Relevant bibliographies by topics / Social fantastic

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  1. Journal articles
  2. Dissertations / Theses
  3. Books
  4. Book chapters
  5. Conference papers

Academic literature on the topic 'Social fantastic'

Author: Grafiati
Published: 4 June 2021
Last updated: 2 February 2022

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Journal articles on the topic "Social fantastic"

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Holmes, Rachel. "A Fantastic Decomposition." Qualitative Inquiry 18, no. 7 (July 25, 2012): 544–56. http://dx.doi.org/10.1177/1077800412450158.

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Lyubas, Anastasiya. "The Fantastic as the Unconcealment of Truth in Debora Vogel’s Work." Acta Universitatis Lodziensis. Folia Philosophica. Ethica-Aesthetica-Practica, no. 36 (September 30, 2020): 29–39. http://dx.doi.org/10.18778/0208-6107.36.03.

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This essay examines the notion of the fantastic in Debora Vogel’s work. I argue that the fantastic for Vogel is simultaneously a novel artistic form and a form of life, as well as a singular use of language; it is both a “trait” of modernity and thinking of modernity. The fantastic is analyzed as a key term in the author’s understanding of modern design of space and objects through discussions of “Dwelling in its Psychic and Social Function” (1932), the critic’s essay on lived space. I demonstrate that Vogel’s reflections and theorizing of the fantastic are not necessarily aimed at the development of pure theory and concepts but rather at the performance of the fantastic in the author’s own theory-praxis through the lens of Vogel’s essay on poetics, “White Words in Poetry” (1930). The essay discusses various types of the fantastic which finds itself between matter-of-factness and phantasm: the fantastic of ingenuity, the fantastic of asymmetry, the fantastic of color, and the fantastic of simplicity. All of these different types set forth the unconcealment of truth.
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Murphy, Patrick D. "Feminism faces the fantastic." Women's Studies 14, no. 2 (August 1987): 81–90. http://dx.doi.org/10.1080/00497878.1987.9978688.

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Jayasuriya Daluwathumullagamage, Dulani, and Alexandra Sims. "Fantastic Beasts: Blockchain Based Banking." Journal of Risk and Financial Management 14, no. 4 (April 9, 2021): 170. http://dx.doi.org/10.3390/jrfm14040170.

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Blockchain is one of the primary digital technologies utilised in the finance industry with huge future potential. This study conducts a systematic literature review of a final sample of 407 prior literature from an initial set of 1979 records for the sample period of 2013–2020 with regard to blockchain adoption in banking. This review is further supplemented by a machine learning based textual analysis that identifies key themes, trends, divergences and gaps between academic and practitioner led industry literature. Moreover, the study highlights present, future use cases, adoption barriers and misconceptions of blockchains in banking, especially given COVID-19. Furthermore, this study identifies behavioural, social, economic, regulatory and managerial implications of blockchain based banking. In addition, our study identifies the cross-industry potential of blockchains via banking, thus, linking much disconnected prior literature. Finally, we develop a blockchain adoption framework and an adoption life cycle for banking. This study would be of interest to academics, bankers, regulators, investors, auditors and other stakeholders in financial markets.
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Swogger, Marc T., Kathleen M. Montry, Zach Walsh, and David S. Kosson. "Fantastic and uninviting behavior: psychopathy, alcohol, and violence." Journal of Aggression, Conflict and Peace Research 10, no. 3 (July 9, 2018): 210–22. http://dx.doi.org/10.1108/jacpr-09-2017-0317.

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Zuidervaart, Lambert. "Fantastic Things: Critical Notes Toward A Social Ontology of the Arts." Philosophia Reformata 60, no. 1 (December 17, 1995): 37–54. http://dx.doi.org/10.1163/22116117-90000086.

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Future historians will note many parallels between the 1930s and the 1990s in Europe and North America. Both decades appear to be times of dramatic cultural upheaval and societal transformation. Indeed, many of the battles fought over capitalism, democracy, and cultural modernism in the 1930s have returned in recent struggles over a global economy, the welfare state, and cultural postmodernism. Hence it may be instructive for contemporary Christian scholars to revisit the seminal texts of European philosophy in the 1930s. Cultural theorists have long recognized the significance of Martin Heidegger’s essay “The Origin of the Work of Art,” both as a turning point in his own thinking and as a fundamental challenge to modern aesthetics. Presented as lectures in 1935-36 and first published in German in 1950, the essay develops a conception of artistic truth that breaks entirely with Kantian divisions among epistemology, ethics, and aesthetics. Much less recognized, even among his students and followers, is the significance of Herman Dooyeweerd’s discussion of art from around the same time.3 First published in Dutch in 1936 and then revised and republished in English in 1957, Dooyeweerd’s discussion presents a conception of the artwork that reconfigures the Kantian divisions discarded by Heidegger.
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Manchev, Boyan, and Katerina Popova. "Clouds and Fronts. Onto-meteorology and Philosophical Fantastic." Identities: Journal for Politics, Gender and Culture 15, no. 1-2 (June 1, 2018): 46–53. http://dx.doi.org/10.51151/identities.v15i1-2.350.

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Author(s): Boyan Manchev Title (English): Clouds and Fronts. Onto-meteorology and Philosophical Fantastic Translated by (Bulgarian to English): Katerina Popova Journal Reference: Identities: Journal for Politics, Gender and Culture, Vol. 15, No. 1-2 (Summer 2018) Publisher: Institute of Social Sciences and Humanities – Skopje Page Range: 46-53 Page Count: 8 Citation (English): Boyan Manchev, “Clouds and Fronts. Onto-meteorology and Philosophical Fantastic,” translated from the Bulgarian by Katerina Popova, Identities: Journal for Politics, Gender and Culture, Vol. 15, No. 1-2 (Summer 2018): 46-53.
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Wiese, Christopher W., and Julia M. Fullick. "The Fantastic Four Years: Recommendations for Industrial–Organizational Programs." Industrial and Organizational Psychology 7, no. 1 (March 2014): 21–26. http://dx.doi.org/10.1111/iops.12098.

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Park, Wan-ho. "The Study of China Folktale’s (fantastic tale) Social-cultural functions and signification." JOURNAL OF CHINESE HUMANITIES 62 (April 30, 2016): 405–34. http://dx.doi.org/10.35955/jch.2016.04.62.405.

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Belilgne, Maleda. "Sonic Living: Space and the Speculative in James Baldwin’s “Sonny’s Blues”." James Baldwin Review 4, no. 1 (September 11, 2018): 45–62. http://dx.doi.org/10.7227/jbr.4.4.

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In a 1961 interview with the journalist Studs Terkel, James Baldwin offered a riveting assessment of Bessie Smith’s “Backwater Blues.” “It’s a fantastic kind of understatement,” Baldwin tells Terkel. “It’s the way I want to write.” Baldwin hears something in Bessie, a sonic and discursive quality he aspires to and identifies as “fantastic.” This essay considers the speculative undertones of Bessie’s blues and Baldwin’s literary realism. I argue that Bessie’s doubled vocalization in “Backwater Blues” lyrically declares her immobility and circumscription, while tonally staging freedom and boundlessness. Baldwin is drawn to this dual orientation and enunciation, a vocalization that in its iteration of the real transcends the social, spatial, and imaginative limitations of that order. If we read “Sonny’s Blues” the way Baldwin hears Bessie, as a fantastic kind of understatement, we discern subtle sonic and spatial iterations of the irreal. Attending to microtonal sounds in “Sonny’s Blues”—screams, whistling, jukeboxes—I show that the speculative emerges in Baldwin’s story when the sonic overrides the racialized inscription of space.
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Dissertations / Theses on the topic "Social fantastic"

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Ouros, Emily Cristina dos. "A contramão da realidade: ideologia e vida social em \'O ataque\' e em \'Frontal com fanta\'." Universidade de São Paulo, 2017. http://www.teses.usp.br/teses/disponiveis/8/8156/tde-07062017-093308/.

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O presente trabalho tem como objetivo analisar a trajetória dos protagonistas dos contos O ataque, de Luiz Ruffato; e Frontal com Fanta de Jorge Furtado. As personagens principais do conto, ao vivenciarem uma experiência com o insólito, veem-se obrigadas a lidar com os mais variados julgamentos por parte da sociedade, os quais não parecem, precisamente, contemplar a verdadeira realidade vivida por elas. Diante disso, à luz da crítica materialista e das teorias do fantástico, este trabalho procura investigar como o percurso desses protagonistas denuncia mecanismos ideológicos que não necessariamente determinam uma verdade coletiva, mas regulam e fazem prevalecer os valores sociais dominantes em cada um dos contextos abordados. Com base nessa análise literária, a pesquisa ainda avança sobre a hipótese da literatura fantástica não estar desvinculada do diálogo com a realidade e com as representações da vida em sociedade.
The present paper aims to study the trajectorie of the protagonists of the short stories \"O attack\", by Luiz Ruffato; And \"Frontal com Fanta\" by Jorge Furtado. The main characters of the stories, when they live an experience with the unusual, are forced to deal with the most varied judgments on the part of the society, which do not seem, precisely, to contemplate the true reality lived by them. Faced with this, in the light of materialist criticism and theories of fantasy, this work aims to investigate how the protagonists\' path denounces ideological mechanisms that do not necessarily determine a collective truth, but regulate and prevail the dominant social values in each of the contexts addressed. Based on this literary analysis, the research still advances on the hypothesis that fantastic literature is not disconnected from the dialogue with reality and the representations of life in society.
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Oliveira, Acauam Silvério de. "Os descaminhos do mito: formação histórico-social transfigurada em fantástico na ficção de Murilo Rubião." Universidade de São Paulo, 2009. http://www.teses.usp.br/teses/disponiveis/8/8151/tde-16092009-163452/.

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Este trabalho se propõe a fazer uma análise do universo fantástico de Murilo Rubião, a partir de uma perspectiva que leve em conta os aspectos sócio-históricos presentes em suas narrativas. Para tanto, iremos partir de uma rápida consideração sobre o gênero fantástico, e sobre o caráter específico que ele assume nos contos do autor, para enfim nos determos sobre alguns contos em que a formalização de aspectos históricos locais cumpre papel decisivo.
This paper aims at analysing Murilo Rubiao´s fantastic universe from a perspective that takes into account the socio-historical aspects present in his narratives. In this sense, we are beginning with a quick consideration about the genre \"fantastic\" and about the specific character it assumes in the author short-stories, then we are finally focusing on some short-stories in which the formalization of local historical aspects plays a decisive role.
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Pedroso, Bernadet Korzun. "O fantástico e memória social na obra Pedro Páramo, de Juan Rulfo." Universidade Estadual do Oeste do Parana, 2011. http://tede.unioeste.br:8080/tede/handle/tede/2480.

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Made available in DSpace on 2017-07-10T18:56:17Z (GMT). No. of bitstreams: 1 bernadet_korzun_pedroso.pdf: 611376 bytes, checksum: a4bacb0bc061ed972cc2a5db4eb6ca5f (MD5) Previous issue date: 2011-02-26
This study aims to verify how the fantastic elements and the narrative composition of Pedro Páramo (1995) are done aesthetically. We intend to reflect about the proportion that the work finishes the perspectives of contemporary latin american narrative and joins it in a social memory. The concept of fantastic used for the present study is based on Todorov (1975), which recognizes it as a time of hesitation caused in the reader as a reflection of the narrative. The inherent hesitation in the fantastic corresponds to the unfinished dialog between the rational and the nonrational, to the imbalance between reality and the supernatural, to the unbelievable reasonableness caused by the occurrence of the supernatural and its consequent questioning. In this perspective, we looked for theoretical support in the reflections proposed by the Cuban Alejo Carpentier (1954), when it comes to the wonderful realism as opposition to the wonderful proposed by surrealists. It is important to detach that, in the context of the latin american literature production, the notion of wonderful real would be a result of the cultural mix of Latin America, according to Alejo Carpentier. It is observed, in Pedro Páramo, a rupture attempt and reversal with the hierarchy and traditional aesthetics of text, as the plausible and implausible are incorporated, thus distorting ritual practices of speeches until then practiced and inaugurate a new poetic way, where minorities are convened to integrate the new discursive woof and to contribute in the deconstruction of hegemonic discourse in Latin- American context. Pedro Páramo is alongside other works responsible by the revolution in the sense of contravening the rules in the style of writing and in the form of addressing the issue of Latin American culture.
Esta pesquisa almeja verificar como se realizam esteticamente elementos do fantástico e a composição narrativa na obra Pedro Páramo, de 1955, de Juan Rulfo. Pretende-se refletir em que medida a obra encerra perspectivas da narrativa contemporânea latino-americana e abarca uma memória social. O conceito de fantástico empregado para o presente trabalho está fundamentado em Todorov (1975), que o reconhece como tempo de hesitação provocada no leitor como reflexo da narrativa. A hesitação inerente ao fantástico corresponde ao diálogo inconcluso entre o racional e o não racional, ao desequilíbrio entre a realidade e o sobrenatural, ao verossímil inacreditável causado pela ocorrência do sobrenatural e seu consequente questionamento. Nessa perspectiva, buscou-se também respaldo teórico nas reflexões do cubano Alejo Carpentier (1954), quando o mesmo trata do realismo maravilhoso como oposição ao maravilhoso proposto pelos surrealistas. Cabe destacar que, no contexto da produção literária latino-americana, a noção de real maravilhoso seria uma resultante da mestiçagem cultural da América Latina, segundo Alejo Carpentier. Observa-se, em Pedro Páramo, uma tentativa de rompimento e de inversão com a hierarquia e com a estética tradicional do texto, à medida que o verossímil e o inverossímil se incorporam, subvertendo as práticas ritualizadas dos discursos até então praticados e inauguram um novo fazer poético, onde as minorias são convocadas a integrar a nova trama discursiva e a contribuir na desconstrução do discurso hegemônico no contexto latino-americano. Pedro Páramo coloca-se ao lado de outras obras responsáveis pela revolução no sentido de transgressão às normas vigentes de estilo da escrita e na forma de abordar a temática cultural da/na América Latina.
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Léonce, Thierry. "Le fantastique dans l'oeuvre romanesque de Marcel Brion." Phd thesis, Université Jean Monnet - Saint-Etienne, 2011. http://tel.archives-ouvertes.fr/tel-00699768.

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Les romans fantastiques de Marcel Brion sont aujourd'hui peu lus. Cet auteur a été globalement peu étudié par les universitaires français, peu pris en compte par les théoriciens du fantastique, ce qui place l'oeuvre en situation de marginalité. Cela tient peut-être à ce que Liliane Brion-Guerry appelle les " qualités particulières " du fantastique brionien. Quelles sont les caractéristiques de ce fantastique ? Ce travail a pour but d'étudier comment Marcel Brion, dans ses romans, écrits entre 1929 et 1984, interroge le réel, installe un" autre côté", propose au lecteur d'abandonner les conceptions habituelles et de se mettre à la recherches des dimensions cachées de 1 'homme et du monde. Proche des écrivains pour lesquels " la dimension métaphysique est englobée dans l'expérience fantastique ", Marcel Brion place ses personnages dans le jeu des métamorphoses et du voyage initiatique, les fait évoluer dans un univers où s'impose la mythologie des labyrinthes intérieurs et extérieurs. Dans les romans où l'esthétique prend une place considérable, se manifeste un esprit particulier que le lecteur peut situer sur les frontières du baroque et du romantisme, ces deux catégories n'étant pas prises dans leur dimension historique mais révélatrices d'un état de la conscience humaine.
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Mandelbaum, Belinda Piltcher Haber. "A família da fantasia, a fantasia da família: a produção da criança como expressão da fantasia familiar." Universidade de São Paulo, 1989. http://www.teses.usp.br/teses/disponiveis/47/47134/tde-15102013-091958/.

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No presente trabalho partimos da hipótese de que podemos encontrar, na produção da criança em situação diagnóstica, expressões particulares da estrutura inconsciente de fantasias de todo seu grupo familiar. Nosso método consistiu da análise, segundo um referencial psicanalítico, dos estudos de casos de quatro crianças trazidas ao Programa de Saúde Mental do Centro de Saúde Geraldo Paula Souza da Faculdade de Saúde Pública da USP. Tais estudos de casos diferem nos procedimentos utilizados cada um deles fazendo uso de parte dos seguintes instrumentos: entrevistas com ambos os pais ou com um deles, entrevistas com as crianças, de senhas e histórias e o CAT - Children Aperception Test. O ponto comum entre as quatro crianças - razao pela qual foram selecionadas - é o fato de pertencerem a famílias que sofreram a perda de algum de seus membros. A perda é um dado de realidade em torno do qual podemos ver como cada família estrutura-se e como tal estruturação aparece no material da criança. Consideramos a produção da criança sob o duplo vértice da família da fantasia - a família que a criança constitui para si a partir de suas ansiedades, defesas e desejos -, e da fantasia da família - a estrutura de fantasias inconscientes constituída num arranjo conjunto familiar. Podemos ver através do material como a estrutura familiar determina formas de pensar e sentir para a criança, que faz uma \"tradução\" particular, segundo sua dinâmica própria, da vida de fantasia da família.
The starting-point of this study is the hypothesis that it is possible to discover, in the production of the child in a diagnostic situation, particular expressions of the unconscions structure of fantasies of its whole family group. The method used consists of analysis, within a psychoanalytical perspective, of the case - studies of four children brought to the Program of Mental Health of the G.P. Souza Health Center of the School of Public Health of the University of são Paulo. Such case - studies differ in the processes adopted, each of them making use of some of the following instruments: interviews with one or both of the parents, interviews with the children, drawings and stories and the CAT - Child Aperception Test. The point which the four children have in comrnon- which was the reason for their being selected - was the fact of their having lost one of the rnembers of their family Theloss was a datum of reality on the basis of which it was possible to perceive how each family is structured and how such structuring appears in the child\'s material. The child\'s production was considered under the double aspect of the fantasy family - the family which the child constructs for itself on the basis of its anxieties, defences and desires - and also on the farnily\'s fantasy -the structure of unconscious fantasies created by the family as a group. It is possible to see, by means-of the material how the family structure determines the thinking and feeling of the child who expresses them through a particular 11 translation\'\' (according to his/her own dynamic) of the family\'s fantasy life.
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Borgsten, Daniel. "Att betygsätta fantasi." Thesis, Malmö högskola, Lärarutbildningen (LUT), 2008. http://urn.kb.se/resolve?urn=urn:nbn:se:mau:diva-33932.

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Syftet med denna studie är att undersöka möjligheten att betygsätta elevers fantasi i ämnet svenska i B-kursen på gymnasiet. Materialet består av kvalitativa intervjuer med en lärare och fyra elever samt textanalys av dessa elevers provsvar. Intervjuerna har utgått från ett prov läraren formulerat och rättat, vilket eleverna skrivit svar på. Styrdokumenten för gymnasiet samt annan relevant litteratur har granskats och sedan kombinerats med resultaten från intervjuerna. Mitt resultat visar att formuleringarna i styrdokumenten samt den praktiska möjligheten i undervisningen inte ger något tydligt svar på om fantasi bedöms eller ska bedömas. Däremot finns möjligheten till bedömning av fantasi om en sådan ”fantasiläsning” av styrdokumenten görs. Min slutsats är att otydligheten i styrdokumenten och skolans bedömning samt betygsättning generellt missgynnar de elever som inte är införstådda med systemets krav. Det kan i sin tur leda till ett försummande av elevens fantasi till förmån för ett mer kollektivistiskt reproducerande av kunskap.Nyckelord: Fantasi, bedömning, betyg, styrdokument, gymnasieskola, individ, kollektiv, reproduktion
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Gustafsson, Ulrika. "I GRÄNSLANDET MELLAN FANTASI OCH VERKLIGHET." Thesis, Malmö högskola, Fakulteten för hälsa och samhälle (HS), 2017. http://urn.kb.se/resolve?urn=urn:nbn:se:mau:diva-24692.

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Syftet med denna kvalitativa studie var att undersöka upplevelsen av nätsexkontakter under samtidig parrelation. Intervjuer genomfördes med sex informanter som levde i en parrelation och som samtidigt hade andra sexuella kontakter på nätet. En innehållsanalys genomfördes och resulterade i tre huvudteman: parallella sexuella kontakter, nätet som format och sexuell arena samt framställning och utforskande. Genom empirin framträder fördelar och nackdelar med nätsex i relation till partnern. Specifika egenskaper identifierades gällande internet som sexuell kontext samt upplevelsen av nätsex som en plattform för experimenterande och utforskande av sexuell identitet och sexuella aktiviteter. Studien indikerar att informanterna upplevde att nätsexkontakterna tillfredsställde sexuella önskningar som informanterna inte upplevde sig kunna tillfredsställa inom parrelationen.
The purpose of this qualitative study was to investigate the experience of parallel cybersex contacts among people living with a partner. Interviews were conducted with six informants who lived in a partner relationship while having sexual contact with others online. Content analysis identified three main themes: parallel cybersex contacts, the internet as a format and sexual arena, as well as presentation and exploration. The empirics show benefits and costs of cybersex to the relationship with the committed partner, identification of distinctive qualities of the Internet as a context for sexual experience, and the perception of cybersex as a platform for experimentation and exploration of sexual identity and sexual activities. The findings of the study indicate that the informants felt that the cybersex contacts satisfied sexual desires that the informants did not feel were satisfied within the partner relationship.
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Andersson, Robin, and Fredrik Stigendal. "Det är är bara fantasin som sätter gränser." Thesis, Malmö högskola, Fakulteten för lärande och samhälle (LS), 2014. http://urn.kb.se/resolve?urn=urn:nbn:se:mau:diva-33108.

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Vårt examensarbete grundar sig på en undersökning om skolrasten. Elever (åk 1–5) och pedagoger på en skola fick i kvalitativa intervjuer svara på hur de ser på rasten, dess innebörd och betydelse. Undersökningen använder sig också av observationer insamlade av oss på plats i skolan. I vårt forskningsläge behandlas olika faktorer utifrån ett rastperspektiv, faktorer så som lek, social utveckling och demokrati. Elevernas beskrivningar av rasten betonar betydelsen av att de får vara fria och leka vad de vill; valfriheten är viktig för dem. Pedagogerna anser att det finns en outnyttjad potential i rasten, som mycket väl hade kunnat innehålla pedagogiskt styrda aktiviteter/lekar. Vår undersökning pekar på att skolrastens funktion kan bidra till ökad måluppfyllelse i skolans arbete och att eleverna leker eftersom det är socialt främjande. Vidare kommer vi fram till att rast under skoltid kan liknas vid en redan existerande verksamhet: fritidshemmets.
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Madlin, Hadrous. "“Och den stressnivån är inte heller helt fantastisk...”." Thesis, Malmö högskola, Fakulteten för lärande och samhälle (LS), 2017. http://urn.kb.se/resolve?urn=urn:nbn:se:mau:diva-27552.

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Det övergripande syftet med denna studie är att undersöka vilka orsaker som bidrar till att personal som arbetar på fritidshem upplever stress i sitt arbete. Jag har även försökt att lokalisera de utmaningar som personal på fritidshem upplever i arbetsmiljön i relation till sina arbetsvillkor. Studien baseras på tidigare forskningsstudier gällande organisationsförändringar inom skolans verksamhet samt gällande stress och utbrändhet. Det har saknats forskningsstudier inom ämnet som specifikt berör personal som arbetar på fritidshem. Istället har lärares arbetsförhållanden legat till grund för examensarbetets del om ”tidigare forskning”. En kvalitativ metod tillämpades i studien i form av tre semistrukturerade intervjuer. I intervjuerna deltog tre personer som arbetar på fritidshem, två kvinnor och en man. Intervjupersonerna har olika pedagogiska utbildningsbakgrunder och arbetslivserfarenheter. Empirin har analyserats med hjälp av organisationsteorier, krav- och kontrollmodellen samt stressteori ur olika perspektiv. Analysen visade att arbetsmiljön har stor betydelse för de anställda i en organisation. Arbetsmiljön kan påverka individers hälsa och välbefinnande. I det insamlade empiriska materialet framkommer det att orsaker till utmaningar i arbetet är många, likaså att upplevelsen av stress beror på den enskilda individens personliga egenskaper, arbetsförhållanden och erfarenheter.
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Danson, Nina. "Dystopi som social fantasi : En analys av dystopins potential som spekulativ sociologi." Thesis, Mälardalens högskola, Akademin för hälsa, vård och välfärd, 2019. http://urn.kb.se/resolve?urn=urn:nbn:se:mdh:diva-47493.

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Utopin har sedan århundranden tillbaka figurerat som tankemodell för det goda samhället. Tidigare som moderna sociologer har hävdat nyttan med ett utopiskt tankegods, särskilt som kritisk social teori med syfte att förändra människans sociala villkor. Senare forskning har visat på att element i science-fiction har ett praktiskt värde för flera aspekter av sociologiskt intresse, exempelvis inom organisationsutveckling, praktiskt lärande och modeller för hållbarhet. Men trots påvisad nytta har varken utopiska idéer eller modern forskning inom science-fiction fångat den sociologiska akademins intresse. I föreliggande studie utforskas anti-utopia eller dystopins potential som spekulativ sociologi, - en dystopisk social fantasi, i förhoppningen att nå nya insikter och perspektiv. Genom en tematisk analys av dystopisk litteratur påvisas att element i dystopiska narrativ kan användas inom sociologiska intressen i utvecklande syften, som avancerande analysmodeller eller som vägledning vid formulerandet av kritiska sociala teorier eller hypoteser. Vidare hävdas att analysmodeller innehållande både utopi och dystopi blir mer nyskapande, flexibla och progressiva, samt att de kan avancera den sociala fantasin genom att tillföra en alternativ form av riskbedömning.
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Books on the topic "Social fantastic"

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Fantastic tales. San Francisco: Mercury House, 1992.

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Patrick, Marnham. Fantastic invasion: Dispatches from Africa. London, England: Penguin Books, 1987.

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Schoonmaker, Trevor, editor, writer of supplementary textual content, interviewer, Stiles, Kristine, writer of supplementary textual content, Tate, Greg, writer of supplementary textual content, Nasher Museum of Art at Duke University, Brooklyn Museum, Museum of Contemporary Art (North Miami, Fla.), and Mary and Leigh Block Museum of Art, eds. Wangechi Mutu: A fantastic journey. Durham, N.C.]: Nasher Museum of Art, Duke University, 2013.

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Woodhouse, Annie. Fantastic women: Sex, gender, and transvestism. New Brunswick, N.J: Rutgers University Press, 1989.

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Woodhouse, Annie. Fantastic women: Sex, gender and transvestism. Basingstoke: Macmillan Education, 1989.

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Lucaire, Ed. The celebrity book of super lists: Fantastic facts about the famous. New York: Stein and Day/Publishers, 1985.

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Secretan, Thierry. Going into darkness: Fantastic coffins from Africa. New York: Thames and Hudson, 1995.

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Going into darkness: Fantastic coffins from Africa. London: Thames and Hudson, 1995.

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Fantastic dreaming: The archaeology of an Aboriginal mission. Lanham, Md: AltaMira Press, 2009.

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The fantastic flying books of Mr. Morris Lessmore. New York: Atheneum Books for Young Readers, 2012.

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Book chapters on the topic "Social fantastic"

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Ledoux, Ellen Malenas. "Introduction: Fantastic Forms of Change." In Social Reform in Gothic Writing, 1–21. London: Palgrave Macmillan UK, 2013. http://dx.doi.org/10.1057/9781137302687_1.

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Lafrenière, Daniel. "Why You Should Care About Social Media." In Delivering Fantastic Customer Experience, 75–78. New York, NY : Routledge, 2020.: Productivity Press, 2019. http://dx.doi.org/10.4324/9780429328091-8.

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Yang, Wei, Xiaojun Jing, and Hai Huang. "Meet an Fantastic Sibyl: A Powerful Model in Cognitive Radio Networks." In Lecture Notes of the Institute for Computer Sciences, Social Informatics and Telecommunications Engineering, 15–25. Cham: Springer International Publishing, 2018. http://dx.doi.org/10.1007/978-3-319-76207-4_2.

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"Terrorism and Social Panic in British Fantastic Cinema." In The Many Forms of Fear, Horror and Terror, 1–12. BRILL, 2009. http://dx.doi.org/10.1163/9781848880139_002.

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dicker, barnaby. "pierre mac orlan’s “social fantastic” and disney animation." In Fantasy/Animation, 41–57. Routledge, 2018. http://dx.doi.org/10.4324/9781315166919-3.

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"The Social Fantastic: Graphic Violence in Patrick McCabe’s Fiction." In Patrick McCabe’s Ireland, 27–44. Brill | Rodopi, 2018. http://dx.doi.org/10.1163/9789004389007_004.

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"Social Nature of Time and Space in Online Games: Designing Fantastic Social Worlds." In The Real and the Virtual: Critical Issues in Cybercultures, 107–18. BRILL, 2009. http://dx.doi.org/10.1163/9781848880122_012.

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Aruz, Joan. "Reflections on Fantastic Beasts of the Harappan World." In Walking with the Unicorn: Social Organization and Material Culture in Ancient South Asia, 26–32. Archaeopress Publishing Ltd, 2018. http://dx.doi.org/10.2307/j.ctv19vbgkc.8.

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Naylor, Alex. "“My Skin Has Turned to Porcelain, to Ivory, to Steel”: Feminist Fan Discourses, Game of Thrones, and the Problem of Sansa." In The Woman Fantastic in Contemporary American Media Culture. University Press of Mississippi, 2016. http://dx.doi.org/10.14325/mississippi/9781496808714.003.0003.

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Alex Naylor’s “‘My Skin Has Turned to Porcelain, to Ivory, to Steel’: Feminist Fan Discourses, Game of Thrones, and the Problem of Sansa” explores debates on Tumblr over the sword-fighting, genderbending figure of Arya Stark and her princess-turned-stoic-survivalist sister, Sansa. Fan perspectives on Sansa, Naylor finds, take the form of intense appreciations of her, reflections on how her narrative refracts issues of young women’s victimization and survival, and “defenses” that confront her detractors and implicate the role of sexism and misogyny in some fans’ vocal dislike of the character. Because, for many young women, this kind of online popular culture critique is their first introduction to feminist ideas, argues Naylor, it is most productively explored within the context of a wider debate in both feminist and fandom social media spaces about what a modern feminist ethics of media consumption might look like.
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Jones, Gwyneth. "Sex: The Brains of Female Hyena Twins." In Deconstructing the Starships, 99–107. Liverpool University Press, 1998. http://dx.doi.org/10.5949/liverpool/9780853237839.003.0008.

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‘Sex: The Brains of Female Hyena Twins’ was originally a paper read at the second annual conference of the Academic Fantastic Fiction Network, at Reading University in December 1994, and was also published in Strange Attractors. Throughout the essay, Jones makes comparisons to the sexual habits and composition of other species and wildlife, but pays particularly close attention to the changing attitudes toward gender, human sexual behaviour and social roles in feminist science fiction and other literature.
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Conference papers on the topic "Social fantastic"

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"Text Analysis of Beethoven's G Minor Fantasia." In 2018 2nd International Conference on Social Sciences, Arts and Humanities. Francis Academic Press, 2018. http://dx.doi.org/10.25236/ssah.2018.110.

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Zacchi, Giancarlo Philippi, Giselle Schimdt Merino, Eugênio Andrés Diaz Merino, Adriana Alves Tomazi, and Dione Benevenutti Cavalcanti. "A gestão de design na perspectiva da produção de ativos intangíves na agricultura familiar: Um estudio multicaso em Joinville e Blumenau no estado de Santa Catarina, Brasil." In Systems & Design: Beyond Processes and Thinking. Valencia: Universitat Politècnica València, 2016. http://dx.doi.org/10.4995/ifdp.2016.3748.

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O Brasil apresenta 4,3 milhões de estabelecimentos agropecuários de natureza familiar. Representa 84% do total de módulos agrícolas do território. Mais de 12 milhões de pessoas ocupam 24% do território respondendo por 38% da renda bruta. Enquanto a agricultura patronal gera R$ 358,00 por hectare, a agricultura familiar gera R$ 677,00 sendo, 89% mais produtiva respondendo por 10% do PIB (BRASIL, 2010). A gestão de design pode oferecer melhores condições de competitividade, através dos ativos intangíveis desses empreendimentos. Santa Catarina contribui na dinâmica produtiva dessas cadeias de produção. São 168.544 unidades em 2.645.088 ha. O estado possui 90,5% desses estabelecimentos que ocupam 87% da área agrícola respondendo a 71,3% do valor bruto da produção, gerando mais de 240 mil empregos, 17% da força de trabalho. Mesmo assim a agricultura familiar catarinense enfrenta problemas de competitividade, de diferenciação e de sustentabilidade de seus negócios, produtos e serviços, prejudicando um mercado de 1.520.085 habitantes nas microrregiões de Blumenau e de Joinville. Este fato desencadeia impactos nos ecossistemas agroecológicos. A gestão de design a partir das dimensões sociais, econômicas e ambientais agrega valor aos produtos e seus produtores através da produção de ativos intangíveis que possibilita a penetração em novos mercados. Este artigo apresenta os primeiros resultados do estudo realizado nos empreendimentos das duas microrregiões de Joinville e Blumenau, em Santa Catarina, Brasil. Quanto aos procedimentos metodológicos, a pesquisa possui objetivos exploratórios, natureza aplicada e forma de abordagem qualitativa, envolvendo estudo multicaso em 26 empreendimentos. Os resultados apontam que na microrregião de Blumenau, foram implementadas melhorias no ponto de venda para exposição atrativa das mercadorias, melhorando o ambiente de trabalho; ações de branding/naming, criação de marca gráfica e linguagem visual padronizada, envolvendo questões legais como o registro de marca, nome fantasia e nome empresarial e serviços para melhorar a experiência de compra e a conscientização sobre hábitos saudáveis; criação de tags informativas para os produtos; plaquinhas com nome / preço dos produtos; cartaz institucional do produtor; quadro negro com produtos do dia e cestos de vime para expor os produtos. Na microrregião de Joinville, o efeito final foi à identidade visual, nas embalagens, uniformes, papelaria, aplicações de identidade visual nos meios de transporte da cooperativa e estudos ergonômicos para despencamento das pencas de banana. Com isso os estudos diagnósticos elaborados nas duas microrregiões do Estado, incrementam as propriedades rurais e pesqueiras através da gestão de design.DOI: http://dx.doi.org/10.4995/IFDP.2016.3748
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