and their allies. As one proposed solution to this challenge, in their guest editors’ introduction to that special issue, Emma Velez and Nancy Tuana suggest an interpretive “dancing with” Lugones. Drawing on my own “dancing-with” interpretive method (which significantly predates that special issue), in the present article I choreograph an interpretive duet between Lugones and Saidiya Hartman.

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Gotlib, Matvei. "Obrození tanga: nostalgie, naslouchání, experiment." Lidé města 25, no. 3 (2023): 325–45. http://dx.doi.org/10.14712/12128112.3962.

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This article examines the history and culture of Argentinian tango as a translocal social dance and emphasizes its revivalist component along with other characteristic features: nostalgia, listening, and experimentation. It represents the partial and the preliminary result of the author’s anthropological research that they are currently conducting as part of the doctoral programme at the Faculty of Humanities of Charles University in Prague. The author concludes that both nostalgic beliefs and the desire to create something new contribute to the process of tango revival.

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Batchelor, Ray. "Uncovering the Histories and Pre-Histories of Queer Tango: Contextualizing and Documenting an Innovative Form of Social Dancing." Congress on Research in Dance Conference Proceedings 2015 (2015): 24–29. http://dx.doi.org/10.1017/cor.2015.6.

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Attempting to uncover and document the history, or rather histories and pre-histories, of queer tango is difficult. Superficially, the history ought to be easy. The term “queer tango” barely existed before 2001 when it was first used by LGBT dancers in Hamburg, Germany. It was perceived of by them as a riposte to “hetero-normative” leader-follower relationships in mainstream Argentinian tango, proposing instead women as leaders, men as followers, same sex couples and “active” rather than passive followers. Queer tango has subsequently been characterized by the emergence around the world of que

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Khlif, Wafa, and Joanna Pousset. "It takes (more than) two to tango: informal tango market dynamics in Barcelona." Society and Business Review 9, no. 1 (2014): 36–50. http://dx.doi.org/10.1108/sbr-06-2013-0043.

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Purpose – This paper aims to address the tango market as a social institution by building on the notion of “globalization from below” as well as social capital theory to understand the market's dynamics as a part of the Barcelona grey economy and as one that supports immigration settlement and integration. Design/methodology/approach – The authors began with participant observation that helped the authors to capture the essence of the market, to observe the behaviours of the participants and then to interview different actors. For more than a year (October 2011-December 2012), the authors freq

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Njaradi, Dunja. "Rethinking participation through dance: A historical-theoretical intersection." Bulletin de l'Institut etnographique 70, no. 2 (2022): 199–215. http://dx.doi.org/10.2298/gei2202199n.

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The paper deals with the idea of participation or community in dance. The idea of community has become key in contemporary discussions about the globalization of contemporary societies, and dance has a large share in the reflections of these global processes. Dance also has a very long tradition of community thinking. From this long and rich tradition, this paper will point out the ways in which the idea of community is reflected in social and artistic dances, pointing out both concrete dance forms and theoretical concepts, ideas and practices. Of the dance forms, the paper will discuss the ta

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André, María Claudia. "Tango y Lunfardo: un estudio transatlántico sobre la identidad argentina / Tango and Lunfardo: a Transtlantic study about Argentinian Identity." Kamchatka. Revista de análisis cultural., no. 9 (August 31, 2017): 297. http://dx.doi.org/10.7203/kam.9.9547.

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Resumen: Nacido en el arrabal bonaerense, producto de múltiples influencias socio-culturales, el tango argentino indudablemente se encuentra entre los estilos de música que mejor logran transmitir el pensamiento y el sentir de un pueblo. Este ensayo examina la función y el efecto de la experiencia transatlántica de la inmigración europea como una fuerza que moldeó y transformó la cultura fundacional argentina, redefiniendo no sólo su perfil racial, sino también gran parte de su panorama intelectual, social y cultural. Empleando como lente crítico los estudios poscoloniales y transatlánticos, e

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Juzefovič, Agnieška. "Meditation and Dance in Creative Society: Contemplative Consciousness in Daoism, Zen and Argentine Tango." Coactivity: Philosophy, Communication 23, no. 1 (2015): 3–12. http://dx.doi.org/10.3846/cpc.2015.221.

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This paper deals with the particularly relevant topic in the contemporary society – Asian meditative practices and methods of self-development. The first chapter deals with the notion of contemplative, enlightened consciousness in Daoism and Zen. The second chapter shows how meditative consciousness could be achieved through social tango. Six theses are argued as appropriate for both Daoism and Zen as well as tango: 1) contemplative, purified consciousness is empty of disturbing thoughts and focused toward the essence; 2) contemplative, purified consciousness is not only empty but also brimmin

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Gritzner, Karoline. "Between Commodification and Emancipation: The Tango Encounter." Dance Research 35, no. 1 (2017): 49–60. http://dx.doi.org/10.3366/drs.2017.0182.

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This article offers an examination of the aesthetics and philosophy of Argentine tango, arguing for tango's contradictory power of resistance to the tendency of cultural commodification in contemporary society. The dancing couple achieves a sense of sovereignty and improvisational freedom which is in tension with the increasing commodification and standardisation of art in the age of globalisation. Written partly from an auto-ethnographic, experience-based perspective, the article foregrounds tango's choreography of otherness, relationality, passion and playful improvisation in an attempt to e

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Oliinyk, Ivanna. "Batyar Songs in Viktor Morozov’s Creativity." Scientific herald of Tchaikovsky National Music Academy of Ukraine, no. 130 (March 18, 2021): 119–30. http://dx.doi.org/10.31318/2522-4190.2021.130.231211.

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Relevance of the study. The batyar subculture has already become the subject of many scientific works of Polish and Ukrainian researchers as a social phenomenon with its own jargon and cultural traditions. In particular, this issue has become central in the works of U. Jakubowska, A. Kozytsky, O. Kharchyshyn, Y. Vynnychuk, N. Kosmolinska, W. Szolginia and others. Batyar songs as a layer of Lviv city music got a new life thanks to the creativity of V. Morozov, realized in the publication of three albums with neobatyar songs. This group of songs and its genre and intonation parameters have not y

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Milosevic, Ivana, Nevena Todorovic, Ana Filipovic, et al. "HCV and HCC Tango—Deciphering the Intricate Dance of Disease: A Review Article." International Journal of Molecular Sciences 24, no. 22 (2023): 16048. http://dx.doi.org/10.3390/ijms242216048.

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Hepatitis C virus (HCV) is a major cause of hepatocellular carcinoma (HCC) accounting for around one-third of all HCC cases. Prolonged inflammation in chronic hepatitis C (CHC), maintained through a variety of pro- and anti-inflammatory mediators, is one of the aspects of carcinogenesis, followed by mitochondrial dysfunction and oxidative stress. Immune response dysfunction including the innate and adaptive immunity also plays a role in the development, as well as in the recurrence of HCC after treatment. Some of the tumor suppressor genes inhibited by the HCV proteins are p53, p73, and retino

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Laguna, Alejandro Grosso. "GRACIELA GONZÁLEZ: BODILY EXPERIENCE AND GENERATIONAL CHANGE IN TRADITIONAL TANGO." ERAS | European Review of Artistic Studies 12, no. 1 (2021): 1–17. http://dx.doi.org/10.37334/eras.v12i1.9.

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The study of body gestures and the participatory construction of the movements of the ‘old’ argentine milongueros is hampered by the fact that their protagonists are no longer alive. This work investigates both themes in an indirect way, conducting a semi-directed interview with the relevant teacher and dancer Graciela González, who since the 80's had as master and was dance partner of Norberto 'Pupi' Castello, one of the myths of the milonga 'porteña'. González describes some of the lesser known gestural and intentional characteristics of these ‘old’ milongueros, and explains how some of thes

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CRISAN, Raluca. "The effects of dancing on young people with down’s syndrome." SERIES VII - SOCIAL SCIENCES AND LAW 13(62), no. 1 Special Issue (2021): 41–48. http://dx.doi.org/10.31926/but.ssl.2020.13.62.3.5.

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Dance and movement therapy is about the creative use of movement and dancing in a therapeutic alliance. The present study analysis semi-structured interviews from people connected to young people with Down’s syndrome. Our subjects practiced dances like ballet, zumba, vals, tango and also therapeutic movement. Some of them proved their skills in events specially organized for people with disabilities, but also in inclusive events, where they danced together with professional dancers, in Romania, Republic of Moldavia and Italy. The effects of dancing include increased self- esteem, relaxation, s

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Buffa, Ester. "Tango: atração e relutância." MOTRICIDADES: Revista da Sociedade de Pesquisa Qualitativa em Motricidade Humana 4, no. 2 (2020): 190–98. http://dx.doi.org/10.29181/2594-6463-2020-v4-n2-p190-198.

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Resumo Neste ensaio, a autora escreve sobre os prazeres que sente quando dança, especialmente, tango. Organizou o texto em duas partes. Na primeira, trata de algumas concepções divergentes de se encarar o corpo e a alma ou mente, considerando-os nos seus aspectos de conservação e transgressão. Para tanto, partiu das concepções gregas sobre corpo e alma, mencionou o filósofo R. Descartes, recorreu ao também filósofo B. Espinosa, principalmente quando trata das afecções, isto é, das ações e paixões da alma e do corpo. Comentou, ainda, N. Bonder que também se preocupou com estas questões, seguind

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Buffa, Ester. "Tango: atração e relutância." MOTRICIDADES: Revista da Sociedade de Pesquisa Qualitativa em Motricidade Humana 4, no. 2 (2020): 190. http://dx.doi.org/10.29181/2594-6463.2020.v4.n2.p190-198.

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ResumoNeste ensaio, a autora escreve sobre os prazeres que sente quando dança, especialmente, tango. Organizou o texto em duas partes. Na primeira, trata de algumas concepções divergentes de se encarar o corpo e a alma ou mente, considerando-os nos seus aspectos de conservação e transgressão. Para tanto, partiu das concepções gregas sobre corpo e alma, mencionou o filósofo R. Descartes, recorreu ao também filósofo B. Espinosa, principalmente quando trata das afecções, isto é, das ações e paixões da alma e do corpo. Comentou, ainda, N. Bonder que também se preocupou com estas questões, seguindo

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Maples, Holly. "Embodying Resistance: Gendering Public Space in Ragtime Social Dance." New Theatre Quarterly 28, no. 3 (2012): 243–59. http://dx.doi.org/10.1017/s0266464x12000437.

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In this article Holly Maples examines how the controversy surrounding the ragtime dance craze in the United States allowed women to renegotiate acceptable gendered behaviour in the public sphere. In the early 1910s many members of the public performed acts of resistance to convention by dancing in the workplace, on the street, and in public halls. Civic institutions and private organizations sought to censor and control both the public space of the dance hall and the bodies of its participants. The controlling of social dance was an attempt to restrain what those opposed to the dances saw as u

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Bucik, Katja, Helena Smrtnik Vitulić, and Jana Rapuš Pavel. "Effects of dance-movement therapy on the movement and self-concept of wheelchair users with intellectual disabilities." Hrvatska revija za rehabilitacijska istraživanja 59, no. 1 (2023): 59–76. http://dx.doi.org/10.31299/hrri.59.1.4.

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This study aimed to determine the effects of dance-movement therapy on individuals with mild intellectual disabilities, focusing on their self-concept and various general and wheelchair movement qualities. The sample included two females and three males with mild intellectual disabilities, ranging in age from 17 to 26 years. Two of the participants were diagnosed with cerebral palsy, while the other three were diagnosed with myelomeningocele. The participants had difficulties/disorders in various aspects of movement and used a wheelchair to move independently. They were included in a dance-mov

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Haiting, Mao, and Li Na. "Examine the advantages of social dance instruction in elder people for both mental and physical health, as well as its function in fostering general well-being." International Journal of Religion 5, no. 9 (2024): 928–37. http://dx.doi.org/10.61707/4cyeqz61.

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The global increase in the elderly population poses challenges in physical, mental, and social aspects. This study explores the potential of social dance instruction as an innovative approach to improve the overall well-being of older adults. Drawing on previous research, our investigation focuses on the long-term effects of social dance on mental and physical health, emphasizing social, emotional, and cognitive benefits. Importance of this study lies in contributing to innovative approaches for elderly well-being, offering insights to healthcare professionals, caregivers, and policymakers. Th

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Kimmel, Michael. "Intersubjectivity at Close Quarters: How Dancers of Tango Argentino Use Imagery for Interaction and Improvisation." Cognitive Semiotics 4, no. 1 (2012): 76–124. http://dx.doi.org/10.1515/cogsem.2012.4.1.76.

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Abstract The article explores the prerequisites of embodied ‘conversations’ in the improvisational pair dance tango argentino. Tango has been characterized as a dialog of two bodies. Using first- and second-person phenomenological methods, I investigate the skills that enable two dancers to move as a super-individual ensemble, to communicate without time lag, and to feel the partner’s intention at every moment. How can two persons - walking in opposite directions and with partly different knowledge - remain in contact throughout, when every moment can be an invention? I analyze these feats thr

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Su, Kaiting. "The Impact of Dance on Mental Health: Exploring Cognitive, Emotional, Self-Esteem, and Social Interaction Aspects." International Journal of Education and Humanities 15, no. 1 (2024): 91–94. http://dx.doi.org/10.54097/03gc7e93.

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This paper explores the multifaceted impact of dance on mental health, examining its effects on cognitive function, emotional well-being, self-esteem, and social interaction. By reviewing existing literature and analyzing various case studies, the study highlights how dance can enhance cognitive abilities such as memory and attention, improve emotional regulation, boost self-esteem, and foster positive social interactions. The findings suggest that dance offers a holistic approach to mental health, benefiting individuals across different age groups and backgrounds. The paper underscores the po

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Thomson, Raymond A. "Dance bands and dance halls in Greenock, 1945–55." Popular Music 8, no. 2 (1989): 143–55. http://dx.doi.org/10.1017/s0261143000003330.

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The Americanisation of British popular culture has been the subject of intensive study and debate. Most of this, however, has had a national focus. It is the purpose of this article to examine aspects of a popular culture at a local level in order to discover the extent to which people were, or felt themselves to be, dominated by America. The history of popular culture is the history of the little people, how they passed their time and recreated themselves. Discoveries made here should cast illumination on the more global claims made by social historians.

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Annisa, Dea Rizky, and Istiyati Mahmudah. "Meningkatkan Kepercayaan Diri Siswa Melalui Ekstrakurikuler Tari Di SDIT Tiara Az-Zahra Palangka Raya." TACET Jurnal Pendidikan dan Kajian Seni 3, no. 1 (2024): 1. http://dx.doi.org/10.26418/tacet.v3i1.77730.

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Self-confidence is included in the social-emotional aspects that have an important role in shaping students' identity and personal development, especially in elementary school students. However, there are still schools that only focus on cognitive aspects and tend to pay less attention to other aspects such as skills, attitudes and social-emotional aspects. Extracurricular dance refers to activities outside of school hours to express feelings through beautiful body movements. This study aims to describe whether extracurricular dance can increase students' self-confidence. This research uses a

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M.M., Marushka. "SOCIAL DANCE SCHOOLS AS A CENTER OF CHOREOGRAPHIC EDUCATION IN GALICIA IN THE INTERWAR TWENTY YEARS (1919–1939)." Collection of Research Papers Pedagogical sciences, no. 90 (November 4, 2020): 12–15. http://dx.doi.org/10.32999/ksu2413-1865/2020-90-2.

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Мета статті – визначити соціально-культурні передумовипопулярності та масовості шкіл товарись-ких танців як осередків хореографічного навчання; проаналізувати діяльність шкіл товариських танців у Галичині в міжвоєнне двадцятиліття. Методи. Для досягнення поставленої мети було використано комплекс дослідницьких методів – конкретно-пошуковий, системний метод, метод логіко-історичного аналізу. Конкретно-пошуковий метод застосовувався у роботі з архівними документами та матеріалами періодичних видань із досліджуваної проблематики. Системний метод дав змогу всебічно та комплек-сно розглянути діяльн

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Lázár, Imre. "Dance as a Remedy of Lifestyle Medicine, a Cultural-psychophysiological Approach." Kaleidoscope history 11, no. 22 (2021): 191–210. http://dx.doi.org/10.17107/kh.2021.22.191-210.

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Dance is a traditional element of cultural-psychophysiological homeostasis. The chapter approves the role of dance in maintaining mental and bodily health. As dance is deeply cultural by its nature, it is worth extending its framework of healing from social-psychophysiological towards the cultural. The chapter explores the cultural, social, psychological, and bodily benefits and homeostatic functions of dance in an age of sedentary lifestyle. Sedentarism proved to be a silent killer responsible for increased cardiovascular, oncological morbidity and mortality; therefore, one should explore the

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Latuapo, Abdullah. "Cakalele Dance: Religious and Social Ethics in Islamic and Environmental Education." Al-Albab 12, no. 1 (2023): 133–50. http://dx.doi.org/10.24260/alalbab.v12i1.2758.

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The Cakalele dance is widely recognized as a “war dance” deeply rooted in Maluku culture. It involves dynamic movements such as jumping, turning, stomping, and sword-slashing, reflecting its historical significance in war strategies. However, Cakalele in Banda showcases its distinctiveness. From the elaborate costumes to the formation of the dancers, and the specific dance movements, it conveys a profound connection to Islamic religiosity and ethical values prevalent within the Banda coastal community. This study used a qualitative analysis approach with a phenomenological perspective, focusin

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Thøgersen-Ntoumani, Cecilie, Anthony Papathomas, Jonathan Foster, Eleanor Quested, and Nikos Ntoumanis. "“Shall We Dance?” Older Adults’ Perspectives on the Feasibility of a Dance Intervention for Cognitive Function." Journal of Aging and Physical Activity 26, no. 4 (2018): 553–60. http://dx.doi.org/10.1123/japa.2017-0203.

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We explored perceptions of social dance as a possible intervention to improve cognitive function in older adults with subjective memory complaints. A total of 30 participants (19 females; mean age = 72.6 years; SD = 8.2) took part in the study. This included 21 participants who had self-reported subjective memory complaints and nine spouses who noticed spousal memory loss. Semistructured interviews were conducted, and a thematic analysis was used to analyze the data. Three main themes were constructed: (a) dance seen as a means of promoting social interaction; (b) chronic illness as a barrier

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Ershova, Olga, and Evgeny Smirnov. "Sports and ballroom dancing competitive infrastructure analysis in the context of international organizations on sports and ballroom dancing." Tambov University Review. Series: Humanities, no. 182 (2019): 123–29. http://dx.doi.org/10.20310/1810-0201-2019-24-182-123-129.

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We consider current problems of scientific and theoretical representations development about competitive infrastructure of Sports and ballroom dancing which are not provided with sufficient scientific comprehension. The purpose is to determine the basis of division used in the world practice of international organizations for sports and ballroom dancing for the classification of competitions, performers, their skills, etc. Interest in sports and ballroom dancing, as a form of social, cultural and leisure activities, increases every year not only abroad but also in Russia. Sports and ballroom d

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Tasselli, Stefano, and Alberto Caimo. "Does it take three to dance the Tango? Organizational design, triadic structures and boundary spanning across subunits." Social Networks 59 (October 2019): 10–22. http://dx.doi.org/10.1016/j.socnet.2019.04.002.

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Vukadinovic, Maja. "Psychological research in dance." Zbornik Matice srpske za drustvene nauke, no. 181 (2022): 47–61. http://dx.doi.org/10.2298/zmsdn2281047v.

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This paper examines dance as a significant ethnological, historical, geographical, sociological, artistic, musical, aesthetic, psychological, biological, and psychotherapeutic phenomenon. The main focus is on its psychological aspects and the interconnectedness of psychological and physical components, which enables a unique experience not only for the person who dances but also for the observers. In the first part, the complex phenomenon of dance is elaborated, differences between spontaneous dance and dance as an artistic discipline are highlighted and a new comprehensive definition of dance

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Straub, Edward R., and Kristin E. Schaefer. "It takes two to Tango: Automated vehicles and human beings do the dance of driving – Four social considerations for policy." Transportation Research Part A: Policy and Practice 122 (April 2019): 173–83. http://dx.doi.org/10.1016/j.tra.2018.03.005.

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Anderson, Alida, and Reba Mathews. "Dance/movement interventions and students with exceptionalities: A critical review." Routledge Open Research 3 (July 10, 2024): 30. http://dx.doi.org/10.12688/routledgeopenres.18514.1.

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This critical narrative review presents findings of physical activity interventions involving dance/movement for students with exceptionalities. This review describes the status of dance/movement intervention research supporting students’ intersectional identities, including exceptionality. Dance/movement research from 2013 to 2023 was reviewed to identify the extent to which research addresses dimensions of students’ identities. First, dance/movement research is situated within physical activity intervention research. Next, findings from 82 dance/movement research studies within education and

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Tagareva, Kirilka, and Magdalena Gereva. "Creative Motivation and Flourishing – Psychological and Social Aspects." Filosofiya-Philosophy 31, no. 2 (2022): 174–91. http://dx.doi.org/10.53656/phil2022-02-06.

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Creative motivation is considered in the context of personality structure and flourishing as an indicator of positive development. The aim of the present study is to explore the relationships in the field of creativity and creative motivation as factors for achieving psychological well-being and flourishing, as well as their presence within various psychological profiles. Hypotheses have been raised in order to measure the presence of creativity indicators within certain psychological types in relation to the level of creative motivation and flourishing. The survey instruments used are: Myers

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Hudson, Pamela, and Nancy Glomb. "If It Takes Two to Tango, Then Why Not Teach Both Partners to Dance? Collaboration Instruction for All Educators." Journal of Learning Disabilities 30, no. 4 (1997): 442–48. http://dx.doi.org/10.1177/002221949703000411.

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Machado, Zenite, Gabriella Roberta dos Santos, Adriana Coutinho de Azevedo Guimarães, Sabrina Fernandes, and Amanda Soares. "QUALITY OF LIFE OF PEOPLE WHO PRACTICE BALLROM DANCE." Revista Brasileira de Atividade Física & Saúde 17, no. 1 (2012): 39. http://dx.doi.org/10.12820/rbafs.v.17n1p39-45.

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The transversal cut study aimed to investigate the quality of life in ballroom dancepractitioners in Florianopolis – SC. The sample was composed of 402 subjects aged 21to 83 years, who use to attend ballroom dance classes. In order to perform the study,a questionnaire was carried out, which consists of four parts: personal identifi cation,socioeconomic status, dance practice and quality of life (assessed by means ofthe WHOQOL BREF Questionnaire). After carrying the study out it is observed thatballroom dance is searched by individuals in diff erent ages, particularly the youngerunmarried ones

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Quick, Sarah. "The Social Poetics of the Red River Jig in Alberta and Beyond." Ethnologies 30, no. 1 (2008): 77–101. http://dx.doi.org/10.7202/018836ar.

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Abstract The Red River Jig is a fiddle tune and a dance form that have particular resonance for First Nations and Métis peoples in Northern and Western Canada. Here I follow the dance form’s practice across diverse settings in time and space. This article is a part of a larger project in which I am analyzing the nexus of Métis identity, performance, and heritage; using Michael Herzfeld’s concept of “social poetics” (2005) to gauge the Red River Jig not only as a representative form of Métis heritage, but as a performative form that emerges in social interaction. Here I first chronicle its perf

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Shanagher, Sean. "A dancing agency: Jazz, modern and ballroom dancers in Ireland between 1940 and 1960." Irish Journal of Sociology 24, no. 2 (2016): 175–99. http://dx.doi.org/10.1177/0791603515625587.

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Studies of social dance in Ireland between the 1930s and 1950s have generally focused on either the disciplined body of ‘Irish dance’ or on the process of disciplining those who favoured non-traditional dance forms. As a result, important aspects of social dance have been obscured. This article assesses the importance of non-traditional forms such as jazz by foregrounding the agency of its participants. It draws primarily on an ethnography of dance culture in Co. Roscommon. The approach has also been inflected by a reflexive dimension that positions the researcher within the research frame. Dr

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Colombo, Barbara, Alison Rigby, Martina Gnerre, and Federica Biassoni. "The Effects of a Dance and Music-Based Intervention on Parkinson’s Patients’ Well-Being: An Interview Study." International Journal of Environmental Research and Public Health 19, no. 12 (2022): 7519. http://dx.doi.org/10.3390/ijerph19127519.

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Previous research has shown the positive effects of music and dance-based interventions on the physical and psychosocial symptoms of Parkinson’s disease (PD). The aims of this study were: (1) to investigate how PD patients subjectively perceive the emotional, cognitive, and social benefits of a music- and dance-based intervention; (2) to apply an innovative methodology for an interview analysis combining findings from a linguistic text with an analytic approach and conducted with the software LIWC and from the content analysis performed by human coders. Extensive, open-ended interviews were co

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Zhang, G. "Comparative Characteristics of Dances in China and Ukraine from the Point of View of Historical, Genre, Target, Methodological and Socio-Political Aspects: a Review Article." Health, sport, rehabilitation 7, no. 3 (2021): 67–80. http://dx.doi.org/10.34142/hsr.2021.07.03.05.

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Purpose: to compare target, style, methodological, historical and socio-political features and determine the possibilities of mutual application of various approaches to the development of dance education in China and Ukraine. Material and methods. The review included articles on the peculiarities of historical development, methodological aspects, the dance influence on health of people of different ages and different social status. The review also included articles on the peculiarities of the social and political aspects of dance art in China and Ukraine. The analysis of literary source

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Zografou, Magda, and Mimina Pateraki. "The “Invisible” Dimension of Zorba's Dance." Yearbook for Traditional Music 39 (2007): 117–31. http://dx.doi.org/10.1017/s074015580000669x.

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The methodological shift in cultural studies from observation to meaning (Geertz 1973) resulted in “invisible” dance action coming to the forefront of contemporary speculation in the humanistic and social sciences (Farnell 2001b:2). As Adrienne Kaeppler observes, it cannot be considered adequate to pinpoint whatever message we receive from the visually perceived manifestation of any choreography, because this visible dimension constitutes only one component of a larger social action. In order to develop an opinion of what and how a dance communicates in a specific circumstance, we must compreh

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