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Books on the topic 'Social aspects of Wrestlers in motion pictures'

Author: Grafiati
Published: 4 June 2021
Last updated: 14 February 2022

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1

Santo, el enmascarado de plata: Mito y realidad de un héroe mexicano moderno. Michoacán [Mexico]: Colegio de Michoacán, 2004.

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2

Santo, el enmascarado de plata: Mito y realidad de un héroe mexicano moderno. Guadalajara, Jalisco: Editorial Universitaria, Universidad de Guadalajara, 2012.

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3

Espinosa, Julio García. Cine, comunicacíon y cambio social. Lima: Editorial Causachun, 1989.

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4

Cinematic sociology: Social life in film. 2nd ed. Thousand Oaks, Calif: SAGE Publications, 2013.

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5

European cinemas, European societies, 1939-1990. New York: Routledge, 1991.

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6

Cinema and community. Houndmills, Basingstoke, Hampshire: Palgrave Macmillan, 2008.

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7

Australian national cinema. London: Routledge, 1996.

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8

McKiernan, D. W. Cinema and community. Houndmills, Basingstoke, Hampshire: Palgrave Macmillan, 2008.

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9

Sorlin, Pierre. European cinemas, European societies 1939-1990. London: Routledge, 2001.

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10

A social history of Iranian cinema. Durham, NC: Duke University Press, 2011.

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11

Okome, Onookome. Cinema and social change in West Africa. Jos: Nigerian Film Corporation, 1995.

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12

The films of the seventies: A social history. Metuchen, N.J: Scarecrow Press, 1987.

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13

Eye of the century: Film, experience, modernity. New York: Columbia University Press, 2008.

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14

Camera and action: American film as agent of social change, 1965-1975. Jefferson, N.C: McFarland, 2008.

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15

The new Latin American cinema: A continental project. Austin: University of Texas Press, 1993.

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16

Historia social del cine en España. Madrid: Editorial Fundamentos, 2003.

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17

Flatlining on the field of dreams: Cultural narratives in the films of President Reagan's America. New Brunswick, N.J: Rutgers University Press, 1997.

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18

Film and politics in America: A social tradition. London: Routledge, 1992.

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19

Hollywood intellect. Lanham: Lexington Books, 2009.

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20

Michael, Wood. Film: A very short introduction. Oxford: Oxford University Press, 2012.

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21

Film cultures. London: Sage Publications, 2002.

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22

Cinema in democratizing Germany: Reconstructing national identity after Hitler. Chapel Hill: University of North Carolina Press, 1995.

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23

Realism and tinsel: Cinema and society in Britain, 1939-1949. London: Routledge, 1992.

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24

Murphy, Robert. Realism and tinsel: Cinema and society in Britain, 1939-1948. London: Routledge, 1989.

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25

Ferreira, Fernando. Luz, cámara-- memoria: Una historia social del cine argentino. Buenos Aires: Corregidor, 1995.

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26

Deza, Alfonso B. Mythopoeic Poe: Understanding the masa as audience through the films of Fernando Poe, Jr. Quezon City: Published and exclusively distributed by Great Books Pub., 2006.

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27

Purohit, Vinayak. Some aspects of sociology of Indian films and profile of the Hindi hit movie, 1951-1989. Bombay: Indian Institute of Social Research, 1990.

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28

Communication, cinema, development: From morosity to hope. New Delhi: Manohar, 1998.

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29

Die Darstellung von Solidarität im postmodernen Spielfilm: Eine Analysemethode sozialer Interaktionen in Spielfilmen. Berlin: Logos, 2000.

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30

Deza, Alfonso B. Mythopoeic Poe: Understanding the masa as audience through the films of Fernando Poe, Jr. Quezon City: Published and exclusively distributed by Great Books Pub., 2006.

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31

Dian ying yu re sheng. Beijing: Zhongguo wen shi chu ban she, 2006.

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32

Niv, Ḳobi. ʻAl mah ha-sereṭ ha-zeh? Tel-Aviv: Devir, 1999.

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33

Kasongo Ibanda Ngozulu W. T. Le " cinéma pour africains": Acte d'influence à visée persuasive. Louvain-la-Neuve: CIACO, 1989.

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34

L, Ossovskiĭ V., ed. T͡S︡ennosti professionalʹnoĭ dei͡a︡telʹnosti: Opyt sot͡s︡iologicheskogo issledovanii͡a︡ kino. Kiev: Nauk. dumka, 1986.

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35

Gai bian ren sheng de 108 bu dian ying: 108 films changing your life. Taibei Xian Zhonghe Shi: Zhong jing she, 2004.

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36

Ḥawwās, ʻAbd al-Ḥamīd. Aṭyāf wa-ẓilāl: Awrāq ʻan al-ʻalāqah bayna al-sīnimā wa-al-maʾthūr al-thaqāfī. al-Qāhirah: al-Hayʾah al-ʻĀmmah li-Quṣūr al-Thaqāfah, 2000.

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37

Another cinema for another society. Calcutta: Seagull Books, 1985.

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38

Eiga de sekai o aiseru ka. Tōkyō: Iwanami Shoten, 1989.

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39

Vasudevan, Ravi. Film studies, the new cultural history and the experience of modernity. New Delhi: Centre for Contemporary Studies, Nehru Memorial Museum and Library, 1995.

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40

Ahmad, Naim Haji. Filem sebagai alat dan bahan kajian. [Kuala Lumpur]: Penerbit Universiti Pertanian Malaysia, 1995.

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41

Niv, Ḳobi. ʻAl mah ha-sereṭ ha-zeh? Tel-Aviv: Devir, 1999.

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42

Kolovos, Nikos. Koinōniologia tou kinēmatographou. [Athens]: Aigokerōs, 1988.

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43

Ke, Jōsaph Vi. Sinimayuṃ pr̲atyaśāstr̲avuṃ. Tiruvananthapuram: Sāṃskārika Pr̲asiddhīkaraṇavakuppȧ, 1997.

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44

Samāja pratibimbaya, yathārthaya, saha sinamāva: Vicāra lipi samuccayaki. Kaḍavata: Candrasiri Palliyaguru, 1996.

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45

Eizō shakaigaku no tenkai: Eiga o meguru yūgi to risuku. Tōkyō: Gakubunsha, 2007.

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46

Yaḥyá, ʻĀdil. al- Waʻy al-ijtimāʻī lil-sīnimāʾī al-Miṣrī. [Cairo]: al-Hayʾah al-Miṣrīyah al-ʻĀmmah lil-Kitāb, 2000.

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47

Eiga kara mietekuru Ajia. Tōkyō: Yōsensha, 2005.

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48

An everyday magic: Cinema and cultural memory. London: I.B. Tauris, 2002.

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49

Barahona, Fernando Alonso. Antropología del cine. Barcelona: Centro de Investigaciones Literarias Españolas e Hispanoamericanas, 1991.

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50

García, Asunción Anca. Visión del cine espectáculo: Lineamientos para una interpretación. [Caracas]: CONAC, 1990.

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