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Books on the topic 'Socialisme et art'

Author: Grafiati

Published: 4 June 2021

Last updated: 3 February 2022

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Consult the top 33 books for your research on the topic 'Socialisme et art.'

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1

Camoin, Robert. Art, littérature, socialisme et utopie chez William Morris. Arles: Editions Sulliver, 2001.

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2

Un art de l'éternité: L'image et le temps du national-socialisme. [Paris]: Gallimard, 1996.

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3

Petropoulos, Jonathan. The Faustian bargain: The art world in Nazi Germany. London: Allen Lane, 2000.

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4

Petropoulos, Jonathan. The Faustian bargain: The art world in Nazi Germany. New York, N.Y: Oxford University Press, 2000.

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5

Richard, Lionel. Suites et séquelles de l'Allemagne nazie. Paris: Syllepse, 2005.

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6

Suites et séquelles de l'Allemagne nazie. Paris: Syllepse, 2005.

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7

Art, ideology & economics in Nazi Germany: The Reich chambers of Music, Theater, and the Visual Arts. Chapel Hill: University of North Carolina Press, 1993.

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8

Steinweis, Alan E. Art, ideology and economics in nazi Germany: The reich chambers of music, theater, and the visual arts. Chapel Hill: University of North Carolina Press, 1993.

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9

Sport et esthétisme nazis. Paris: Harmattan, 2002.

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10

Réalisme et égalité: Une histoire sociale de l'art en République démocratique allemande (1949-1990). Dijon]: Les Presses du réel, 2015.

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11

Une fiction reconstruite: Europe de l'est, post-socialisme et rétro-avant-garde. Paris: Harmattan, 2005.

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12

Féral, Thierry. Culture et dégénérescence en Allemagne: Entretiens. Paris: Harmattan, 1999.

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13

Léon Rosenthal 1870-1932: Militant, critique et historien d'art. Paris: Hermann, 2013.

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14

Semenov-Ti͡an-Shanskiĭ, Irène. Le pinceau, la faucille et le marteau: Les peintres et le pouvoir en Union soviétique de 1953 à 1989 / par Irène Semenoff-Tian-Chansky ; préface de Basile Kerblay. Paris: Institut d'études slaves, 1993.

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15

Danser avec le IIIe Reich: Les danseurs modernes et le nazisme. Bruxelles, Belgique: André Versaille Editeur, 2012.

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16

Guilbert, Laure. Danser avec le IIIe Reich: Les danseurs modernes et le nazisme. Bruxelles: Complexe, 2000.

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17

Berthet, Dominique. Le P.C.F., la culture et l'art, 1947-1954. Paris: Table Ronde, 1990.

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18

Merleau-Ponty, Maurice. Sens et non-sens. [Paris]: Gallimard, 1996.

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19

Photography, International Center of, ed. Behind closed doors: The art of Hans Bellmer. Berkeley: University of California Press, 2001.

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20

Stimpson, Catharine R. Where the meanings are. New York: Routledge, 1990.

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21

Stimpson, Catharine R. Where the meanings are. New York: Routledge, 1989.

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22

Where the meanings are. New York: Methuen, 1988.

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23

Edward, Read Herbert. To hell with culture: And other essays on art and society. New York: Routledge, 2002.

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24

Danièle, Mazingarbe, ed. Les reliques sacrées d'Hitler. Paris: Cherche midi, 2012.

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25

Feminism, film, fascism: Women's auto/biographical film in postwar Germany. Austin: University of Texas Press, 1998.

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26

Art and socialism: A lecture delivered (January 23rd, 1884) before the Secular Society of Leicester. 2nd ed. [London?]: Imprinted for E.E.M. and W.L.S., 1986.

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27

Steinweis, Alan E. Art, Ideology, and Economics in Nazi Germany: The Reich Chambers of Music, Theater, and the Visual Arts. The University of North Carolina Press, 1996.

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28

Steinweis, Alan E. Art, Ideology, and Economics in Nazi Germany: The Reich Chambers of Music, Theater, and the Visual Arts. University of North Carolina Press, 2017.

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29

1899-, Combes André, Vanoosthuyse Michel, and Vodoz Isabelle, eds. Nazisme et anti-nazisme dans la littérature et l'art allemands: 1920-1945. [Lille]: Presses universitaires de Lille, 1986.

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30

Art et fascisme: Totalitarisme et résistance au totalitarisme dans les arts en Italie, Allemagne et France des années 30 à la défaite de l'Axe. Bruxelles: Editions Complexe, 1989.

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31

Kurt Martin und das Musée des Beaux-Arts de Strasbourg (Ars Et Scientia) (German Edition). Akademie Verlag, 2012.

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32

Lichtenstein, Therese. Behind Closed Doors: The Art of Hans Bellmer (California Studies in the History of Art Discovery Series). University of California Press, 2001.

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33

Bogdanova, Olga A., ed. The phenomenon of the Russian literary estate: from Chekhov to Sorokin+. A.M. Gorky Institute of World literature of the Russian Academy of Sciences, 2020. http://dx.doi.org/10.22455/978-5-9208-0627-7.

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Abstract:

The book offers panoramic and at the same time systemic coverage of the Russian literary estate and summer house from the end of the XIX to the beginning of the XXI century. The publication combines the articles of 24 authors, distributed in three sections. The first two are devoted to the estate- dacha theme in Russian literature at the turn of the XIX–XX centuries and divided into prose, poetry and drama. The third is devoted to aspects of the image of the estate in the literature of the Soviet decades and in the modern era. Inside the sections, the material is placed according to the chronological principle, articles about the dacha are given at the end. The novelty of the publication is also determined by the motive-genre paradigm of the scientific analysis of the “estate” works by A.A. Blok, D.S. Merezh kovsky, L.N. Andreev et al.; by appealing not only to famous “estate” authors — A.P. Chekhov, I.A. Bunin, A.N. Tolstoy, but also to half-forgotten writers — O. Olnem, N.N. Rusov, S.N. Durylin; by the elucidation of the specifics of the “estate topos” in the literary directions of the XX — early XXI centuries: symbolism, neorealism, expressionism, socialist realism, metamodernism, etc.; by the study of the writer’s reception of varieties of the estate of the turn of the XIX–XX centuries, such as merchant, city, Siberian ones. The book is addressed not only to humanities scholars — philologists, culturologists, historians, but also to a wide range of interested readers — teachers, students, and amateurs.

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