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Books on the topic 'Social space production'

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Published: 4 June 2021
Last updated: 11 February 2022

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1

Gottdiener, Mark. The social production of urban space. 2nd ed. Austin: University of Texas Press, 1994.

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Gottdiener, Mark. The social production of urban space. 2nd ed. Austin: University of Texas Press, 1994.

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Gottdiener, M. The social production of urban space. 2nd ed. Austin: University of Texas Press, 1994.

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4

The social production of urban space. Austin: University of Texas Press, 1985.

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5

Gottdiener, Mark. The social production of urban space. 2nd ed. Austin: University of Texas Press, 1994.

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6

Uneven re-production: Industry, space, and society. Oxford, UK ;Tarrytown, N.Y: Pergamon, 1994.

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7

Staffan, Ericson, and Riegert Kristina, eds. Media houses: Architecture, media and the production of centrality. New York: Peter Lang, 2010.

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8

Henri Lefebvre on space: Architecture, urban research, and the production of theory / Lukasz Stanek. Minneapolis [Minn.]: University of Minnesota Press, 2011.

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9

Reconstructing community, recreating boundaries: Identity politics and production of social space in post-war Vukovar. Trondheim: NTNU, Norwegian University of Science and Technology, 2006.

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10

Fragmented Dhaka: Analysing everyday life with Henri Lefebvre's Theory of production of space. Stuttgart: Franz Steiner Verlag, 2009.

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11

City/stage/globe: Performance and space in Shakespeare's London. New York: Routledge, 2008.

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12

Edmunds, Lowell. Theatrical space and historical place in Sophocles' Oedipus at Colonus. Lanham, Md: Rowman & Littlefield Publishers, 1996.

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13

Valjakka, Minna, and Meiqin Wang, eds. Visual Arts, Representations and Interventions in Contemporary China. NL Amsterdam: Amsterdam University Press, 2018. http://dx.doi.org/10.5117/9789462982239.

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This edited volume provides a multifaceted investigation of the dynamic interrelations between visual arts and urbanization in contemporary Mainland China with a focus on unseen representations and urban interventions brought about by the transformations of the urban space and the various problems associated with it. Through a wide range of illuminating case studies, the authors demonstrate how innovative artistic and creative practices initiated by various stakeholders not only raise critical awareness on socio-political issues of Chinese urbanization but also actively reshape the urban living spaces. The formation of new collaborations, agencies, aesthetics and cultural production sites facilitate diverse forms of cultural activism as they challenge the dominant ways of interpreting social changes and encourage civic participation in the production of alternative meanings in and of the city. Their significance lies in their potential to question current values and power structures as well as to foster new subjectivities for disparate individuals and social groups.
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14

CEFRESS (Center : Université de Picardie), ed. Représentations et productions de l'espace dans les sociétés contemporaines. Paris: L'Harmattan, 2009.

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15

Ismailov, Nariman, Samira Nadzhafova, and Aygyun Gasymova. Bioecosystem complexes for the solution of environmental, industrial and social problems (on the example of Azerbaijan). ru: INFRA-M Academic Publishing LLC., 2020. http://dx.doi.org/10.12737/1043239.

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A key objective of the modern development of society is the observance of ecological and socio-economic unity in human life and comprehensive improvement of environment and quality of life should be considered in close connection with the quality of the natural landscape. The formation of scientific understanding of the unity of society and nature is driven by the need for practical implementation of such unity. This defines the focus of this monograph. Given the overall assessment of the current state of the environment in Azerbaijan, considers the scenarios for the future development of the area. The prospects of the use of biotechnology in integrated environmental protection. In the framework of the above to address complex social, environmental and production problems in Azerbaijan developed scientific basis of integrated system of industrial farms — biclusters with a closed production cycle through effective utilization of regional biological resources, whose interactions and relationships take on the character of vzaimodeistvie components for obtaining focused final result with high practical importance. Microbiological, biochemical and technological processes are the basis of all development of biotechnology. Presents the development will help strengthen the ties between science and production, establishing mechanisms to conduct applied research in the field of innovation and creation of knowledge-based technologies in solving current and future environmental problems in Azerbaijan. We offer innovative ideas distinguishes the potential need for their materialization into new products, technologies and services, including the widespread use of digital technologies to design dynamic digital environmental map in space and in time. For students, scientific and engineering-technical workers, students and specializing in environmental technology, environmental protection.
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16

Ares, Nancy. Youth-full productions: Cultural practices and constructions of content and social spaces. New York: Peter Lang, 2010.

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17

Ares, Nancy. Youth-full productions: Cultural practices and constructions of content and social spaces. New York: Peter Lang, 2010.

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18

The globalisation of high technology production: Society, space, and semiconductors in the restructuring of the modern world. London: Routledge, 1989.

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19

Dibazar, Pedram, and Judith Naeff, eds. Visualizing the Street. NL Amsterdam: Amsterdam University Press, 2018. http://dx.doi.org/10.5117/9789462984356.

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From user-generated images of streets to professional architectural renderings, and from digital maps and drone footages to representations of invisible digital ecologies, this collection of essays analyses the emergent practices of visualizing the street. Today, advancements in digital technologies of the image have given rise to the production and dissemination of imagery of streets and urban realities in multiple forms. The ubiquitous presence of digital visualizations has in turn created new forms of urban practice and modes of spatial encounter. Everyone who carries a smartphone not only plays an increasingly significant role in the production, editing and circulation of images of the street, but also relies on those images to experience urban worlds and to navigate in them. Such entangled forms of image-making and image-sharing have constructed new imaginaries of the street and have had a significant impact on the ways in which contemporary and future streets are understood, imagined, documented, navigated, mediated and visualized. Visualizing the Street investigates the social and cultural significance of these new developments at the intersection of visual culture and urban space. The interdisciplinary essays provide new concepts, theories and research methods that combine close analyses of street images and imaginaries with the study of the practices of their production and circulation. The book covers a wide range of visible and invisible geographies — From Hong Kong’s streets to Rio’s favelas, from Sydney’s suburbs to London’s street markets, and from Damascus’ war-torn streets to Istanbul’s sidewalks — and engages with multiple ways in which visualizations of the street function to document street protests and urban change, to build imaginaries of urban communities and alternate worlds, and to help navigate streetscapes.
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20

Urunov, Asror. Regional economy. ru: INFRA-M Academic Publishing LLC., 2020. http://dx.doi.org/10.12737/1013012.

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The textbook presents the main categories of the regional economy, evaluation and sustainable development and the competitiveness of the region, theoretical terms about the economic area; specified properties, functions and factors of its formation. Disclosed parametric characteristics of the single economic space, and its possible life cycle. Outlines the economic evaluation methods and justify the location of production, state regulation of economy of regions of the Russian Federation, assessment of natural resource and socio-economic potential of the constituent entities, Federal districts. Meets the requirements of Federal state educational standards of higher education of the last generation. Designed for bachelors, masters, studying the discipline "Regional economy" as well as for postgraduates and teachers of economic universities, practitioners of economic services of enterprises and organizations. Can be useful for specialists of Federal and regional authorities.
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21

ZnO bao mo zhi bei ji qi guang, dian xing neng yan jiu. Shanghai Shi: Shanghai da xue chu ban she, 2010.

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22

Performativity, Politics, and the Production of Social Space. Routledge, 2014.

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23

Glass, Michael R., and Reuben Rose-Redwood. Performativity, Politics, and the Production of Social Space. Taylor & Francis Group, 2015.

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24

Real Fake: Authenticity and the Production of Space. Fordham University Press, 2018.

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25

On South Bank: The Production of Public Space. Taylor & Francis Group, 2016.

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26

On South Bank: The Production of Public Space. Taylor & Francis Group, 2016.

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27

Dickens and the Virtual City: Urban Perception and the Production of Social Space. Palgrave Macmillan, 2017.

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28

Thornton, Sara, and Estelle Murail. Dickens and the Virtual City: Urban Perception and the Production of Social Space. Palgrave Macmillan, 2018.

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29

Chidester, David. Space. Edited by Michael Stausberg and Steven Engler. Oxford University Press, 2017. http://dx.doi.org/10.1093/oxfordhb/9780198729570.013.23.

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Theories of religious space can be divided between those that focus on poetic meaning, political power, or material production. Religious space can be based on structural oppositions, such as the indigenous opposition between home and wild space and the colonial opposition between land and sea. The production of religious space commonly establishes barriers, but instances of shared religious space can be found in Africa, India, and elsewhere. Competition over the ownership of a place is a recurring feature of the dynamics of religious space, as illustrated by the conflict between Hindus and Muslims over the site in Ayodhya in India. With the rise of modern nations, religious space is increasingly managed by state apparatuses, and at the same time dispersed through transnational social networks in diaspora. Religious space is also powerful as an arena for asserting claims to access, control, and ultimately ownership of the sacred.
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30

Space and the Production of Cultural Difference among the Akha Prior to Globalization: Channeling the Flow of Life. Amsterdam University Press, 2012.

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31

Tooker, Deborah E. Space and the Production of Cultural Difference among the Akha Prior to Globalization: Channeling the Flow of Life. Amsterdam University Press, 2012.

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32

Santos, Milton. The Nature of Space. Translated by Brenda Baletti. Duke University Press, 2021. http://dx.doi.org/10.1215/9781478021704.

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In The Nature of Space, pioneering Afro-Brazilian geographer Milton Santos attends to globalization writ large and how local and global orders intersect in the construction of space. Santos offers a theory of human space based on relationships between time and ontology. He argues that when geographers consider the inseparability of time and space, they can then transcend fragmented realities and partial truths without trying to theorize their way around them. Based on these premises, Santos examines the role of space, which he defines as indissoluble systems of objects and systems of actions in social processes, while providing a geographic contribution to the production of a critical social theory.
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33

Dreaming Suburbia: Detroit And The Production Of Postwar Space And Culture (African American Life). Wayne State University Press, 2004.

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34

Jones, Sarah Rees. Public and Private Space and Gender in Medieval Europe. Edited by Judith Bennett and Ruth Karras. Oxford University Press, 2013. http://dx.doi.org/10.1093/oxfordhb/9780199582174.013.023.

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This essay explores ideas and practices of gender in public and private space in medieval Europe. It considers elite and religious men and women as well as the spaces used by lower-status people, and draws on historical records, literature, and archaeology. From the early Middle Ages, space was planned in order to reinforce social hierarchies, but normative rules about gendered spatial conduct also soon became commonplace. Such rules varied over time and from place to place and were often contradicted by popular behavior. Nevertheless ideals did affect vernacular architecture and the use of space by people of most social classes. Above all attitudes towards space were conditioned by religion. Radical changes in the use of domestic and street spaces often followed radical religious change. Within Christian communities the central cultural focus for the gendered regulation of space was the desire to purify material production, particularly the reproduction of children.
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35

Schwartz, James S. J. The Value of Science in Space Exploration. Oxford University Press, 2020. http://dx.doi.org/10.1093/oso/9780190069063.001.0001.

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The Value of Science in Space Exploration provides a rigorous assessment of the value of scientific knowledge and understanding in the context of contemporary space exploration. It argues that traditional spaceflight rationales are deficient, and that the strongest defense of spaceflight comes from its potential to produce intrinsically and instrumentally valuable knowledge and understanding. It engages with contemporary epistemology to articulate an account of the intrinsic value of scientific knowledge and understanding. It also parleys with recent work in science policy and social philosophy of science to characterize the instrumental value of scientific research, identifying space research as an effective generator of new knowledge and understanding. These values found an ethical obligation to engage in scientific examination of the space environment. This obligation has important implications for major space policy discussions, including debates surrounding planetary protection policies, space resource exploitation, and human space settlement. Whereas planetary protection policies are currently employed to prevent biological contamination only of sites of interest in the search for extraterrestrial life, it contends that all sites of interest to space science ought to be protected. Meanwhile, space resource exploitation and human space settlement would result in extensive disruption or destruction of pristine space environments. The overall ethical value of these environments in the production of new knowledge and understanding is greater than their value as commercial or real commodities, and thus, exploitation and settlement of space should be avoided until the scientific community adequately understands these environments.
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36

Avilez, GerShun. Black Queer Freedom. University of Illinois Press, 2020. http://dx.doi.org/10.5622/illinois/9780252043376.001.0001.

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In this book, GerShun Avilez argues that queerness, here meaning same-sex desire and gender nonconformity, introduces the threat of injury and that artists throughout the Black diaspora use queer desire to negotiate spaces of injury. The space of injury does not necessarily pertain to a particular architecture or location; it concerns the perception and engagement of a body. Black queer bodies are perceived as social threats, and this perception results in threats (physical, psychological, socioeconomic) against these bodies. The space of injury describes the potential threat to queer bodies that lingers throughout the social world. Attending to such threats and challenging them constitute defining elements in Black queer artists’ work. In each of the two parts to the book, the author examines how perceptions of the Black queer body in different environments create uncertainty for that body and make it a contested space because of racial and sexual meaning. Part 1 focuses on movement through public space (through streets and across borders) and on how state-backed interruptions seek to inhibit queer bodies. Part 2 explores movement through institutional spaces (prisons and hospitals), which seek to expose the queer body to make it vulnerable to control. Ultimately, the book insists that desire and artistic production function as means to queer freedom when actual policies and legislation fail to ensure civic rights and social mobility.
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37

1957-, Ares Nancy, ed. Youth-full productions: Cultural practices and constructions of content and social spaces. New York: Peter Lang, 2009.

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38

1957-, Ares Nancy, ed. Youth-full productions: Cultural practices and constructions of content and social spaces. New York: Peter Lang, 2009.

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39

Franks, Hallie M. Conclusion. Oxford University Press, 2018. http://dx.doi.org/10.1093/oso/9780190863166.003.0007.

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Drawing in particular from Henri Lefebvre’s theory of space and its production—according to which space is conceived as a network of relations between perceived, conceived, and lived experiences—the conclusion situates the arguments of the previous chapters in relationship to the function of the symposium as a social practice. The mosaics, by actively participating in the construction of spatial metaphors, played a crucial role in facilitating the intellectual transformation central to the symposium experience and in creating and solidifying social bonds among the participants. These conclusions suggest that the andron served as a social space in more complex ways than previously understood.
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40

Barros, Sulivan Charles. Carnaval e cidade – usos e apropriações de espaços urbanos: Recife e Olinda em perspectiva. Brazil Publishing, 2021. http://dx.doi.org/10.31012/978-65-5861-277-3.

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Carnival is one of the most important manifestations of Brazilian culture. On festival days, the carnival locus is occupied by antagonistic social actors, producing a unique image of the sensitive movements that the city experiences throughout the year and that end up in the unequal processes of power and space - one of the multiple readings that the carnival phenomenon offers. Understanding this complex moment of polyphonies and polysemias requires a review of its historical development process, aiming at a broader understanding of how it was (and continues to be) forged as an entirely Brazilian social fact, an element that makes up a part of the nation's identity formation. In this direction, the city becomes a privileged place for carnival production based on evocation of memory, symbolizing the idea of public spaces to be activated and reconstructed. In order to build an articulation between past, present and future, commercial investments have been integrating multiple strategies in the search to dynamize old uses of urban space, associated with contemporary forms of carnival consumption. In this sense, this research proposes to analyze the relationship between carnival and the city from the uses and appropriations of public spaces and that will present the cities of Recife and Olinda as an empirical reference.
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41

Hilde, Heynen, and Baydar Gulsum, eds. Negotiating domesticity: Spatial productions of gender in modern architecture. New York: Routledge, 2005.

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42

Mike, Douglass, Ho Kong-Chong 1955-, and Ooi Giok Ling, eds. Globalization, the city, and civil society in Pacific Asia: The social production of civic spaces. Milton Park, Abingdon, Oxon: Routledge, 2007.

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43

Jamil, Ghazala. Materiality of Culture and Identity. Oxford University Press, 2018. http://dx.doi.org/10.1093/oso/9780199470655.003.0002.

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This chapter opens with a brief survey of literature on spatialization of discrimination. It presents an account of Old Delhi and Seelampur. It investigates ideological purposes of production of space and asserts that urban space has been commodified by capitalism even in its quality as a place of play and leisure. Parts of the Muslim localities in the walled city are produced as museumized space for the adventurous neo-liberal consumer of artistic, cultural, historical, and architectural heritage. Simultaneously, Muslim localities (such as Seelampur) are produced as derelict, dense and illicit areas by discursive practice—journalists, social science/planning researchers, social work/development practitioners. It is asserted that the two processes of segregation through ‘representation of space’ are affected due to materiality of culture and identity. Cultural commodification and labour market segmentation, as two modes of accumulation, are aided by segregation.
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44

Ecotourism And Cultural Production An Anthropology Of Indigenous Spaces In Ecuador. Palgrave Macmillan, 2013.

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45

Newman, Zoë G. Whitening the inner city: The containment of Toronto's degenerate spaces and the production of respectable subjects. c2002, 2002.

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46

Théberge, Paul. The Sound of Nowhere. Oxford University Press, 2018. http://dx.doi.org/10.1093/oso/9780199985227.003.0015.

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This chapter traces the development of reverb in music production. Reverberation implicates acoustic space with musical and social places; thus, genres can come to be associated with different locations (e.g., Gregorian chant with cathedrals, orchestras with large concert halls). Sound recordings relocate music to other locales, however, superimposing the reverberant characteristics of one space upon another. Since the 1930s, audio-recording engineers increasingly disengaged recorded sounds from their acoustic environments and replaced them with artificial reverb: through the use of chambers, plates and digital devices, popular recording practices create a complex, multilayered musical space. The chapter traces these developments and links them to contemporary listening practices associated with headphone use, arguing that reverb serves to create an imaginary sonic space for the mobile listener.
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47

Santoro, Daniella. The Dancing Ground. Edited by Blake Howe, Stephanie Jensen-Moulton, Neil Lerner, and Joseph Straus. Oxford University Press, 2016. http://dx.doi.org/10.1093/oxfordhb/9780199331444.013.17.

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The performative traditions of New Orleans second line parades offer profound insight into localized expressions of health and disability. As public, festive, and symbolic spaces of music, dance and movement, second lines privilege the body as a site of knowledge production and individual improvisation within a collective tradition. This essay focuses on the relationship between dance and disability as observed during second line parades in New Orleans from 2010 to 2013. The narratives of those participants who are marked as disabled by age or circumstance reveal how the public space of dance and embodied movement at a second line parade enables a rewriting of ableist scripts about the body and its potential. This research focuses on the corporeal landscape and how musical traditions inscribe embodied knowledge, and embolden social commentary on the wider workings of race and disability in contemporary New Orleans.
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48

Wu, Ka-ming. Folk Cultural Production with Danwei Characteristics. University of Illinois Press, 2017. http://dx.doi.org/10.5406/illinois/9780252039881.003.0005.

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This chapter examines folk storytelling performances staged in and by various government work units or state-owned enterprises for public relations purposes, with particular emphasis on how the production of folk cultural tradition became intertwined with danwei business promotion in Yan'an. Using the case of northern Shaanxi storytelling, the chapter considers how the practice of folk tradition is linked to work-unit messages and, sometimes, national ideology promotion. It discusses the ways in which folk cultural production today concerns complicated political, commercial, and social relations with work units. It shows how the production of folk tradition is increasingly adapted to danwei public relations events and campaigns, while, at the same time, danwei events also become the spaces wherein traditional folk art forms find new developments, audiences, and visibility in the age of urbanization and marketization.
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49

Quintana, Ryan A. Making a Slave State. University of North Carolina Press, 2018. http://dx.doi.org/10.5149/northcarolina/9781469642222.001.0001.

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How is the state produced? In what ways did enslaved African Americans shape modern governing practices? Ryan A. Quintana provocatively answers these questions by focusing on the everyday production of South Carolina’s state space—its roads and canals, borders and boundaries, public buildings and military fortifications. Beginning in the early eighteenth century and moving through the post–War of 1812 internal improvements boom, Quintana highlights the surprising ways enslaved men and women sat at the center of South Carolina’s earliest political development, materially producing the state’s infrastructure and early governing practices, while also challenging and reshaping both through their day-to-day movements, from the mundane to the rebellious. Focusing on slaves’ lives and labors, Quintana illuminates how black South Carolinians not only created the early state but also established their own extralegal economic sites, social and cultural havens, and independent communities along South Carolina’s roads, rivers, and canals. Combining social history, the study of American politics, and critical geography, Quintana reframes our ideas of early American political development, illuminates the material production of space, and reveals the central role of slaves’ daily movements (for their owners and themselves) to the development of the modern state.
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50

Baydar, Gulsum. Negotiating Domesticity Spatial productions of gender in modern architecture. Routledge, 2005.

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