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Journal articles on the topic 'Social history – history – Yugoslavia'

Author: Grafiati

Published: 10 March 2023

Last updated: 31 July 2025

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1

Antolović, Michael. "Writing History under the «Dictatorship of the Proletariat»: Yugoslav Historiography 1945–1991." Revista de História das Ideias 39 (June 16, 2021): 49–73. http://dx.doi.org/10.14195/2183-8925_39_2.

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This paper analyzes the development of the historiography in the former socialist Yugoslavia (1945–1991). Starting with the revolutionary changes after the Second World War and the establishment of the «dictatorship of the proletariat», the paper considers the ideological surveillance imposed on historiography entailing its reconceptualization on the Marxist grounds. Despite the existence of common Yugoslav institutions, Yugoslav historiography was constituted by six historiographies focusing their research programs on the history of their own nation, i.e. the republic. Therefore, many joint h

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Videkanić, Bojana. "Nonaligned Modernism: Yugoslav Culture, Nonaligned Cultural Diplomacy, and Transnational Solidarity." Nationalities Papers 49, no. 3 (2021): 504–22. http://dx.doi.org/10.1017/nps.2020.105.

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AbstractThis article examines aspects of the history of socialist Yugoslavia’s contribution to creating a transnational Non-Aligned Movement (NAM) culture. It does so by analyzing cultural diplomacy on the Yugoslav cultural and political scene between the 1950s and 1980s. The cultural diplomacy of Yugoslavia and its nonaligned partners is seen as a form of political agency, paralleling and supplementing larger activities of forming economic and political cooperation in the Global South. Yugoslavia’s role in building NAM culture was instrumental in nurturing nascent transnationalism, which was

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Vučetić, Radina, and Olga Manojlović Pintar. "Social History in Serbia: The Association for Social History." East Central Europe 34-35, no. 1-2 (2008): 369–81. http://dx.doi.org/10.1163/18763308-0340350102023.

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This review essay provides a brief overview of the research and publication activity of the Udruženje za društvenu istoriju/Association for Social History, an innovative scholarly organization established in 1998 in Belgrade, Serbia. The association promotes research on social history in modern South-Eastern Europe, with a focus on former Yugoslavia, and publishes scientific works and historical documents. The driving force behind the activity of the association is a group of young social historians gathered around Professor Andrej Mitrović, at the University of Belgrade. Prof. Mitrović’s work

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Zajc, Marko. "Razumevanje jugoslovanstva v Sloveniji (in Slovenije v jugoslovanstvu) v začetku osemdesetih let." Contributions to Contemporary History 56, no. 2 (2016): 129–44. http://dx.doi.org/10.51663/pnz.56.2.07.

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The paper attempts to present the important discussions on nationalism, Slovenianism and Yugoslavism from the early 1980s and call attention to the (inter)dependence of nationalism (and its perceptions) and the social system and social issues. It lays out reasons for the historical study of nationalism/the national question in Slovenia and Yugoslavia in the early 1980s. The paper presents a critical overview of the established periodisation of the 1980s in Slovenian public opinion and history and sketches out the basic contours of the period in question. The main part of the paper is the analy

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Tilly, Charles. "Citizenship, Identity and Social History." International Review of Social History 40, S3 (1995): 1–17. http://dx.doi.org/10.1017/s0020859000113586.

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With appropriate lags for rethinking, research, writing and publication, international events impinge strongly on the work of social scientists and social historians. The recent popularity of democratization, globalization, international institutions, ethnicity, nationalism, citizenship and identity as research themes stems largely from world affairs: civilianization of major authoritarian regimes in Latin America; dismantling of apartheid in South Africa; collapse of the Soviet Union, the Warsaw Pact and Yugoslavia; ethnic struggles and nationalist claims in Eastern Europe, Asia and Africa; e

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Vukliš, Vladan. "Writing social history of socialist Yugoslavia: the archival perspective." Archival Science 17, no. 1 (2016): 55–77. http://dx.doi.org/10.1007/s10502-016-9269-5.

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Antolović, Michael. "„Što dalje od uske političke historije“ – Mirjana Gross i modernizacijska stremljenja u jugoslavenskim historiografijama (1960–1991)." Radovi Zavoda za hrvatsku povijest Filozofskoga fakulteta Sveučilišta u Zagrebu 54, no. 1 (2022): 47–65. http://dx.doi.org/10.17234/radovizhp.54.1.

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Mirjana Gross’s program of historiographical modernization, in the form of a comprehensive social history aimed at overcoming the limitations of traditional histoire événementielle, was not limited to her native Croatian historiography but also had a direct influence on the modernization aspirations of Yugoslav historiographies during the so-called “late socialism.” Starting from the assessment that, from the early 1960s, Mirjana Gross was a key promoter of the “new history” within the community of Yugoslav historians, the paper tries to analyze her program of historical modernization, the res

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Stipić, Davor. "„Jugoslavija je kuća koja se ruši”: Prikazivanje sukoba sa Informbiroom u jugoslovenskoj kinematografiji osamdesetih godina – istorijska analiza." Dileme : razprave o vprašanjih sodobne slovenske zgodovine 7, no. 1 (2023): 191–222. http://dx.doi.org/10.55692/d.18564.23.6.

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In Yugoslavia, the 1980s were a period of economic and political crisis, but also a time of a gradual liberalisation of the society and the start of its movement towards a multiparty system and breakup. By easing impediments of censorship in culture, which was the domain of the ruling communist party, the League of Communists of Yugoslavia (ZKJ), a space opened up for artists to raise some traumatic and problematic topics from the Yugoslav past, such as Goli Otok and the clash with the Cominform. The manner in which these topics were addressed in 1980s Yugoslav films suggests that the influenc

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Mišina, Dalibor. "“Spit and Sing, My Yugoslavia”: New Partisans, social critique and Bosnian poetics of the patriotic." Nationalities Papers 38, no. 2 (2010): 265–89. http://dx.doi.org/10.1080/00905990903517801.

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As “music of commitment,” in the period from the late 1970s to the late 1980s rock music in Yugoslavia had an important purpose of providing a popular-cultural outlet for the unique forms of socio-cultural critique that engaged with the realities and problems of Yugoslav society. The three “music movements” that embodied the new rock'n'roll spirit – New Wave, New Primitives, and New Partisans – used rock music to critique the country's “new socialist culture,” with the purpose of helping to eliminate the disconnect between the ideal and the reality of socialist Yugoslavia. This paper examines

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Stanimirović, Nemanja. "Izmišljena ili stvarna pretnja? Trockisti u SFRJ od studentskog protesta 1968. do suđenja trockističkoj trojci 1972. godine." Tokovi istorije 32, no. 1 (2024): 173–201. http://dx.doi.org/10.31212/tokovi.2024.1.sta.173-201.

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This paper unveils the Trotskyist-Lambertist cell formation in Yugoslavia and the key role played by Yugoslav Trotskyists. It establishes their pre-1972 existence and active involvement in the actions leading to the 1972 conviction of three Belgrade students. This pioneering historiographical research sheds new light on post-1968 Belgrade student movement dynamics. Beyond uncovering hitherto unnoticed resistance to the communist regime, this study argues for social history approach, emphasizing activist perspectives, and innovative sources drawn from French archives, private collections, and o

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Pogačar, Martin. "Music and Memory: Yugoslav Rock in Social Media." Southeastern Europe 39, no. 2 (2015): 215–36. http://dx.doi.org/10.1163/18763332-03902004.

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This article argues that after the disintegration of Yugoslavia, Yugoslav rock music lost little cultural value and is still a prominent trigger of vernacular memories of the socialist Yugoslav past, as well as a vehicle of socio-political commentary in post-Yugoslav contexts. In this view, music is understood as a galvaniser of affective relationships to that past and to post-Yugoslav presents. In the first part of the article, the author discusses the theoretical and practical implications of digitally mediated music as immersive affective environments, working within the framework of media

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Radić, Radmila. "The Serbian Orthodox Church in Western Historiography: Maria Falina, Religion and Politics in Interwar Yugoslavia: Serbian Nationalism and East Orthodox Christianity, (London: Bloomsbury Academic, 2023)." Tokovi istorije 31, no. 3 (2023): 279–96. http://dx.doi.org/10.31212/tokovi.2023.3.rad.279-296.

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This essay is a review of Maria Falina’s book, which investigates the complex interaction between the Serbian Orthodox Church (SOC), nationalism, and politics in Yugoslavia during the interwar period. It delves into Maria Falina’s ideas, historical context, and various perspectives that she offers. Falina questions commonly held beliefs about the natural relationship between religion and Serbian nationalism, and digs into the SOC’s changing role as a political actor during a period of profound social and political change. Falina investigates the influence of people such as Nikolaj Velimirović

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Stipančević, Mario. "Vladimir Vinek's dribbles." Review of Croatian history 18, no. 1 (2022): 211–43. http://dx.doi.org/10.22586/review.v18i1.21411.

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The paper attempts to shed light on the biography of Vladimir Vinek, a popular Zagreb football player during the early 1920s and one of the first real football stars in Croatia. It also attempts to explain his professional and private life, deeply connected with the contemporary social upheavals marked by repressive regimes of the Kingdom of Yugoslavia, and later of the Independent State of Croatia. After considerable success with football Vinek became completely dedicated to his police career, first serving to the regime of Yugoslav king Alexander Karađorđević and later on to the Ustasha regi

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Cvikić, Sandra. "In Between Factual Truth and Social Construction." Review of Croatian history 17, no. 1 (2021): 149–84. http://dx.doi.org/10.22586/review.v17i1.14935.

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The aim of this paper is to provide an insight into how knowledge about dr. Franjo Tuđman was internationally created, namely the international context in which scientists and experts have produced factual truths about Croatia’s First President’s leadership, his role and accountability in the events that have marked the violent disintegration of former Yugoslavia, Croatia’s war of defense, and democratic transition. Developed discourse of the international scholarship about Yugoslav wars of disintegration and Croatia’s painful democratic transition is analyzed to determine how and in what way

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Vida Blagojević, Mirjam. "The first wave of rock'n'roll in Yugoslavia and its impact on the socialist youth." Review of Croatian history 18, no. 1 (2022): 289–320. http://dx.doi.org/10.22586/review.v18i1.24288.

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By taking advantage of abundant literature that has been written on the subject, the paper aims to give an overview of the history of rock music in Yugoslavia from its introduction in 1956 to the mid-1970s, when the new wave emerged. It also intends to remind the reader of this topic's relevance and open possible new research questions for history and related fields. Particular emphasis will be placed on the impact that this musical, cultural, social, and political phenomenon had on the lives of Yugoslav and other socialist youth while highlighting the changes rock'n'roll brought to their live

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Zelenović, Ana. "Theorizing feminist art in socialist Yugoslavia." Genero, no. 24 (2020): 71–111. http://dx.doi.org/10.5937/genero2024071z.

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Since there were plenty of feminist discourses in Yugoslavia, from "women question" discourse of the Party and the government to academic research of sociologist, philosophers, and anthropologists and later feminist activism, there is a need to rethink the possibilities of theory and history of feminist in socialist context. This research aims at connecting different feminist theories with various artistic practices that might have a feminist character. This paper aims to give the analysis of subjects, forms, and meanings of feminist and queer artworks from 1968 till 1990. Considering feminist

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Krasniqi, Gëzim. "Socialism, National Utopia, and Rock Music: Inside the Albanian Rock Scene of Yugoslavia, 1970–1989." East Central Europe 38, no. 2-3 (2011): 336–54. http://dx.doi.org/10.1163/187633011x597199.

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AbstractThis study examines the nascent Albanian rock scene in Kosovo in the 1970s and 1980s. It argues that the rock scene represented both a subcultural movement as it “deviated” from the prevailing Albanian culture in Yugoslavia (and Albania, as well), introducing new forms of expression, as well as a countercultural movement within the larger Yugoslav space for it conveyed political messages which challenged the predominant political order in Yugoslavia. As a cultural phenomenon embedded in a specific socioeconomic and geopolitical context, the Albanian rock scene in Kosovo, although relat

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Sunčič, Mitja. "Biography and social change: industrialists and the Communist revolution in Yugoslavia." European Review of History: Revue europeenne d'histoire 19, no. 5 (2012): 809–23. http://dx.doi.org/10.1080/13507486.2012.719011.

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19

ROBERTSON, JAMES M. "NAVIGATING THE POSTWAR LIBERAL ORDER: AUTONOMY, CREATIVITY AND MODERNISM IN SOCIALIST YUGOSLAVIA, 1949–1953." Modern Intellectual History 17, no. 2 (2018): 385–412. http://dx.doi.org/10.1017/s1479244318000379.

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Between the years 1949 and 1953 the leaders of the Federative People's Republic of Yugoslavia embarked on a series of radical social and economic reforms that restructured state–society relations in line with a decentralized, participatory model of socialism. “Self-management socialism,” as this system became known, served to harmonize local revolutionary ambitions with the embedded liberalism of the postwar international order into which Yugoslavia sought to integrate. During the early reform period Yugoslav intellectuals reorganized socialist ideology around new understandings of autonomy an

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Basha, Kosovar. "The Education of Albanians in Yugoslavia after the Second World War until 1974." Historijski pogledi 6, no. 9 (2023): 205–24. http://dx.doi.org/10.52259/historijskipogledi.2023.6.9.205.

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The paper carefully deals with the constitutional aspect and the development of education in Yugoslavia, with special emphasis - Albanians. After the Second World War, Yugoslavia faced numerous problems both politically and economically. The first reforms that this country had to undergo initially required help from countries such as the Soviet Union. Among the first steps to be taken were the legislative reforms undertaken in 1946 by adjusting the Yugoslav Constitution. This constitution sanctioned important aspects of the political, economic, educational and cultural life of the country. The

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Stamenković, Aleksandra. "YUGOSLAV PAVILIONS AT INTERNATIONAL EXHIBITIONS IN ARTISTIC AND POLITICAL DISCOURSE 1918–1941." Istorija 20. veka 40, no. 2/2022 (2022): 301–22. http://dx.doi.org/10.29362/ist20veka.2022.2.sta.301-322.

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Exploring the context of constructing the Yugoslav national pavilions at international exhibitions in the period between the Two World Wars implies the analysis of the used architectural styles, also certain political ideologies that find their expression in architecture (thus lending it a role of social engagement). The parallel flows of socio-political discourses and architecture also require resolving the following dilemma: was the architect selected based on his or her education, sensibility and experience for a particular project, or forced to conform to the demands of the political autho

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Mulej, Oskar. "Toniemy w czerwonych buraczkach, zatykając dziury w żelaznej kurtynie”. Punkowa Lublana w późnych latach siedemdziesiątych i wczesnych osiemdziesiątych." Kultura i Społeczeństwo 54, no. 4 (2010): 197–210. http://dx.doi.org/10.35757/kis.2010.54.4.11.

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In this article, the Slovenian author merges the perspectives of the history of popular culture and of the history of social movements. At the turn of the 1970s/1980s, the little town of Ljubljana, the capital of the communist-ruled Slovenia, became the centre of Yugoslavian alternative culture, which run parallel to the official culture but was completely independent from it. Alternative culture constituted a protest against the realities of the last years of Josip Broz Tito’s rule. As such, it provoked hostile reactions of the state. The rulers of Yugoslavia did not take into account the fac

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Podmoloda, Kirill Stanislavovich, and Ekaterina Sergeevna Timonina. "The Yugoslav historiography of the Russian emigration of the first wave." Исторический журнал: научные исследования, no. 5 (May 2024): 44–60. http://dx.doi.org/10.7256/2454-0609.2024.5.71610.

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The article examines the Yugoslav historiography of the Russian emigration of the first wave. The article highlights several main stages in the history of the study of the phenomenon of the Russian diaspora, identifies the key thematic areas of the work of Yugoslav historians on a given issue, analyzes the main issues related to individual works. The study of this topic allows us to reconstruct the change in attitude to the problems of a certain phenomenon in historical science, depending on political and social transformations. This issue is especially relevant when analyzing scientific and j

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Petrović, Nikola, Filip Fila, and Marko Mrakovčić. "Yugoslavs and Europeans Compared." Politička misao 59, no. 2 (2022): 66–92. http://dx.doi.org/10.20901/pm.59.2.03.

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Drawing on Sekulić, Massey and Hodson’s seminal article ‘Who were the‎ Yugoslavs?’, this paper compares the share and determinants of identifying as‎ Yugoslavs during socialism with the panorama of primary European identification.‎ Eurobarometer surveys containing data on European identification are‎ utilized to that end. The study takes in consideration social and political contexts ‎that shaped supranational identification in particular Yugoslav socialist‎ republics and EU member states. Our findings show low levels of Europeans‎ and Yugoslavs in both polities. The results also show that nat

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TATIN GOURIER, Jean-Jacques. "MEMOIRE DES BALKANS, MEMOIRES DES FRANCE(S) : VERS LA RECONNAISSANCE DE MEMOIRES PLURIELLES ET NON EXCLUSIVES." La mémoire et ses enjeux. Balkans – France: regards croisés, X/ 2019 (December 30, 2019): 33–44. http://dx.doi.org/10.31902/fll.29.2019.3.

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MEMORY OF THE BALKANS, MEMORIES OF FRANCE(ES): TOWARDS RECOGNITION OF MULTIPLE AND NON EXCLUSIVES MEMORIES The contemporary approach to memorial memory in France is quite different from the one applied in the 1990s in the countries of the former Yugoslavia. Nevertheless, the authors of the article have tried to compare them, relying primarily on the concept represented by Pierre Nora in the work of Les Lieux de mémoire, as well as on the distinction the author makes between the notions of memory and history. A certain tradition of national memory was imposed through the educational system in t

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Shakhin, Yurii. "Informal Ties in Party-State Bureaucracy of Yugoslavia." Vestnik of Saint Petersburg University. History 67, no. 3 (2022): 847–62. http://dx.doi.org/10.21638/spbu02.2022.311.

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The article investigates informal ties among the Yugoslav party-state bureaucracy in 1945–1965 in order to identify their influence on the disintegration processes in Yugoslavia. Interaction through unofficial channels was based on solid social-cultural preconditions and played a significant role in the life of the country. Informal ties could be formed due to military service or employment, family or friendship connections, but ties of compatriot character are most fully represented in the sources. They were lined up on a vertical basis in accordance with the existing administrative-territori

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Zvijer, Nemanja. "Movie treatment of social past in "post-Yugoslavia"." Socioloski godisnjak, no. 11 (2016): 21–40. http://dx.doi.org/10.5937/socgod1611021z.

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The break-up of socialist Yugoslavia caused, among other things, the dissolution of a common past of people who lived on that territory. Newly independent states were needed a new past for creating a new collective identities. This need caused a powerful wave of reinterpretation of history but also the specific attitude towards the recent socialist past. As these processes have had a relatively wide scale, that also reflected on popular culture, what can be seen in the case of films, as one of the most important segments of popular culture. In this regard, it will be considered the ways in whi

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Bandžović, Safet. "Bosna i Hercegovina i konstituisanje Avnojske Jugoslavije (1943-1945)." Historijski pogledi 6, no. 10 (2023): 148–87. http://dx.doi.org/10.52259/historijskipogledi.2023.6.10.148.

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Many states, like Yugoslavia, emerged from conflicting historical currents. A critical examination of the socio-historical multi-directional flows after the chaotic April War of 1941 and the rapid disintegration of monarchical Yugoslavia also encompasses rational knowledge of opposing political and national perspectives dating back to 1918 when it was established, with its problematic events between the two World Wars, their causes, and consequences. The turbulent interwar legacy and the failure to address acute problems within the state influenced the dramatic situation and conflicts in occup

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Memišević, Hamza, and Ermin Kuka. "Jugoslavenski komunisti između mira i razdora." Historijski pogledi 5, no. 8 (2022): 189–207. http://dx.doi.org/10.52259/historijskipogledi.2022.5.8.189.

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The Yugoslav Communists, since their very appearance on the socio-political scene, have occupied a significant place in the historical perspective. During the Second World War in Yugoslavia, there was a significant change in political and social relations. The existence of ideological and civil war in the period 1941-1945 is crucial for understanding war and post-war events. The People's Liberation Army, ie the party's military instrument for the implementation of political and social changes, proved to be a key and decisive factor for the establishment of communist rule. The communist party d

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Ronsin, Juliette. "“It was Peugeot that brought us here!”." History in flux 2, no. 2 (2020): 53–68. http://dx.doi.org/10.32728/flux.2020.2.3.

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The objective of this article is to analyze the consequences of the political, social, and economic ruptures of Yugoslavia and France on the trajectories of Yugoslavs recruited by the Peugeot company in France after the the 1965 Franco-Yugoslav bilateral agreement on the employment of temporary labor. Using a monographic approach to the case of the employment area of Sochaux, it is clear that (post-)Yugoslav workers went through periods of upheaval and even disillusionment after their arrival in France. This study mainly deals with a generation of men born in the 1940s and 1950s and recruited

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Foyle, Harvey, and Bill Yates. "Using Databases In The Social Studies Classroom." Teaching History: A Journal of Methods 18, no. 2 (1993): 73–79. http://dx.doi.org/10.33043/th.18.2.73-79.

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The knowledge base in history and the social studies is increasing exponentially. For example, Bosnia-Herzegovina is usually thought of in the context of World War I. Yet with the dissolution of the Eastern European communist block and the disintegration of Yugoslavia, this region is headline news once again. New countries, new capitals, new leaders, and an ever growing array of data. This knowledge explosion necessitates that students learn to manipulate information and make sense out of that information.

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Begović, Marko. "Athletes in Socialist Yugoslavia, 1945–1992." International Journal of the History of Sport 38, no. 10-11 (2021): 1109–21. http://dx.doi.org/10.1080/09523367.2021.1973442.

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Silverstein, Sara. "The Periphery is the Centre: Some Macedonian Origins of Social Medicine and Internationalism." Contemporary European History 28, no. 2 (2018): 220–33. http://dx.doi.org/10.1017/s0960777318000498.

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A new and important model for international health originated in the 1920s as a rural health project in the Macedonian region of Yugoslavia. Thus, the involvement of international organisations in social stability and human security did not follow the Great Depression of the 1930s, as has been argued. In fact, the redefinition of the League of Nations’ mandate began with its Health Organisation in the 1920s, growing from local health projects. These initiatives adapted principles of social medicine to address the challenges of constructing egalitarian democratic states in the agrarian peripher

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Kovic, Milos. "Knowledge or intent: Contemporary world historiography on Serbs in 19th century." Sociologija 53, no. 4 (2011): 401–16. http://dx.doi.org/10.2298/soc1104401k.

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The fall of the Berlin Wall and the destruction of Yugoslavia brought about a complete change of the political and social context in Europe and in the world. Consequently, history, as a scholarly discipline, was also significantly transformed. In this wider context, the interpretations of the Serbian 19th century experienced far-reaching revision. Thus, it is necessary to scrutinize the main topics of the debate on 19th century Serbian history in the contemporary world historiography, as well as to examine the main causes of this academic revision.

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Žebec, Šilj Ivana. "Made in Yugoslavia: Goods from the «Sunny Side» of communism." Studia Slavica et Balcanica Petropolitana 2(32) (2022): 209–27. http://dx.doi.org/10.21638/spbu19.2022.214.

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economic system» were soon followed by the quest for improvement of living standard and then finally, by the rise of a consumer society. Namely, since mid-1950s two general directives became increasingly evident in federal year plans, especially in the five-year social development plan (1957–1961) – the living standard improvement and the increase in spending power of working population. At the same time development of heavy, basic industry was not more in the focus of economic policy and the economic planning, but a development of light industry and consequently an increase of production of c

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Lebhaft, Karla. "Parallels and Divergences in Marxist Humanist Approach to Art in Croatia during the 1960s and 1970s." Ars Adriatica 13 (February 20, 2024): 291–308. http://dx.doi.org/10.15291/ars.4350.

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Based on reading and interpreting the key texts on the topic, the article explores the parallels and divergences between Matko Meštrović’s theory of the Neo-Avantgarde art practices of the New Tendencies and the Marxist Humanist intellectuals of the Praxis school of thought, in relation to different Marxist approaches to art in Yugoslavia. Both currents were critical, utopian, and avantgarde in nature, advocating for radical social transformation towards a new society and a new human, which they shared with the Yugoslav experimental model of self-management socialism in its initial phase. Desp

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Vasiljevic, Maja. "Popular music as an anticipation, “framing” and construction of generational memory of the 1968 students’ protest in Yugoslavia." Muzikologija, no. 14 (2013): 117–34. http://dx.doi.org/10.2298/muz1314117v.

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By focusing on the role of music within a certain political event - in this case, the students? protests in Yugoslavia in June 1968 - I connect the sociology of music with the sociology of social movements as defined by American writers Ron Eyerman and Andrew Jamison. Moreover, I suggest further research based on the sociology of generations. I insist on the cultural basis of social movements, as argued by these Yale-educated sociologists. Contrary to the typically onesided or negative evaluation on the consequences of the 1968 protests on the further development of Yugoslav society, I discuss

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Boskovic, Dusan. "Intellectuals in power: Social patterns in the formative years of second Yugoslavia." Filozofija i drustvo 22, no. 3 (2011): 121–35. http://dx.doi.org/10.2298/fid1103121b.

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Political history of the Second Yugoslavia was continuously sacral, while secularization mainly took place within the arts? domain. The Cominform (Informbiro) and split with the SSR opened up a space for greater freedom of creativity (Kardelj, Djilas, Segedin) and for the abandonment of the socialist realism and its attempt to control the content of art (Zogovic). A third position on literature was promoted by Vladan Desnica.

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ŠÍSTEK, František. "“ETHNOGRAPHIC RARITY“: THE JEWS OF MONTENEGROIN SOCIALIST YUGOSLAVIA." Lingua Montenegrina 33, no. 1 (2024): 385–430. https://doi.org/10.46584/lm.v33i1.748.

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The article provides the first overview of the largely hidden and invisible Jewish presence in Montenegro during the socialist period (1945-1991). The author analyzes the relevant demographic data and the wider political, social and cultural context of Jewish life in Yugoslavia and Montenegro. Several representative individual destinies and life trajectories of people of Jewish origin who settled in Montenegro after the Second World War are discussed. Mixed (intercultural) Jewish-Montenegrin families became a rule rather than an exception in the second half of the 20th century. The article als

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Petelin, David. "O prevpraševanju izgubljene preteklosti: socialistična Jugoslavija in jugonostalgija." Res novae: revija za celovito znanost 4, no. 2 (2019): 67–92. http://dx.doi.org/10.62983/rn2865.192.3.

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An overview of the sources of nostalgia after the socialist past in today’s Eastern Europe points out the need for contributions that directly address the relationship between the present and the social changes in the (post) socialist period. Various memories originating from different perspectives suggest by themselves the necessity to revise the universal experience of social transformation, which was directed by the state power. The focus on the transformation of the former everyday life brings forth a new look at some social and economic policies in the socialist regimes in order to transf

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Egorova, Maria A. "ON THE SOCIAL FUNCTIONS OF THE VARIANTS OF THE SERBO-CROATIAN LANGUAGE." RSUH/RGGU Bulletin. "Literary Theory. Linguistics. Cultural Studies" Series, no. 2 (2021): 85–116. http://dx.doi.org/10.28995/2686-7249-2021-2-85-116.

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The issue of the status of languages that emerged on the basis of the Serbo-Croatian language after the collapse of Yugoslavia remains relevant until now. The standard Serbo-Croatian language arose in the 19th century as a common language of Serbs, Croats, Bosnians and Montenegrins and existed in two main variants, “western” and “eastern”, from the very outset. These variants were close enough to maintain free communication, and at the same time, each variant had symbolic significance as a marker of the corresponding ethnic group. This article provides an outline of the history of the Serbo-Cr

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Brlić, Ivan. "The Life and Decline of a Planned Industrial Town." Review of Croatian history 16, no. 1 (2020): 125–41. http://dx.doi.org/10.22586/review.v16i1.11295.

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This paper discusses the emergence, existence, and fate of a planned, systematic town in a passive region of the then Federal People’s Republic of Yugoslavia – later renamed to Socialist Federal Republic of Yugoslavia – in the period after World War II. The author critically assesses the reasons for the creation and construction of a modern town at the locality of Lički Osik in central Lika. The town was entirely dependent on and shared the same fate with the military industrial facility “Marko Orešković”, as it was built to support its production. Economic, social, and cultural ups and down

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Bjažić Klarin, Tamara. "Constructing the world of equal opportunities: The case of architect Vladimir Antolić." Journal of Modern European History 18, no. 4 (2020): 474–93. http://dx.doi.org/10.1177/1611894420944840.

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Discourse in the field of architecture and urban planning remained essentially the same in Croatia from the 1930s until the Second World War, and then until the mid 1950s, despite radically changing socio-political systems. This should be credited to Zagreb-based ‘salaried architects’. In the 1930s, they pointed to a major social problem—the substandard living conditions present throughout the country. Questioning the implementation of projects and plans within liberal capitalism, some even entered politics. In post-war socialist Yugoslavia, the circumstances radically changed. Reviewing these

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Savelli, Mat. "‘Peace and happiness await us’: Psychotherapy in Yugoslavia, 1945–85." History of the Human Sciences 31, no. 4 (2018): 38–57. http://dx.doi.org/10.1177/0952695118773951.

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Previous accounts of psychiatry within Communist Europe have emphasized the dominance of biological approaches to mental health treatment. Psychotherapy was thus framed as a taboo or marginal component of East European psychiatric care. In more recent years, this interpretation has been re-examined as historians are beginning to delve deeper into the diversity of mental healthcare within the Communist world, noting many instances in which psychotherapeutic techniques and theory entered into clinical practice. Despite their excellent work uncovering these hitherto neglected histories, however,

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Taczyńska, Katarzyna. "From Golokaust to Happylogue." Narodna umjetnost 62, no. 1 (2025): 45–67. https://doi.org/10.15176/vol62no13.

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This article examines the case of Ženi Lebl (1927–2009), a Yugoslav Jew, communist activist, Holocaust survivor, and prisoner of the Goli Otok camp for political opponents of the Yugoslav Communist regime; Lebl emigrated to Israel in 1954. Her writings (including scholarly texts, ego-documents, poems, and letters) and cultural activities allow us to reconstruct the process by which Lebl’s identity evolved over time. The research questions are: 1) How do her writings express the issues of Jewish, Yugoslav, and women’s self-awareness and identity? and 2) When and under what social circumstances

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Pope, Jill. "Spectral fabulations: Belgrade drag performances refashioning socialist memories." Memory Studies 16, no. 1 (2023): 85–99. http://dx.doi.org/10.1177/17506980221141606.

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This article explores how drag performers in late postsocialist Belgrade refashion memories of socialist Yugoslavia, queering memory by disrupting the linear temporality of the postsocialist transition and challenging the erasure of the city’s socialist Yugoslav past. Belgrade is home to a thriving drag community, including a growing group of performers who engage with memories of socialist Yugoslavia, drawing on its diverse legacy from costumes, ideologies and cultural production. Analysing performance material from two of these drag identities – Gospođa Pereca and Novoslovenka – I argue that

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Kovic, Milos. "Imagining the Serbs revisionism in the recent historiography of nineteenth-century Serbian history." Balcanica, no. 43 (2012): 325–46. http://dx.doi.org/10.2298/balc1243325k.

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The end of the Cold War has brought about a complete change of the political and social context in the world. Consequently, history, as a scholarly discipline, has also undergone a significant transformation. In this broader context, with the destruction of Yugoslavia, the interpretations of the Serbian nineteenth century have been experiencing a far-reaching revision. It is necessary, therefore, to scrutinize the main topics of the debate on nineteenth-century Serbian history in recent world historiography, as well as to examine the main causes of this academic revision.

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Lyon, James. "Yugoslavia's Hyperinflation, 1993-1994: a Social History." East European Politics and Societies: and Cultures 10, no. 2 (1996): 293–327. http://dx.doi.org/10.1177/0888325496010002005.

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Feldman, Andrea. "New women in a new state." Review of Croatian history 18, no. 1 (2022): 155–74. http://dx.doi.org/10.22586/review.v18i1.24285.

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This paper intends to explain not only the origins of the modern woman in a changing political and social environment in a newly established state after First World War, but also the development of ideas formulated by women in their intellectual endeavors, through their influence and criticism, and their hopes and expectations of the new state. It focuses on Croat and South Slavic spaces in the process of unification of the State of Serbs, Croats and Slovenes in 1918 (called the Kingdom of SHS, Kingdom of Yugoslavia from 1929). This period saw the unprecedented involvement of women in politica

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Petričević, Paula. "How the Female Subject was Tempered. An Instructive History of 8 March and Its Media Representation in Naša Žena (Our Woman)." Comparative Southeast European Studies 69, no. 1 (2021): 19–43. http://dx.doi.org/10.1515/soeu-2021-2001.

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Abstract The author explores the socialist emancipation of women in Montenegro during World War II and its aftermath, using the example of the 8 March celebrations. The social life of this ‘holiday of the struggle of all the women in the world’ speaks powerfully of the strength and fortitude involved in the mobilization of women during the war and during the postwar building of socialist Yugoslavia, as well as the sudden modernization and unprecedented political subjectivation of women. The emancipatory potential of these processes turned out to be limited in the later period of stabilization

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