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Journal articles on the topic 'SOCIETY AND TV'
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1
Glasman, Konstantin. "Why CESoc TV? [Society News]." IEEE Consumer Electronics Magazine 2, no. 4 (October 2013): 17–56. http://dx.doi.org/10.1109/mce.2013.2276853.
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Glasman, Konstantin. "CE Society TV: High Efficiency Video coding (HEVC) [Society News]." IEEE Consumer Electronics Magazine 6, no. 1 (January 2017): 19–22. http://dx.doi.org/10.1109/mce.2016.2614645.
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Peralta-Ferreyra, Ilda. "TV: the star screen." Comunicar 13, no. 25 (October 1, 2005): 193–95. http://dx.doi.org/10.3916/c25-2005-026.
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At the height of the information society, in a society permeated by communication media, screens take a special relevance thanks to technological advances. Television continues undoubtedly to be the star of all screens, channeling global culture as it is influenced by large information businesses, which in turn are under the command of world economic and political powers. The big challenge for educators –parents, teachers, leaders and communicators– is to acquire enough strength, initially, to use the emotive and iconic power of the television for educational purposes. At the same time, we must put forward to those being educated –students and society in general– enough educational and didactic possibilities to convert the strength of television and its message into an essential vehicle or instrument for information searching, for appreciation of reality and as a door to research. En plena sociedad de la información, en una sociedad invadida por los medios de comunicación, las pantallas cobran una relevancia especial gracias a los avances tecnológicos. La televisión sigue siendo, sin duda, la estrella de las pantallas, encauzando una cultura global que es mediatizada por las grandes empresas de la información bajo el mando de los poderes económicos y políticos mundiales. El gran desafío de los educadores –padres, profesores, responsables y comunicadores– es adquirir la fuerza suficiente para, en un principio, utilizar el poder icónico y emotivo de la televisión con finalidades educativas, y al mismo tiempo, proponer a los educandos –alumnos y sociedad en general– las posibilidades educativas y didácticas suficientes como para convertir la fuerza de la televisión y su mensaje, en un vehículo e instrumento imprescindible de búsqueda de información, de apreciación de la realidad y de puerta a la investigación.
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Becker, Beatriz. "A Sociedade do Telejornalismo (The TV Journalism Society)." Brazilian Journalism Research 4, no. 1 (June 30, 2008): 173–77. http://dx.doi.org/10.25200/bjr.v4n1.2008.141.
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Gregório, Ruth. "The thematization of the information society in TV advertisements." Portugese Journal of Social Sciences 2, no. 1 (March 1, 2003): 21–38. http://dx.doi.org/10.1386/pjss.2.1.21/0.
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Glasman, Konstantin. "IEEE CESoc TV-The Internet of Things [Society News]." IEEE Consumer Electronics Magazine 5, no. 4 (October 2016): 15–18. http://dx.doi.org/10.1109/mce.2016.2601317.
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Malkova, Liliana Yu. "Information Requirements of Society and Expressivity of Audiovisual Media." Journal of Flm Arts and Film Studies 9, no. 4 (December 15, 2017): 134–44. http://dx.doi.org/10.17816/vgik94134-144.
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Contemporary realization of enlightenment tasks of TV is considered in the article in context of cultural contradictions, stimulated by screen mediation of social communications. The request of society for audiovisual information grows outside mass media today: it has entered into document flow, mediates social ritual, in a new way enters culture. At the same time there is a devaluation of authenticity of a documentary shot in television practice, complication of the visual figurativeness built around oral forms of expression. The culture of oral communication presupposes that TV shows are meant mainly for acoustical perception, submitting their visual component to the spontaneity of oral speech at the different levels. To the person, whose social activity, work, daily routine are mediated by screen and do not lose at the same time their authenticity, today it is harder and harder to differentiate the sphere of journalism or art as conditional, "other" environments in which he himself becomes an object of the influence, a target of transformed audiovisual representation of reality. Broadcasters by all means raise the perceptual attractiveness of content in fight for the viewer, whose own activity grows in the media field and his communicative status loses definiteness. At the same time the priority of enlightenment tasks even in political segment of broadcasting is lost, and the social mission of the leading TV channels in audiovisual communication becomes doubtful.
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Surokim. "Kontestasi dan Survivalisme Media Dakwah di Tengah Liberalisasi Industri Media: Analisis Media TV-9 Jawa Timur." Jurnal Komunikasi Islam 9, no. 2 (December 1, 2019): 291–313. http://dx.doi.org/10.15642/jki.2019.9.2.291-313.
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Local television has faced sharp contestation and interplay between actors and agents. As a proselytising TV, TV-9 has faced a dilemma between social functions and corporate functions. In this regard, as a da'wah media, it tends to uphold the religious social mission, while as a corporate media it is required to make a profit. This article is a critical study of how the contestation took place and how the survival of TV-9. The results of this study indicate that TV-9 has developed the concept of entertained da'wah in overcoming the contestation, namely da'wah as substance, while entertainment as the complement of the TV program. Additionally, TV-9 also tried to resonate the da'wah strategy with the cultural paths of the past and present that have existed within society.
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Kelly, Robert J. "Sopranoland: Looking Down on Society From Below in TV Soaps." Journal of Social Distress and the Homeless 16, no. 1 (March 2007): 49–65. http://dx.doi.org/10.1179/sdh.2007.16.1.49.
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Sinani, Resul. "The impact of the content of the television programming upon the politicization of the Kosovo society." International Journal of Business & Technology 3, no. 2 (May 2015): 38–45. http://dx.doi.org/10.33107/ijbte.2015.3.2.07.
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The effect of the media over the society is the object of the studies of the social science of communication since its founding up to today. A lot of scientific theories explore, argues and explain the connections and the effect of the media over the public. The purpose of this paper is to evident and argument the effect that the media, especially the TV programming has on the politicization of the Kosovar society, which is manifested in a large number of conversations that have to do with politics. In order to argument the direct link between the content of the TV programming (as a media) and political conversations among citizens, this writing will present the results of measuring the contents of the four biggest TV stations in Kosovo: RTK, KTV, RTV 21 and Klan Kosova. What was measured is the amount of programs that have political content within a week at the time when the viewing is at its peak, or in what is known as prime time, from 17 00 to 24 00 h. It also involves an opinion poll of the public which was asked about the influence of the content of TV programs on their daily conversations. The results of programming contents prove a very high percentage of political programs on these four TV stations (RTK 1, KTV, RTV 21 and Klan Kosova), whereas the results of the public polling prove the direct influence of the contents of this programs on the daily conversations.
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Grigore, Valentin. "TV shows on Light Pollution Education for the Public." Proceedings of the International Astronomical Union 10, H16 (August 2012): 728. http://dx.doi.org/10.1017/s1743921314013118.
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AbstractTV shows have the biggest impact for the public, so we can use them to inform and educate the public about light pollution and the importance of the dark sky for humanity and for the contemporary society. Some examples used in the TV show Us and the Sky at Columna TV, Romania, are presented.
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Zainab, Mah-e.-Laqa, Dr Shehla Jabeen, and Dr Abida Noureen. "Effects of Pakistani TV Dramas on Social Behavior of Women." Journal of Peace, Development & Communication me 05, issue 2 (June 30, 2021): 154–65. http://dx.doi.org/10.36968/jpdc-v05-i02-14.
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The basic goal of the study named “Effects of Pakistani TV Dramas on Social Behavior of Women” is to discover the cultivation effects of social issues/problems based Pakistani TV dramas on women of Bahawalpur. The researcher collects a sample of 300 women who live in Bahawalpur with different educational backgrounds by using purposive sampling. The researchers found that social issues based dramas have negative impact on women’s behavior moreover dramas are portraying the issues as exactly as they are prevailing in the society. The study describes that women get more information regarding social issues that are portrayed in the society”. It also illustrates that women believe dramas play an important role in the resolution of social issues and problem in the society.
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Goutama, Albertus Edward. "Games Advertising Vs Tv Advertising Which One Is More Effective In Building Brands?" Jurnal STEI Ekonomi 27, no. 1 (June 1, 2018): 1–9. http://dx.doi.org/10.36406/jemi.v27i1.149.
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There are a many pros and cons regarding which are more effective between TV Advertising and Games Advertising in being a medium of promotion media. As we know TV Advertising and Games Advertising is widely used big companies in promoting a product as well as embed Brand Image and Brand in Mind Set society in general. This article shows a number of pentung points that make TV Advertising is superior to a number of advantages it has , Compared Games Advertising in promoting a product.
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Pasternak, Katarzyna. "Współczesne wzorce kobiecości w kulturze rosyjskiej (na przykładzie serialu Мамочки)." Studia Interkulturowe Europy Środkowo-Wschodniej 11 (November 6, 2018): 297–321. http://dx.doi.org/10.5604/01.3001.0012.7394.
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The article discusses the topic of defining femininity in Russia on the basis of cultural patterns existing in society. The subject of the research is a woman in Russian tv series Мамочки. The article also examine the role oft he media in creating new reality. The research tool which has been used in this publication is a TV series – understood as a text of culture. Using the content and visual images included in the tv series, the specifics of gender roles in contemporary Russia have been pointed out.
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Kang, Hongzhe, Megat Al Imran Yasin, Mohd Nizam Osman, Lay Hoon Ang, and Mengyu Li. "Exploring the Export Strategy of Chinese Film and TV Drama in Value Chain and Digital Technology." E3S Web of Conferences 251 (2021): 03073. http://dx.doi.org/10.1051/e3sconf/202125103073.
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The spiritual and cultural needs of residents have been a growing trend with the living standards improving in China. As an essential medium to reflect the social status, film and TV drama need to satisfy the spiritual and cultural needs of residents as well as spread positive energy to society. The Silk Road International Film Festival was founded in 2014 under the Belt and Road Initiative, which created more opportunities for the export of Chinese film and TV drama. Although the value chain and digital technology can support the export of Chinese film and TV drama, some problems still exist. This paper analyzes the value chain status of film and TV drama and the digital technology of visual effects. Moreover, this paper describes the export status of Chinese film and TV drama and puts forward some suggestions.
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Poly, Lutfun Nahar, Ashik Zaman, and Eashrat Jahan Eyemoon. "TV Advertisement and Menstrual Hygiene Management." International Journal of Social Science Research 8, no. 1 (January 15, 2020): 38. http://dx.doi.org/10.5296/ijssr.v8i1.15387.
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Menstruation is an absolute natural-normal biological process of adolescents though it is unfortunately accompanied with different taboos in the society of Bangladesh. A significant number of adolescent girls have considerable lacuna of knowledge on menstruation as well as menstrual hygiene management. Thus, the aim of the study is to know how the issue of menstruation is presented on TV advertisement and what roles TV advertisements play in shaping the knowledge, attitude, and practice of girls and their parents on menstruation and menstruation hygiene management. Both content analysis and questionnaire survey have been used to present the realities of the role of TV advertisement in menstrual hygiene management process in Bangladesh. At present, about 70 percent girls are inspired to use sanitary napkin watching TV advertisement. TV advertisements play vital role to break the shackle of menstrual taboo and also provide essential information about menstruation as well as menstrual hygiene management.
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Volkova, Irina, Leila Algavi, Shuanat Kadyrova, and Natalya Rastorgueva. "Let Them Talk as “Encyclopedia of Russian Life”: Latent «Accursed Questions» on Russian Television (2017)." SHS Web of Conferences 50 (2018): 01199. http://dx.doi.org/10.1051/shsconf/20185001199.
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International Research Group KVAR performs the first of studies about media influence on the transformation of sociocultural matrix, within which a deep society regulation takes place. For citizens of the Russian Federation, TV is a main source of information about events. Whereas for sociologists and philologists federal channels are unique basic institutions that provide: reproduction of socially significant patterns of citizen’s thoughts and behavior; integration of society on the basis of common values. TV Shows on central channels are constantly reaching the top of media credibility rating: 3/4 of Russians (75%) trust them. They help to create circulation of meanings TV proposes the values, audience reproduces and modifies them. Thus, we have chosen a Russian TV show “Pust’ Govoryat”(Let Them Talk) that presents all the things “that interest everyone” by» exploring intimate issues of a particular person, a family”. Authors of this work seek to find out what “interests everyone” in the Russian society. This article includes first results of the research. Latent Theme Identification analysis of transcripts from every episode of the show for 2017 has led to a conclusion that the Russians see a family as a system-forming value concept, words like “child”, “children” were used mostly in “Let Them Talk” in 2017. Furthermore, our analysis has established a value paradox: “child”, while being an important part of narrative, plays out the role of “McGuffin” (A. Hitchcock)
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Urazova, Svetlana Leonidovna. "On media conflict and new forms of screen product." Journal of Flm Arts and Film Studies 5, no. 4 (December 15, 2013): 138–44. http://dx.doi.org/10.17816/vgik54138-144.
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The transition of the TV to the digital broadcast platform and the regenerating media-space cause certain alterations in the programming policy of TV channels. The change in the existence conditions of the TV as a market entity accounts for the reforming of its structural, artistic and production activity. The search for new forms and conceptions of the screen content is determined by transformations in social life. The article explores the confrontation of media and society particularly evident in the digital era and the influence of innovative technologies on the emergence of new screen product forms.
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Hawes, Colin S., and Shuyu Kong. "Primetime Dispute Resolution: Reality TV Mediation Shows in China's “Harmonious Society”." Law & Society Review 47, no. 4 (October 21, 2013): 739–70. http://dx.doi.org/10.1111/lasr.12046.
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Lukyanova, Galina. "Framing in Russian TV News: How to Shape Reality?" SHS Web of Conferences 50 (2018): 01098. http://dx.doi.org/10.1051/shsconf/20185001098.
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In a democratic society, the mass media play an enormous role, as they broadcast various points of view that exist in the society. By using various media effects, authors of information messages influence the formation of certain attitude to a particular political event reflected in the media, thus contributing to the legitimation or de-legitimation of political power. The purpose of this study is to examine the news on Russian federal television channels in order to identify frames that play a role in the process of political power legitimation. Qualitative content analysis shows that media framing is actively used by leading state TV channels as a technology for legitimizing the power. The most frequently used frames are “the Great Power,” “Ineptitude of Other Countries,” “Confrontation / Opposition,” “International Intervention,” and “the Strong Leader.”
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Trifunović, Vesna. "The conceptualization of winners and losers of transition in popular culture." Issues in Ethnology and Anthropology 4, no. 1 (June 18, 2009): 107–21. http://dx.doi.org/10.21301/eap.v4i1.5.
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This paper is about the reconstruction of social presentations (picture, vision) of losers and winners of transition based on the products of the popular culture such as the domestic TV series. The given picture was considered in the context of the 1990s, when those TV series were filmed and aired (broadcast), which means that they are typical, primarily, for the period of the so-called first transition. The analysis meant the abstracting one of the dominant themes in both TV series which refers to a certain family of ordinary people, faced with the everyday problems of the time their time, and those problems being mainly existential ones. The identification of the messages about losers and winners of transition, which was being sent through these TV series, was later continued by establishing a formula based on which the mentioned theme (subject) was structured, and in the end completed by putting in connection the perceived oppostitions via semiotic square. The conceptualization of losers and winners of transition, which is the result of this paper, in no way implies that this vision of theirs is the only and the dominant one in this society. On the other hand, it certainly exists (existed) in the given moment and context and as such it came to surface through domestic TV series as the product of popular culture, through which often widespread and popular attitudes of a society are expressed.
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Triyono, Agus. "Pendidikan Literasi Media Pada Guru Tk Gugus Kasunanan sebagai Upaya Menanggulangi Dampak Negatif Televisi." Warta LPM 19, no. 3 (January 23, 2017): 150–59. http://dx.doi.org/10.23917/warta.v19i3.3219.
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Television as part of the development of technology has been able to change the wayhuman life ranging from how to speak, dress, etc. chivalry ethics. Reality is there thecommunity is very far from what is called intelligent concept of media. Many parentswho do not pay attention to media consumption by their children and how muchimpact negetif raised by TV. Efforts to revive awareness of members of the Society ofTeachers Kindergarten Cluster Mangkunegaran about the negative influence of TVwith the concept of media literacy is expected to be applied in everyday life, has beenable to open the horizons of thought participants to the impact of TV. Critical attitudetoward TV has begun to take shape that comes to the end they hope to have a realaction from the government to fix the TV programs in Indonesia.
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Shaba, Afnan Mohammed. "TELEVISION PROGRAMS TRENDS TOWARDS PROMOTING SUSTAINABLE DEVELOPMENT VALUES: AN ANALYTICAL STUDY." Humanities & Social Sciences Reviews 8, no. 3 (June 20, 2020): 1082–91. http://dx.doi.org/10.18510/hssr.2020.831111.
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Purpose: Determine TV program trends towards promoting sustainable development values, and analyze program content, and clarifying the role of development media in supporting the values of sustainable development to the public.
Methodology: The descriptive method was used to analyze the content to test the variables and analyze them quantitatively and qualitatively. The number of samples used reached (24) episodes from two TV programs. Reliability tested using retest with Spearman stabilizer.
Main Findings: TV satellite channels are concerned with sustainable economic, environmental, social, cultural, religious and health issues of development, countered by the weak interest in educational and educational issues, programs seek to achieve the goals of media, news, awareness, and guidance, as well as providing various TV forms, Most notably the interview and the report.
Implications: This study found in order to develop the work of television programs towards new issues that are sustainable development and the importance of public awareness of the necessity of employing them in areas of life and improving plans for managing countries towards attention to sustainability and its impact on setting a good future for society.
Novelty/Originality of this study: This Research raises the topic of sustainable development and the trends of development media and television programs towards their promotion in the society.
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Shaba, Afnan Mohammed. "TELEVISION PROGRAMS TRENDS TOWARDS PROMOTING SUSTAINABLE DEVELOPMENT VALUES: AN ANALYTICAL STUDY." Humanities & Social Sciences Reviews 8, no. 3 (June 20, 2020): 1082–91. http://dx.doi.org/10.18510/hssr.2020.83111.
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Purpose: Determine TV program trends towards promoting sustainable development values, and analyze program content, and clarifying the role of development media in supporting the values of sustainable development to the public.
Methodology: The descriptive method was used to analyze the content to test the variables and analyze them quantitatively and qualitatively. The number of samples used reached (24) episodes from two TV programs. Reliability tested using retest with Spearman stabilizer.
Main Findings: TV satellite channels are concerned with sustainable economic, environmental, social, cultural, religious and health issues of development, countered by the weak interest in educational and educational issues, programs seek to achieve the goals of media, news, awareness, and guidance, as well as providing various TV forms, Most notably the interview and the report.
Implications: This study found in order to develop the work of television programs towards new issues that are sustainable development and the importance of public awareness of the necessity of employing them in areas of life and improving plans for managing countries towards attention to sustainability and its impact on setting a good future for society.
Novelty/Originality of this study: This Research raises the topic of sustainable development and the trends of development media and television programs towards their promotion in the society.
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Sumskaya, Anna, and Pavel Sumskoy. "Modeling of TV News in the Context of Information Policy of a Television Channel." Theoretical and Practical Issues of Journalism 7, no. 4 (October 15, 2018): 581–98. http://dx.doi.org/10.17150/2308-6203.2018.7(4).581-598.
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TV viewers build relationships with the outside world, focusing on the news, which is a television interpretation of reality. Media reality is created on the basis of the information policy of TV channels and determines the agenda of the audience. This paper uses M. McCombs' agenda-setting theory, N. Luhmann's cognitive system communication, W. Lippmann's public opinion concept, J. Baudrillard's simulacrum, J. Fiske's code structure, G. Deborah's Performance Society to study television news of Russian TV channels. Based on the systemic, structural-functional, and semiotic approaches, the application of models of communication, information, the cognitive model of the impact of the media on the mass audience and the model of Russian journalism, a TV news projection model was developed in the context of a television channel's information policy. The model was tested on the basis of analysis of 130 news stories of the final weekly news releases of two federal and two regional Russian TV channels. As a result, we have seen that the media reality is constructed as a result of a selection of facts, modeling of meanings and forms of submission of news. The differences in the themes and forms of the news delivery are due to the territorial affiliation and technological development of the channels. In the production process, the journalist acts as an informer, communicator and manipulator, and the news represent a socially constructed and thoroughly edited reality. The media create a similar media reality, a different level of fiction, intended, albeit for the post-Soviet, but still society of centralized spectacle (according to G. Deborah). Translated meanings correspond to the symbolically-oriented mentality of Russians (according to M. Zagidullina). The media reality formed by the TV channels proves that the domestic journalists follow the special Russian way.
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Hafeez, Erum. "METAANALYSIS OF RESEARCH STUDIES RELATED TO EFFECTS OF TELEVISED-VIOLENCE ON SOCIETY." Journal of Social Sciences and Humanities 55, no. 1 (June 30, 2016): 75–86. http://dx.doi.org/10.46568/jssh.v55i1.93.
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With the advent and popularity of Television by the end of 1950s and early 1960s, researchers focused the role and effects of this new medium on its growing audience. Himmelweit (1958) and Schramm (1961) are considered the pioneer researchers in the field. The volume of scientific studies regarding televised violence was largely increased following the landmark State Reports in US published between 1972 and 1982. These reports indicated that the proliferation of TV has exposed children to media violence at home. However, violence is rarely caused by a single factor, it rather involves multiple factors. Signorielli (2005) in her book Violence in the Media rightly commented that television plays a unique role of an entertaining storyteller but the increasing commercialization of TV is a serious matter of concern.1 The objective of this literature review is to provide a holistic overview of the landmark studies conducted on televised violence and its contribution to real life crimes and violence in society.
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Hudson, Luke T., Samuel V. Jett, Katherine E. Kramer, Devin W. Laurence, Colton J. Ross, Rheal A. Towner, Ryan Baumwart, et al. "A Pilot Study on Linking Tissue Mechanics with Load-Dependent Collagen Microstructures in Porcine Tricuspid Valve Leaflets." Bioengineering 7, no. 2 (June 18, 2020): 60. http://dx.doi.org/10.3390/bioengineering7020060.
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The tricuspid valve (TV) is composed of three leaflets that coapt during systole to prevent deoxygenated blood from re-entering the right atrium. The connection between the TV leaflets’ microstructure and the tissue-level mechanical responses has yet to be fully understood in the TV biomechanics society. This pilot study sought to examine the load-dependent collagen fiber architecture of the three TV leaflets, by employing a multiscale, combined experimental approach that utilizes tissue-level biaxial mechanical characterizations, micro-level collagen fiber quantification, and histological analysis. Our results showed that the three TV leaflets displayed greater extensibility in the tissues’ radial direction than in the circumferential direction, consistently under different applied biaxial tensions. Additionally, collagen fibers reoriented towards the direction of the larger applied load, with the largest changes in the alignment of the collagen fibers under radially-dominant loading. Moreover, collagen fibers in the belly region of the TV leaflets were found to experience greater reorientations compared to the tissue region closer to the TV annulus. Furthermore, histological examinations of the TV leaflets displayed significant regional variation in constituent mass fraction, highlighting the heterogeneous collagen microstructure. The combined experimental approach presented in this work enables the connection of tissue mechanics, collagen fiber microstructure, and morphology for the TV leaflets. This experimental methodology also provides a new research platform for future developments, such as multiscale models for the TVs, and the design of bioprosthetic heart valves that could better mimic the mechanical, microstructural, and morphological characteristics of the native tricuspid valve leaflets.
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Havrylets, Yurii, Volodymyr Rizun, Maksym Khylko, and Sergii Tukaiev. "Escape and Entertainment as Key Motives for Viewing TV News in the Light of Ritualistic Use of Television." Current Issues of Mass Communication, no. 23 (2018): 23–34. http://dx.doi.org/10.17721/2312-5160.2018.23.23-34.
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n this study, a scientific interpretation of escape and entertainment TV viewing motives is considered in the view of Uses and Gratifications Theory. More specifically, it is analysed how the TV viewing motives, initially elaborated for general TV use, are important to the TV news consumption. How strong are the motivations to escape and seek for entertainment in TV newscasts? Given that primary goal of TV news viewing is obtaining information about the society and the world, TV news largely perform the instrumental role. However, in digital era, TV news are a combination of hard news (serious newsworthy topics, with analytical approach) and soft news (entertaining news items that rely mainly on attracting viewers’ attention, and relief after watching hard news). After TV viewers return home, there is usually no matter what to watch, but it is important just to relax. Though the amount of soft news is relatively small, it was studied how strong viewers’ motive is to watch an average TV newscast as a means to escape or being entertained. Our study indicates that TV news has to be considered within two motivational patterns elaborated by U&G scholars for general TV use: instrumental and ritualistic viewing. Escape and entertainment motives are indisputable attributes of ritualistic use, whereas informational or surveillance motive leads to instrumental use. Within Uses and Gratifications Theory, the concepts of escapism and entertainment occupy central positions in the row of TV viewing motives. However, they are often considered as a motivation to watch entertainment TV – fictional or reality-based programmes. But specific motivational structure that drives viewers to watch TV news remain largely meagre and divergent. In this study there was analysed the evidence that indicate various extents of strength of escapism and entertainment motives towards TV news viewing. Notwithstanding some criticisms, U&G proved to be an enduring scientific approach. In U&G research, watching TV news is regarded as a process, aimed at obtaining messages about the world and neighbourhood, as well as information necessary for everyday decision making by the viewer and her/his relatives. In recent decades, the infotainment genre or soft news has been becoming more popular, and more and more tabloid TV stations tend to consider that TV news should entertain the viewers not less than to inform, or even more.
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Jiménez-Palacio, Tania, and María José Revuelta-Bayod. "Pass in language, maths... and TV." Comunicar 16, no. 31 (October 1, 2008): 159–66. http://dx.doi.org/10.3916/c31-2008-01-020.
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A new debate has arrived to the Education System. It deals with the need of an alternative teaching, an education that exceeds the academic traditions and studies the social relations, such as the relationship between media and society. Citizens must access an audiovisual teaching, because it is important to unders-tand how television, radio stations, newspapers, etc., work when they inform us, show us the culture or even build our dreams. People must know about the media’s economic and political interests, and also how the audience could make use of communication mass media.En el sistema educativo se ha abierto un debate acerca de la importancia de alfabetizar en otros sentidos que sobrepasan la tradición académica y que se adentran en el análisis de relaciones sociales contextualizadas, como puede ser la relación medios de comunicación-sociedad. Las autoras defienden que es importante que los ciudadanos accedan a una alfabetización audiovisual que les permita contar con recursos para entender el funcionamiento de los medios informativos y culturales como fabricantes de sueños, conocer sus intereses como empresas y poderes fácticos que son, captar sus estrategias de manipulación y persuasión, y comprender cómo nosotros, receptores, podemos utilizarlos.
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Rodríguez-Fuentes, Antonio. "Watching TV with visual impaired children." Comunicar 16, no. 31 (October 1, 2008): 167–71. http://dx.doi.org/10.3916/c31-2008-01-021.
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Unfortunately for visual impaired people, our society is characterised by the exaltation of the image and audiovisual media with a strong visual component. In spite of this there are means already available to make possible a complete access to the visual culture, in particular to mass media. Accessible or universal design allows us sometimes to break the visual sense barriers (for people with impaired vision), and some other times to develop alternative senses (for blind people). Nevertheless, reality does not match the technical and technological possibilities available in present day society.Lamentablemente para las personas con discapacidad visual, la sociedad actual se caracteriza por la exaltación de la imagen y los medios audiovisuales, con fuerte componente visual. A pesar de ello, existen ya medios para ir haciendo posible el acceso íntegro a la cultura visual a las personas con deficiencias, haciéndolas partícipes del universo que representan los medios de comunicación. El diseño accesible o universal permite romper las barreras del sentido visual (para las personas con baja visión) o desarrollar sentidos alternativos (para la ceguera). Sin embargo, el autor constata que la realidad, por desgracia, aún no se corresponde con las posibilidades técnicas y tecnológicas que ofrecen los avances técnicos.
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Woo, Hyung-Jin, and Joseph R. Dominick. "Acculturation, Cultivation, and Daytime TV Talk Shows." Journalism & Mass Communication Quarterly 80, no. 1 (March 2003): 109–27. http://dx.doi.org/10.1177/107769900308000108.
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This study explored the cultivation phenomenon among international college students in the United States by examining the connection between levels of acculturation, daytime TV talk show viewing, and beliefs about social reality. It was expected that international students who were heavy viewers of daytime TV talk shows and who scored low on a measure of acculturation about the United States would hold the most negative perceptions and attitudes concerning U.S. society. Three specific hypotheses were tested. International students who score low on acculturation and watch a great deal of daytime talk shows should (1) overestimate the frequency of certain undesirable behaviors in the United States, (2) have more negative attitudes toward human relationships in the United States, and (3) have more negative perceptions of human relationships in the United States. The first hypothesis received limited support while the second and third received strong support.
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Fatwa, Ah Fajruddin. "Penyebaran Radikalisme di Media Penyiaran TV Indonesia." Proceedings of International Conference on Da'wa and Communication 1, no. 1 (November 5, 2019): 160–68. http://dx.doi.org/10.15642/icondac.v1i1.286.
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This article focused on assessing the role of media broadcasting in the spreading religious radicalism in Indonesia. The emergence of numbers broadcasting and diversity of content used was not only have positive impact on the delivery of information in the community but also possible negative impact among the communities. The research found three identified negative impacts among society. First, spreading hatred information towards certain social or religious groups. Second, the potential for disintegration of national disintegration with messages that conflict with national values. Third, the potential for legal violations that occur due to the weak supervision of digital-based broadcast content. The research also found three weaknesses to develop the capacity Indonesia Broadcast committee first, restoring the weak of statement regulation and contradictory norm within the Broadcasting Behavior Guidelines and broadcasting behavior standard. Second, Developing the institutional coordination among the state institution, and strengthening the socialization of new Broadcasting Behavior Guidelines and broadcasting behavior standard.
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Ali, Shafayat, and Zahid Yousaf. "Educating the Youth in Norms and Values through TV Commercials: A Study of College Students." Global Social Sciences Review IV, no. I (March 30, 2019): 226–32. http://dx.doi.org/10.31703/gssr.2019(iv-i).30.
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Educating the viewers and public is one of the core objective of the media and in modern times TV commercials is one of its major tool to pass on the information and educate the masses. The current study is an attempt to find out how media through TV commercials educate the youth about the norms, values and general information. 1000 students participated in the current study from various colleges of district Lahore and they were selected through multistage sampling technique. A survey was conducted for data collection and regression analysis was used to determine the relationship between TV commercials and educating the norms and values of the society to the youth. The study concluded a direct and positive relationship between the variables i.e. contents and educating the youth in norms and values.
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Madarászová, Alexandra, and Michaela Zemanová. "Reflections of International Relations theories in selected TV series distributed by Netflix." Prace Kulturoznawcze 24, no. 4 (January 12, 2021): 59–76. http://dx.doi.org/10.19195/0860-6668.24.4.5.
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This article demonstrates how Netflix, the current leading SVOD provider, can be a platform of global cultural exchange, which not only provides entertainment, but also offers a critical reflection on international affairs to its subscribers. Despite the fact that most Netflix content is fictional, its distributed and produced films and TV series still portray various theoretical approaches of international relations. This claim is based on the premises of critical discourse, which see our reality in terms of the social context.The aim of the article is to reveal what principles of main international relations theories (namely realism, liberalism, feminism, constructivism, or other critical theories) can Netflix subscribers find in the selected TV series. Using a visual qualitative analysis as a research method, the authors study five TV series, specifically Traitors (UK), 1983 (PL), Nobel (NOR), Pine Gap (AU) and Homeland (US). These TV series were selected with regard to their diverse origins of production, the topic’s central focus being politics, security or international relations, and their high ratings and numbers of viewers.The analysis of each TV series is based on answering three questions, which are used in defining basic premises of the portrayed theories. The following questions are: What role does the state play as an actor in the international system? What is the dominant cultural identity of the society? What is the status of an individual in a country? Processes of forming opinions and building images of social reality are influenced by the context in which the individual acts. As such, cultural exchange can influence the evolution of contemporary media society and thus affect viewers who are indirectly led to critical reflection. The results indicate that the global cultural exchange through the medium of mass entertainment is still driven mainly by traditional theoretical premises.
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Shamsuddin, Muhammad, and Lubana Karim. "IMPACT OF TELEVISION ON WELLBEING OF SOCIETY." Journal of Social Sciences and Humanities 55, no. 1 (June 30, 2016): 13–25. http://dx.doi.org/10.46568/jssh.v55i1.87.
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The present study shows the influential role of TV on all spheres of human life and very type of environments that is surrounding of us. This research attempts to discuss the powerful character of television in depth on the social, moral, political, economical, religious and all other factors, which make full use of this most exceptional and constructive invention. It concluded the challenges that faced viewers which lie in variety of contents that are offering television in forms of news, current affairs, entertainment and social welfare programmes. Furthermore, television is contributing to the benefit of masses in making the awareness of their environment, rights, duties, privileges and above all, patriotic affection and religious proximity in our beloved country.
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Aji, Hendy Mustiko, and Basu Swastha Dharmmesta. "Subjective norm vs dogmatism: Christian consumer attitude towards Islamic TV advertising." Journal of Islamic Marketing 10, no. 3 (September 9, 2019): 961–80. http://dx.doi.org/10.1108/jima-01-2017-0006.
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Purpose With concern on cross-religion research, this study aims to examine Christian consumer attitude towards Islamic TV advertising in Indonesia. This study includes together both subjective norm and dogmatism in an analysis as moderating variables. Design/methodology/approach An online survey for 186 sample respondents was conducted to test nine hypotheses. Multi-group moderation test was conducted to test the moderation effect of subjective norms and dogmatism on the model. Findings The results indicate that Christian intrinsic religiosity has a significant negative relationship with Islamic TV advertising credibility. Consumers’ attitudes towards Islamic TV advertising are proven to be the consequence of Islamic TV advertising credibility, even if the relationship is inverted. Moreover, this study concludes that subjective norms and dogmatism significantly moderate the relationship between Islamic TV advertising credibility and attitudes towards Islamic TV advertising differently. Subjective norms tend to weaken the relationship, while dogmatism strengthens it. Research limitations/implications During the process of this study, the authors uncovered three research limitations. First, too many measurement items for dogmatism eliminated from the analysis. Second, having balanced proportion for the high and low group has become the concern of this study, Third, a sample size of 186 is not adequate for such a complex model. Practical implications Managers should employ endorsers with multi-faceted images who can be accepted by all segments of society to combat the negative perception and attitudes of Christian consumers on Islamic attributes in TV advertising. Originality/value This paper contributes to the literature on cross-religion marketing research, especially on the topic of advertising, by comparing the internal influence (dogmatism) and external influence (subjective norm) on attitude towards Islamic TV advertising.
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Prokofieva, D. V. "Psychological TV-series as a Phenomenon of the Consumer Society of the XXI Century." Discourse 6, no. 5 (November 30, 2020): 29–39. http://dx.doi.org/10.32603/2412-8562-2020-6-5-29-39.
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Introduction. The article examines modern psychological television series as one of the ways to satisfy the thirst for consumption and the desire to find meaning. The author considers the consumer society and the thirst for consumption as its integral characteristic and habit of a person in modern society. To analyze this phenomenon, the author turns to the works of philosophers, finding confirmation of their concepts in modern reality. The emphasis is on the fact that the objects of consumption are “objects” belonging to both material and spiritual culture, with the peculiarity that in the consumer choice itself there is no reflection as its basis. The subject of the research is the phenomenon of modern psychological TV-series.Methodology and sources. To analyze the phenomenon of psychological television series in the context of modern mass and popular culture, the author uses the method of phenomenological analysis, the method of historical parallels, the value method, the dialectical method. The article uses an interdisciplinary and comparative approach. The author relies on the work of representatives of these philosophical trends – Karl Marx, Erich Fromm, Alvin Toffler, Jean Baudrillard, Victor Frankl and others.Results and discussion. We can name many reasons why people can watch TV-series, for example, taking a break from routine, a desire to relax, this is a certain way of spending leisure time. Our goal was to analyze TV-series as a phenomenon of a consumer society, and the situation when watching the series is a goal in itself and a kind of escapism, a way to escape from reality and filling your time. The task was to identify the natural and social reasons for the popularity of modern psychological series.Conclusion. As a result of the analysis, the author concluded that modern high-quality television series perform a triune task. On the one hand, they captivate the plot and allow you to relax and relieve stress, avoiding strong concentration. On the other hand, they involve a claim to be intelligent. And the third point – they distract from routine and everyday life while eliminating the need for a daily choice of a way of spending leisure time. TV-series are a product of the consumer society, and therefore the prerequisite for reflection contained in them is far from always being realized. As a result, the series itself becomes for a person just another way to spend their own time and fill the inner emptiness.
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Khan, Fazal R. "Youth Viewers of Pakistan Television (PTV) and the Enculturation Model of the Islamization Process." American Journal of Islam and Society 9, no. 1 (April 1, 1992): 19–39. http://dx.doi.org/10.35632/ajis.v9i1.2590.
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IntroductionAlthough it was introduced only a little Over two decades ago, PakistanTelevision (PTV) seems to have made tremendous progress in terms of thestandards set by developing countries. PTV now covers 86.4 percent of thetotal population. In a national sample, over 50 percent of all men aged twentyoneand above were found to watch TV daily or often, while the rest watchedless frequently or never. Females, despite the lack of concrete data, are likelyto be even higher consumers of TV fare due to their homebound social status.Similarly, it appears that both males and females under twenty-one yearsof age watch even more television.This precipitate pervasiveness of TV in a developing society like Pakistangives the entertainment TV or entertainment video element of the indigenousculture industry vast potentialities in any serious strategy designed to furthersocial development and to socialize audience members into family, community,and sociopolitical norms within the system at the microindividual, interpersonalsubsystem, and macrosocietal levels. Unfortunately, there have been very fewtheoretically based empirical studies done on any aspect of PTV transmissions ...
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Hut, Rolf, Anne M. Land-Zandstra, Ionica Smeets, and Cathelijne R. Stoof. "Geoscience on television: a review of science communication literature in the context of geosciences." Hydrology and Earth System Sciences 20, no. 6 (June 30, 2016): 2507–18. http://dx.doi.org/10.5194/hess-20-2507-2016.
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Abstract. Geoscience communication is becoming increasingly important as climate change increases the occurrence of natural hazards around the world. Few geoscientists are trained in effective science communication, and awareness of the formal science communication literature is also low. This can be challenging when interacting with journalists on a powerful medium like TV. To provide geoscience communicators with background knowledge on effective science communication on television, we reviewed relevant theory in the context of geosciences and discuss six major themes: scientist motivation, target audience, narratives and storytelling, jargon and information transfer, relationship between scientists and journalists, and stereotypes of scientists on TV. We illustrate each theme with a case study of geosciences on TV and discuss relevant science communication literature. We then highlight how this literature applies to the geosciences and identify knowledge gaps related to science communication in the geosciences. As TV offers a unique opportunity to reach many viewers, we hope this review can not only positively contribute to effective geoscience communication but also to the wider geoscience debate in society.
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Kamboh, Muhammad Khalique, Imran Muslim, and Hafiz Muhammad Muddser. "Effect of Multi-Channeled Cable TV and Varying Demographics on Political Enlightenment of Youth." Global Regional Review V, no. IV (December 30, 2020): 67–76. http://dx.doi.org/10.31703/grr.2020(v-iv).07.
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Mass media is considered to be one of the important agents for the enlightenment of the audience towards better living. Media consumption has taken new trends due to availability of multi-channelled cable television on a large scale. It was hypothesized that the increase in media consumption might have enhanced the political maturity of viewers and make them more productive for society. For data collection through a survey questionnaire, multistage cluster sampling technique was used. Results of the study confirmed the fact that cable TV played a positive role in enhancing the political knowledge of youth. Moreover, the youth of cable TV areas was found to be more mature politically as compared to the youth of noncable TV areas. The study concluded that if more number of options is available in terms of different forms of media or as numerous TV channels, selective exposure becomes very hard and "enhancement in knowledge" is the ultimate result of this phenomenon, hence bringing up the betterment in political maturity of the people.
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Elharraki, Badia. "Legitimation in discourse: The case of women subjected to violence." ELS Journal on Interdisciplinary Studies in Humanities 2, no. 1 (March 28, 2019): 133–40. http://dx.doi.org/10.34050/els-jish.v2i1.5898.
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This article attempts to analyze the discourse of women subjected to marital violence. In this regard, we will analyze how these women legitimize their discourse through evaluation as a narrative component and as a strategy that aims to establish a mode of argumentation that victimizes them and demonizes the violent husbands. The site from which the data is extracted is a TV talk show “Qesset Nnass” (The story of people) on the Moroccan TV channel Medi 1 TV. Specifically, we will be concerned with the ways women articulate propositions through moral legitimation to send messages that can only be decoded by reference to the cultural variable of language. The stories scrutinized are significant in that they foreground the extreme suffering women are subject to within a patriarchal society that leaves no room for acceptable alternatives at the economic, legal, and social levels.
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Hakim, Lukman. "Televising Rural Muslim Culture: Hybrid Muslim Identities on TV Series Upside-Down World." Jurnal Komunikasi Islam 7, no. 1 (June 8, 2018): 1–21. http://dx.doi.org/10.15642/jki.2017.7.1.1-21.
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this article aims to contribute to the current understanding of how the religious-based TV drama Upside-Down World (Dunia Terbalik) depicts the identity of rural-based Muslim society in the contemporary Indonesia. Utilizing a formal method of film criticism, it reveals that the soap opera Dunia Terbalik simulates 'a hybrid new Santri identity' as well as it blurs the existing identities like Geertz' classification of santri. Further, the reculturization occurs within TV drama narrative, through which hybrid new Santri identity constructed, is likely intended to convey the notion that Indonesian Islam (Santri) should be globalized, and the global should be Santrinisized".
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Custers, Kathleen, and Jenna McNallie. "The Relationship Between Television Sports Exposure and Rape Myth Acceptance: The Mediating Role of Sexism and Sexual Objectification of Women." Violence Against Women 23, no. 7 (June 30, 2016): 813–29. http://dx.doi.org/10.1177/1077801216651340.
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Rape affects a large proportion of women in the United States but is one of the most underreported crimes. It is believed that rape myth acceptance contributes to low reporting rates. We tested whether television sports exposure was indirectly related to higher acceptance of rape myth beliefs. An online survey involving 465 undergraduate students showed that viewing TV sports was positively related to hostile sexism, benevolent sexism, and sexual objectification of women. Through these variables, TV sports was indirectly and positively associated with rape myth acceptance. These results suggest that sports programming contributes to the perpetuation of rape myths in society.
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Sukovata, Viktoriya. "The Stalinist Past in Contemporary Russian TV Serials: Reconfigurations of Memory." Journal of Nationalism, Memory & Language Politics 15, no. 1 (July 1, 2021): 69–86. http://dx.doi.org/10.2478/jnmlp-2021-0008.
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Abstract The two main issues that continue to be in the focus of hot public discussions in Russian society are the Great Patriotic War (the German–Soviet war of 1941–1945, as part of World War II) and the tragedy of Stalinism. While the Great Patriotic War was widely reflected in Soviet literature and cinema, the Stalinist issue was seldom represented in Soviet art. In the 1980s and 1990s, there was a period when Soviet and post-Soviet art contributed much to the debates on the Soviet past, and several significant anti-Stalinist films and literary works were created. Since the early 2000s, the cultural situation in Russian society has changed and nostalgia of the Soviet past has spread in the mass consciousness. The purpose of this research is to analyze how the Stalinist past is reconstructed in public memory in contemporary cinema narratives. We arrive at the conclusion that since the 2000s, public interest has drifted from images of war heroism to ordinary people’ lives under Stalin; the contemporary public interest is not the war heroes and famous victims of repressions, but the everydayness of ordinary Soviet citizens who tried to build their private lives, careers, friendships, and family relations under the conditions of pressure from the authorities, spreading fear in the society, shortage of goods, and loss of loved ones. We concentrate on several representative Russian TV serials, such as “Liquidation” (2007), “Maryina Roscha” (2012), and “Leningrad, 46” (2014–2015), because all of them are devoted to the first year of the Soviet peaceful life in different Soviet cities, such as Odessa, Moscow, and Leningrad.
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Korobko, M. I. "THE PROBLEM OF MODERN TV-HERO'S MORAL QUALITIES." UKRAINIAN CULTURAL STUDIES, no. 1 (6) (2020): 50–54. http://dx.doi.org/10.17721/ucs.2020.1(6).11.
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The article is an effort to analyze the image of the modern television hero. Who is he? A hero or a villain? The analysis of modern protagonists is given through ethical and film theories. The problem of clarity of moral boundaries is very important in the light of the trend, which popularizes villains as normal people in modern storytelling, moral boundaries are blurring because of attraction of such heroes. According to Chapman scholars, the functions of modern "bad boy" as an architype are: a) bad boys have the strength to give us freedom at the personal and societal levels; b) a bad boy with a critical view of society can emancipate us on both personal and societal levels; c) bad boy's criticism can lead him to become isolated or withdrawn on a personal level or become a leader of resistance and rebellion on a societal level; d) the comedic bad boy parallels the evils of society and can shed a critical light on what is happening, which in turn can express the need for resistance as well as encourage the individual to retreat from social functions and live in an isolated manner. The complexity of people implies the bad boy limitless in determination because the bad boy appears in many shapes. Many modern heroes in movies and tv-shows are morally ambivalent, they combine features of Hero and Trickster archetypes and become bad boys and girls who question the very essence of our world order. Today there are so many characters like this in mass-culture (tv-series, movies and cartoons) because we live in time of the global world crisis and our culture reflects this, our heroes demonstrate us our problems and try to find a solution. And sometimes the classic understanding of morality can't help us and we are trying to solve the problems through immoral actions. Villains are attractive through their rebellion. Today we can't find clarity of moral boundaries in tv-shows. But it's very important. The influence of series and movies on the young generation is enormous. Cinematography in all forms (cinema and television) is very powerful ethical instrument. And it is not just the mirror of human morality but it has a teaching function too.
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Quintas-Froufe, Natalia, and Ana González-Neira. "A new challenge for advertising on mobile devices: Social TV." Revista ICONO14 Revista científica de Comunicación y Tecnologías emergentes 13, no. 1 (January 1, 2015): 52–75. http://dx.doi.org/10.7195/ri14.v13i1.755.
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Mobile device advertising is a rapidly growing market due to the penetration of mobile devices in Spanish society. Advertising communication in this digital ecosystem continually poses new challenges. One of these - the subject of this proposal - is the link-up between mobile advertising with social TV. It opens up new possibilities for the development of advertising strategies on mobile devices.The aim of this paper is to describe the challenges faced by the Spanish advertising industry with the recent introduction of Social TV. Spain has one of the most developed Social TV sectors in Europe. It will provide a global overview of this new reality and uncover the new possibilities and main challenges for the development of advertising strategies for mobile devices. To this end we propose an examination of the perception of two of Spain’s major broadcasting empires, Atresmedia and Mediaset España, of this phenomenon.
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Rauf, Sarwat, Inayat Kalim, and Muhammad Mubeen. "Impact of Electronic Media on Pakistan’s Security." Global Social Sciences Review III, no. I (March 30, 2018): 434–46. http://dx.doi.org/10.31703/gssr.2018(iii-i).25.
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To control the mindset of any society, media plays an important role due to its ability to transfer information and thereby transform societies. Electronic media which thrives on conspiracies, has not lost its importance and TV is still a popular means of communication. By virtue of technological innovations, electronic media has a vast impact on all segments of society (exposure to modern technology and becoming vulnerable). In the contemporary world, terrorism is a major security threat in Pakistan. Continuous open electronic media coverage of issues occur with inherent bias. Against this backdrop, the role of media becomes crucial as the media agenda is gradually turning into the public agenda. Electronic media is inherently biases to the opinions of those reporting the situation. Admittedly, media can influence a large chunk of society. Importantly, Pakistan’s private TV channels while giving an insight to the audience, intentionally or unintentionally, may drive a negative mindset and give birth to perceived security threats. This paper attempts to ascertain the complex connection between security and the electronic media and also highlights the negative impacts of media on the security of Pakistan.
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Lee, Misook. "#MeToo and broadcast journalism in South Korea: The gatekeeping process of #MeToo." Interactions: Studies in Communication & Culture 10, no. 3 (November 1, 2019): 223–40. http://dx.doi.org/10.1386/iscc.10.3.223_1.
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This article aims to articulate the process of broadcasting #MeToo in South Korea to understand the gatekeeping process and its impact on the expansion of the #MeToo movement. After Suh Ji-hyun, a prosecutor, spoke out publicly about her experiences of being sexually harassed, South Korea has witnessed the expansion of #MeToo and #WithYou, a solidarity movement with the victims, in every sector of society. To understand how a gendered and patriarchal society could bring huge support for the #MeToo, this article sheds light on the broadcasting process of #MeToo. The most trusted and influential news brand in South Korea is JTBC, a TV broadcasting company. This research conducted semi-structured interviews with JTBC journalists and analysed the content of the JTBC news. JTBC put higher news value on ‘victim’s voices’ delivered directly through TV live interviews and framed #MeToo as a ‘structural problem’ from the power relation. Through interviews with journalists, this research found that #MeToo stories could pass through the individual, organizational and social-system level, which made the intensive media coverage on #MeToo possible and eventually developed the expansion and impact of #MeToo among society including media organizations reflexively.
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Tutar, Cem. "Risk Toplumu Söylemlerinin Televizyon Reality Programlarında Temsili." Etkileşim 2, no. 4 (October 2019): 88–115. http://dx.doi.org/10.32739/etkilesim.2019.4.65.
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Temellerini Aydınlanma Düşüncesinden alan modernleşme teorisi toplumsal alanı akıl ve bilimin öncülüğünde metafizik bilgi dışarıda kalacak şekilde planlarken belirsizlikler ve riskler üretir hale gelmiştir. Modernliğin kendi üzerine uygulanması anlamına gelen düşünümsellik fikri oluşan bu yeni toplumsal düzeni risk toplumu olarak adlandırırken; risk, modern toplumların gündelik yaşam pratiklerinin bir parçası olarak sıradan insanın hayat epizotlarına eklemlenmeye başlamıştır. Giderek daha fazla etkisi hissedilen risk söylemi medya aracılığı ile modern toplumların gündelik yaşamında dolayımlanmaktadır. Risk toplumu söyleminin içerdiği bilimsel ve teknik uzman bilgileri medyanın oluşturduğu sembolik evrenler içerisinde şekil alırken bireylerin yaşamlarında anlam repertuarları oluşturmaktadır. Böylece toplumların geçmişten getirdikleri geleneksel değer ve normlar bu dönemde dönüşerek neo-liberal pazar ekonomisinin gereklilikleri çerçevesinde güncellenmektedir. Küreselleşme süreciyle Batı ve Batı dışı toplumları eşzamanlı olarak etkileyen bu toplumsal dönüşüm içinde sistemin işleyişinden kaynaklanan risklerin topluma sunulduğu bir mecra olarak olgusal içerikleri temel alan reality programlar farklı alt türleriyle sistemin üretim ve yeniden üretim sürecinde etkin rol oynamaktadır. Bu anlamda söz konusu programlar bir televizyon program türü olmasının ötesinde ideolojik bir araçtır. Reality programların içerdiği risk bilgisi kimi zaman bireylere kentsel yaşamda olası karşılaşacakları risklerden kaçınma pratikleri olarak sunulurken, aynı zamanda neo-liberal pazar ekonomisinin gereklilikleri çerçevesinde alınacak riskler konusunda rehber olma işlevine haizdir. Bu çalışmada ulusal televizyon kanalları içerisinde reality programların alt türleri dikkate alınarak amaca yönelik bir örneklem oluşturulmakta ve bu yolla tespit edilen programların modern kültürün getirisi olan risk duyumu ve belirsizliklerle ilişkisi, alana ait kuramsal bir paradigma üzerinden irdelenmektedir.
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Markelov, Kirill V., Ekaterina B. Gromova, and Niyara R. Nafieva. "Negative news on the central TV channels of Russia and Ukraine: general and specific." RUDN Journal of Studies in Literature and Journalism 24, no. 3 (December 15, 2019): 521–32. http://dx.doi.org/10.22363/2312-9220-2019-24-3-521-532.
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The relevance of the article is caused by a number of socially significant factors, the most important of which is the possibility and inevitability of manipulative impact on the consumer of information through the formation of the media agenda on television with the active use of negative information in news releases. The scientific objective of the study was to attempt to resolve the theoretical and theoretical and applied questions about the role of the negative news in a person's life and society, on the need for revisions to the negative news to hold the attention of the television audience, the specifics of the use of negative information in the news releases of the Russian and Ukrainian TV channels. The article defines the negative news, systematizes the factors of formation of negative news, identifies and structures the main components of their submission, identifi the specifi of the negative news on Russian and Ukrainian television in the news releases of TV channels “Channel One”, “NTV”, “1+1”, “Ukraine” in the period from 2014 to 2018. The main conclusion of the article is the need to reduce the negative information in the news releases of Russian and Ukrainian TV channels in order to reduce the level of manipulative impact on the audience and the overall negative impact on the psyche of man and society.