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Books on the topic 'SOCIETY AND TV'

Author: Grafiati
Published: 4 June 2021
Last updated: 1 February 2022

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1

Fonn, Birgitte Kjos. Putting a Face on It: Individual Exposure and Subjectivity in Journalism. Oslo: Cappelen Damm Akademisk/NOASP (Nordic Open Access Scholarly Publishing), 2017.

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2

Dario, Antiseri. 3 idee per un'Italia civile: Buono scuola, buono sanità, buono TV. Soveria Mannelli (Catanzaro): Rubbettino, 1998.

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3

Mahrouqi, Saif Saud Al. The role of Oman tv in the Omani society. Birmingham: University of Central England in Birmingham, 2004.

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4

Violence in media and society: Literature, film, and TV. Jaipur: Rawat Publications, 2011.

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5

Chalmers, Rob. Inside the Canberra Press Gallery: Life in the Wedding Cake of Old Parliament House. Canberra: ANU Press, 2011.

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6

Brown, Laurie. Success without college: Days and nights in rock & roll TV. Toronto, Ont: Penguin Books, 1994.

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7

Aylmer, Justin. Digital TV: Can this relatively unknown media directly influence culture and society. London: LCPDT, 1998.

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8

Mattos, David José Lessa. O espetáculo da cultura paulista: Teatro e TV em São Paulo, 1940-1950. São Paulo: Códex, 2002.

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9

Bruno, Somalvico, ed. La Nuova Babele elettronica: La TV dalla globalizzazione delle comunicazioni alla società dell'informazione. Bologna: Il mulino, 2003.

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10

Terrorism TV: Popular entertainment in post-9/11 America. Lawrence: University Press of Kansas, 2012.

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11

Gregor, Schwering, Stäheli Urs, Balke Friedrich, Schwering Gregor, and Stäheli Urs, eds. Big Brother: Beobachtungen. Bielefeld: transcript Verlag, 2001.

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12

Wetenschappelijke Raad voor het Regeringsbeleid (Netherlands). Focus op functies: Uitdagingen voor een toekomstbestendig mediabeleid. Amsterdam: Amsterdam University Press, 2005.

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13

Morton, Jennifer. Belong: A TV journalist's search for urban culture : from Beirut to Bamako, from Havana to Ho Chi Minh City : stories and photos. Toronto, Ont: Insomniac, 2004.

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14

The internationalization of television in China: The evolution of ideology, society, and media since the reform. Westport, Conn: Praeger, 1998.

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15

Elsaesser, Thomas. Fassbinder's Germany: History, identity, subject. Amsterdam: Amsterdam University Press, 1996.

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16

Kooijman, Jaap. Fabricating the absolute fake: America in contemporary pop culture. [Amsterdam]: Amsterdam University Press, 2008.

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17

Fabricating the absolute fake: America in contemporary pop culture. [Amsterdam]: Amsterdam University Press, 2008.

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18

Audiovisions: Cinema and television as entr'actes in history. Amsterdam: Amsterdam University Press, 1999.

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19

Transfigurations: Violence, death and masculinity in American cinema. Amsterdam: Amsterdam University Press, 2008.

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20

Blom, Ivo Leopold. Jean Desmet and the early Dutch film trade. Amsterdam: Amsterdam University Press, 2003.

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21

Kester, Bernadette. Film front Weimar: Representations of the First World War in German films of the Weimar period (1919-1933). Amsterdam: Amsterdam University Press, 2003.

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22

Kester, Bernadette. Filmfront Weimar: Representaties van de Eerste Wereldoorlog in Duitse films uit de Weimarperiode (1919-1933). Hilversum: Verloren, 1998.

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23

The digital rights movement: The role of technology in subverting digital copyright. Cambridge, Mass: The MIT Press, 2012.

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24

Magee, Paul. Focus on Society 2e (Tv Sg): Subj. 2nd ed. Institute of Electrical & Electronics Enginee, 1987.

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25

Eaglespeaker, Jason. UNeducation Vol 2, Book One: The Side of Society You Don't See On TV. Independently Published, 2019.

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26

Gudenau, Allison McNeill. TV in America Reference Library Cumulative Index (UXL Television in American Society Reference Library). UXL, 2006.

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27

(Editor), Aletha C. Huston, ed. Early Childhood TV Viewing and Adolescent Behavior (Monographs of the Society for Research in Child Development). Blackwell Publishing Limited, 2001.

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28

Morton, Jennifer. Belong: A TV Journalist's search for Urban Culture from Beirut to Bamako; from Havana to Ho Chi Minh City. Insomniac Press, 2004.

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29

José, Carrón, Bustamante Ramírez Enrique, and Zallo Ramón, eds. Las Industrias culturales en España: (grupos multimedia y transnacionales) : prensa, radio, TV, libro, cine, disco, publicidad. Madrid, España: Akal, 1988.

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30

Trappel, Josef. Chapter 5 Subsidies : Fuel for the Media : Subsidies: Fuel for the Media. Intellect, 2018.

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31

Trappel, Josef. Chapter 10 Media and Democracy : A Couple Walking Hand in Hand? : Media and Democracy: A Couple Walking Hand in Hand? Intellect, 2018.

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32

Galperin, Hernan. New Television, Old Politics: The Transition to Digital TV in the United States and Britain (Communication, Society and Politics). Cambridge University Press, 2004.

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33

Galperin, Hernan. New Television, Old Politics: The Transition to Digital TV in the United States and Britain (Communication, Society and Politics). Cambridge University Press, 2007.

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34

Schug, Alexander. "Deutsche Kultur" und Werbung – Studien zur Geschichte der Wirtschaftswerbung von 1918 bis 1945. Humboldt-Universität zu Berlin, 2010.

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35

Weber, Brenda R. Latter-Day Screens: Gender, Sexuality, and Mediated Mormonism. Duke University Press, 2019.

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36

European Cinema: Face to Face with Hollywood (Amsterdam University Press - Film Culture in Transition). Amsterdam University Press, 2005.

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37

d'Haenens, Leen, Helena Sousa, and Josef Trappel. Comparative Media Policy, Regulation and Governance in Europe: Unpacking the Policy Cycle. Intellect Ltd, 2018.

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38

European Cinema: Face to Face with Hollywood (Amsterdam University Press - Film Culture in Transition). Amsterdam University Press, 2005.

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39

Cognitive Surplus. Penguin Group, 2010.

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40

Cognitive Surplus: How Technology Makes Consumers into Collaborators. New York, New York, USA: The Penguin Press, 2010.

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41

Cognitive Surplus: Creativity and Generosity in a Connected Age. New York: Penguin Press, 2010.

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42

den, Boomen Marianne van, ed. Digital material: Tracing new media in everyday life and technology. Amsterdam: Amsterdam University Press, 2009.

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43

Zanger, Anat. Film Remakes as Ritual and Disguise: From Carmen to Ripley. Amsterdam University Press, 2006.

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44

Zanger, Anat. Film Remakes as Ritual and Disguise: From Carmen to Ripley (Amsterdam University Press - Film Culture in Transition). Amsterdam University Press, 2007.

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45

Film Remakes as Ritual and Disguise: From Carmen to Ripley (Amsterdam University Press - Film Culture in Transition). Amsterdam University Press, 2007.

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46

Big world, small screen: The role of television in American society. Lincoln: University of Nebraska Press, 1992.

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47

Kooijman, Jaap. Fabricating the Absolute Fake: America in Contemporary Pop Culture. Amsterdam University Press, 2008.

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48

Alonso, Paul. Jaime Bayly’s El Francotirador. Oxford University Press, 2018. http://dx.doi.org/10.1093/oso/9780190636500.003.0003.

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In 2009, Jaime Bayly, one of the most influential TV journalists of the country, announced that he wanted to be the first bisexual, impotent, and agnostic president of Peru. He launched an atypical and unofficial electoral campaign, fueled by his irreverent and popular TV show El Francotirador (The Sniper). Bayly’s yearlong virtual campaign increasingly gained importance and local and international media coverage, but he ultimately dropped out of the race a few months before the election. This chapter analyzes how Bayly constructed his ambiguous and contradictory media persona during his 30-year media career and how he capitalized on its political appeal in his electoral run while revealing social tensions in contemporary Peru, a deeply divided society with fragile social institutions, precarious democracy, and a discredited political class. This chapter also illuminates how massive media spectacle became a contested arena to negotiate political power both during and since President Fujimori’s authoritarian regime (1990–2000).
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49

Moving Forward, Looking Back: The European Avant-garde and the Invention of Film Culture, 1919-1939 (Amsterdam University Press - Film Culture in Transition). Amsterdam University Press, 2007.

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50

Hagener, Malte. Moving Forward, Looking Back: The European Avant-garde and the Invention of Film Culture, 1919-1939 (Amsterdam University Press - Film Culture in Transition). Amsterdam University Press, 2007.

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