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Journal articles on the topic 'Société des expositions'

Author: Grafiati

Published: 4 June 2021

Last updated: 6 February 2022

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1

Cambone, Marie. "La mise en récit et la construction de mémoires collectives par les institutions patrimoniales." Muséologies 7, no. 2 (May 7, 2015): 33–52. http://dx.doi.org/10.7202/1030249ar.

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La parole du témoin est très présente dans les expositions et les cyberexpositions d’institutions patrimoniales, par exemple sous la forme de publications d’archives ou d’interviews produites en vue de l’exposition. Ces témoignages présentent des récits individuels, subjectifs, au sein d’une institution censément détentrice de savoirs et possédant, aux yeux de la société, une légitimité scientifique. Cela pose alors la question de la place de ces témoignages dans l’exposition. À partir de l’analyse sémio-pragmatique de plusieurs dispositifs, nous avons pu mettre en évidence des stratégies narratives pour exposer des sujets d’histoire récente. Chaque témoignage peut être considéré comme un récit et l’organisation spatiale des récits dans les expositions forme des macro-récits. Chaque internaute-visiteur, par son parcours de visite, compose un macro-récit unique et partiel. Nous avons aussi pu mettre en évidence la logique combinatoire de ces dispositifs.

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2

Serrier, Hassan, Hélène Sultan-Taïeb, Danièle Luce, and Sophie Béjean. "Cancers des voies respiratoires attribuables aux expositions professionnelles : quels coûts pour la société française ?" Santé Publique 29, no. 4 (2017): 509. http://dx.doi.org/10.3917/spub.174.0509.

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3

Vincent, Josée. "Faire voir pour faire (re)connaître : le travail de promotion de la Société des écrivains canadiens, de 1936 à 1960." Dossier 27, no. 2 (December 15, 2006): 254–69. http://dx.doi.org/10.7202/290055ar.

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Résumé Dans cet article, l'auteure s'intéresse aux diverses activités de promotion menées par la Société des écrivains canadiens, de ses débuts à l'aube de la Révolution tranquille. Alors que les expositions et le Bulletin bibliographique annuel visent essentiellement à diffuser la production, l'organisation d'événements commémoratifs, la publication de répertoires et l'instauration de nouveaux organismes, tels l'Office de linguistique et l'Académie canadienne-française, sont autant d'événements qui participent à la reconnaissance des écrivains. Ainsi, autour de l'organisme professionnel se tisse un réseau d'hommes et de femmes travaillant à l'établissement d'une littérature canadienne-française.

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4

Dipede, Cheryl. "From Typographer to Graphic Designer: Typographic Exhibitions and the Formation of a Graphic Design Profession in Canada in the 1950s and 1960s." RACAR : Revue d'art canadienne 40, no. 2 (March 3, 2016): 130–45. http://dx.doi.org/10.7202/1035401ar.

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Cet article explore le développement d’une communauté professionnelle de design au Canada pendant les années 1950 et 1960 en examinant deux collaborations entre graphistes : les expositions canadiennes Typography (1958–1964) et l’exposition internationale Typomundus 20 (1963–1966). Celles-ci contribuèrent à la publicisation d’un nouveau discours qui permit aux typographes et aux concepteurs de la communication canadiens de se penser comme faisant partie d’une communauté unifiée et distincte de « graphistes ». Elles encouragèrent cette cohésion professionnelle notamment en avançant des normes professionnelles, en lançant une réflexion sur le statut et le rôle du graphisme par rapport au « grand » art, à la communication de masse et à la société en général, et en facilitant l’échange d’idées entre les professionnels canadiens et la communauté internationale de graphistes.

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5

Stephan, Anne. "Les expositions temporaires au musée de l’Homme - Le musée comme lieu de débat sur les questions de société." La Lettre de l’OCIM, no. 163 (January 1, 2016): 8–10. http://dx.doi.org/10.4000/ocim.1616.

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6

Albera, François. "Le musée, les expositions de photographie : Éléonore Challine, Une histoire contrariée. Le musée de photographie en France (1839-1945) ; Transbordeur. Photographie Histoire Société no 2." 1895, no. 85 (September 30, 2018): 193–98. http://dx.doi.org/10.4000/1895.6646.

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7

Underwood, David K. "Alfred Agache, French Sociology, and Modern Urbanism in France and Brazil." Journal of the Society of Architectural Historians 50, no. 2 (June 1, 1991): 130–66. http://dx.doi.org/10.2307/990590.

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The 1930 master plan for Rio de Janeiro, drawn up by the French architect-urbanist Alfred Agache, had an important impact on Rio and on the development of modern planning in Brazil. Reflecting the socioscientific methods of Edmond Demolins and the Musée Social in Paris as well as the sociological ideas of Gabriel Tarde and Emile Durkheim, the plan exemplifies the ambitions and techniques of the urbanism of the Société Française d'Urbanistes (SFU). Agache, a leading theorist, teacher, and practitioner of SFU urbanism, developed a sociological urbanisme parlant that evolved out of his Beaux-Arts training and his background in French sociology. Agache's ideas on the fine arts and urban planning were synthesized and refined in the courses on social art history and urbanism, the first of their kind in France, that he taught at the Collège Libre des Sciences Sociales in Paris. In defining theoretically and expressing artistically the Brazilian capital's urban program in terms of the fine art of applied sociology, Agache provided the Brazilians with a blueprint for socioeconomic and moral reform on the levels of both urban and national development. Situated chronologically between the international expositions of 1925 and 1937 in Paris, Agache's project reflects as well the larger purposes and methods of the two expos and, in so doing, clarifies the historical evolution of SFU urbanism.

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8

Hamano, Nobuhito. "42nd Annual Meeting & Exposition of Controlled Release Society(CRS)." Drug Delivery System 30, no. 4 (2015): 398–400. http://dx.doi.org/10.2745/dds.30.398.

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9

Miyata, Kanjiro, and Akihiro Kishimura. "42nd Annual Meeting & Exposition of Controlled Release Society(CRS)." Drug Delivery System 30, no. 4 (2015): 402–4. http://dx.doi.org/10.2745/dds.30.402.

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10

Adamska, Katarzyna. "An Apartment as a National Issue: On the Exhibitions of the Polish Applied Art Society at the Zachęta Gallery in 1902 and 1908." Ikonotheka 26 (June 26, 2017): 7–29. http://dx.doi.org/10.5604/01.3001.0010.1671.

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Towarzystwo Polska Sztuka Stosowana (TPSS) organised two exhibitions at the Zachęta Gallery. Their aim was to shape the national culture of living and to propagate ornamental design inspired by indigenous motifs. The 1902 exposition was arranged in accordance with the traditional perception of arts and crafts, which disregarded their function and construction in favour of the external form. New critical categories, borrowed from the language of functionalism and from ideas regarding living space as developed by the German Kunstgewerbe circles, induced the members of the TPSS to arrange their 1908 exhibition differently – as fully designed interiors rather than groups of independent items. Similar changes were then observed in the of shop-window design and in commercial expositions. The fact that they were explicated in terms of ethics reveals a combination of consumerism, aesthetics and morality characteristic of the early 20th century.

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11

Hiwrale, Anup. "Caste: Understanding the Nuances from Ambedkar’s Expositions." Journal of Social Inclusion Studies 6, no. 1 (June 2020): 78–96. http://dx.doi.org/10.1177/2394481120944772.

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Caste as a concept posed a great challenge to the academic world both due to its origin and implications. Most of the academics have analysed its existence and described the operations with some implications. Dr Ambedkar had not only written on the issues of caste inequality but also fought against it in India, especially for the human rights of ex-untouchables known as Dalit’s. Therefore, it is imperative to understand his views on caste inequality which is structural in nature. As we know that, caste is a foundation of the society and it has manifested in social, economic, political and educational inequalities among various classes of the Indian society, especially caste Hindus. However, this article attempts to understand his views in the present context of growing caste inequality. In fact, there has not been much attention paid to his thought in the Indian academic world. This article also aims to enhance the understanding of caste inequality in the face of increasing global inequality of the world. In the present context, the economic gap between higher castes and lower castes is increasing in all the sphere of human life. There are changes in caste inequality at the superficial level, but there are no changes at the structural level of caste. Caste inequality has manifested in a worst form of discrimination and untouchability on the basis of birth. This article deliberates on the distinctive ideas of Dr Ambedkar on caste and its annihilation. We view this on the background of writings on caste by a selective sociologist. One needs no reiteration of the fact that caste is deeply rooted in Indian society and strengthened through various catalysts. Annihilation of caste besides analysing the origin, its perpetuation also connotes a reconstruction of Indian society based on the principles of liberty, equality and fraternity, which were the basic commitments of Dr Ambedkar and embedded in Buddhism as the egalitarian religion of India. Here we touch up on the interdisciplinary contributions of Dr Ambedkar through his analysis of caste, never ever carried forward significantly. Annihilation of caste was not for a single religion, it was for all as well since all are infected by the hierarchy, if not caste. It is established here that the ideas of Ambedkar on caste and its annihilation are worth revisiting, when the discourses on caste are taking their wayward path. The article is divided into two parts. First, it explores the ideas of Ambedkar on the mechanism, genesis and development of caste; and second, how other scholars have understood caste in order to understand Indian society at large. Dr Ambedkar was a protagonist of modern democratic principles such as justice, liberty and equality.

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12

Lavorel, Marie. "Michael Blum." Muséologies 7, no. 2 (May 7, 2015): 153–61. http://dx.doi.org/10.7202/1030255ar.

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Sa dernière exposition, intitulée Notre histoire, qui a eu lieu à la Galerie de l’Université du Québec à Montréal, prolonge ce travail de provocation d’un jugement critique où il s’approprie cette fois la forme muséale. Sur le mode de la parodie, il interroge le rapport à l’histoire et à la mémoire de la société québécoise et canadienne, tout en mettant le visiteur de cette exposition face au pouvoir idéologique du musée. Notre article se divise en deux parties. Dans un premier temps, nous laisserons la parole à l’artiste – sous la forme d’un entretien –, qui reviendra sur la genèse de ce projet, sur son processus et le contexte dans lequel il a réalisé cette exposition. Puis, dans un second temps, nous présenterons un bref compte rendu critique de cette exposition en nous intéressant particulièrement à l’utilisation de cette forme muséale et aux enjeux idéologiques et critiques qui la traversent.

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13

Christoforidis, Michael. "Serenading Spanish Students on the Streets of Paris: The International Projection of Estudiantinas in the 1870s." Nineteenth-Century Music Review 15, no. 1 (February 7, 2017): 23–36. http://dx.doi.org/10.1017/s1479409817000064.

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Spanish estudiantina plucked string ensembles achieved immense popularity in the last two decades of the nineteenth century and were an important catalyst in the creation of the sonority of a variety of European and American popular musics. Such ensembles had precedents in Spanish student groups dating back to the Renaissance and the rondallas (or groupings of plucked instruments) that were associated with popular outdoor serenades. However, the modern estudiantina movement can be traced back to 1878, and was consciously framed as a modern historical construct. A large grouping of youths and former students, donning Renaissance student dress, decided to form a society to visit Paris during Carnival, on the eve of the 1878 Exposition Universelle. They took Paris by storm, performing in a variety of street settings, reinforcing the exotic stereotypes of serenading musicians associated with Spain, and bringing to life historical notions of the minstrel. In the decade that followed, the European performance contexts of the estudiantinas included theatres, outdoor venues and expositions, garden parties and salons – and they became fixtures of the music hall and the café chantant. This paper explores early English and French constructions of the estudiantina phenomenon, and how the groups were framed in the light of exotic street musics and prevailing tropes of Spain. It also examines how the outdoor performance settings of the estudiantinas were translated onto the theatrical stage.

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14

Yin, Xinwei, Tong Wang, Lianghai Lv, Baoqian Dai, and Yu Wang. "Discussion on Operation Risk Analysis and Emergency Management Construction of Urban Large-scale Horticultural Exposition." E3S Web of Conferences 253 (2021): 03071. http://dx.doi.org/10.1051/e3sconf/202125303071.

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With the development of society, the urban large-scale horticultural exposition has increasingly become one of the manifestations of enriching people's lives, but the issue of safety management has always been an important research topic. Taking Beijing World Horticultural Exposition as an example, this paper systematically analyzes the operation risk of large-scale horticultural exposition, and expounds on the characteristics of possible risks of the world horticultural exposition from the perspective of the existing nature of risks, and puts forward the construction plan of perfecting the responsibility system of emergency management. It aims to provide a theoretical reference for the operation risk analysis and emergency management of large-scale horticultural fairs.

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15

Passini, Michela. "Pour une histoire transnationale des expositions d’art ancien." Intermédialités, no. 15 (October 13, 2010): 15–32. http://dx.doi.org/10.7202/044672ar.

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À l’exception de quelques manifestations isolées à la fin du 19e siècle, l’exposition d’art ancien s’affirme au 20e comme l’une des expressions privilégiées de l’histoire de l’art. À la fois produit final d’un travail de conceptualisation et dispositif de visualisation d’un récit historique, l’exposition permet de « matérialiser » une hypothèse historiographique. Elle promeut une certaine interprétation de phénomènes ou d’époques donnés et va parfois jusqu’à constituer de nouveaux objets d’étude qui s’imposent à la communauté scientifique : c’est notamment le cas de grandes expositions de Primitifs qui ont lieu, presque simultanément, à Bruges, Sienne, Paris et Düsseldorf entre 1902 et 1904. Ces manifestations relèvent d’une internationalisation des biens culturels qui s’est produite en étroite imbrication avec la nationalisation des sociétés européennes. On se penche ici sur les différentes figures impliquées, sur leurs réseaux intellectuels et professionnels, nationaux et internationaux.

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16

Rakovsky, Dmitry. "Russian Museum of Emperor Alexander III as a place of memory." OOO "Zhurnal "Voprosy Istorii" 2020, no. 11-1 (November 1, 2020): 132–47. http://dx.doi.org/10.31166/voprosyistorii202011statyi14.

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The main purpose of this article is to study the role of the Russian Museum in the formation of the historical consciousness of Russian society. In this context, the author examines the history of the creation of the Russian Museum of Emperor Alexander III and its pre-revolutionary collections that became the basis of this famous museum collection (in particular, the composition of the museum’s expositions for 1898 and 1915). Within the framework of the methodology proposed by the author, the works of art presented in the museum’s halls were selected and distributed according to the historical eras that they reflect, and a comparative analysis of changes in the composition of the expositions was also carried out. This approach made it possible to identify the most frequently encountered historical heroes, to consider the representation of their images in the museum’s expositions, and also to provide a systemic reconstruction of historical representations broadcast in its halls.

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KANUMUANGI, B. O., and R. O. SANNI. "UNE EXPOSITION DE LA VIOLENCE CONJUGALE CONTRE LES HOMMES DANS VERRE CASSÉ D’ALAIN MABANCKOU." Journal of Humanities, Social Science and Creative Arts 14, no. 1 (November 6, 2020): 19–29. http://dx.doi.org/10.51406/jhssca.v14i1.2047.

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La société doit être une place où les gens sont protégés contre la violence conjugale, que ce soit la violence contre les femmes ou contre les hommes. Mais la société de nos jours sous l’influence du mouvement féministe débarrasse la violence contre les hommes ce qui causeun déséquilibre de justice contre les hommes. Ce travail analyse le roman Verre cassé d’Alain Mabanckou en utilisant l’approche réaliste pour identifier et exposer les violences et leurs effets que les hommes subissent en mariage. L’étude montre que les victimes masculins de la violence conjugale sont moins considérés, et défavorisés dans la justice et au publique. C’est ainsi que cette recherche fait appel aux individus, organisations non-gouvernementales et aux gouvernements pour qu’ils combattent le problème de la violence contre les hommes et pour sensibiliser la société à l’égard de la gente masculine opprimée par la femme.

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18

Bradley, Joseph. "Pictures at an Exhibition: Science, Patriotism, and Civil Society in Imperial Russia." Slavic Review 67, no. 4 (2008): 934–66. http://dx.doi.org/10.2307/27653032.

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Organized by a Moscow learned society, the Polytechnical Exposition of 1872 helped mobilize resources for popularizing science that connected tsarist officialdom, the Moscow municipal government and business community, university scientists, and other private associations. Although the relationship between the autocratic government and society is often portrayed in terms of conflict, partnership was more typically the rule, especially in the effort to build a native science infrastructure. The grand exhibitions of science and industry of the nineteenth century were sites of modernity that displayed visions of progress, created a public culture, and fashioned national identity. Moscow's Polytechnical Exposition juxtaposed the modern and the foreign with the traditional and the Russian in order to demonstrate that Russia could have modern science and technology without abandoning its traditional culture. Paradoxically, to assert its place in European civilization in an age of nationalism and imperialism, Russia had to assert its Russianness—its cultural distinctiveness, patriotism, and imperial pride. With its emphasis on change and progress, as well as on traditional Russian culture, the exposition fostered a Russian public aware of its place in a changing world, of its place in history, of its identity as a nation.

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19

Casely, Ian. "247th American Chemical Society National Meeting and Exposition: Part I." Johnson Matthey Technology Review 58, no. 3 (July 1, 2014): 162–68. http://dx.doi.org/10.1595/147106714x682364.

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20

Casely, Ian. "247th American Chemical Society National Meeting and Exposition: Part II." Johnson Matthey Technology Review 58, no. 4 (October 1, 2014): 205–11. http://dx.doi.org/10.1595/205651314x684717.

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21

Li, Lan. "245th American Chemical Society Meeting and Exposition (ACS Spring 2013)." Powder Diffraction 28, no. 3 (September 2013): 240–41. http://dx.doi.org/10.1017/s0885715613000547.

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22

Bindra, Ashok. "IEEE APEC 2021 Conference and Exposition Goes Virtual [Society News]." IEEE Power Electronics Magazine 8, no. 2 (June 2021): 89–90. http://dx.doi.org/10.1109/mpel.2021.3075802.

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23

Terebilov, Maxim G. "Reconstructing the everyday culture of medieval society in the museum exposition." Vestnik of Saint Petersburg State University of Culture, no. 2 (47) (2021): 96–100. http://dx.doi.org/10.30725/2619-0303-2021-2-96-100.

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The issue of representing the everyday culture of archaic societies in the museum exposition is quite relevant for modern museology. The culture of everyday life itself plays an important role in studying history of culture as well as the existence of society in different historical periods; therefore its museum interpretation requires particular emphasis. The author reflects on things, which distinguishes historical, long-defunct everyday live culture, artificially created in the exposition of the open-air museum, from the modern, original one, which is being saved by various ecomuseums. In addition, the article identifies three forms of expression of everyday culture, examines the possibilities of its reconstruction, relationship with each other and with the museum itself in the process of creating a general picture of medieval society’s life. Thus, the reconstruction of everyday culture appears to be a strictly historical phenomenon, which is impossible without theatricalization and other creative elements

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24

Shandra, Iryna. "MUSEUM OF SAMPLES – THE MINIATURE REPRESENTATION OF EXPORTERS IN THE CAPITAL CITY OF RUSSIAN EMPIRE AT THE BEGINNING OF 20-th CENTURY." Problems of humanities. History, no. 5/47 (March 27, 2021): 167–77. http://dx.doi.org/10.24919/2312-2595.5/47.217832.

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Summary. Museums of samples, which were massive founded in the economic developed countries at the end of 19-th and the beginning of 20-th century, can be hold as a unique phenomenon, because these institutions sought not to save their exhibits, but to sell them. The largest and the first such museum in Russian Empire was museum of samples by the Russian Export Chamber. The purposes of the article are the analysis of the creating process, the main activities and the targets of museum of samples by the Russian Export Chamber (1913, Saint Petersburg) and the demonstration of the correlation between the content of exposition in the institution and the priorities in the export policy in the investigated period. The research methodology is based on the system of principles (scientism, objectivism and historicism) and the scientific methods. The use of general scientific (analytical, synthetic, systemic) and special-historical (historical-typological, historical-comparative, chronological) methods allowed to analyze the worldwide experience of export museum founding, to select the features of the museums of samples by the Russian Export Chamber. Scientific novelty. Museum of samples was analyzed from the point of view of the one of instrument of increase the export trade. Article shows that the most of museum exhibits was agricultural and handicraft wares. It was highlighted that this priority was conscious and reflected the prevailing opinion of society of that time about agrarian nature of the economy of Russian Empire. In the article was made the conclusion that such museums of samples was needed for development of export trade and partnership relation between producers and consumers and that wares from Ukrainian lands had insufficient representation in the expositions of this "miniature export bureau in capital city".

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25

Connors, J. M. "American Society of Hematology, 56th Annual Meeting & Exposition: Advisors' Introduction." MD Conference Express 14, no. 55 (December 1, 2014): ii. http://dx.doi.org/10.1177/1559897715571306.

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26

Inoue, Masaki. "The 45^th Controlled Release Society Annual Meeting & Exposition." Drug Delivery System 33, no. 4 (September 25, 2018): 352–53. http://dx.doi.org/10.2745/dds.33.352.

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Xu, Wei. "The 46^th Controlled Release Society Annual Meeting & Exposition." Drug Delivery System 34, no. 4 (September 25, 2019): 320–21. http://dx.doi.org/10.2745/dds.34.320.

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Keim, Tom. "IEEE Energy Conversion Congress and Exposition 2017 Envisions Aerospace Electrification [Society News]." IEEE Power Electronics Magazine 4, no. 2 (June 2017): 93–95. http://dx.doi.org/10.1109/mpel.2017.2693444.

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Adil, Farah, and Shehla A. Yasin. "Exposition Of Gender Awareness In Primary Textbooks Of Punjab: Gendered Content Analysis." Pakistan Journal of Gender Studies 16, no. 1 (March 8, 2018): 37–56. http://dx.doi.org/10.46568/pjgs.v16i1.114.

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Gender is a socially constructed phenomenon through which a society assigns certain roles, behaviors, activities, and attributes to men and women. Usually children develop their gender identities and learn what being male or female meant, between the ages of 3 to 7years. These concepts been taught by society through socialization which includes various agents of socialization and learning. After parents schools are most influential agents of socialization where students learn from peers, teachers and books. Text books have a long-lasting impact on students’ interpersonal development and provide role models for children in defining standards for feminine and masculine behaviors. Considering the impact of textbooks on child development; this study was designed to review how gender is represented in the texts and how the themes of stories and pictures in text books are presenting gender awareness? The sample of the research was Urdu textbooks of primary level (1-5) being taught in schools of the Punjab. We used content analysis to find out the concepts about gender awareness and also calculated the frequencies of pictures presenting gender ratio in concepts of the textbooks. The results showed gender biases in the content of the textbooks and lack of the content that promote gender awareness among primary level students. Male gender is over represented and stereotypical beliefs prevail in pictorial representation as males being shown as doctors and females as housewives. It is suggested to involve gender specialists, school psychologists and educators in developing curriculum to integrate gender perspective and gender awareness at all levels and to eliminate gender biases in textbooks so that to develop an equitable society.

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Stehlík, Michal. "Creation of Permanent Exhibitions of the National Museum." Muzeum: Muzejní a vlastivedná práce 55, no. 3 (September 1, 2017): 6–10. http://dx.doi.org/10.1515/mmvp-2017-0029.

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Abstract At the onset of preparations of new permanent exhibitions of the National Museum (NM) in 2011, it was necessary to define their content. Several expert teams composed of NM staff and other institutions took part in this process. Historical topics were embraced in a novel perspective, their comprehensive presentation was so far absent in the NM. Social science expositions in the History exhibition will map the development of society from the Early Middle Ages until the end of the 20th century. The People exhibition will interlink the topics of anthropology, archaeology and classical archaeology. Natural science topics will be elaborated on three levels – nature around us, stories of evolution, and an experimental area (ExperiMus). They will reveal processes affecting the shape and transformations of Earth. The Social and Natural science parts will be linked through the Treasury exhibition. The Pantheon and the Children’s Museum will form completely independent units. The architecture of exhibitions will be the result of public tenders conducted in compliance with the Act on Public Contracts. New expositions of the NM are to be opened in 2019 (Natural science) and 2020 (Social science) on a total area of 12 000 m2.

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Krupar, Jason. "Preserving the Innovative Legacy of John P. Parker." Public Historian 38, no. 1 (February 1, 2016): 48–68. http://dx.doi.org/10.1525/tph.2016.38.1.48.

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John P. Parker played a prominent role in the Underground Railroad network that operated in southwest Ohio. Additionally, Parker held three known patents and displayed his products at regional/national industrial expositions. Parker’s engineering skills and business acumen, however, have largely been overlooked. A coalition comprised of faculty and students from the University of Cincinnati, members of the John P. Parker Historical Society, and corporate donors formed in 2006 to preserve the industrial legacy of this African American entrepreneur. This project demonstrates some of the benefits and pitfalls of such complicated undertakings.

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Cole, P., S. Vasiliou, E. Rosa, and D. Fernandez-Forner. "Medicinal chemistry Highlights from the 239th American Chemical Society National Meeting & Exposition." Drugs of the Future 35, no. 6 (2010): 503. http://dx.doi.org/10.1358/dof.2010.035.06.1507738.

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Mainiyo, Attahir Shehu, and Ahmad Bello Gidadawa. "Immoral Acts and their Resultant Effect among the Muslim Society: An Islamic Exposition." International Journal of Scientific and Research Publications (IJSRP) 9, no. 4 (April 12, 2019): p8857. http://dx.doi.org/10.29322/ijsrp.9.04.2019.p8857.

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34

Bagley, Carl, and Sam Hillyard. "Rural schools, social capital and the Big Society: a theoretical and empirical exposition." British Educational Research Journal 40, no. 1 (February 21, 2013): 63–78. http://dx.doi.org/10.1002/berj.3026.

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Müller, Hans-Georg. "Joeropsidae from Bora Bora and Moorea, Society Islands, with descriptions of four new species (Isopoda: Asellota)." Bijdragen tot de Dierkunde 59, no. 2 (1989): 71–85. http://dx.doi.org/10.1163/26660644-05902002.

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The first contribution to the isopod family Joeropsidae from the Society Islands is given. All of the four species reported herein, Joeropsis gertrudae n. sp., J. minutus n. sp., J. polynesiensis n. sp., and J. salvati n. sp., are new to science. These species occur only at locations with more or less strong wave exposition. The affinities of polynesian Joeropsidae to the other members of Joeropsis are discussed.

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D’Cruze, Neil, Suzi Paterson, Jennah Green, David Megson, Clifford Warwick, Emma Coulthard, John Norrey, Mark Auliya, and Gemma Carder. "Dropping the Ball? The Welfare of Ball Pythons Traded in the EU and North America." Animals 10, no. 3 (March 2, 2020): 413. http://dx.doi.org/10.3390/ani10030413.

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Ball pythons (family Pythonidae) remain a commonly exploited species, readily available for purchase in North America and Europe. We assessed the housing conditions of more than 5000 Ball pythons across six exotic pet expositions and 113 YouTube videos. We scored provisions for hygiene, mobility, shelter, substrate and water provision, based on the Royal Society for the Protection of Animals (RSPCA) minimum guidelines. We found most entities involved in this commercial enterprise are not providing housing conditions that meet the minimum welfare recommendations for Ball pythons, either publicly or privately. We found that breeders and vendors typically utilised small and highly restrictive enclosures, with dimensions that prevented occupants from extending their bodies to full and unrestricted natural length. Our study also highlights that most vendors are not providing adequate written husbandry guidance to potential consumers, either at exotic pet expositions, on their commercial website, or on associated social media pages. Furthermore, our study also indicates that most potential consumers may themselves be unable to recognise unsuitable housing conditions that do not meet minimum animal welfare standards for Ball pythons. We suggest that more consistent guidance, adherence to agree principles and more potent operating models that are formally incorporated into relevant legislation would greatly aid existing and future efforts to safeguard animal welfare in this regard.

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Wung, Peter. "IEEE Energy Conversion Congress and Exposition 2017 Emphasizes Energy Conversion for Aviation [Society News]." IEEE Power Electronics Magazine 4, no. 4 (December 2017): 74–75. http://dx.doi.org/10.1109/mpel.2017.2762929.

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Prieto Martín, M., and E. Carbó Tutusaus. "261st American Chemical Society (ACS) National Meeting & Exposition. Virtual - April 5-16, 2021." Drugs of the Future 46, no. 6 (2021): 493. http://dx.doi.org/10.1358/dof.2021.46.6.3310145.

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Rapp, Carl. "Celebrity Election versus Lottery Selection: A Reconsideration." Hegel Bulletin 33, no. 01 (2012): 33–44. http://dx.doi.org/10.1017/s0263523200000318.

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In The Just State, Richard Dien Winfield has completed his exposition of the immanent logic of ethical life, the earlier parts of which are developed in his books The Just Economy, The Just Family, and Law in Civil Society. The purpose of his exposition is not to discuss isolated or miscellaneous topics pertaining to politics or ethics. Instead, his goal from the beginning has been to show objectively what justice looks like when it is fully embodied in a state's political and social institutions. The just state, as he presents it, is simply the largest possible political framework for maintaining equitable arrangements within a country's already established civil society, a framework that permits civil society to adjust to new contingencies as they arise, be they domestic or international. The purpose of the just state is to preserve, not to tamper with, the political and nonpolitical freedoms of its citizens. The essence of these freedoms is that they are all modes of self-determination, whereby what one does is freely determined by oneself and not by the arbitrary controlling authority of others. An individual whose life is determined by family, by tradition, or by commandment, is unfree. A state whose people are imposed on by a leadership class, or by any authority other than that of the people themselves, is likewise unfree. In order to establish freedom and justice, the citizens of a sovereign state must codetermine their own institutions. In accordance with this purpose, their institutions must be constructed in a particular way, which is the subject of The Just State.

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Kachun, Mitch. "“Big Jim” Parker and the Assassination of William McKinley: Patriotism, Nativism, Anarchism, and the Struggle for African American Citizenship." Journal of the Gilded Age and Progressive Era 9, no. 1 (January 2010): 93–116. http://dx.doi.org/10.1017/s1537781400003790.

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On September 6, 1901, at the Buffalo Pan-American Exposition, Leon Czolgosz, the son of immigrants and an avowed anarchist, shot President William McKinley. As McKinley clung to life for several days before succumbing, praise was heaped upon James B. “Big Jim” Parker, an African American Exposition employee who was credited with saving McKinley's life by subduing and disarming Czolgosz. By the time of Czolgosz's execution, government officials and the mainstream press were characterizing Parker as a glory-seeker who had played no role in capturing Czolgosz. African American spokespersons vigorously defended Parker, contrasting the brave, patriotic black hero with the treacherous foreign radical whose murderous act struck symbolically at the heart of the nation. These black commentators constructed a framework for understanding the assassination as a cultural critique of an American society that was paying the price for its acquiescence to extralegal violence against blacks. At the same time, black spokespersons used the assassination to create a narrative in support of African Americans’ claims to American citizenship and national belonging.

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Yamada, Naoki. "The 45^th Annual Meeting & Exposition of the Controlled Release Society(CRS)." Drug Delivery System 33, no. 5 (November 25, 2018): 428–29. http://dx.doi.org/10.2745/dds.33.428.

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Bindra, Ashok. "Awards Luncheon Recognizes 2017 IEEE Awardees at the Energy Conversion Congress and Exposition [Society News]." IEEE Power Electronics Magazine 4, no. 4 (December 2017): 69–73. http://dx.doi.org/10.1109/mpel.2017.2762198.

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McNamara, Y., R. Simoneaux, and D. F. Fernandez. "American Chemical Society 244th National Meeting and Exposition, Philadelphia, Pennsylvania, USA - August 19-23, 2012." Drugs of the Future 37, no. 10 (2012): 741. http://dx.doi.org/10.1358/dof.2012.037.010.1887576.

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Parés, S., and E. Rosa. "American Chemical Society - 249th National Meeting and Exposition. Denver, Colorado, USA - March 22-26, 2015." Drugs of the Future 40, no. 4 (2015): 267. http://dx.doi.org/10.1358/dof.2015.040.04.2319377.

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Fernández-Llamazares, A. I. "American Chemical Society (ACS) 260th National Meeting and Exposition. Virtual Meeting - August 17-20, 2020." Drugs of the Future 45, no. 10 (2020): 761. http://dx.doi.org/10.1358/dof.2020.45.10.3223382.

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Akhtamzyan, Nurlan Ildarovich, and Viktoria Viktorovna Chernenko. "Modern Technology Based Methodologies for Visitor Studies at the Museum Exposition." Общество: философия, история, культура, no. 10 (October 2020): 82–86. http://dx.doi.org/10.24158/fik.2020.10.15.

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In the second half of the 20th century, important changes took place in the relationship between the museum world and society, which led to appearance of new approaches in museum theory and practice. First of all, they affected the principles of interaction between museums and their audience. The evolve-ment of communication approach to museology, where a visitor is considered the main figure in mu-seum activity, dates back to this time. The peculiari-ties of museum audience behaviour were studied from the beginning of the 20th century. The exposi-tion is the main channel of communication between a museum and its visitors, therefore, the use of modern technical means that allow an objective as-sessment of the quality of such communication is a priority when studying the museum audience. Due to the development of technical progress by the beginning of the 21st century there is a possibility of using technological methods of qualitative and quantitative recording and analytics of main indica-tors of interrelation between museums and their target audience. The present research considers new technical means of studying specific features inher-ent to visitors behaviour at exhibitions (tracking, eye tracking, video analytics). Such studies have been carried out in some of Russian museums in recent years.

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Legrouri, Ahmed, Khalid Sendide, and Jack Kalpakian. "ENHANCING INTEGRITY IN WATER GOVERNANCE IN MOROCCO: OPPORTUNITIES AND CHALLENGES." Journal of Governance and Integrity 3, no. 1 (November 18, 2019): 1–9. http://dx.doi.org/10.15282/jgi.3.1.2019.5417.

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This paper examines Morocco’s effort at enhancing integrity in the water sector using stakeholder analysis, exposition concerning the major structures governing water, and structured encounters with stakeholders. Using fieldwork, participant observation and direct interaction with the various stakeholders, the paper finds that the process of improving integrity in the Moroccan water sector is underway and is at the awareness-raising stage. Deeper questions that deal with competencies related to transparency, working with civil society and the media remain challenges that are in the process of being articulated in order to be addressed.

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Rayan, Sobhi. "Al-Ghazali’s Method of Doubt." Middle East Studies Association Bulletin 38, no. 2 (December 2004): 162–73. http://dx.doi.org/10.1017/s0026318400046939.

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Al-Ghazali introduces the issue of doubt in his book al-Munqidh min al-Dalal [Deliverance from Error]. The book can be considered an intellectual autobiography of this philosopher. Here al-Ghazali describes his intellectual development and the method of his search for truth. He also discusses the ideas of various doctrines that were present in Islamic society in his period, including the philosophers, al-Mutakallimun (scholastics), al-Batiniyya (interiority), and Sufism. The book is a concise exposition of al-Ghazali’s experience in the field of research and epistemological criticism.

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Stehlík, Michal. "Muzea uprostřed „tekutého světa“." Muzeum Muzejní a vlastivedná práce 56, no. 2 (2018): 34–39. http://dx.doi.org/10.37520/mmvp-2018-0021.

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The text is an essay on the essence and future of museums in a quickly changing world distinctly characterized by the increase of available information in various forms, especially digital. The author uses André Kertész’s photograph “The Circus” to illustrate the transformation of the role of museums and refers to the works of Zygmunt Bauman and Vilém Flusser. The mentioned transformation brings big challenges regarding the approach towards documentation and creating a material and information basis for the memory of society, as well as towards collection creation and exposition and exhibition activities. A key role of museums has shown to be the anchoring of values such as tolerance, democracy and solidarity or vested human rights in society, and searching for new authorities

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Anjum, Dr Tasneem. "The Confltct between Self and Society." SMART MOVES JOURNAL IJELLH 7, no. 11 (November 28, 2019): 10. http://dx.doi.org/10.24113/ijellh.v7i11.10145.

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Sylvia Plath’s attractive personality, academic achievements and rigid mental makeup did not allow her to compromise and take failures. Self imposed restraint, both in her life and in poetry as well leads to despair. The wonderful years of her life with Ted which she writes and tells her mother, could not find a place in any of her poems. This camouflage forces her to lead double role in life, psychologically, a split personality. In art, this can lead to silence but in real life to suicide. She comes to stage where death and birth mean one and the same. She wanted to go back to the womb in exposition of “lost self”. This strain runs throughout her poems and gives a feeling that she might have died to give authenticity to her poetry. She could neither live with the mask on nor was prepared to expose her real self to the society in which she was an alien and here comes the breaking point. Kamala Das too fought with the society which looks upon women as sexual objects. She was a rebel and does not make any attempts to hide it. She fought with herself to become a unique person and articulated it through poetry.

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