Academic literature on the topic 'Social aspects of Vietnamese poetry'

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Journal articles on the topic "Social aspects of Vietnamese poetry"

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Thi Hong Ngoc, MA Bui. "PHILOSOPHICAL THOUGHT IN THE ZEN POETRY OF TRUC LAM YEN TU." International Journal of Education Humanities and Social Science 05, no. 04 (2022): 178–85. http://dx.doi.org/10.54922/ijehss.2022.0422.

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Buddhism is not only a religion but also a kind of human wisdom in the impermanent life. Over thousands of years of the nation's history, Buddhism is still one of the religions with great influence on many aspects of social life. Buddhism in the Tran Dynasty unified many schools for the first time into Truc Lam Zen Buddhism and developed into its own independent sect of Vietnamese Buddhism. The philosophical thought of Zen Buddhism was increasingly developed and was not only popular in the court, but also spread widely in the world and had a great impact on society. In this paper, the author a
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Le Van, Tan. "The thought of serving nation and people through Doan Nguyen Tuan's Chinese poetry." Journal of Science Social Science 65, no. 8 (2020): 68–77. http://dx.doi.org/10.18173/2354-1067.2020-0051.

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Doan Nguyen Tuan, nick name Hai Ong, Hai Yen village, Quynh Coi district (now known as Hai An village, Quynh Nguyen commune, Quynh Phu district), Thai Binh province. He had Huong sewer following the Le Dynasty but did not work as mandarins, with Vu Huy Tan, Phan Huy Ich, Ngo Thi Nham..., he followed Tay Son. By the concept of flexible museum, Doan Nguyen Tuan pursued and persevered the path of religious practice in the disordered social condition. With more than 200 Han poems still left, Doan Nguyen Tuan had the opportunity to show quite clearly the important aspects of the content of the thou
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Dinh Minh, Hang. "Vietnamese modern poetry from the perspective of Virginia Woolf and the aspect of subject and female subject in writing." Journal of Science Social Science 66, no. 3 (2021): 31–39. http://dx.doi.org/10.18173/2354-1067.2021-0044.

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In the current era of globalization, the study of Vietnamese literature, especially the studies of Vietnamese modern poetry and specifically Vietnamese women' poetry, are not outside the trends and theories in Western literary and social theory. These studies aim to establish important theoretical foundations for literary criticism, and at the same time, suggest new thinking and approaches to literature from both reception and composition perspectives. Theories including the aspect of discourse's subject, and Virginia Woolf's feminist conception, which focus on woman as a matter of subject in
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Lộc, Tăng Tấn, and Nguyễn Thị Mỹ Nhung. "The Concept of Waterways in Southern Vietnamese Folk Poetry." International Journal of Religion 6, no. 1 (2025): 548–60. https://doi.org/10.61707/4e2q2522.

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Southern Vietnam’s cultural aspects have recently been well studied by many researchers and scholars. However, the cognitive domain of WATER/RIVER, especially in the Southern folk songs has not been paid much attention in those studies. This paper explores the cognitive domain of WATER/RIVER in the culture of the South of Vietnam. The results of this study identify some cognitive domains related to water/river such as domains RIVER; WATER, FISH AND FISHING; BOATS AND SHIPS and clarify that Southerners have reflected themselves on the water/river environment and regional nature of the South. To
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Nguyên, Lan Nguyên. "Vietnamese students on social networks." Russian Journal of Vietnamese Studies 7, no. 1 (2023): 41–52. http://dx.doi.org/10.54631/vs.2023.71-111687.

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With the rapid development of the Internet, social networks have a strong influence on all aspects of student life. The article focuses on the analysis of the use of popular online platforms by students and the role of the latter in the educational process, leisure activities, family relationships, establishing social contacts, etc. The author also shares some suggestions for improving the efficiency of the use of social networks by students.
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Van, Vu Hong. "Ho Xuan Huong’s Nom Poetry and Its Significance to the Current Issues of Gender Equality." Al-Adabiya: Jurnal Kebudayaan dan Keagamaan 19, no. 1 (2024): 89–105. http://dx.doi.org/10.37680/adabiya.v19i1.5238.

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Ho Xuan Huong was a famous Vietnamese poet who lived in the late 18th and early 19th centuries. She left behind many unique poems with a poetic style that is both thanh (right and pur vulgar) or tục (vulgar and dirty) and was dubbed “the Queen of Nom Poetry”. While nom poetry is a genre of poetry passed down from generation to generation without original text, Huong is considered one of the unique poets of Vietnamese literature. Many of her works have been lost; up to now, her poems still in circulation are mainly oral Nom poems. Her poetic system focuses primarily on promoting the role of wom
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Syed, Peer Wallayat Ali Shah. "Dilawar Figar's social consciousness." MATAN 1, no. I (2020): 28–39. https://doi.org/10.5281/zenodo.7559246.

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Dilawar Figar is one of the renowned name of Urdu humorous poetry. He describes the different aspects of social setup in his poetry, which proves his vast social sense. Through this article an effort has been made to express his social sense.
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Woon, Yuen-Fong. "Some Adjustment Aspects of Vietnamese and Sino-Vietnamese Families in Victoria, Canada." Journal of Comparative Family Studies 17, no. 3 (1986): 349–70. http://dx.doi.org/10.3138/jcfs.17.3.349.

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Ly Ngoc, Toan. "Semantic Structures of Vietnamese Perception Verbs: A Cognitive and Cultural Analysis." JURNAL ARBITRER 11, no. 4 (2024): 441–57. https://doi.org/10.25077/ar.11.4.441-457.2024.

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This study investigates how Vietnamese speakers employ perception verbs to understand and depict life experiences through their metaphorical extensions and explore the linguistic practices regarding Vietnamese socio-cognitive patterns. The study employs qualitative analysis of Vietnamese poems, proverbs, and idioms. This study analyzes linguistic aspects in the framework of conceptual metaphor theory (Lakoff & Johnson, 1980), examining language and thought in their embodied nature, both in relation to the mind (Sweetser, 1990) and as culturally oriented phenomena (Kovecses, 2005). The anal
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Do, Thi Cam Van. "Inter-genres in contemporary Vietnamese historical novels." Ministry of Science and Technology, Vietnam 63, no. 4 (2021): 56–59. http://dx.doi.org/10.31276/vjst.63(4).56-59.

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In the development process and social movements, the literary genres do not exist independently but have interaction with each other. Novels are capable of performing genres interaction because “the novel allows to put into it many different genres, including artistic genres (short stories, lyric poems, epics, speech plays...) and non-artistic genres (literature in daily life, rhetoric, science, religion...)”[1]. Novels with traditional writing style about contemporary Vietnamese history (prominent writers such as Nguyen Xuan Khanh, Vo Thi Hao, Nguyen Mong Giac...), the interaction among liter
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Dissertations / Theses on the topic "Social aspects of Vietnamese poetry"

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Yu, Liwen, and 余麗文. "Politicizing poetics: the (re)writing of the social imaginary in modern and contemporary Chinese poetry." Thesis, The University of Hong Kong (Pokfulam, Hong Kong), 2009. http://hub.hku.hk/bib/B42841628.

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Fountain, Amy Velita 1963. "Need for cognition, ambiguity tolerance and symbol systems: An initial exploration." Thesis, The University of Arizona, 1988. http://hdl.handle.net/10150/276850.

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This study explored the interaction between three individual variables, need for cognition and tolerance of ambiguity, and the symbol system used in messages. Goodman's (1976) dimension of notationality of systems is proposed as the continuum of interest upon which sources of information vary. It was hypothesized that high tolerance for ambiguity and need for cognition would lead to increased numbers of interpretations of nonnotational messages over notational ones, and over people low in these traits. Methods utilized in the study are overviewed. Results indicate that subjects high in need fo
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Dennison, John. "Seamus Heaney and the adequacy of poetry : a study of his prose poetics." Thesis, University of St Andrews, 2011. http://hdl.handle.net/10023/3026.

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Seamus Heaney's prose poetics return repeatedly to the adequacy of poetry, its ameliorative, restorative response to the inimical reality of life in the public domain. Drawing on manuscript as well as print sources, this thesis charts the development of this central theme, demonstrating the extent to which it threads throughout the whole of Heaney's thought, from his earliest conceptual formation to his late cultural poetics. Heaney's preoccupation with this idea largely originates in his undergraduate studies where he encounters Leavis and Arnold's accounts of poetry's adequacy: its ameliorat
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Kyser, Tiffany S. "Folked, Funked, Punked: How Feminist Performance Poetry Creates Havens for Activism and Change." Thesis, Connect to resource online, 2010. http://hdl.handle.net/1805/2192.

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Thesis (M.A.)--Indiana University, 2010.<br>Title from screen (viewed on July 19, 2010). Department of English, Indiana University-Purdue University Indianapolis (IUPUI). Advisor(s): Karen Kovacik, Peggy Zeglin Brand, Ronda C. Henry. Includes vitae. Includes bibliographical references (leaves 79-83).
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Murphy, Mary Denise. "Living with asthma in Australia : an anthropological perspective on life with a chronic illness." University of Western Australia. School of Anatomy and Human Biology, 2005. http://theses.library.uwa.edu.au/adt-WU2005.0070.

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[Truncated abstract] In Australia, asthma is a common chronic illness, which often requires complex treatment regimens. This study used an anthropological perspective to explore the experience of people living with asthma, with the specific aim of contributing to the health care programs offered to people living with asthma. The study was conducted in an Australian city (Perth, Western Australia). The foci of the study were Australian lay people, from the general community, living with asthma, and a small number of non- English speaking Vietnamese-Australian migrants. Some spouses of the Aust
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Mouhieddine, Maria. "Aspects formels du dîwân de Jamîl Buṯayna". Phd thesis, Ecole normale supérieure de lyon - ENS LYON, 2011. http://tel.archives-ouvertes.fr/tel-00682573.

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Notre objectif étant de procéder à une analyse des aspects formels du dîwân de Jamîl Buṯayna (poète arabe et héros de roman mort aux environs de 701) nous avons commencé par donner du texte une édition intégralement vocalisée et métriquement cohérente à partir de quatre éditions publiées antérieurement. A partir de cette édition, une analyse syllabique intégrale du diwân a été possible grâce au logiciel Xalîl élaboré par Djamel Eddine Kouloughli ainsi qu'un lexique fréquentiel. Dans le deuxième tome, nous avons procédé, à partir de l'analyse syllabique, à une analyse métrique. Le principal rés
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Mbambo, Mncedi. "Imiba yentlalo nenkcubeko kwizibongo zeenkosi ezintathu zamaxhosa." Thesis, Stellenbosch : Stellenbosch University, 2001. http://hdl.handle.net/10019.1/52302.

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Thesis (MA)--University of Stellenbosch, 2001.<br>ENGLISH ABSTRACT: This study examines the socio-cultural issues in the praise poems of three Xhosa chiefs, namely, Nkosi Whyte Lent Mbali Maqoma of the amaJingqi, Nkosi Doyle Mpuhle Jongilanga of Dushane of Ndlambe and Nkosi Sipho Mangindi Burns-Ncamashe of amaGwali of Tshiwo. What comes out clear in the poems of these chiefs is that they experienced power problems after and before 1994. Their poetry protests about these political influences and calls for the restoration of the dignity of the chieftancy. The socio-cultural aspects of the
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Feaux, de la Croix Jeanne. "Moral geographies in Kyrgyzstan : how pastures, dams and holy sites matter in striving for a good life." Thesis, University of St Andrews, 2011. http://hdl.handle.net/10023/1862.

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This thesis is an ethnography of how places like mountain pastures (jailoos), hydro-electric dams and holy sites (mazars) matter in striving for a good life. Based on eighteen months of fieldwork in the Toktogul valley of Kyrgyzstan, this study contributes to theoretical questions in the anthropology of post-socialism, time, space, work and enjoyment. I use the term ‘moral geography’ to emphasize a spatial imaginary that is centred on ideas of ‘the good life’, both ethical and happy. This perspective captures an understanding of jailoos which connects food, health, wealth and beauty. In compar
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Matjila, D. S. (Daniel Sekepe) 1961. "The social, cultural and historical aspects of Raditladi's Sefalana sa menate." Thesis, 2009. http://hdl.handle.net/10500/3176.

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This study is an analysis of Raditladi’s poetry with special emphasis on three aspects, namely, social, cultural and the historical perspectives. Raditladi blends indigenous African and Western influenced themes and forms to portray the common and shared ethos, beliefs and practices of the Batswana. He depicts artistic and edifying mechanisms of his people’s culture in remarkable styles. In addition to containing history and historical figures, his poetry also addresses social issues that are of particular significance to Africans who for so long have negotiated and navigated a world of contra
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Nguyen, Van Kien. "Social capital, livelihood diversification and households' resilience to floods in the Vietnamese Mekong River Delta." Phd thesis, 2012. http://hdl.handle.net/1885/156298.

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Floods are a familiar and frequent feature of life in the Vietnamese Mekong River Delta (MRD). Although floods bring hardship to people, they also bring environmental benefits forsustaining rural livelihoods. People in the MRD have experienced the impacts of floods for hundreds of years since the sparse population settled in the MRD during the 19th Century. In some years, the flood is 'big' or 'small', but it is 'moderate' in most years. Some people are 'winners' while others are 'losers' due to the impacts of the flood events. The aim of this thesis is to advance understanding about percep
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Books on the topic "Social aspects of Vietnamese poetry"

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Sỹ, Vũ Văn. Vè̂ một đặc trưng thi pháp thơ Việt Nam, 1945-1995: Sự mở rộng chức năng xã hội, thả̂m mỹ của yé̂u tó̂ tự sự trong thơ trữ tình. Nhà xuá̂t bản Khoa học xã hội, 1999.

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Luận, Ưng. Ca dao xứ Hué̂ bình giải. Sở văn hóa thông tin Thừa Thiên, 1991.

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Nguyen, Ngoc Phach. Life in Vietnam through a looking glass darkly. The Author, 2005.

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Nguynen, Xuân Quang. Ca dao, tục ngzu, tinh hoa dân Viuet. Y Học Thưxong Thwuc, 2002.

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Huoi, Đào Văn. Phong-tục misen Nam qua mray vsan ca-dao. Xuân Thu, 1985.

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Anh, Duyên. Ca dao quyuen lray mireng ngon dân tuoc: Nrau nưwong nhân gian. Vũ Trung Hisen, 1995.

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Lâm, Xương Yên. Non nưwoc Viuet: Tuyten tuap ca dao vè xưa, nay. NXB Tân Lâm, 2008.

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Lâm, Xương Yên. Non nước Việt: Tuyẻ̂n tập ca dao vè xưa, nay. Nhà xuá̂t bản Tân Lâm, 2008.

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Chuong, Chung Hoang. Vietnamese students: Changing patterns, changing needs. Many Cultures Pub., 1994.

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Bùi, Tân. Ca dao, dân ca trên đá̂t Phú yên: Chú giải điẻ̂n tích. Nhà xuá̂t bản Thanh Niên, 2012.

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Book chapters on the topic "Social aspects of Vietnamese poetry"

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Finnegan, Ruth. "1. Introduction." In World Oral Literature Series. Open Book Publishers, 2025. https://doi.org/10.11647/obp.0428.01.

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The study of oral poetry often involves assumptions that shape its analysis, making it important to distinguish between controversial, empirical, or outdated claims. Several influential approaches to oral poetry are examined. Romantic and evolutionist theories, rooted in 18th and 19th-century European Romanticism, highlight the spontaneous, emotional, and natural aspects of poetry, emphasizing a connection to "primitive" societies. These theories have shaped the perception of oral poetry as a natural, instinctive art form, often linked to rural or unlettered communities. The concept of traditi
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Finnegan, Ruth. "4. Style and performance." In World Oral Literature Series. Open Book Publishers, 2025. https://doi.org/10.11647/obp.0428.04.

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This chapter explores the intricate interplay between style and performance in oral poetry, emphasizing that both aspects are inseparable and essential for a complete understanding of this art form. While literary scholars have traditionally focused on style and sociologists on performance, this chapter argues that neither can be fully appreciated without considering the other. The study of style involves the recognition of social conventions that shape artistic expression, highlighting the constraints and freedoms oral poets face within these conventions. Style encompasses formal structures,
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Lardinois, André. "Was Sappho a Citizen? Social and Political Aspects of Sappho’s Poetry." In Politeia and Koinōnia. BRILL, 2023. http://dx.doi.org/10.1163/9789004539914_002.

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Fowler, Roger. "Some Aspects of Dialogue." In Linguistic Criticism. Oxford University PressNew York, NY, 1996. http://dx.doi.org/10.1093/oso/9780192892614.003.0008.

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Abstract The previous chapter encourages a view of texts as discourses, as interactions between speakers and addressees who might be real, implied, or fictional. In my opinion, this is a most important emphasis, a corrective to the older view in linguistic criticism that literary texts are just formal structures of language; and to the traditional claim in literary criticism that texts are objects rather than interactions: ‘verbal icons’, ‘monuments’, or ‘wellwrought urns’. The latter phrase is taken from a poem of Donne’s by the critic Cleanth Brooks, and applied to all poetry: we are meant t
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Bugan, Carmen. "The ‘Lyric I’." In Poetry and the Language of Oppression. Oxford University Press, 2021. http://dx.doi.org/10.1093/oso/9780198868323.003.0003.

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There are two aspects of personal identity that often clash in the artistic process originating in oppression; they destabilize the voice of the ‘lyric I’. This chapter raises several questions about the relationship between personal biography and the construction of a lyric speaker, and explores the notion of a poetics that insists on healing the damage that politics does to the family; it discusses what happens when private and public identities become conflated because of politics, and how poetry ‘acts’ on the sense of family as a social microcosm where the conflict between the sense of the
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Watkins, Calvert. "The Indo-European poet: His social function and his art." In How to Kill a Dragon. Oxford University PressNew York, NY, 1995. http://dx.doi.org/10.1093/oso/9780195085952.003.0005.

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Abstract In chap. 3 we considered one of the two aspects of the study of Indo-European poetics, the formal question of the poet’s technique.The second, to which we now come, concerns the social function of poetry and the poet in Indo-European times: his purpose.Both must be looked at together, complementarily. For the art of the Indo-European poet is to say something wholly traditional in a new and interesting, but therefore more effectiveway. It is verbal activity, artistically elaborated, but directed toward a more or less immediate, concrete goal.
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de Medeiros, Kate, and Aagje Swinnen. "Social connectivity and creative approaches to dementia care: the case of a poetry intervention." In Resilience and Ageing. Policy Press, 2018. http://dx.doi.org/10.1332/policypress/9781447340911.003.0004.

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This chapter draws together four concepts — resilience and flourishing, creativity and play — to explore the impact of poetry interventions in the lives of people with dementia living in a care facility. Participatory arts programmes can provide opportunities for people to be reminded of their humanness and re-membered as valuable human beings. Opportunities to be creative and engage with others contribute to resilience or the ability to transcend many dementia-associated losses. Through imaginative play, regardless of cognitive ability, people can express and/or enact important aspects of mea
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Niranjan, Krisha Jiya, and Sindhu Vasanth B. "The Power of Poetry- A Gateway to Self-Reflection and Identity." In Celebrating Poetry Across the K-12 Curriculum. IGI Global Scientific Publishing, 2025. https://doi.org/10.4018/979-8-3693-7778-9.ch017.

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The chapter “The Power of Poetry: A Gateway to Self-Reflection and Identity” explores how poetry therapy enhances emotional well-being, self-reflection, and identity formation. Through reading, writing, and discussion, individuals navigate emotions and introspect on their identities. This method fosters self-expression, uncovering hidden aspects of the self and reflecting on past experiences to shape the future. Poetry's cultural significance is highlighted, acting as a mirror to traditions and social struggles. Examples from contemporary poets illustrate poetry as a tool for growth and identi
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Hair, Ross. "The Avant-Folkways of Lorine Niedecker." In Avant-Folk: Small Press Poetry Networks from 1950 to the Present. Liverpool University Press, 2017. http://dx.doi.org/10.5949/liverpool/9781781383292.003.0002.

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This chapter examines the ‘avant-folkways’ of Lorine Niedecker and her poetry and demonstrates how Niedecker’s poetry of the 1940s and 1950s draws on various aspects of folk, including folk speech, nursery rhymes and ballads, local history, and artisanal and domestic craft practices. Niedecker’s folk sensibility, chapter 1 argues, was enhanced considerably by her work on the Federal Writers’ Project, from 1938 to 1941. Niedecker’s poetry, it is argued, undermines the dichotomies that underpin the pervasive ideological construction of American folk in the twentieth century—notions of the region
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Kaeppler, Adrienne L. "Dance." In Folklore, Cultural Performances, And Popular Entertainments. Oxford University PressNew York, NY, 1992. http://dx.doi.org/10.1093/oso/9780195069198.003.0027.

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Abstract A complex form of communication that combines the visual, kinesthetic, and aesthetic aspects of human movement with (usually) the aural dimension of musical sounds and sometimes poetry. Dance is created out of culturally understood symbols within social and religious contexts, and it conveys information and meaning as Ritual, ceremony, and entertainment. For dance to communicate, its audience must understand the cultural conventions that deal with human movement in time and space. Many definitions of dance have been proposed, but none has focused on its communicative aspects. With few
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Conference papers on the topic "Social aspects of Vietnamese poetry"

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Pilar, Martin. "�UNPOETICAL� POETRY OF PETR HRUSKA." In 11th SWS International Scientific Conferences on ART and HUMANITIES - ISCAH 2024. SGEM WORLD SCIENCE, 2024. https://doi.org/10.35603/sws.iscah.2024/s10.23.

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Petr Hruska (born 1964) is a poet and literary historian from Ostrava. This post-industrial city used to be famous for its black coal mines and steel factories. At the time of the industrial boom, Ostrava started to be a �melting pot� of nations living in this part of Central Europe � the Czechs, Poles, Germans from Silesia, Austrians, Jews, and Slovaks. No wonder, then, that the cultural life of this region differs from that in traditional centres of Czech culture like Prague or Brno. Nevertheless, Hruska�s collections of poems have been awarded the most prestigious Czech literary prizes and
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Ngo Thi Thanh, Quy, and Minh Nguyen Thi Hong. "Vietnamese Proverbs: Values Preserved in Modern Society." In GLOCAL Conference on Asian Linguistic Anthropology 2020. The GLOCAL Unit, SOAS University of London, 2020. http://dx.doi.org/10.47298/cala2020.4-4.

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Vietnamese proverbs has created long-lasting values which are being passed on to the modern society with numerous passions. These values include humanistic values confirming the human position in life. They also comprise social values and human philosophy as well as aesthetic values. Therefore, typical proverbs of the Viet people which have beem transferred to the younger generations via literary works such as Việt điện u linh (A collection of Vietnamese misteries) in the 14th century, Lĩnh Nam chích quái (A selection of the Viet extraordinary stories) in the 15th century are still being passe
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On Thi My, Linh. "Decoding Female Characters in Grimm’s Tales and Nguyen Dong Chi’s Tales from the Socio-historical Viewpoint and Comparative Study." In GLOCAL Conference on Asian Linguistic Anthropology 2019. The GLOCAL Unit, SOAS University of London, 2019. http://dx.doi.org/10.47298/cala2019.10-1.

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This article examines how the Brothers Grimm and Nguyen Dong Chi reflect cultural issues through female characters in their folktales and how researchers decode their tales from the socio-historical viewpoint. By showing some aspects such as harsh conditions and gender roles, feminine virtues, the lessons of being a good woman and the concept of feminine beauty, the article argues that by picturing female persons, the Brothers Grimm's tales and Nguyen Dong Chi’s tales encode common and different hard facts and social values of German and Vietnamese people. The article is based on ten tales of
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Pandulcheva, Daniela, and Dancho Pandulchev. "Theo-anthropological aspects of paneurhythmy in physical education." In Antropološki i teoantropološki pogled na fizičke aktivnosti (10). University of Priština – Faculty of Sport and Physical Education in Leposavić, 2024. http://dx.doi.org/10.5937/atavpa24038p.

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We analyze Paneurhythmy through the perspective of the theo-anthropological approach to physical education. This psycho-physical system of exercises combines rhythmic movements with ideas, music, and poetry, performed in a group, with specific space organization, in the open. The author, Beinsa Douno, is a founder of a Christian philosophy for a life in harmony with nature, where exercising is important for personality development. We analyze: 1. Constituent elements: movements, music, and poetic text; 2. Performance: person, pairs, and group; 3. Education: relations and personality developmen
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Cao, Thi Hao. "Research on Tay Ethnic Minority Literature in Vietnam Under Cultural View." In GLOCAL Conference on Asian Linguistic Anthropology 2019. The GLOCAL Unit, SOAS University of London, 2019. http://dx.doi.org/10.47298/cala2019.3-3.

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The Tay people are an ethnic minority of Vietnam. Tay literature has many unique facets with relevance to cultural identity. It plays an important part in the diversity and richness of Vietnamese literature. In this study, Tay literature in Vietnam is analyzed through a cultural perspective, by placing Tay literature in its development from its birth to the present, together with the formation of the ethnic group, and historical and cultural conditions, focusing on the typical customs of the Tay people in Vietnam. The researcher examines Tay literature through poems of Nôm Tày, through the wor
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Spencer, Herbert. "The epic and poetics of the Travesía as a space of resistance in design education." In LINK 2023. Tuwhera Open Access, 2023. http://dx.doi.org/10.24135/link2022.v4i1.193.

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Abstract:
The "Travesías" are an emblematic practice of the PUCV School of Architecture and Design, recognised as a radical element in the training of designers and architects. They originated not from a pedagogical intentionality but from an artistic impulse inherent in the poetry-craft relationship (and, within the framework of a school, in the teacher-disciple relationship). Their systematisation as a permanent part of the curriculum is a later phenomenon due to their resounding success in disciplinary apprenticeship. The theoretical and poetic foundations of the travesías are multiple and varied, ea
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