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Books on the topic 'Social aspects of Wrestlers in motion pictures'

Author: Grafiati
Published: 4 June 2021
Last updated: 28 July 2025

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1

Espinosa, Julio García. Cine, comunicacíon y cambio social. Editorial Causachun, 1989.

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2

McKiernan, D. W. Cinema and community. Palgrave Macmillan, 2008.

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3

Okome, Onookome. Cinema and social change in West Africa. Nigerian Film Corporation, 1995.

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4

Haydn, Smith Ian, ed. New Chinese cinema: Challenging representations. Wallflower, 2002.

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5

1946-, Pomerance Murray, ed. Cinema and modernity. Rutgers University Press, 2006.

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6

Monaco, Paul. Ribbons in time: Movies and society since 1945. Indiana University Press, 1988.

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7

Murphy, Robert. Realism and tinsel: Cinema and society in Britain, 1939-1948. Routledge, 1989.

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8

Ferreira, Fernando. Luz, cámara-- memoria: Una historia social del cine argentino. Corregidor, 1995.

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9

David, Thomson. The big screen: The story of the movies and what they did to us. Allen Lane, 2012.

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10

1962-, Sutherland Jean-Anne, and Feltey Kathryn 1954-, eds. Cinematic sociology: Social life in film. Pine Forge Press, 2010.

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11

1962-, Sutherland Jean-Anne, and Feltey Kathryn 1954-, eds. Cinematic sociology: Social life in film. Pine Forge Press, 2010.

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12

1962-, Sutherland Jean-Anne, and Feltey Kathryn 1954-, eds. Cinematic sociology: Social life in film. Pine Forge Press, 2010.

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13

J, Palmer William. The films of the nineties: The decade of spin. Palgrave Macmillan, 2009.

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14

Barahona, Fernando Alonso. Antropología del cine. Centro de Investigaciones Literarias Españolas e Hispanoamericanas, 1991.

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15

Kolovos, Nikos. Koinōniologia tou kinēmatographou. Aigokerōs, 1988.

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16

Vasudevan, Ravi. Film studies, the new cultural history and the experience of modernity. Centre for Contemporary Studies, Nehru Memorial Museum and Library, 1995.

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17

Niv, Ḳobi. ʻAl mah ha-sereṭ ha-zeh? Devir, 1999.

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18

Ahmad, Naim Haji. Filem sebagai alat dan bahan kajian. Penerbit Universiti Pertanian Malaysia, 1995.

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19

Kasongo Ibanda Ngozulu W. T. Le " cinéma pour africains": Acte d'influence à visée persuasive. CIACO, 1989.

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20

García, Asunción Anca. Visión del cine espectáculo: Lineamientos para una interpretación. CONAC, 1990.

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21

Niv, Ḳobi. ʻAl mah ha-sereṭ ha-zeh? Devir, 1999.

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22

Purohit, Vinayak. Some aspects of sociology of Indian films and profile of the Hindi hit movie, 1951-1989. Indian Institute of Social Research, 1990.

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23

Deza, Alfonso B. Mythopoeic Poe: Understanding the masa as audience through the films of Fernando Poe, Jr. Published and exclusively distributed by Great Books Pub., 2006.

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24

Ke, Jōsaph Vi. Sinimayuṃ pr̲atyaśāstr̲avuṃ. Sāṃskārika Pr̲asiddhīkaraṇavakuppȧ, 1997.

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25

Nehru Memorial Museum and Library. Centre for Contemporary Studies., ed. Dislocations: The cinematic imagining of a new society in 1950s India. Centre for Contemporary Studies, Nehru Memorial Museum and Library, 1994.

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26

Deza, Alfonso B. Mythopoeic Poe: Understanding the masa as audience through the films of Fernando Poe, Jr. Published and exclusively distributed by Great Books Pub., 2006.

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27

Ḥawwās, ʻAbd al-Ḥamīd. Aṭyāf wa-ẓilāl: Awrāq ʻan al-ʻalāqah bayna al-sīnimā wa-al-maʾthūr al-thaqāfī. al-Hayʾah al-ʻĀmmah li-Quṣūr al-Thaqāfah, 2000.

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28

Ḥawwās, ʻAbd al-Ḥamīd. Aṭyāf wa-ẓilāl: Awrāq ʻan al-ʻalāqah bayna al-sīnimā wa-al-maʼthūr al-thaqāfī. al-Hayʼah al-ʻĀmmah li-Quṣūr al-Thaqāfah, 2000.

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29

Yaḥyá, ʻĀdil. al- Waʻy al-ijtimāʻī lil-sīnimāʾī al-Miṣrī. al-Hayʾah al-Miṣrīyah al-ʻĀmmah lil-Kitāb, 2000.

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30

Agnihotri, Ram Awatar. Social and political study of modern Hindi cinema: Past, present, and future perspectives. Commonwealth Publishers, 1990.

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31

1962-, Smith Murray, and Wartenberg Thomas E, eds. Thinking through cinema: Films as philosophy. Blackwell Pub., 2006.

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32

Frindéthié, K. Martial. Francophone African cinema: History, culture, politics and theory. McFarland & Company, Inc., Publishers, 2009.

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33

Botha, Martin. Images of South Africa: The rise of the alternative film. HSRC Publishers, 1992.

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34

David, Platt, ed. Celluloid power: Social film criticism from "The Birth of a Nation" to "Judgement at Nuremberg". Scarecrow, 1992.

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35

Jarvie, I. C. Towards a sociology of the cinema: A comparative essay on the structure and functioning of a major entertainment industry. Routledge, 1998.

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36

Santo, el enmascarado de plata: Mito y realidad de un héroe mexicano moderno. Editorial Universitaria, Universidad de Guadalajara, 2012.

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37

Santo, el enmascarado de plata: Mito y realidad de un héroe mexicano moderno. Colegio de Michoacán, 2004.

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38

Simonton, Dean Keith, and James C. Kaufman. Social Science of Cinema. Oxford University Press, Incorporated, 2013.

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39

Jarvie, I. C. Movies as Social Criticism. The Scarecrow Press, Inc., 1989.

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40

The films of the seventies: A social history. Scarecrow Press, 1987.

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41

A Social History of Iranian Cinema Volume 2 Social History of Iranian Cinema Paperback. Duke University Press, 2011.

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42

A Social History of Iranian Cinema Volume 4 Social History of Iranian Cinema Paperback. Duke University Press, 2012.

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43

Beeton, Sue. Film-Induced Tourism (Aspects of Tourism). Channel View Publications, 2005.

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44

Beeton, Sue. Film-Induced Tourism (Aspects of Tourism). Multilingual Matters Limited, 2005.

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45

O'Regan, Tom. Australian National Cinema. Taylor & Francis Group, 2005.

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46

Cinema and community. Palgrave Macmillan, 2008.

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47

Work in cinema: Labor and the human condition. Palgrave Macmillan, 2013.

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48

The Projected Nation: Argentine Cinema and the Social Margins. State University of New York Press, 2018.

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49

Peterson, Ruth Camilla, and L. L. 1887-1955 Thurstone. Motion Pictures and the Social Attitudes of Children. Franklin Classics Trade Press, 2018.

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50

Sentimental fabulations, contemporary Chinese films: Attachment in the age of global visibility. Columbia University Press, 2007.

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