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Dissertations / Theses on the topic 'Socialist realism'

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1

Lai, Wood-yan, and 黎活仁. ""Socialist realism" in China." Thesis, The University of Hong Kong (Pokfulam, Hong Kong), 1987. http://hub.hku.hk/bib/B31231184.

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2

Esteba, López Joaquin. "La sindicació de les arts plàstiques a Catalunya durant la Guerra Civil (1936-1939). Institucions d’operacions ideològiques i polarització entre l’art d’avantguarda i el realisme." Doctoral thesis, Universitat de Girona, 2019. http://hdl.handle.net/10803/667199.

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This thesis is focused on conceptions of the avant-garde and realism during the Spanish Civil War in Catalonia from two main mainstays: the conception of the nationalism implicit into the conflict itself, and the mandatory unionisation artists had to follow, from the summer of the 1936. The need of alphabetizing the current civil society had was met by those two mainstays. How did them allow the artist to create from freedom? Since the widening of aesthetics in fields such as politics based on the dichotomy: committed art/ commitment of art, the position of the artist in front of realism, neo
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3

Whittle, Maria Karen. "Subverting Socialist Realism: Vasily Grossman's Marginal Heroes." Scholarship @ Claremont, 2012. http://scholarship.claremont.edu/pomona_theses/70.

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Soviet writer Vasilii Grossman has been renowned in the West as a dissident author of Life and Fate, which multiple sources, including The New York Times have called "arguably the greatest Russian novel of the 20th century." Grossman, however, was not a dissident, but an official state writer attempting to publish for a Soviet audience. Grossman's work was criticized by Soviets as being "too Jewish", while Jewish scholars have called it "not Jewish enough." And, despite his modern critical acclaim, little scholarship on Grossman exists. In my thesis, I explore these paradoxes. I argue that Gro
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4

Jebsen, Peter. "Bolshevik for Capitalism: Ayn Rand & Soviet Socialist Realism." Scholarship @ Claremont, 2011. http://scholarship.claremont.edu/cmc_theses/134.

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Since the late 1950s, Russian-American novelist and philosopher Ayn Rand has been “the ultimate gateway drug to life on the right.” Her philosophy – “Objectivism” – combined militant atheism, libertarian natural rights, and a philosophical commitment to what she called “the virtue of selfishness,” and earned her the admiration of such luminaries as Alan Greenspan: a remarkable achievement for an immigrant woman who learned to speak English in her late 20s. What is less-often observed is that Rand’s work, especially her mature novels The Fountainhead (1943) and Atlas Shrugged (1957), bear a clo
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5

Martinac, Krunoslav. "Red flags flying: Elements of socialist realism in Australian art." Thesis, Martinac, Krunoslav (2002) Red flags flying: Elements of socialist realism in Australian art. PhD thesis, Murdoch University, 2002. https://researchrepository.murdoch.edu.au/id/eprint/52755/.

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This thesis examines the emergence and development of Socialist Realism in Australia. Among twentieth century cultural narratives a significant position is occupied by the theme of realism in the visual arts as related to the social and particularly to the political or ideological context. The issue of reality transformed into a visual representation of social relations plays an especially important role in Eastern European artistic practices, dominated by the Soviet model of Socialist Realism. Socialist Realism is a worldwide artistic and cultural phenomenon that arose under the influences of
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6

Girard, Jordan C. "Stalin's false culture : origins and development of Socialist Realism in the USSR /." View abstract, 2001. http://library.ccsu.edu/ccsu%5Ftheses/showit.php3?id=1647.

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Thesis (M.S.)--Central Connecticut State University, 2001.<br>Thesis advisor: Paul A. Karpuk. " ... in partial fulfillment of the requirements for the degree of Master of Science in International Studies." Includes bibliographical references (leaves 52-53). Also available via the World Wide Web.
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7

Hignett, C. "The new Realism of Carlos de Oliveiva." Thesis, University of Oxford, 1987. http://ethos.bl.uk/OrderDetails.do?uin=uk.bl.ethos.232985.

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8

Kirk, Ned Charles. "Grażyna Bacewicz and social realism /." Thesis, Connect to this title online; UW restricted, 2001. http://hdl.handle.net/1773/11372.

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9

Morrison, Simon. "Sergei Prokofiev's Semyon Kotko as a representative example of socialist realism." Thesis, McGill University, 1992. http://digitool.Library.McGill.CA:80/R/?func=dbin-jump-full&object_id=26048.

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Shortly after returning to Moscow in 1936, Prokofiev composed his first Soviet opera, Semyon Kotko (Opus 81). The libretto was taken from Valentin Kataev's novel I am a Son of the Working People, a tale of revolution and war in a small Ukrainian village and one that adheres to the tenets of Socialist Realism. Kataev encouraged Prokofiev to set this text in a highly conservative song style. Prokofiev was also influenced in the project by Vsevolod Meyerhold, an innovative artist who advocated using continuous declamation as a means of achieving "dramatic truth" in music.<br>This essay examines t
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10

Rutecka, Monika Alicja. "A history and various aspects of Polish socialist realism (1949-1954)." Thesis, University of Kent, 2011. http://ethos.bl.uk/OrderDetails.do?uin=uk.bl.ethos.580370.

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Socialist Realism in Poland, as an official art form, was short-lived. Modelled on the Soviet example, it was introduced in 1949 by the Polish communist authorities to serve the function of an ideological tool of educating and indoctrinating the society in accordance to the principles of the communist doctrine. However, the images projected by the state to the masses were better thought of not only as images to condition the social ideology of the people and give them aspirations and ideals, but as a mirror in which the socialist state sought to fashion a self-image of sorts. This thesis consi
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11

Morrison, Simon. "Sergei Prokofiev's «Semyon Kotko» as a Representative Example of Socialist Realism." Bärenreiter Verlag, 1998. https://slub.qucosa.de/id/qucosa%3A37150.

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12

Tham, Gloria. "The influence of Socialist Realism on the Yellow River Piano Concerto." Thesis, [Tuscaloosa, Ala. : University of Alabama Libraries], 2009. http://purl.lib.ua.edu/57.

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13

Santos, Kátia Hale dos. "Violência e realismo na particularidade russa." Pontifícia Universidade Católica de São Paulo, 2018. https://tede2.pucsp.br/handle/handle/21259.

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Submitted by Filipe dos Santos (fsantos@pucsp.br) on 2018-07-25T11:51:26Z No. of bitstreams: 1 Kátia Hale dos Santos.pdf: 1398276 bytes, checksum: b0012423fefa48a481c4cf0d0138492e (MD5)<br>Made available in DSpace on 2018-07-25T11:51:26Z (GMT). No. of bitstreams: 1 Kátia Hale dos Santos.pdf: 1398276 bytes, checksum: b0012423fefa48a481c4cf0d0138492e (MD5) Previous issue date: 2018-05-21<br>Coordenação de Aperfeiçoamento de Pessoal de Nível Superior - CAPES<br>Violence is an integral principle of capitalism from its historical origins to its modern development. The violence toward the sem
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Yurichenko, Anastasia Vladimirovna. "Bulgakov's novel The master and margarita and the subversion of socialist realism /." Connect to title online (Scholars' Bank), 2008. http://hdl.handle.net/1794/7787.

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Yurchenko, Anastasia Vladimirovna 1982. "Bulgakov's Novel The Master and Margarita and the Subversion of Socialist Realism." Thesis, University of Oregon, 2008. http://hdl.handle.net/1794/7787.

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viii, 63 p. A print copy of this title is available from the UO Libraries, under the call number: KNIGHT PG3476.B78 Y87 2008<br>Socialist Realism was proclaimed the main method in Soviet literature in 1932. It went through a long process of formation before its main principles were solidified. The main aim of Socialist Realist literature was to portray reality through the lens of the undoubted victory of communism. Thus only writers who followed the requirements of the state were welcome in Soviet literature at that time. Mikhail Bulgakov considered writers' freedom to be more important
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Boyle, Robert Alexander. "Tortured words : the first Soviet Writers Congress, Moscow 1934 : socialist realism and Soviet reality in Stalin's Russia, 1934-1939." Thesis, University of St Andrews, 2014. http://hdl.handle.net/10023/11371.

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Both the academic and the fiction element of the thesis concerns events in the Soviet Union and elsewhere in Europe in the 1930s. The first element informs the second. The academic portion is based on the first Soviet Writers Congress of 1934, the only such gathering allowed by Stalin in his lifetime and an event following which many of its delegates were murdered. Primary research sources include the stenographic verbatim record of the Congress itself and an addendum consisting of biographical material published by the Writers Union of the USSR in 1990 as Russian Communism tottered towards it
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Titus, Joan Marie. "Modernism, socialist realism, and identity in the early film music of Dmitry Shostakovich, 1929-1932." Columbus, Ohio : Ohio State University, 2006. http://rave.ohiolink.edu/etdc/view?acc%5Fnum=osu1164752307.

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18

Byers, Mary Hannah. "The rise of socialist realism in the exhibitions of the State Tret'iakov Gallery 1924-1934." Thesis, University of Glasgow, 2004. http://ethos.bl.uk/OrderDetails.do?uin=uk.bl.ethos.410634.

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Using the State Tret'iakov Gallery as a model, this thesis examines the way in which museum exhibitions and displays between 1924 and 1934 reflected the new Marxist history of Russian Art and the Marxist conception of art installation, developed in the late twenties by the Gallery. These exhibitions, with their Marxist content and design were critical in helping to formulate the Soviet style. In addition, this thesis argues that the theory and practice of Socialist Realism were gradually assumed by the government only after the movement's tenets had been developed by others. Of particular impo
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19

VIRBAN, Floarea. "The new discursive formation of literature under communist rule : from the silver age to socialist realism." Doctoral thesis, European University Institute, 2007. http://hdl.handle.net/1814/6998.

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Defence date: 15 June 2007<br>Examining Board: Prof. Dr. Edward Arfon Rees (EUI) ; Prof. Dr. Martin Van Gelderen (EUI) ; Prof. Dr. Gian Piero Piretto (Milan University) ; Prof. Dr. Vera Tolz (Manchester University)<br>PDF of thesis uploaded from the Library digital archive of EUI PhD theses<br>The primary aim of this thesis is to question how, and the extent to which, the implementation of Communist rule in Russia influenced the new discursive formation of literature. The latter refers to the complex process of continuous transformation of the literary discourse due to the interaction of a het
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20

Delvecchio, Analisa C. "Translation as a Catalyst for the Russification of Ukrainian under Imperial and Soviet Rule." Thèse, Université d'Ottawa / University of Ottawa, 2011. http://hdl.handle.net/10393/19855.

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Studying the last century and a half of Ukrainian linguistic history reveals relentless attempts to stifle the development of Ukrainian as well as to suppress translation activities under both the tsarist and Soviet regimes. Exploring the morphological evolution of the Ukrainian language discloses evidence of terminological inconsistencies due to the lexical russification of Ukrainian during the Soviet regime, leading to inconsistencies between the standard of Ukrainian used in the Soviet Union versus that used in the diaspora. Additional examination of Ukrainian linguistic history discloses p
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21

Guthridge, Lauren Alescandra. "The Symphonies of Dmitri Shostakovich: A Discussion on How Socialist Realism Impacted the Composer and His Music." Thesis, The University of Arizona, 2012. http://hdl.handle.net/10150/243961.

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In the following discussion, the First and Fourth Symphonies of Dmitri Shostakovich will be analyzed with special focus on musical traits as they relate to Socialist Realism. Based respectively on the political climate in Soviet Russia during the 1920s and 1930s, the First and Fourth Symphonies have very different musical styles. Shostakovich’s compositional progression was impacted by the policies of Socialist Realism at the time he wrote his Fourth Symphony. In order to protect his integrity as a composer, Shostakovich’s Fourth Symphony was premiered 25 years after its completion, proving th
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22

Czerwinski, Mikolaj. "PRAGMATIC MODERNISM: PROJECT [PROJEKT] AND POLISH DESIGN, 1956-1970." UKnowledge, 2011. http://uknowledge.uky.edu/gradschool_theses/96.

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Recently Scholars of design history began to recognize the phenomenon of Socialist Modernism, the return to modernist aesthetics to Eastern Europe and the Soviet Union during the thaw, the disavowal of Stalinist policies by Nikita Khrushchev after the 20th Party Congress of the Communist Party in February of 1956 and the resulting turn away from Socialist Realism, a historicist method in architecture that expressed socialist values, which the Stalinist favored. Scholars of art and design argued that Socialist Modernism in Poland constituted an affirmation of the party’s authority and that of t
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23

Deng, Xiaoyan. "Modernity and Hybridity: Tian Han's Xingeju Creations and Theatre Criticism(1937-1958)." Miami University / OhioLINK, 2012. http://rave.ohiolink.edu/etdc/view?acc_num=miami1343706981.

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24

Dávalos, Patricia Miranda. "A cidade da infância e a cidade dos anjos: a busca de si em duas narrativas de Christa Wolf." Universidade de São Paulo, 2015. http://www.teses.usp.br/teses/disponiveis/8/8144/tde-31072015-113005/.

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Em uma conversa com Hans Kaufmann, publicada sob o título de Subjektive Authentizität (1973), Christa Wolf afirma a necessidade de se encontrar um tipo de escrita que alcance um alto grau de realismo na apresentação de temas relevantes, mas polêmicos para o indivíduo e seu grupo. Na ocasião da entrevista a autora já trabalhava em Kindheitsmuster, publicado pouco depois (1976). Este trabalho parte da hipótese de que as novas técnicas narrativas exigidas pela autora, a qual se posiciona na ocasião contra a política cultural da RDA e o realismo socialista, seriam visíveis não apenas no romance me
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Alberca, García María del Mar. ""Por mala conciencia escritores de poesía social" : Jaime Gil de Biedma en el contexto del realismo social español de postguerra /." Diss., Connect to a 24 p. preview or request complete full text in PDF format. Access restricted to UC campuses, 2000. http://wwwlib.umi.com/cr/ucsd/fullcit?p3064464.

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26

Fedorova, Anastasia. "Japan's Quest for Cinematic Realism from the Perspective of Cultural Dialogue between Japan and Soviet Russia, 1925-1955." Kyoto University, 2014. http://hdl.handle.net/2433/188789.

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Kyoto University (京都大学)<br>0048<br>新制・課程博士<br>博士(人間・環境学)<br>甲第18351号<br>人博第664号<br>新制||人||160(附属図書館)<br>25||人博||664(吉田南総合図書館)<br>31209<br>京都大学大学院人間・環境学研究科共生人間学専攻<br>(主査)教授 加藤 幹郎, 教授 服部 文昭, 教授 松田 英男<br>学位規則第4条第1項該当
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Yildirim, Baris. "Marx On Form And Ccontent: It&#039." Master's thesis, METU, 2011. http://etd.lib.metu.edu.tr/upload/12613286/index.pdf.

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28

Preda, Colegiu Roxana Natalia. "Petru Dumitriu – Le drame de l’écrivain entre deux mondes." Thesis, Paris Est, 2015. http://www.theses.fr/2015PESC0025.

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La présente thèse c’est l’histoire d’une vie, des sommets et des abîmes, de la lumière et des ténèbres, des sourires et des sanglots. Les deux moitiés complémentaires de la vie, une manière d’expression personnelle et unique, une force créatrice qui va au-delà des limites, le talent littéraire indiscutable, voilà quelques mots-clefs qui caractérisent bien notre auteur. La métamorphose imprévisible continuelle manifestée dans son œuvre et les secrets de son écriture, contestée et appréciée à la fois, ne sont que des pistes générales qu’on se propose de développer tout au long de cette recherche
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Lässig, Sophie. "Die Revolution im Stadtzentrum." Universitätsbibliothek Chemnitz, 2017. http://nbn-resolving.de/urn:nbn:de:bsz:ch1-qucosa-231386.

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Santana, Geferson [UNIFESP]. "O combate das ideias: estratégias culturais dos intelectuais comunistas baianos na produção de um novo conhecimento sobre o Brasil (1920-1937)." Universidade Federal de São Paulo (UNIFESP), 2017. http://hdl.handle.net/11600/41555.

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Maguire, Muireann. "Soviet Gothic-fantastic : a study of Gothic and supernatural themes in early Soviet literature." Thesis, University of Cambridge, 2009. https://www.repository.cam.ac.uk/handle/1810/224215.

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This thesis analyses the persistence of Gothic-fantastic themes and motifs in the literature of Soviet Russia between 1920 and 1940. Nineteenth-century Russian literature was characterized by the almost universal assimilation of Gothic-fantastic themes and motifs, adapted from the fiction of Western writers such as E.T.A. Hoffmann, Ann Radcliffe and Edgar Allen Poe. Writers from Pushkin to Dostoevskii, including the major Symbolists, wrote fiction combining the real with the macabre and supernatural. However, following the inauguration of the Soviet regime and the imposition of Socialist Reali
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Pereira, Erivoneide Marlene de Barros. "A cinematografia de Serguei Eisenstein: imagem, som e sentido em Aleksandr Niévski." Universidade de São Paulo, 2014. http://www.teses.usp.br/teses/disponiveis/8/8155/tde-20022015-151453/.

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Propõe-se, nesta dissertação, identificar e analisar elementos da cinematografia do cineasta russo (soviético) Serguei M. Eisenstein que seriam fundamentais para a construção do filme como um texto artístico. Selecionou-se, como objeto de análise, o longa-metragem lançado em 1938, Aleksandr Niévski. Examina-se, ao longo da análise, elementos como a construção de personagem, o desenvolvimento do tema, o enquadramento, o som e a mise-en-scène. Parte-se da hipótese de que o filme, sendo um texto artístico, ainda que a sua produção esteja enraizada nas diretrizes do Realismo Socialista, não se lim
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Noblet, Jessica. "Creating Purpose: the Use of Stalinist and Post-Soviet Literary Trends." Scholarship @ Claremont, 2013. http://scholarship.claremont.edu/cmc_theses/715.

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34

Philipson, Gabriel Salvi. "Entremeios da literatura e da filosofia - o humano entre fantasia e realidade em O mestre e margarida de M. Bulgákov." Universidade de São Paulo, 2017. http://www.teses.usp.br/teses/disponiveis/8/8151/tde-13062017-162927/.

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Nesta dissertação me proponho a analisar o romance O Mestre e Margarida (1940) de M. Bulgákov a partir das noções de humano, fantasia e realidade. Para isso, inicio por uma análise do primeiro capítulo do romance de Bulgákov em aproximação com o romance realista socialista, buscando elementos com que Bulgákov se contrapõe ao realismo socialista. Sugiro, aqui, que esses elementos teriam ligação com questões éticas e de modos de representação do real, de tal modo que essas questões residem no cerne temático e formal do romance. Em seguida, me proponho a analisar o entremeio entre o primeiro capí
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Hällström, Mattias. "Все ушли на фронт : Krigstematiken och bardrörelsen i Sovjetunionen". Thesis, Umeå universitet, Institutionen för språkstudier, 2020. http://urn.kb.se/resolve?urn=urn:nbn:se:umu:diva-172739.

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In the Soviet Union, literary writers were required to produce their work within the bounds of the cultural doctrine of Socialist realism or risk being subject to sanctions of the authorities. During the Khrushchev Thaw after the death of Joseph Stalin, there appeared the musical genre of avtorskaya pesnya (or author’s song), which was often described as part of the dissident movement in the Soviet Union. The genre nourished on as well as voiced criticism of Soviet life, and its performers, also called bards, became highly popular. The Great Patriotic War (1941-1945) was a common theme in Sovi
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Duprat, Andréia Carolina Duarte. "Clube de Gravura de Porto Alegre e revista Horizonte (1949-1956) : arte e projeto político." reponame:Biblioteca Digital de Teses e Dissertações da UFRGS, 2017. http://hdl.handle.net/10183/165312.

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A presente dissertação, Clube de Gravura de Porto Alegre e revista Horizonte (1949-1956): arte e projeto político, estuda a ação de um grupo de artistas vinculados ao projeto cultural do Partido Comunista do Brasil que dedicou sua produção para a popularização da arte como meio de conscientização política. Esses artistas, entre os quais se destacam Vasco Prado, Glênio Bianchetti, Carlos Scliar, Danúbio Gonçalves e Glauco Rodrigues, tinham na gravura um meio privilegiado para essa difusão, procurando explorar temas da cultura popular e vinculá-los a uma pauta de luta contra a exploração capital
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Brewin, Jennifer Ellen. "Navigating 'national form' and 'socialist content' in the Great Leader's homeland : Georgian painting and national politics under Stalin, 1921-39." Thesis, University of Cambridge, 2019. https://www.repository.cam.ac.uk/handle/1810/290266.

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This thesis examines the interaction of Georgian painting and national politics in the first two decades of Soviet power in Georgia, 1921-1939, focussing in particular on the period following the consolidation of Stalin's power at the helm of the Communist Party in 1926-7. In the Stalin era, Georgians enjoyed special status among Soviet nations thanks to Georgia's prestige as the place of Stalin's birth. However, Georgians' advanced sense of their national sovereignty and initial hostility towards Bolshevik control following Georgia's Sovietisation in 1921 also resulted in Georgia's uniquely f
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Mojžíšová, Radka. "Socialistický realismus v československém filmu 50. let 20.století." Master's thesis, Vysoká škola ekonomická v Praze, 2011. http://www.nusl.cz/ntk/nusl-165525.

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My diploma thesis deals with socialist realism. I have demonstrated that the content of this term has been changing regarding the political situation and it was loosely replacing the term folk art in historical texts. I have proved that the opinions of experts on socialist realism differ and a clear definition of the term socialist realism does not probably exist. The lack of definition of socialist realism was used to manipulate the artistic community. The thesis helped me to defend the proposition that the Communist Party has supervised and influenced the operation of the film industry even
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Åhlander, Viktor. "Familjeframställningen i en tid av socialistisk realism : En tematisk och komparativ studie av Platonovs verk Bessmertie, Fro och Vozvraščenie." Thesis, Uppsala universitet, Institutionen för moderna språk, 2016. http://urn.kb.se/resolve?urn=urn:nbn:se:uu:diva-297493.

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This master thesis is thematically treating three short stories of Andrey Platonov: Bessmertie, Fro and Vozvraščenie. The purpose is to examine how Platonov presents the Soviet family and to what extent it fits the Soviet family politics. The family portraits are analysed in comparison with the guiding principles of the doctrine of Socialist Realism with the trends of Socialist Realism and family policy of the time into consideration.       The first part describes Platonov’s life, the Socialist Realism, and the family policies of the Soviet Union. It also discusses how the influences of the t
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40

Baliutytė-Riliškienė, Elena. "Laiko įkaitė ir partnerė: sovietinė ir posovietinė lietuvių literatūros kritika (1945–2000)." Doctoral thesis, Lithuanian Academic Libraries Network (LABT), 2009. http://vddb.library.lt/obj/LT-eLABa-0001:E.02~2009~D_20090408_085646-47477.

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Habilitacijos procedūrai teikiamuose mokslo darbuose (monografijoje Laiko įkaitė ir partnerė: Lietuvių literatūros kritika 1945–2000 ir straipsniuose) tiriama sovietinės ir posovietinės lietuvių literatūros kritikos raida 1945–2000 metais. Pirmoje tyrimo dalyje, skirtoje sovietmečio literatūros kritikai, išryškinama svarbiausios kritikos raidos tendencijos bei jas lėmę veiksniai, aptariamas socialistinio realizmo reiškinys, apibūdinamos literatūros kritikos metodologinės orientacijos. Daugiausia dėmesio skiriama pirmajam pokario dešimtmečiui, kai literatūros kritika represinėmis priemonėmis bu
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Menezes, Fabiana Lisboa Ramos. "Pelos trilhos da memória : Alina Paim e o realismo socialista em A hora próxima." Universidade Federal de Sergipe, 2016. https://ri.ufs.br/handle/riufs/5706.

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This paper proposes a literary analysis of the novel A Hora Próxima, by Alina Paim, it´s try to recognize the marks of socialist realism, a cultural project led by the Communist Political Party of Brazil (PCB) in the years 1940 and 1950. In addition to the partisan press, literature played an important role in this project and the novel can be considered paradigmatic of the proposal. The fictional reconstruction of the railway strike was made through a real research by Alina Paim , that had troubles to this author and revealed the context of the Cold War in Brazil with the persecution of commu
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Spjut, Annilyn Marie. ""How in This Cruel Age I Celebrated Freedom": Aesopian Subversion in Nikolai Ulyanov's Painting for the 1937 Pushkin Centenary." BYU ScholarsArchive, 2017. https://scholarsarchive.byu.edu/etd/6342.

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Painted in 1937 as part of the centenary celebration of the death of Alexander Pushkin, Nikolai Ulyanov's A. S. Pushkin and his Wife, N. N. Pushkina at the Imperial Ball has been lauded as the quintessential example of Soviet history painting. Modern scholars have followed the lead of Soviet critics, who praised the painting for its insight into the psychology of the brilliant poet repressed by the tyrannical tsarist regime. According to this interpretation, Soviet viewers in the 1930s were to ponder on the tragedy of Pushkin's demise and rejoice that the victory of Socialism had freed them fr
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Weeks, Andrew. "Depictions of women in stalinist sovet film, 1934-1953." Honors in the Major Thesis, University of Central Florida, 2012. http://digital.library.ucf.edu/cdm/ref/collection/ETH/id/638.

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Popular films in the Soviet Union were the products of the implementation of propagandistic messages into storylines that were both ideologically and aesthetically consistent with of the interests of the State and Party apparatuses. Beginning in the 1930s, following declaration of the doctrine on socialist realism as the official form of cultural production, Soviet authorities and filmmakers tailored films to the circumstances in the USSR at that given moment in order to influence and shape popular opinion; however, this often resulted in inconsistent and outright contradictory messages. Given
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McKay, Kathryn Fiona. "A contextual study of Boris Asafiev's Musical form as a process and and application of concepts to his Sonata for solo viola." Thesis, Edith Cowan University, Research Online, Perth, Western Australia, 2015. https://ro.ecu.edu.au/theses/1738.

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This dissertation examines the work of Russian composer, critic, and musicologist, Boris Vladimirovich Asafiev (1884-1949) against contemporaneous systems of cultural activity associated with Soviet communism. Over the course of his lifetime, Asafiev designed and developed a unique aesthetic‐philosophical theory on the process of musical formation and perception. This study examines the political and ideological forces that contributed to the appearance of socialist realism, and places Asafiev within this context, evaluating his life and works. Central to this dissertation are two musicologica
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Milbach, Juliette. "Etre artiste en Union soviétique : le parcours d'Arkadii Plastov (1893-1972) : réalisme, socialisme, nationalité." Thesis, Paris 1, 2014. http://www.theses.fr/2014PA010653.

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Le parcours d’Arkadiï Plastov est un exemple original au sein du système artistique soviétique. Fils d’un peintre d’icône, il est élevé dans un village de la Volga. Avant de devenir le peintre de la campagne qui a fait sa notoriété en Union soviétique, il apprend l’art à Moscou dans les institutions d’ancien régime, se formant tout particulièrement à la sculpture et ignore parfaitement le langage des avant-gardes. Il se fait un nom en tant que peintre dans la capitale en 1935 au moment où s’élabore la méthode artistique du réalisme-socialiste et réalise des compositions monumentales pour les e
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Jaireth, Subhash, and Subhash Jaireth@ga gov au. "Theatre of the times of Socrates, Lunin and Nero : Time and space in Edvard Radzinskii’s trilogy ‘Theatre of the Times ’." The Australian National University. Faculty of Arts, 1996. http://thesis.anu.edu.au./public/adt-ANU20091027.093131.

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Between 1969 and 1980 Edvard Radzinskii wrote three ‘historico-political’ plays which were later published as a trilogy entitled ‘Theatre of the Times …’. This thesis attempts to unravel the nature of time in the trilogy and invokes Mikhail Bakhtin’s notion about the forms of time and the chronotope in literary narratives to do that. Bakhtinian concept of the chronotope provides a suitable strategy for reading a trilogy that aims to re-present ‘real’ time, place and human beings. The concept also provides a vantage point from where the trilogy can be read both from within the time-space of i
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Bargel, Antoine. "Jorge Semprun, le roman de l’histoire." Thesis, Lyon 2, 2010. http://www.theses.fr/2010LYO20037/document.

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Jorge Semprun, survivant de Buchenwald, entend « faire [du] témoignage un espace de création ». L’inventivité formelle du roman lui permet d’exprimer la vérité de l’expérience vécue, en créant un espace textuel réflexif où auteur et lecteur, l’un mis en scène dans l’acte d’écriture, l’autre appelé à prendre conscience de son rapport actif à la constitution du sens du récit, se rencontrent dans la relation éthique du témoignage. Mon travail concerne les caractéristiques formelles de ce roman de l’histoire, pour expliciter sa relation au discours politique en particulier, et mettre en relief l’a
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Jallageas, Neide. "Estratégias de construção no cinema de Andriêi Tarkóvski: a perspectiva inversa como procedimento." Pontifícia Universidade Católica de São Paulo, 2007. https://tede2.pucsp.br/handle/handle/4880.

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Made available in DSpace on 2016-04-26T18:16:07Z (GMT). No. of bitstreams: 1 TESE_JALLAGEAS_N_03_2007.pdf: 18626663 bytes, checksum: a452b4a7a6bcac319bef2614c7d9770e (MD5) Previous issue date: 2007-05-07<br>Conselho Nacional de Desenvolvimento Científico e Tecnológico<br>This thesis proposes to study the strategies of construction of the Russian (Soviet) filmmaker Andriêi Arsiénievitch Tarkóvski, establishing as the scope of the analysis the seven full-length features he made between 1962 and 1986. The central hypothesis is that the Tarkovskian cinematic works were made through the articulat
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Kořínková, Jana. "Výtvarné umění v prostoru brněnských sídlišť (1945–1989)." Doctoral thesis, Vysoké učení technické v Brně. Fakulta výtvarných umění, 2017. http://www.nusl.cz/ntk/nusl-295604.

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With special attention being paid to the development in the city of Brno, the dissertation focuses on the issue of applying artworks in Czechoslovak architecture after World War II. The main research questions – Why were in Czechoslovakia after 1945 artworks again integrated in architecture and what strategies were applied in the case of the newly built housing estates in the city of Brno? – are answered in two successive sections. First, the institutional background for application of art in architecture in the light of the events in Brno (1945–1993) is examined; the closing part is devoted t
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Quinque, Christian. "Musik für eine humanistischere Gesellschaft." Master's thesis, Saechsische Landesbibliothek- Staats- und Universitaetsbibliothek Dresden, 2014. http://nbn-resolving.de/urn:nbn:de:bsz:14-qucosa-134999.

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Günter Kochan (1930-2009) war einer der erfolgreichsten und bekanntesten Komponisten der DDR. Er hinterließ über 200 Werke, darunter zahlreiche bedeutende sinfonische Arbeiten, die jedoch nach der Wende größtenteils in Vergessenheit gerieten. Kochan galt als staatsnaher Komponist und wurde dementsprechend nach 1990 an den Rand gedrängt, seine Musik wurde nun vor allem nach ihrem politischen Inhalt hinterfragt und geriet aufgrund ausbleibender Aufführungen und Neuveröffentlichungen alsbald in Vergessenheit. Die Arbeit behandelt das Spannungsfeld zwischen auferlegten kulturpolitischen Regeln und
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