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Journal articles on the topic 'Society of Graphic Designers of Canada'

Author: Grafiati
Published: 4 June 2021
Last updated: 29 July 2025

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1

Snow, M. Elizabeth, and Nancy Snow. "Interactive Logic Models: Using Design and Technology to Explore the Effects of Dynamic Situations on Program Logic." Evaluation Journal of Australasia 17, no. 2 (2017): 20–28. http://dx.doi.org/10.1177/1035719x1701700204.

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Logic models are commonly used by evaluators to illustrate relationships among a program's inputs, activities, outputs, and outcomes. They are useful in helping intended users develop programs, communicate a program's theory of change, and design evaluations. However, as static documents, logic models can be challenging to build, work with, and present to stakeholders, especially for large and complex programs. Challenged by this inadequacy of static logic models, a program evaluator turned to a graphic designer and a software developer for help. Together, this interdisciplinary group develope
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2

Wang, Ruo Hong. "Professional Software Analysis and Comparison for Graphic Design." Applied Mechanics and Materials 644-650 (September 2014): 3170–73. http://dx.doi.org/10.4028/www.scientific.net/amm.644-650.3170.

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Contacting with the development of the society, the world is increasingly close, the Internet has become an inseparable part of modern society, and the new century must rely on the powerful computer information technology to better development. The continuous renewal of network, the rapid development of computer technology, computer graphic design industries widely used. Application in the field of generalized naturally shows the importance of computer graphic design, further shows the importance of studying graphic design knowledge. Present and future society requires high-quality high-cultur
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Cheshenko, L. I. "The Role of Design for the Deaf and Hard of Hearing in History and Modern Society." Contemporary problems of social work 6, no. 3 (2020): 22–29. http://dx.doi.org/10.17922/2412-5466-2020-6-3-22-29.

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the article describes one of the branches of design – graphic design, as an integral part of society. Namely the role and adaptation of graphic design for deaf and hard of hearing people. The methodological basis of the research is the works of such authors as E.A. Rosenblum, V. Singe, I.F. Heilman. Based on the results of the study, recommendations were developed for designers developing a design product adapted for deaf and hard of hearing people.
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Hu, Die, and Bian Guo. "The Application of Graphic Design in Cultural and Creative Products." Highlights in Art and Design 3, no. 1 (2023): 30–32. http://dx.doi.org/10.54097/hiaad.v3i1.9164.

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Times are developing, society is progressing, and the quiet rise of cultural and creative products, which not only enriches the content of cultural industries, but also promotes the progress of regional culture. The use of graphic design to enhance the value and meaning of cultural and creative products is accepted by many designers. In the design of cultural and creative products, designers are using graphics more and more frequently to decorate cultural and creative products. Graphics have become a factor that cannot be ignored in the design of cultural and creative products, and the creativ
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Tang, Weihong. "Embodied Environmental Crisis in Design Activism: the Influence of Digital Media Design Affordances on Information Dissemination and Public Engagement." Journal of Education and Educational Research 5, no. 3 (2023): 172–77. http://dx.doi.org/10.54097/jeer.v5i3.13692.

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Addressing the urgent environmental crisis is at the heart of this exploration, where design activism and the impact of digital media design on information dissemination and public engagement take center stage. With rising carbon emissions and human activities exacerbating environmental degradation, the role of designers in this context becomes crucial. The essay commences by underscoring human activities as major contributors to environmental decline, particularly within the Creative Industries. Despite initiatives such as the Ad Net Zero report, fundamental questions persist regarding the ev
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Irfan Sadida, M. Gunawan Setyadi, and Aisyah Mutia Dawis. "PENINGKATAN KETERAMPILAN DESAIN GRAFIS BAGI MAHASISWA AISKA UNIVERSITY DALAM MENGHADAPI ERA 4.0." Jurnal Pengabdian Masyarakat Nusantara 4, no. 3 (2022): 01–13. http://dx.doi.org/10.57214/pengabmas.v4i3.115.

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The rapid development of technology is very influential on institutions, society and even universities. At this time, the role of graphic design in all fields is needed. This can be proven by the many fields of business that utilize the expertise of graphic designers. The shifting habit of using digital media in human activities has made the use of design as media promotion increasingly widespread in the business world. Examples of promotional media include brochures, leaflets, posters, business cards, billboards, banners, and banners. This illustrates that graphic design skills are important
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Sarmast, Shahriar. "An Interview with Morteza Momayez." Design Issues 21, no. 1 (2005): 18–23. http://dx.doi.org/10.1162/0747936053103093.

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Design Issues is pleased to publish this interview with Iranian graphic designer Morteza Momayez recently conducted in Tehran by Shahriar Sarmast. Morteza Momayez, Iran's foremost graphic designer, has been active in the field for more than fifty years. When he began his career in the early 1950s, he designed Iranian newspapers and magazines. In the 1960s, he completed a degree in art at the University of Tehran, and did further studies in Paris. Mr. Momayez is the author of numerous books on graphic design in Farsi, and his work was featured by F.H.K. Henrion in his book Top Graphic Design (1
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Udris-Borodavko, Natalia. "Creative Resistance to Russian Aggression as a Socially Responsible Initiative of Graphic Designers of Ukraine." Demiurge: Ideas, Technologies, Perspectives of Design 5, no. 2 (2022): 154–70. http://dx.doi.org/10.31866/2617-7951.5.2.2022.266899.

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ІНФОРМАЦІЙНИЙ
 The purpose of the article is to highlight the results of the half-year activity of the Department of Graphic Design of KNUKiM (KNUC&A) in the informational struggle against Russian aggression. The experience of creative resistance as a creative mission of students and teachers of the department in the period from February 24 to August 24, 2022, is analyzed from the standpoint of the concept of the “socially responsible initiative” of a graphic designer introduced by the author of the article. The purpose is also to compile pedagogical activities for the training of soc
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Udris-Borodavko, Natalia. "Creative Resistance to Russian Aggression as a Socially Responsible Initiative of Graphic Designers of Ukraine." Demiurge: Ideas, Technologies, Perspectives of Design 5, no. 2 (2022): 154–70. https://doi.org/10.31866/2617-7951.5.2.2022.266899.

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The purpose of the article is to highlight the results of the half-year activity of the Department of Graphic Design of KNUKiM (KNUC&A) in the informational struggle against Russian aggression. The experience of creative resistance as a creative mission of students and teachers of the department in the period from February 24 to August 24, 2022, is analyzed from the standpoint of the concept of the “socially responsible initiative” of a graphic designer introduced by the author of the article. The purpose is also to compile pedagogical activities for the training of social
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10

Royhan, Muhammad Ghoyyas, and Dhevin Kawistoro Ngabekti. "Problematika Desain Komunikasi Visual dan Plagiarisme dalam Dunia Desain Grafis." CITRAWIRA : Journal of Advertising and Visual Communication 2, no. 1 (2021): 86–95. http://dx.doi.org/10.33153/citrawira.v2i1.3671.

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The development of technology, especially the internet, triggers graphic designers to be more active and creative in their work. Publication of graphic design works through social media and other media, but as a result of that plagiarism is also very rampant because of easy access to see other people's work via the internet. The formulation of the problem to get a solution through research is how to increase the creativity of the creators. Design of visual communication that is useful or beneficial for the general public and how to try to suppress plagiarism in graphic design. Qualitative Rese
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Dongting, Ju. "PEDAGOGICAL ASPECTS OF PROFESSIONAL TRAINING OF FUTURE SPECIALISTS IN GRAPHIC DESIGN." Bulletin of Alfred Nobel University Series "Pedagogy and Psychology" 2, no. 20 (2020): 188–94. https://doi.org/10.32342/2522-4115-2020-2-20-21.

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The article is devoted to the matter of improving the psychological and pedagogical features of professional training of future graphic design specialists. Namely, suсh features are considered as providing organizational, pedagogical and psychological support, improving the system of professional training of future graphic designers; determination of forms and approaches to support the process of preparing the future graphic designers for professional activity taking into account the real situation on art labor market. Based on the review of literature sources, the concept of “training” is see
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Sarmiento, Wilson J., and Santiago Mesa-Romero. "Art, science and technology, brief reflections on interdisciplinary work." TecnoLógicas 21, no. 41 (2018): 9–11. http://dx.doi.org/10.22430/22565337.742.

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Interdisciplinary work is necessary to respond to the challenges of the current society. For instance, the partnership between technology, humanities and arts, had allowed the contemporary development of interactive systems. An example is the fact that producing a smartphone involves graphic designers, psychologists, illustrators, sociologists, and other professionals, including engineers. One might say the same about the development of video games, laptops, movies and computer mice. In summary, behind of the creation of any "technological artifact" there is hard interdisciplinary work.
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Udris-Borodavko, Natalia. "Structural Model of Graphic Design as a Socio-cultural Phenomenon." Demiurge: Ideas, Technologies, Perspectives of Design 8, no. 1 (2025): 8–20. https://doi.org/10.31866/2617-7951.8.1.2025.330434.

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The purpose of the article. Based on the analysis of professional graphic design as-sociations in European countries, to identify the components of the systemic functioning of graphic design in society and to form its structural model for the holistic development of its power and influence in Ukrainian society. Research methods. The system-structural analysis was applied, on the basis of which the internal relations and interaction of the system elements were revealed. Scientific novelty. The article is the first to analyze the systematic functioning of graphic design on the example of profess
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14

Назарова, Л. Р., and С. В. Батурина. "Contemporary book and illustration as a new type of communication." Экономика и предпринимательство, no. 12(125) (February 16, 2021): 1200–1203. http://dx.doi.org/10.34925/eip.2021.125.12.240.

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В статье рассматриваются аспекты формирования современного информационного общества, основные функциональные моменты взаимодействия представителей профессионального сообщества дизайнеров-графиков.. Проблема внедрения профессиональных стандартов в соответствии с образовательными актуализирует вопросы обучения студентов-дизайнеров корректному взаимодействию с заказчиком. The article deals with the aspects of the formation of the modern information society, the mainfunctional aspects of interaction between representatives of the professional community of graphic designers.. The problem of impleme
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15

Ilgiewicz, Henryka. "Towarzystwo XXVII Miłośników Książki w Kownie (1930-1940)." Z Badań nad Książką i Księgozbiorami Historycznymi 11 (December 29, 2017): 193–216. http://dx.doi.org/10.33077/uw.25448730.zbkh.2017.35.

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The Society XXVII of the Lovers of Books was acting in Kaunas in 1930-1940. The aim of this society was to develop fondness for a nicely edited books, as well as keeping ties with other bibliophile societies. Most of the Society members were deeply connected of the society there were persons deeply connected with books: editors, graphic designers and known Lithuanian politicians and public figures. Number of members varied from 12 to 23, and the most active were: Vytautas Steponaitis, Viktoras Cimkauskas, Paulius Galaunė, Vaclovas Biržiška, Marija Urbšienė, Petras Jakštas, Vilhelmas Burkevičiu
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16

Jakoubě, Helena. "Graphic Design Approaches for Visually Impaired People." CRIS - Bulletin of the Centre for Research and Interdisciplinary Study 2012, no. 3 (2012): 5–34. http://dx.doi.org/10.2478/v10284-012-0005-z.

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This essay will discuss graphic design approaches for the visually impaired people. It focuses on several graphic design fields such as typography, images, printing, reading and writing, info graphic in different parts of life, packaging and web design and how they meet with the visually impaired people’s needs. Many useful things were invented and are helping the visually impaired people in their daily life but I see there are still significant problems and issues that need solutions. The graphic designers are those who can do much more to help these people to be part of the society more than
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17

Maksymchuk, Anatolii, Olena Shvets, Tetiana Shtainer, Inna Petrova, Nataliia Kravchenko, and Oksana Abramova. "Developing Art and Graphic Skills among Future Designers: An Integrative Principle and A Methodical Model." Revista Romaneasca pentru Educatie Multidimensionala 16, no. 2 (2024): 105–17. http://dx.doi.org/10.18662/rrem/16.2/848.

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The authors talk about the methodological problems of training designers in transitional educational systems of postcolonial society. They solve new theoretical perspectives of integrative design teaching for future specialists. The authors aim not only to generalize the theoretical foundations, but also to create a single relatively closed model of formation of artistic and graphic skills and abilities of future designers and even offer illustrative tasks with simultaneous use of different types of social consciousness and the main (generic) types of modern design - environmental, universal.
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18

Rocha, Cláudio Aleixo, and Sophia Nunes de Almeida. "Design social e a representatividade LGBTQIAPN+ nas histórias em quadrinhos." 9ª Arte (São Paulo) 13 (January 15, 2025): e230244. https://doi.org/10.11606/2316-9877.2025.v13.e230244.

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Social design was the theoretical basis for this research, and the main objective was to understand how minority communities, specifically LGBTQIAPN+, had their lives narrated in comic books. The final result was a catalog of comics with LGBTQIAPN+ themes and the creation of the original comic book: “Vivências”, which addresses the theme of adoption among same-sex couples and transgender representation. The comic book tells the story of a same-sex couple seeking to adopt a child. The narrative and visual composition of the comic show how graphic designers, with social objectives, can be an ins
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Kim, Amy. "Intersectionality, The Social Model of Disability, and Identity." Canadian Journal of Autism Equity 1, no. 1 (2021): 28–31. http://dx.doi.org/10.15173/cjae.v1i1.4990.

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The introductory graphic represents the identity conflict that the author experiences daily. The terms represent labels assigned to the author in the past, the barriers that Autistic people must constantly overcome, and some of the social rules the author has very consciously and intentionally adopted to "fit in" with society. The accompanying experience piece outlines some of the difficulties the author has experienced that suggest that there needs to be more awareness in Canadian society regarding autism and intersectionality. Anecdotally, there appears to be a need for increased access to d
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Dyachenko, Alla. "Concepts of ethnodesign in the future designers’ training at the artistic higher education institutions." IMAGE OF THE MODERN PEDAGOGUE 1, no. 3 (2021): 110–14. http://dx.doi.org/10.33272/2522-9729-2020-3(198)-110-114.

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The article highlights the essence of the concept «ethnodesign». Features of using ethnodesign tools in creative socio-cultural projects of artistic institutions by future and leading designers are considered. The following etnotematics are rethinking: national motives of folk culture, fine and decorative arts, architecture, interest in traditional decoration and colors. The author analyzes the concepts of ethnodesign and the specifics of its use in different time periods. Cosmopolitanism of design solutions and internationality of figurative language make design products understandable for th
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Soledad-Acosta, Nelly. "EL DISEÑADOR GRÁFICO EN LOS PROCESOS DE COMUNICACIÓN:¿MEDIADOR O INTERMEDIARIO?" DISEÑO ARTE Y ARQUITECTURA, no. 9 (December 21, 2020): 99–113. http://dx.doi.org/10.33324/daya.v1i9.337.

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Jesús Martín Barbero, gran teórico de la comunicación y los medios, habla sobre el trabajo de los comunicadores sociales y plantea que ellos deben pasar de ser “intermediarios a ser mediadores y participantes en la construcción de otra sociedad”. Se sabe, por otra parte, que el diseñador gráfico es un comunicador que, profesionalmente debe usar estrategias, conocimientos, habilidades y competencias para desempeñar su rol en la industria cultural. Esta industria es un fenómeno que encierra las transformaciones de la sociedad de hoy, en temas como la cultura, la globalización y la información; p
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Gu, Guo Lan. "Research on the Image Based on the Visual Sensory Apply to the Layout Design." Applied Mechanics and Materials 713-715 (January 2015): 1886–89. http://dx.doi.org/10.4028/www.scientific.net/amm.713-715.1886.

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In the visual background, diversified and personalized art design styles gradually permeate society and people’s habit of receiving information. With the constant improvement of the visual sensory requirements, word is no longer the only dissemination channel and its dominance suffers great influence. Visual communication is the vitality of the layout design. The design form of image application and graphic combination has has influenced social groups’ the habit of receiving information increasingly. A new form makes the pages more unique, full and has a sense of beauty. This paper introduces
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Gudelj, Ante, Marina Vukoje, Katarina Itrić Ivanda, Rahela Kulčar, and Tomislav Cigula. "Efficiency of Ecofonts in Legibility and Toner Consumption." Sci 7, no. 1 (2025): 29. https://doi.org/10.3390/sci7010029.

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The development of modern society puts a serious strain on the environment. To protect the future of our planet, it is necessary to develop smarter and more sustainable ways in all industrial sectors for humanity to grow while reducing its impact on nature. Graphic designers can also contribute to a smarter future by designing an environmentally friendly typography. The use of ecofonts is an innovative approach that could potentially have great economic and environmental benefits. However, it also leads to a reduction in the print quality of text compared to standard fonts. This research aims
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Solomentseva, Svetlana Borisovna. ""Human or artificial intelligence?": an empirical study of respondents' declared preferences in digital graphics." Человек и культура, no. 1 (January 2025): 37–49. https://doi.org/10.25136/2409-8744.2025.1.73520.

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Currently, technologies based on the use of artificial intelligence are being integrated into most spheres of life in modern society, which determines the relevance of the research topic. The initial stages of this movement were associated with solving problems of optimizing routine processes, but recently there has been a tendency to introduce innovative neural network practices in such areas as culture and art, which were considered the prerogative of man. The purpose of this work is to experimentally identify respondents' declared preferences between digital graphic works created by humans
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Ahmed, Hatem Tawfik, and Ashraf Mohamed Aly. "Recycled Waste Materials in Landscape Design for Sustainable Development (Al-Ahsa as a Model)." Sustainability 15, no. 15 (2023): 11705. http://dx.doi.org/10.3390/su151511705.

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When we think about sustainability, the most common understanding relates to the environment, economy, and social issues. Environmental art is increasingly becoming a medium to address environmental challenges that offer many opportunities when included in the work of sustainable development. The research methodology explores the relevance of art and design projects using recycled or waste materials in landscape park architecture for sustainability, helping to preserve natural resources and protect the environment. Additionally, designing a landscape park in Al-Ahsa Governorate using recycled
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Dills, Patrick, Amy Stevermer, Tony Mancus, Bryan Guarente, Tim Alberta, and Elizabeth Page. "COMET’s Education and Training for the Worldwide Meteorological Satellite User Community: Meeting Evolving Needs with Innovative Instruction." ISPRS International Journal of Geo-Information 8, no. 7 (2019): 311. http://dx.doi.org/10.3390/ijgi8070311.

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Since 1989, the COMET<sup>®</sup> Program’s staff of instructional designers, scientists, graphic artists, and web developers has been creating targeted, effective, and scientifically sound instructional materials for the geosciences in multiple languages and formats. The majority of COMET training materials and services are available via COMET’s online training portal, MetEd. MetEd hosts over 500 self-paced English-language lessons, which are freely available to registered users. The lessons cover a broad array of topics, including satellite meteorol
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27

Tsidilo, Iryna. "Analysis of the educational and professional program for bachelor’s degree in graphic design at the Western Ukrainian national university." International Review For Human and Natural Sciences 15, no. 1 (2025): 19–38. https://doi.org/10.59505/irhns.22352007.2005.1.02.

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The study explores the understanding of various issues observed in design education at the university level worldwide; it examines the main contemporary design challenges; and analyzes the process of modernization of the educational and professional program for preparing a Bachelor’s degree in Graphic Design at the Western Ukrainian National University. The research emphasizes the need for integrating innovation, interdisciplinary approaches, and ethical principles into contemporary design education. Modern curricula should not only provide students with professional knowledge but also foster
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Cao, Meng. "Advocacy for Design Education: Shifting from Traditional Design Paradigms to Human-centred Social Design." International Journal of Education and Humanities 12, no. 2 (2024): 19–23. http://dx.doi.org/10.54097/43b3ba60.

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This study examines the gradual evolution from traditional design paradigms to today's socially orientated design in the field of traditional design education. Traditional types of design exist in numerous industries, such as architecture, interior, apparel, and graphic design. However, much of the past design paradigm has been practically orientated. In contrast, the design industry and its processes are slowly becoming more socially relevant. After all, the advancement of society requires a greater consideration of the needs of the user. Therefore, there is a huge challenge in the transition
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Radomska, V., and Alina Kostiuk. "IMAGE AND FONT COMPOSITION IN GRAPHIC IDENTIFICATION OF PACKAGING." Vìsnik Nacìonalʹnogo unìversitetu "Lʹvìvsʹka polìtehnìka". Serìâ Arhìtektura 4, no. 1 (2022): 144–52. http://dx.doi.org/10.23939/sa2022.01.144.

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The article highlights the topical problems of searching for new methods of using font and image elements in project design methodology of compositional integrity of graphic identification development for packaging of consumer goods. Research purpose of the article is to outline and investigate the methods of reflecting identification of packaging with the help of author's unique image and font composition. We have analyzed and determined the role of author's unique creative thinking in ensuring the expedient synthesis of shape formation and optimal convenience, stylistic relevance, and market
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Parsons, E. C. M., Ashley Scarlett, and Andrew Kornblatt. "FantaSEAS Project: Incorporating Inspiring Ocean Science in the Popular Media." Marine Technology Society Journal 55, no. 3 (2021): 110–11. http://dx.doi.org/10.4031/mtsj.55.3.34.

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Abstract One of the goals of the UN Oceans Decade is “an inspiring and engaging ocean where society understands and values the ocean in relation to human well-being and sustainable development.” The UN Ocean Decade also calls for promoting diversity in ocean science, engaging multiple stakeholders, including industries and the wider public, as well as promoting ocean science literacy. The FANTASeas project aims to do this.One major source of inspiration for the general public for millennia has been art and literature. Over the past century, key sources of public inspiration when it comes to sc
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ÜNAL, Sinem. "The Effect Of Will Henry Bradley Illustrations On Graphic Design In The Art Nouveau Movement." INTERNATIONAL JOURNAL OF HUMANITIES AND ARTS RESEARCH 8, no. 4 (2023): 350–69. https://doi.org/10.5281/zenodo.8392392.

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As the end of the nineteenth century approaches, the art world has come to the brink of a new era. In this period, the effect of industrialization, the transformation of urban life and the speed of scientific developments had a profound effect on artists. The rise of industrialization brought with it great changes in production processes and the transformation of the social structure. At this point, the Art Nouveau movement emerged. In the emergence of the Art Nouveau movement, it was observed that industrialization standardized and mass production methods limited and clarified traditional cra
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Deitz, Dan. "Bringing Dashboards Up-to-date." Mechanical Engineering 120, no. 09 (1998): 74–75. http://dx.doi.org/10.1115/1.1998-sep-4.

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This article illustrates tests in a digital laboratory that helped engineers ensure that a critical bracket would support the plastic-molded models increasingly favored by consumers. A case in point is Coachmen Recreational Vehicle Co. of Middlebury, IN. Coachmen engineers have used finite element analysis software from Pittsburgh-based Algor Inc. to test an innovative new dashboard under loading conditions experienced by a recreational vehicle (RV) while on the road. Coachmen Recreational Vehicle Co. designs and manufactures RVs, including motorhomes, travel trailers, fifth wheels, and truck
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Yefimenko, Olena. "Organization of the educational process of future specialists in graphic design using digital technologies." Scientific Notes of the Pedagogical Department, no. 52 (September 5, 2023): 51–57. http://dx.doi.org/10.26565/2074-8167-2023-52-06.

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Today we live in the era of global digitalization of society. The rapid development of technologies and digitalization captures an ever-increasing spectrum of human activity, including educational and creative areas. Digitazation is rethinking approaches to the organization of the educational process, creative and project activities at the global level. Digital technologies should be understood as one of the tools in design activity in contemporary art, as well as an area for creaƟng immaterial virtual products. The purpose of the article is to highlight the impact of digital technologies on t
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Mauleti, Eston Kamelang. "VISUALISASI MELALUI PENDEKATAN METAFORA PADA POSTER NORTH meet SOUTH = UNITY." Jurnal Da Moda 3, no. 1 (2021): 36–43. http://dx.doi.org/10.35886/damoda.v3i1.224.

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Poster is a two-dimensional visual media with large format that is useful for conveying commercial, social, cultural, political messages. Large format is used to display messages through images. Images on a poster are generally large and have a strong appeal so that it can attract the attention of the public immediately see it. The development of posters began in the late 17th century until now. European countries have an excellent poster tradition. Germany is one of them, the growth of posters in the country became part of the life of its modern society. Many moral and social messages that in
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Damajanti, Maria Nala, and Elisabeth Christine Yuwono. "The Implementation of Service-learning in Typography Class to Design the Cover of Street Vendor Stalls in Surabaya, Indonesia." SHS Web of Conferences 59 (2018): 01018. http://dx.doi.org/10.1051/shsconf/20185901018.

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Through Service Learning (S-L) program students of Typography 2 class, Visual Communication Design, Petra Christian University, had an opportunity to learn and applied their knowledge. The selected media is street vendor stall’s cover (it is known as keber Pedagang Kaki Lima or PKL in Indonesia) at Surabaya. This media usually installed in front of the street vendors stall. The cover material is fabric or outdoor vinyl. S-L itself is a new method which applied to Typography 2 class. S-L method was selected as one of learning method which allows students to implementing typography theories to s
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Sanei, Elham. "Visual and Symbolic Elements of the Sema Ceremony in Graphic Design, with a Focus on Rumi's Sema." International Journal of Religion 6, no. 1 (2025): 128–38. https://doi.org/10.61707/55scta22.

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In the contemporary era, where visual arts have expanded significantly, words have largely given way to visual art, and sometimes to a phrase or a word in an artistic or literary work that serves as a symbol or sign. Artists, especially poets, illustrators, and graphic designers, have a specific goal and correct path in using these elements. Therefore, to understand and analyze the artist's intention, it is necessary to recognize their visual logic and language. In art that deals with spiritual meanings, semiotics gains more importance, which can be found in the poetry of Rumi. The choice of S
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Fursa, O., L. Bazyl, V. Orlov, and L. Oruzha. "SOCIO-ECONOMIC PREREQUISITES FOR THE DEVELOPMENT OF THE DESIGN SERVICES MARKET." Financial and credit activity problems of theory and practice 6, no. 41 (2022): 503–11. http://dx.doi.org/10.18371/fcaptp.v6i41.251516.

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Abstract. The purpose of the article is to substantiate the economic and social prerequisites for the development of the market of design services, which operates successfully only subject to the integration of the global market of design services, creative abilities and business qualities of domestic designers whose activities should meet the expectations of the ever-increasing demands of consumers and the individual needs of design professionals. The theoretical significance of the article is to recognize and generalize analytical and critical research of Ukrainian and foreign scientists, th
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Khoeroni, Ulfah Siti, and Zikri Fachrul Nurhadi. "Pendampingan Pembuatan Konten dan Publikasi Gerakan Sosial bagi Anggota Remaja Masjid." Prima Abdika: Jurnal Pengabdian Masyarakat 4, no. 2 (2024): 301–13. http://dx.doi.org/10.37478/abdika.v4i2.4104.

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Ikatan Remaja Masjid Suci (IRMAS) has a variety of social movements of productive and positive activities that should be published in order to be an inspiration and motivation for its neighbors or a large audience. The problem faced by Ikatan Remaja Masjid Suci (IRMAS) is the limitation in using digital media effectively to spread messages of social movements. The limited knowledge and skills in creating interesting content as well as appropriate publication strategies have hampered community efforts to disseminate social movement activities in reaching a wider target audience and affecting th
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Kaczorowski, Jan. "Gdy treść i forma idą w parze. O edytorskich i estetycznych walorach czasopisma „Oficyna Poetów” wydawanego w Londynie w latach 1966–1980." Studia o Książce i Informacji (dawniej: Bibliotekoznawstwo) 36 (July 5, 2018): 151–79. http://dx.doi.org/10.19195/2300-7729.36.9.

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When the content and form go hand in hand with one another. Aesthetic and editorial value of “Oficyna Poetów” — a magazine published in London between 1966 and 1980“Oficyna Poetów” was aliterary and cultural magazine published in London by Polish-born émigré couple, Krystyna and Czesław Bednarczyk. After World War II they settled in Great Britain, and almost immediately started private printing press. That periodical was one of their biggest projects. “Oficyna…” was one of few magazines published abroad devoted to Polish literature and art. During communism era it was aplace where Polish autho
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Louwagie, Fransiska, and Simon Lambert. "Introduction." European Comic Art 14, no. 2 (2021): 1–12. http://dx.doi.org/10.3167/eca.2021.140201.

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This thematic issue arises from the symposium ‘Tradition and Innovation in Franco-Belgian Bande dessinée’, held at the University of Leicester on 13 March 2020. Over three panels with a respective focus on ‘Revisiting the Classics’, ‘Contemporary Perspectives’, and ‘Reshaping Franco-Belgian Bande dessinée’, the symposium brought out a variety of perspectives on contemporary bande dessinée and its links to the Franco-Belgian tradition. The symposium saw the participation of a range of international contributors, including early career scholars, faculty, and artist contributors, based in Greece,
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Zhi, Xun, Ahmed Shalaby, Dan Middleton, and Alan Clayton. "Evaluation of weigh-in-motion in Manitoba." Canadian Journal of Civil Engineering 26, no. 5 (1999): 655–66. http://dx.doi.org/10.1139/l99-025.

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The primary objective of a weigh-in-motion (WIM) system is to provide highway designers and agencies with information on the loads and traffic volumes using a particular highway, thereby facilitating improved pavement design, management, and weight enforcement. In this paper, the historic performance of WIM systems in Manitoba is evaluated. The results indicate that large numbers of unreasonable data are produced from the WIM systems, calibration procedures are not standardized, and there is drift in calibration. The performance of the Brokenhead WIM system was evaluated through a detailed sur
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Weld, Sara Pankenier. "Survival, Sustenance, and Self-Sufficiency in a Tale of Two Sisters: Plant Geographies in Jean Hegland’s "Into the Forest"." Ecozon@: European Journal of Literature, Culture and Environment 15, no. 1 (2024): 39–54. http://dx.doi.org/10.37536/ecozona.2024.15.1.5245.

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As evidenced by its title, Into the Forest (1996) by Jean Hegland traces the movement of two adolescent girls ever further into the forest in a post-apocalyptic account of the near future. Set in Redwood, California, it depicts a world where trees are gigantic and long-lasting while humans are diminutive and diminishing, while contemporary human technological society has fallen apart. Plants, trees, and the forest, and an increasingly intimate and Indigenous knowledge and relationship with these, play a key and ever-growing role in the novel and illuminate its otherwise dark vision of the futu
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Василь, Косів. "У тіні образотворчого мистецтва: історіографія графічного дизайну української діаспори 1945–1989 рр." ВІСНИК Львівської національної академії мистецтв, № 35 (16 липня 2018): 140–58. https://doi.org/10.5281/zenodo.1313132.

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Professional careers of the Ukrainian diaspora artists from 1945–1989 are reflected in foreign magazines and newspapers articles, exhibitions catalogs, illustrated monographs and albums. Over the past decades, their names have become known in Ukraine as well. Publications of a different genre, aimed at different audiences, were published at different times in different countries, but almost all of them show a common tendency. Painting and sculpture are considered to be the greatest achievements, etching and book illustration follow, sometimes bookplates and applied art are presented. Rar
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Iemelianenko, Volodymyr, and Mariana Dmytruk. "Combating Child Pornography: International Legal Regulation and Experience of Ukraine and Foreign Countries." Theory and practice of jurisprudence 1, no. (25) (2024): 174–97. https://doi.org/10.21564/2225-6555.2024.1(25).306612.

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The relevance of the topic is determined by the fact that child pornography is a serious threat to the safety and well-being of children, and combating it requires a comprehensive approach at the national level and international cooperation. Thus, the purpose of this study is to analyse international legal regulation in the field of combating child pornography, the experience of Ukraine and such foreign countries as France, Japan, India, the United Kingdom and Canada. The objectives are to identify the main regulatory provisions, mechanisms and approaches aimed at preventing and combating chil
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Gunawan, Elizabeth, Helena Calista, and Alfiansyah Zulkarnain. "ADAPTASI TANPA ISI: PENGARUH DESAIN “UNTITLED - I SHOP THEREFORE I AM” KARYA BARBARA KRUGER TERHADAP DESAIN LOGO BRAND SUPREME." Jurnal Dimensi Seni Rupa dan Desain 18, no. 1 (2021): 1–12. http://dx.doi.org/10.25105/dim.v18i1.10599.

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AbstractOne of the conceptual artists of postmodernism, Barbara Kruger, is known for her work that combines visual images with text to convey criticism of social issues directly to society. One of the most famous works that she has is "Untitled - I Shop Therefore I am (1987)" which is a form of criticism of the issue of consumerism. In 1994, Supreme arrived, which had a logo in the exact same style as Kruger. Ironically, the brand actually had ideas that ran counter to the original purpose of Kruger's work. Therefore, this paper aims to deepen the knowledge of how to properly adapt a reference
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Мацкевич, Нина Александровна, and Ольга Григорьевна Щитова. "Xenogenicity in Russian architectural and design terminology." Tomsk state pedagogical university bulletin, no. 4(144) (July 21, 2023): 43–51. http://dx.doi.org/10.23951/1609-624x-2023-4-43-51.

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Потребность общества в подготовке квалифицированных специалистов в области дизайна архитектурной среды послужила формированию данной сферы как профессиональной в XXI в. Появление новейших дизайнерских технологий и материалов приводит к заимствованию обозначений вместе с реалиями и опытом зарубежных дизайнеров. Актуальность темы статьи обусловлена необходимостью исследования иноязычной терминологии ввиду потребности профессионалов в ее унификации. Цель данной работы – описание явления ксеногенности в терминологии сферы «Дизайн архитектурной среды». Под ксеногенностью понимается наличие у языков
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Boyce, PR, and JR Stampfli. "LRT Digest 3: New colour metrics and their use." Lighting Research & Technology 51, no. 5 (2019): 657–81. http://dx.doi.org/10.1177/1477153519850006.

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Executive summary The two metrics traditionally used to quantify the colour properties of light sources are the correlated colour temperature and the CIE General Colour Rendering Index. With the arrival of LEDs as a major light source questions began to be asked about the merits of both of these metrics. The question asked about correlated colour temperature was how far should the chromaticity of a light source be allowed to depart from the Planckian locus before the light emitted could no longer be said to be white? A tolerance to such a departure ( Duv) already existed but now gathered much
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Malynovska, Olena, and Liubov Yatsenko. "THE IMPACT OF WAR-INDUCED FORCED MIGRATION ABROAD ON THE STATE OF UKRAINE'S LABOR POTENTIAL IN THE CONTEXT OF SOCIAL SUSTAINABILITY." Problems and prospects of economics and management, no. 2(34) (2023): 7–25. http://dx.doi.org/10.25140/2411-5215-2023-2(34)-7-25.

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The labor potential is an important component of the country's economic potential, and its quan-titative and qualitative characteristics significantly affect the rate of economic growth and social sus-tainability. The article presents the general theoretical foundations of the concept of social sustainabil-ity, the main milestones of its formation, key principles and concepts. The information base for the study of migration flows and their expected impact on the qualitative and quantitative characteristics of the labor potential was based on statistical data from Ukraine and countries that hav
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Espinosa Mirabet, Sílvia, and Lola Costa Gálvez. "Identidad gráfica para un equipo de biomedicina universitario: consiguiendo notoriedad / Graphic identity for a biomedical university team: gaining visibility." Revista Internacional de Relaciones Públicas 10, no. 19 (2020): 201–22. http://dx.doi.org/10.5783/revrrpp.v10i19.647.

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El objetivo de este artículo es dar a conocer el trabajo realizado por investigadores de comunicación en el seno de un grupo de ingeniería biomédico de la Universidad de Girona que lucha contra el cáncer de mama. Se detallará paso a paso cómo se gestó la identidad del grupo, construyendo un relato y un Plan de Comunicación. El objetivo de arranque buscó que las aportaciones biomédicas basadas en la ingeniaría en 3D, desarrolladas en el seno del equipo, no pasaran desapercibidas. El proyecto ONCOen3D, gestado e implementado en el seno de una universidad pública, sirvió para dar visibilidad a la
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Espinosa-Mirabet, Silvia, and Lola Costa-Galvez. "Identidad gráfica para un equipo de biomedicina universitario: consiguiendo notoriedad." Relaciones Públicas en tiempos del confinamiento 10, no. 19 (2020): 201–22. http://dx.doi.org/10.5783/rirp-19-2020-11-201-222.

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The aim of this article is to present the work carried out by communication researchers within a biomedical engineering group that works against breast cancer at the University of Girona (Spain). It will gradually detail how the identity of the group was developed, how the storytelling was built, how we construct a Strategic Communication Plan, and the concrete and specific actions to achieve two objectives: to be visible and to obtain extra funding. It was assumed that one objective should be linked to the other. This paper is a real world application. It is based on the theoretical perspecti
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