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Journal articles on the topic 'Social production of architecture'

Author: Grafiati

Published: 4 June 2025

Last updated: 1 August 2025

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1

Ekomadyo, Agus, and Ike J. Triwardhani. "SOCIAL PRODUCTION AND CONSUMPTION OF SPACE: STUDY OF PUBLIC-MARKET IN BANDUNG, INDONESIA." JOURNAL OF ARCHITECTURE AND URBANISM 48, no. 1 (2024): 11–24. http://dx.doi.org/10.3846/jau.2024.19188.

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This paper aims to examine the role of architecture in social production and consumption of space, using public markets –architectural artifacts with rich social contents– as cases. This research adopts Low’s (2017) concept of social production of space and Dovey’s (2010) social constructivism of place to uncover the social production and consumption of public markets’ space. Cihapit and Pamoyanan market in Bandung, Indonesia, are selected as research cases, due to their cultural contents, appealing to consumers from middle to upper class society. It is found several roles of architecture in s

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Kaminer, Tahl. "Autonomy and commerce: the integration of architectural autonomy." Architectural Research Quarterly 11, no. 1 (2007): 63–70. http://dx.doi.org/10.1017/s1359135507000504.

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More than three decades ago, the architectural historian Manfredo Tafuri pessimistically concluded that a revolutionary architecture cannot precede a social revolution. In this comment, he summed up the perceived failure of Modernist architecture to realise a social utopia. The comment implied that the architectural discipline, as part of the superstructure, cannot affect society; rather, it is the means and forces of production which determine society, while architecture only reacts, corresponds and represents these changes.

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Saraiva, Alexandra, and Paulo Tormenta Pinto. "The continuous process – social production of architecture in Hestnes Ferreira." rita_, no. 9 (May 2018): 112–19. http://dx.doi.org/10.24192/2386-7027(2018)(v9)(06).

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Krstikj, Aleksandra. "Social Innovation in the Undergraduate Architecture Studio." Societies 11, no. 1 (2021): 26. http://dx.doi.org/10.3390/soc11010026.

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Social innovation has been gaining attention as an alternative method for defining socially constructed problems and their solutions in times of failure of more conventional methods. This study focused on the potential of undergraduate architecture students for social innovation in public space production. A novel collaborative educational method was proposed based on a conceptual framework of social extrapreneurs’ platforms of exploration, experimentation and execution, and problem-based learning. The method was designed for 90 h synchronous and 90 h asynchronous work, in a remote teaching mo

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Okada, Vinícius, and Leandro Silva Medrano. "Rodrigo Lefèvre e a arquitetura moderna brasileira." PosFAUUSP 32, no. 60 (2025): e231341. https://doi.org/10.11606/issn.2317-2762.posfauusp.2025.231341.

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This article examines the theoretical production of architect Rodrigo Brotero Lefèvre (1938-1984) based on an effort to identify his stance regarding Brazilian Modern Architecture. It analyzes the main authors and concepts mobilized in his theoretical formulations, his architectural production, and his historical context. We conclude that Rodrigo Lefèvre’s work differs from the hegemonic canon of Brazilian Modern Architecture by claiming a critical stance, indebted to the avant-gardes, attentive to the social contradictions underlying the process of national modernization.

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Elarji, Dalal. "Minor Spatial Tactics from the Floating University Berlin and Agrocité Paris." SAGE Open 12, no. 4 (2022): 215824402211418. http://dx.doi.org/10.1177/21582440221141875.

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Emboldened by the economic crisis of 2007 to 2008, a growing rhizome of socially and politically engaged spatial practices have resorted to alternative modes of producing architecture that focus more on its societal aspirations. Aiming to uncover some of the potentialities of the projects that emerged from this growing rhizome to introduce other modes of making architecture while resisting dominant ones, this paper considers the Deleuzian-Guattarian concept of the “minor” to propose an alternative reading of such projects as “minor architectures,” that is, critical practices that resist the ca

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Duque, Estela. "Modern tropical architecture: medicalisation of space in early twentieth-century Philippines." Architectural Research Quarterly 13, no. 3-4 (2009): 261–71. http://dx.doi.org/10.1017/s1359135510000114.

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In the interwar years European historians and critics of architecture tried to assimilate science into architecture and arts. For example Sigfried Giedion's Space, Time, and Architecture (1941) attempted to bring Einsteinian spacetime into architectural theory, while Nikolaus Pevsner's An Outline of European Architecture (c. 1943) used space as a criterion to differentiate architecture from other art forms. These brought to the idea of ‘space’ a distinctly modern meaning, making it a universal signifier; whereas in the last decade, architectural historians have argued for the historical specif

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SU, Chang. "The Coast, Social Actions, and Architectural Production: A Review of The Social Imperative: Architecture and the City in China." Landscape Architecture Frontiers 11, no. 5 (2023): 77. http://dx.doi.org/10.15302/j-laf-1-030048.

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9

Jones, Paul. "Architecture, Time, and Cultural Politics." Cultural Sociology 14, no. 1 (2020): 61–79. http://dx.doi.org/10.1177/1749975520905416.

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Architecture is inextricably entangled with time. Illustrating this point, the article explores two moments of architectural production centred on London in the mid-19th century: the ‘Battle of the Styles’, a struggle over the social meaning of historicist architectural design and its suitability for state-funded public buildings; and the proto-modernist Crystal Palace, which housed the Great Exhibition of 1851. While ostensibly involving different cultural orientations to pasts-presents-futures, both cases reflect how political claims can involve the mobilisation of temporalised architectural

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Asak, Ilayda. "A study on graduate level education in architecture: Case of Turkey." Global Journal of Arts Education 6, no. 3 (2017): 89–100. http://dx.doi.org/10.18844/gjae.v6i3.1702.

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Today, there are 41 universities offering graduate education programs in architecture. Those programs cover a number of different topics including architectural conservation and restoration, architectural restoration, architectural design, informatics in architectural design, architectural planning and design, architecture history, architectural history and theory, architecture and built environment, digital design in architecture and production. The council of higher education presents that 2978 master theses submitted and approved by Council of higher education. In this study, the master the

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Kenza, Belkhiri. "Biomimicry Architecture Between Fame and Reality." YBL Journal of Built Environment 9, no. 1 (2024): 21–27. http://dx.doi.org/10.2478/jbe-2024-0003.

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Abstract As a highly interdisciplinary subject, architecture is influenced by many natural and social science subjects. Although seemingly distant from architecture, biology is currently a scientific field that fits into design practices that have evolved and shifted towards a new hybrid framework. Architecture is a complex negotiated cultural practice that encompasses all aesthetic, technical, economic, and political issues of social production itself. For architects, the integration of academic knowledge and design practice can be a difficult activity to define, but it can be the intellectua

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Jones, Paul. "Putting Architecture in its Social Place: A Cultural Political Economy of Architecture." Urban Studies 46, no. 12 (2009): 2519–36. http://dx.doi.org/10.1177/0042098009344230.

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As well as being shaped by bureaucratically codified state regulations, architecture is also fundamentally conditioned by the broader political-economic context in which it is commissioned, designed and understood. However, drawing attention to these noncodified regulations can be controversial, as it necessitates questioning the complex social production of architecture, in the process challenging those discourses that position architecture as a practice concerned primarily with the design of socially meaningful form and meaning. Such discourses have been problematised elsewhere and, building

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Salman, Abdullah Saadoon, Nibras Mohammad Hadi, and Aseel Jafer Jasem. "Fixed and Variable in Architecture Knowledge." Association of Arab Universities Journal of Engineering Sciences 27, no. 3 (2020): 59–71. http://dx.doi.org/10.33261/jaaru.2020.27.3.007.

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The recognition of the content and its apparent and fundamental characteristics in the local architecture through the architectural knowledge to reach the architectural creativity with the variable output that fulfills the human, social and functional needs. The knowledge comes from the engines (theories and concepts) and their impact on the nature of the societies where they play a role in the conflict process Fixed values to produce a content format. The recognition of the content and its apparent and fundamental characteristics in the local architecture through the architectural knowledge

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Galjer, Jasna, and Sanja Lončar. "Socially engaged architecture of the 1950s and its transformations." Etnološka tribina 49, no. 42 (2019): 194–222. http://dx.doi.org/10.15378/1848-9540.2019.42.08.

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This paper investigates the links between architecture and its social purpose and focuses specifically on the building and institution known today as the Public Open University Zagreb (Pučko otvoreno učilište Zagreb – POUZ), which was previously called Moša Pijade Workers' (and People's) University (Radničko (i narodno) sveučilište "Moša Pijade" – RANS). The paper examines the innovative and experimental nature of the architectural concept of socially engaged architecture as part of the societal modernisation of the 1950s and 1960s, as well as changes to its function up to the present post-soc

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Alexandra, Saraiva, and Tormenta Pinto Paulo. "El proceso continuo - producción social de la arquitectura de Hestnes Ferreira = The continuous process – social production of architecture in Hestnes Ferreira." rita_ Revista Indexada de Textos Académicos, no. 9 (May 6, 2018): 112–19. https://doi.org/10.24192/2386-7027(2018)(v9)(06).

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Este artículo pretende describir el proceso continuo en la producción social de la arquitectura de Raúl Hestnes Ferreira. La ideología neorrealista defendida por su padre y seguida por la familia, así como los valores de libertad, democracia y respeto por el prójimo construyeron su personalidad y su carácter humanista. Su carrera intercultural en Portugal, Finlandia y los Estados Unidos de América, jugó un papel decisivo en la construcción de su léxico arquitectónico. Para ilustrar estas influencias se presenta

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Colonnese, Fabio. "Figuration as Participation. Notes on Álvaro Siza’s Architecture as Representation." Enquiry A Journal for Architectural Research 15, no. 1 (2018): 1–24. http://dx.doi.org/10.17831/enq:arcc.v15i1.443.

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Although in the wake of the Modern Movement tradition, Álvaro Siza Vieira’s architectural research moves along the thin red line between abstraction and representation. The apparent arbitrariness of some of his compositions, widely analyzed in typological and social key, is primarily an expression of his attention to the moving subject that never translates into illusory devices. Yet, in the last two decades of the 20th century, anthropomorphic and zoomorphic presences began to haunt his architectures, addressing to new meanings. The keys to understanding this phase of Siza’s creative trajecto

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Lucantoni, Francesco. "Historical Notes on the Architecture of Italian Confraternities." Confraternitas 17, no. 2 (2006): 3–27. http://dx.doi.org/10.33137/confrat.v17i2.12506.

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Historians of architecture have always drawn a distinct line between civic and religious architecture. Although this separation allows for easier classification of the vast heritage of architecture, it is not adequate for analysing certain realities that, by their very nature, fall between the two categories. An example of this is confraternal architectural production that developed extensively, in a variety of forms and environments, in the Catholic world from the thirteenth century to the present. As lay institutions with religious aims, confraternities gave birth to a special type of archit

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18

Pezzulo, Giovanni, Laura Barca, and Alessando D'Ausilio. "The sensorimotor and social sides of the architecture of speech." Behavioral and Brain Sciences 37, no. 6 (2014): 569–70. http://dx.doi.org/10.1017/s0140525x13004172.

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AbstractSpeech is a complex skill to master. In addition to sophisticated phono-articulatory abilities, speech acquisition requires neuronal systems configured for vocal learning, with adaptable sensorimotor maps that couple heard speech sounds with motor programs for speech production; imitation and self-imitation mechanisms that can train the sensorimotor maps to reproduce heard speech sounds; and a “pedagogical” learning environment that supports tutor learning.

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Ren, Xiang. "Socially engaged architecture in a Chinese rural village: Xihe Village Community Centre, 2014." Architectural Research Quarterly 20, no. 2 (2016): 119–30. http://dx.doi.org/10.1017/s1359135516000282.

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This paper attempts to explore the social production of architecture in contemporary Chinese rural villages through a case study on the Community Centre in Xihe Village. This community project, designed and built in 2014, exemplifies a lesser-known type of Chinese architectural practice engaging in a local and specific context, which suddenly gave participation a dramatic image in current breakneck Chinese rural-urban transition of large scale and rapid speed. By looking at this highly specific case through a detailed description and critical evaluation, this paper takes this participatory arc

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Al-Bakry, Hiyam Majeed Jaber, Khawola F. Mahmoud, and Assda Abdulhameed Altuhafi. "The Impact of the Religious Thought and Beliefs on the Sustainability of Urban Process and Production." International Journal of Sustainable Development and Planning 17, no. 3 (2022): 895–905. http://dx.doi.org/10.18280/ijsdp.170319.

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The relationship between belief and the architectural and urban production of cities made up an important topic in various studies that dealt with the impact of religion on shaping the city. Considering that belief and transactions usually determine the activities practiced by the social system in the city. Where the performance of the social system is reflected in urban production and the relationship between the elements of the city. This study is a comparative study designed to determine the nature of the influence of religion and belief on the processes and sustainability of building produ

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Blagojević, Ljiljana, and Marija Milinković. "The beauty of production: module and its social significance." Architectural Research Quarterly 17, no. 3-4 (2013): 253–68. http://dx.doi.org/10.1017/s1359135514000074.

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The article examines the post-WW2 expanded understanding of the concept of Mediterraneità or Mediterranean-ness in the South Adriatic coastal region of Montenegro in the former Yugoslavia, primarily as a modernist recourse against the demand for productivity and tenets of socialist realism and socialist aestheticism. The discussion of Mediterraneità refers to recent research of Italian architecture by Michelangelo Sabatino (2010), arguing that over the period of thirty years in its wider resonance across the Adriatic littoral, the original notion was adapted to different regional, cultural and

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Horn-Morgenstern, Andrés. "Los recubrimientos exteriores en la arquitectura alemana de Valdivia. Una metáfora de refinamiento y distinción social." Arquitecturas del Sur 42, no. 65 (2024): 58–81. http://dx.doi.org/10.22320/07196466.2024.42.065.04.

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As a result of the colonization process that began in the mid-19th century in southern Chile and, with it, the systematic arrival of European immigrants, an informal discourse has been favored over time to sustain the transcendent contribution of foreigners in the area, as well as the architectures accrued, thus emerging a widely spread valuation and cataloging discourse; the «German architecture of southern Chile.» Notwithstanding the widely publicized colonizing agenda and its overall impact, economic progress and better material conditions are not transversal issues within this migrant colo

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Salman, Abdullah S. "Architecture between Islamic thought and the phenomenon of deconstruct." Muthanna Journal of Engineering and Technology 7, no. 1 (2019): 44–56. http://dx.doi.org/10.52113/3/mjet/2019-7-1/44-56.

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"What inspires the learner or scholar in the field of architecture, as a need to satisfy, is the ability of the architect to deal with many of the architectural trends at the same time through the identification and investment in the creation of architectural configurations acceptable or have the balance among many architects. This approach has united the idea that architecture originated from a single source connected to man and his continuous quest to create an acceptable and acceptable environment. What interested the research is dealing with the Islamization of deconstruct architecture. Th

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Stevanović, Vladimir. "Phenomenologies of architecture." SAJ - Serbian Architectural Journal 6, no. 1 (2014): 89–106. http://dx.doi.org/10.5937/saj1401089s.

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This paper, in terms of analytic aesthetics, conducts a meta-discussion on the ways of using the term and notion of phenomenology in the discourse of architectural theory. The assumption is that one cannot argue with precision and certainty that the theorists who concern themselves with phenomenological thinking in the context of architecture target the same topics and problems. If in the architectural theory there is a parallel development of a number of different phenomenologies, the central issue becomes their mutual compatibility. Analysis conducted will open the possibility of considerati

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Fuentes-Hernández, Pablo, and Gonzalo Cerda-Brintrup. "ARQUITECTURA PÚBLICA: LA ACCIÓN DEL ESTADO." Arquitecturas del Sur 40, no. 62 (2022): 04–07. http://dx.doi.org/10.22320/07196466.2022.40.062.00.

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In Chile and Latin America, the State has built the city. Thus, from buildings and public spaces, institutional, school, housing, hospital, industrial, and transportation architectures, to the most diverse spheres, the State’s action in the production of public architecture is undeniable. At different times, this fact has been more or less valued or recognized. For example, during the presidency of José Manuel Balmaceda (1886-1891), his administration undertook numerous public works that sought to spread modernization throughout the country through buildings and infrastructure. Likewise, durin

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Šuvaković, Miško. "Architecture as cultural practice." SAJ - Serbian Architectural Journal 1, no. 3 (2009): 171–88. http://dx.doi.org/10.5937/saj0903171q.

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In this study my intention is to interpret the "discursive" and the "ideological" differences between the architecture of postmodernism and the architecture of globalism. I will point to the paradigmatic differences between these practices and also to some specific "local examples" of execution of social quality by means of architecture being the "cultural instrument" of actualities realization. This study was written by interdisciplinary methodology of cultural studies based on Fuko's discursive analysis and Altizer's ideological analysis of the architectural productions.

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Archer, John. "Social Theory of Space: Architecture and the Production of Self, Culture, and Society." Journal of the Society of Architectural Historians 64, no. 4 (2005): 430–33. http://dx.doi.org/10.2307/25068197.

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Yu, Shuishan. "Routledge Handbook of Chinese Architecture: Social Production of Buildings and Spaces in History." Journal of the Society of Architectural Historians 84, no. 1 (2025): 139–40. https://doi.org/10.1525/jsah.2025.84.1.139.

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Piirainen, Viktor, Tatiana Makhova, and Olga Kiba. "Creating unique objects of architecture and environmental design with the use of additive technologies." E3S Web of Conferences 389 (2023): 06018. http://dx.doi.org/10.1051/e3sconf/202338906018.

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The article considers the possibility of implementing bionic forms in architecture using additive technologies. Parametric buildings and design products interact with the surrounding space, political context, social norms, and cultural traditions. Additive technologies, as a way to implement the spatial structure in architecture and design, have allowed us to open new horizons of shaping in the design of spatial structures that are inaccessible to conventional production methods, or too time-consuming for them. With the use of additive manufacturing, you can develop a unique interior design or

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Mihajlov, Vladimir. "Architectural design in a new social order: Re-exploring the reasons for application of spatial standards." SAJ - Serbian Architectural Journal 4, no. 1 (2012): 99–112. http://dx.doi.org/10.5937/saj1201099m.

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The essence of the problem in this paper has been recognized in deterioration of public and residential space in the city, after deregulation of architecture in neoliberal context. This field is marked by increasing lack of rules-especially spatial standards in the architectural practice. Therefore, re-exploring the application of space standards in modern context is needed. The paper, thus, tries to give the answer to the following question: why contemporary architectural practice does not insist on standards for the design and planning any longer? Since the production of space in neoliberal

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Ameen, Sura Kassim, Ibrahim Jawad Al-yusif, and Ali Musa Hussein. "Abstraction the architectural heritage of contemporary local architecture." Iraqi Journal of Architecture and Planning 19, no. 1 (2020): 1–12. http://dx.doi.org/10.36041/iqjap.v16i1.490.

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Abstraction is used in architectural and interior design and is based on abstraction with formal values, taking into account the functional aspect of architecture. Architectural heritage represents the cultural value that directly affects successive generations, and embodies cultural values to reflect the social, economic and political aspect that contributes to the advancement of human civilization, and architectural heritage is the basis of architectural thought in societies that have unity. Cultural. He found that the concept of the philosophy of abstraction has multiple views, whether West

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Ameen, Sura Kassim, Ibrahim Jawad Al-yusif, and Ali Musa Hussein. "Abstraction the architectural heritage of contemporary local architecture." Iraqi Journal of Architecture and Planning 19, no. 1 (2020): 1–12. http://dx.doi.org/10.36041/iqjap.v19i1.490.

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Abstraction is used in architectural and interior design and is based on abstraction with formal values, taking into account the functional aspect of architecture. Architectural heritage represents the cultural value that directly affects successive generations, and embodies cultural values to reflect the social, economic and political aspect that contributes to the advancement of human civilization, and architectural heritage is the basis of architectural thought in societies that have unity. Cultural. He found that the concept of the philosophy of abstraction has multiple views, whether West

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Stanojevic, Ana, Ljiljana Jevremovic, Uros Antic, and Aleksandar Milojkovic. "Reshaping the built heritage of historical wineries and wine cellars: New programs and types of interventions." Spatium, no. 00 (2024): 10. http://dx.doi.org/10.2298/spat240924010s.

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Wine architecture is closely related to the ever-changing social, economic, environmental, and cultural context regarding winemaking activity. In the Middle Ages, spaces intended for wine production were first built as part of a complex of monasteries and castles and later, due to the improvement of winemaking techniques, as independent wine cellars. By the beginning of the 20th century, the expansion of viticulture and winemaking led to the construction of wine caves, cellars, estates, villages, wine houses and cathedrals, creating a wide range of historical forms of wine architecture. The es

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Постернак, І. М., С. О. Постернак, and О. C. Постернак. "ORGANIZATION OF BUILDING PRODUCTION CORPORATIONS OF GOTHIC ARCHITECTURE AS THE ORIGIN OF " CSTC T-PPR "." Building production, no. 73 (May 22, 2023): 46. http://dx.doi.org/10.36750/2524-2555.73.46-51.

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The modern world market is a complex system of interactions between commodity producers, financial and credit, exchange and state institutions, the basis of which is the phenomenon called the large joint-stock corporation. The principle of corporations is the principle of contemporary urban communities: their members, paying taxes to the king or lord, form an association that can protect their common interest. The period of the most intensive formation of corporations (associations) in architectural and construction production is considered – the period of Gothic architecture (individual eleme

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Kurir, Mateja. "Architecture, space and ideology: Between Adorno and Lefebvre." SAJ - Serbian Architectural Journal 10, no. 1 (2018): 37–46. http://dx.doi.org/10.5937/saj1801037k.

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Can architecture become a site of resistance to the machinery of estrangement and alienation? The German philosopher Theodor Adorno found art, where he included specific forms of architecture, to be the only exit from the dominance of machinery of the total system. If architecture in Adorno's philosophy could, with its negative position, step behind the screens into an autonomous art, the French philosopher and sociologist, Henri Lefebvre, developed a more radical notion: the distinctive scenery of architecture, everyday life, is intensely subjected to alienation. As much as Lefebvre puts focu

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Sheil, Bob. "55/02: A manufactured architecture in a manufactured landscape." Architectural Research Quarterly 13, no. 3-4 (2009): 200–219. http://dx.doi.org/10.1017/s1359135510000060.

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The spectacular surroundings of Kielder Water & Forest Park, in Northumberland, England, are a confluence of opposing states: the man-made and natural; the utilitarian and recreational; the beautiful and isolated; shaped by weather converging from east and west. Kielder Castle was built in 1775 as the Duke of Northumberland's hunting lodge. In recent years the territory has gained notoriety for a series of innovative art and architectural commissions including Belvedere by Softroom Architects (1999), Kielder Skyspace by the American artist James Turrell (2000), Minotaur by architect Nick C

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Blagojevic, Ljiljana. "Postmodernism in Belgrade architecture: Between cultural modernity and societal modernization." Spatium, no. 25 (2011): 23–29. http://dx.doi.org/10.2298/spat1125023b.

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The paper explores the introduction and articulation of ideas and aesthetic practice of postmodernism in architecture of late socialism in Yugoslavia, with the focus on Belgrade architecture scene. Theoretical and methodological point of departure of this analysis is J?rgen Habermas's thesis of modernity as an incomplete, i.e., unfinished project, from his influential essay ?Die Moderne: Ein unvollendetes Projekt? (1980). The thematic framework of the paper is shifted towards issues raised by Habermas which concern relations of cultural modernity and societal modernization, or rather towards c

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Faulconbridge, James R. "The Regulation of Design in Global Architecture Firms: Embedding and Emplacing Buildings." Urban Studies 46, no. 12 (2009): 2537–54. http://dx.doi.org/10.1177/0042098009344227.

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The emergence of global architecture firms and their role in the production of city architectures raises a number of questions for social scientists. For example, how— indeed do—global architects ensure that the buildings they design are ‘in place’ and appropriate for the urban cultural, economic, social and political contexts in which they are to be built? The aim of the paper is to consider this question. ‘Regulation’ is taken in its broadest sense and the paper explores the role of standards and codes as well as other forms of social regulation in the process of emplacing designs. It is arg

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Knox, Paul L. "The Social Production of the Built Environment Architects, Architecture and the Post-Modern City." Progress in Human Geography 11, no. 3 (1987): 354–77. http://dx.doi.org/10.1177/030913258701100303.

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Wu, Bian, and Alf Inge Wang. "Comparison of Learning Software Architecture by Developing Social Applications versus Games on the Android Platform." International Journal of Computer Games Technology 2012 (2012): 1–10. http://dx.doi.org/10.1155/2012/494232.

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This paper describes an empirical study where the focus was on discovering differences and similarities in students working on development of social applications versus students working on development of games using the same Android development platform. In 2010-2011, students attending the software architecture course at the Norwegian University of Science and Technology (NTNU) could choose between four types of projects. Independently of the chosen type of project, all students had to go through the same phases, produce the same documents based on the same templates, and follow exactly the s

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Kholina, Veronika N. "University City: the Architecture of Meanings." Economic Strategies 160, no. 1 (2022): 154–58. http://dx.doi.org/10.33917/es-1.181.2022.154-158.

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Collection of articles “University City: the Architecture of Meanings”, published in 2021 by VTsIOM together with the Publishing House of the Tomsk State University, brought together authors from different countries, adhering to various scientific fields, which are connected by a common interest in understanding the university city phenomenon. Today, in the context of advanced demands for science, technology and effective education, a convergent vision of social and educational elements of production and the knowledge dissemination as the basic characteristic of a post-industrial society is be

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Gu, Xiang, Yueting Chai, Yi Liu, Jianping Shen, Yadong Huang, and Yixuan Nan. "A MCIN-based architecture of smart agriculture." International Journal of Crowd Science 1, no. 3 (2017): 237–48. http://dx.doi.org/10.1108/ijcs-08-2017-0017.

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Purpose Material conscious and information network (MCIN) is a kind of cyber physics social system. This paper aims to study the MCIN modeling method and design the MCIN-based architecture of smart agriculture (MCIN-ASA) which is different from current vertical architecture and involves production, management and commerce. Architecture is composed of three MCIN-ASA participants which are MCIN-ASA enterprises, individuals and commodity. Design/methodology/approach Architecture uses enterprises and individuals personalized portals as the carriers which are linked precisely with each other throug

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Puchkov, M. V. "University Campus: Interrelations of Educational Technologies and Models of Architectural Space Formation." University Management: Practice and Analysis 25, no. 4 (2022): 109–19. http://dx.doi.org/10.15826/umpa.2021.04.039.

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This article studies the main cultural and social processes influencing the formation of modern educational space. We analyze the traditional models of the educational cycle and propose a new one. The latter, unifying research, education and knowledge realization activities, reflects the interaction of education, research, experimental production and information processing as architectural space functions. There is revealed the system of trends affecting the architecture of scientific and educational facilities when forming high-quality spatial solutions of university campus facilities. The st

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Olusola, Oladapo MAKINDE (PhD), and Funmilayo Lanrewaju (PhD) Amao. "Henri Lefebvre Theory of Space and Social Production Philosophy: A Critical Interpretation." Global Journal of Arts Humanity and Social Sciences 4, no. 1 (2024): 67–80. https://doi.org/10.5281/zenodo.10577092.

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Through an analysis of Lefebvre's writings, this study identifies the relationship between his theory on space and its social production and the spatial dimensions of urban space. The study is concerned with Lefebvre theory of space and how it relates to the production of space in our society. This is considered through three linked studies of the production, urban planning, architecture, and legal guideline of space. The study used a secondary source of data from relevant literature. The study looked at<strong> </strong>the social production of space and Henry Lefebvre's theory, the meaning o

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Margamu, Naganda Putra, and Suryono Herlambang. "HUNIAN SOSIAL DENGAN PENDEKATAN GREEN ARCHITECTURE." Jurnal Sains, Teknologi, Urban, Perancangan, Arsitektur (Stupa) 3, no. 2 (2022): 1945. http://dx.doi.org/10.24912/stupa.v3i2.12403.

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House is a place to live for the residents should feel comfortable and live ini decent place. The lack of green open space in Jakarta causes pollution to increase. The city of jakarta should use green open spaces fot its citizens to better, including the lower class community where they need these facillities so that their lives become more decent in terms of social and health aspects. Therefore, this project is carried out to make the public aware of the importance of green open space in Jakarta and to make a suitable place for the lower class community. This project offers a social housing p

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Topaloğlu, Gürkan, and Asu Beşgen. "CRITICAL DISCOURSE ANALYSIS (CDA) OF THE 16TH VENICE ARCHITECTURE BIENNALE MANIFESTO." JOURNAL OF ARCHITECTURE AND URBANISM 47, no. 2 (2023): 106–13. http://dx.doi.org/10.3846/jau.2023.18754.

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The Venice Architecture Biennale emerged with post-modern thought in the late 1970s and early 1980s. It is a medium where political, economic and cultural transformations are experienced in the field of architecture and where mainstream global architecture is discussed and shared. Over time, the Venice Architecture Biennale has created a global focal point with the manifestos produced, while bringing together the architectural products and ideas in the ambiguity of the boundaries of local architecture. Biennial manifestos have an ideological structure that is oriented towards social relations

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Sebestyén, Ágnes Anna. "Designing the International Network of Tér és Forma, 1928–1939. A Hungarian Architectural Journal’s Data-Driven Analysis." Disegno 7, no. 1 (2023): 8–24. http://dx.doi.org/10.21096/disegno_2023_1aas.

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Architectural periodicals were the major means of transferring textual and visual information about the current production, discourses, and problems of architecture during the interwar era. Illustrated magazines were widely available, and the immaterial sites of architectural publications became equally important as the construction site itself. In interwar Hungary, the architectural journal Tér és Forma (Space and Form) was the major organ of modern architecture under the editorship of the architect Virgil Bierbauer between 1928 and 1942. The periodical included the latest examples of modern

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Borsari, Andrea. "Georg Simmel und die Ästhetische Theorie der Architektur." Simmel Studies 28, no. 1 (2024): 9–42. https://doi.org/10.7202/1115153ar.

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The article is dedicated to the reconstruction and recapitulation of Georg Simmel's relationship to architecture and to the aesthetics of the field of architecture. To this aim, a number of texts have been identified and discussed in Simmel's production that describe the urban dimension, as dimension of the city and of architecture as a modality of the construction of buildings, objects and places to inhabit the world and thus give it a certain configuration. From this discussion derives the plural field of oppositions in relation to the urban-architectural dimension, according to a view of Si

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Birer, Emel. "Critical Reading in Architectural Education." Journal of Design Studio 4, no. 1 (2022): 21–37. http://dx.doi.org/10.46474/jds.1060665.

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Architectural production is a text. Texts; while producing the new based on the other, architecture needs, production social life, technology, the geography where it is produced, etc. It is formatted by references before it, as well as elements. Blending this production into architectural education must be carried out adding readings on architectural design conception and teaching the articulated power of the theoretical structure of design. The need to rebuild, reinterpret and reproduce knowledge in the mind of each individual in their own way necessitates the questioning of the need to surpa

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Enab, Mohamed Ahmed Abd Rahman. "Geometric Models in Islamic Architecture from Early Islam to the end of the Ottoman Era: An Archaeological Study in Light of Selected Examples." Journal of Islamic Architecture 8, no. 2 (2024): 318–39. https://doi.org/10.18860/jia.v8i2.25948.

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ABSTRACT; this study aims to explore the history and evolution of geometric models in Islamic architecture up to the Ottoman era. It seeks to understand the emergence of these models and their uses in the Islamic era, analyzing the cultural, religious, and social factors that influenced their appearance and design. The study reveals the ingenuity of early Muslims in architectural engineering, as they not only depicted their architectural works in two-dimensional drawings but also created three-dimensional geometric models using precise engineering methods. This trend extended beyond Muslim arc

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