Relevant bibliographies by topics / Society of Portrait Sculptors

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  1. Journal articles
  2. Dissertations / Theses
  3. Books
  4. Book chapters
  5. Conference papers
  6. Reports

Academic literature on the topic 'Society of Portrait Sculptors'

Author: Grafiati
Published: 25 February 2023
Last updated: 31 July 2025

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Journal articles on the topic "Society of Portrait Sculptors"

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Rosen, Ismond. "The kiss - psychiatry in pictures." British Journal of Psychiatry 196, no. 1 (2010): 12. http://dx.doi.org/10.1192/bjp.196.1.12.

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The sculptor Ismond Rosen was a distinguished psychoanalyst and consultant psychiatrist who became a fellow to both the Royal College of Psychiatrists and the Society of Portrait Sculptors. He presented this 1947 white marble carving to the Royal Society of Medicine in 1987, where it can now be seen framed by a window on the south fac, ade. The stillness of its simple curves symbolises the importance of early attachments as a template for all subsequent relationships. In Dr Rosen's own words, ‘The two heads relate above and fuse below in a manner expressive of human loving, both in its earlies
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Məhəmməd qızı Rzayeva, Gülgəz. "Artistic features of memorial plaques in the works of Natig Aliyev." SCIENTIFIC WORK 65, no. 04 (2021): 290–92. http://dx.doi.org/10.36719/2663-4619/65/290-292.

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The literaryization of historical events and memories of personalities in world art, the choice of artistic interpretations of images are of particular relevance. The most common type of memorial plaques are a close synthesis of architectural monuments and sculptures and serve as an integral part of the history and material culture of society. Memorial plaques occupy a large place in the work of Natig Aliyev. In addition to the similarity of the portrait in each of his images, the spiritual and psychological fullness of the work comes to the fore. Key words: sculpture, artist, poet, writer, me
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Buccino, Laura. "Ritratti di Leptis Magna: modelli, produzione, contesto tra la dinastia flavia e gli Antonini." Libyan Studies 45 (November 2014): 19–47. http://dx.doi.org/10.1017/lis.2014.3.

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AbstractDifferent types of marble portraits are discussed: both official Imperial images as well as private portraits, with the intention of illustrating the relationship to Roman models and to highlight stylistic and technical characteristics belonging to local sculptors. The portraits belonged to honourific statues dedicated in Lepcis Magna in public prestigious areas (Old Forum, Theatre, Serapeum, Hadrianic Baths). In these public meeting places the Imperial government officials, civic authorities and the privateevergeteshad the opportunity of celebrating the central power and its represent
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Konkoly, Ágnes. "Schaár Erzsébet ifjúkora és korai szobrászművészete (1908-1931)." Művészettörténeti Értesítő 72, no. 1 (2024): 65–101. http://dx.doi.org/10.1556/080.2023.00002.

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The present paper is a subchapter of my doctoral dissertation titled The Oeuvre of Sculptor Erzsébet Schaár (1908– 1975). The paper discussing a period of her life’s path sofar only tangentially touched on by special literature divides into three parts: the first is concerned with the artist’s family background, childhood and adolescence, the second with the initial phase of the career, the academy years, and the third looks at works created in the 1920s and the early 1930s, as well as exhibitions of that period.Schaár was a veritable “child prodigy”. She began her studies as Zsigmond Kisfalud
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Tomaszewicz, Agnieszka. "Sculpture in Socialist Realism—Soviet Patterns and the Polish Reality." Arts 11, no. 1 (2021): 6. http://dx.doi.org/10.3390/arts11010006.

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Socialist realism was more than just a trend in art. It was also, and perhaps predominantly, a method of educating the new post-revolutionary society in the Union of Soviet Socialist Republics. In socialism, the state became the commissioner, consumer, and critic of art, treating it as a major propaganda tool. It is thus not surprising that the socialist realism patterns were imposed on artists working in those countries which found themselves in the Soviet sphere of influence after the end of the Second World War. In Poland, which was the Soviet Union’s closest neighbour and one of the larger
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Apostolović, Sara. "Self-portrait of Vanessa Beecroft in the medium of performance." Zbornik Akademije umetnosti, no. 12 (2024): 208–23. http://dx.doi.org/10.5937/zbaku2412208a.

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Vanessa Beecroft is a contemporary artist of Anglo-Italian origin, whose work is associated with the USA. She currently lives in Los Angeles. After studying painting at the Accademia Ligustica di Belle Arti in Genoa (1987-1988), she completed her studies in Stage Design at the Accademia di Belle Arti di Brera in Milan. Her artistic expression in the medium of performance is based on the direction of live visual compositions, in which she combines elements of theatre, painting, sculpture, architecture, and fashion, interpreted through the lenses of feminism and voyeurism. The central focus of h
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Agratina, Elena E. "AN ARTIST AND PRIVATE CUSTOMER IN THE 18TH-CENTURY PARIS. SURVEY ON THE DEVELOPMENT OF PORTRAIT PAINTING." RSUH/RGGU Bulletin. Series Philosophy. Social Studies. Art Studies, no. 4 (2022): 111–31. http://dx.doi.org/10.28995/2073-6401-2022-4-111-131.

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The interaction between a painter and his donator as a phenomenon of art history gives many opportunities to the research of social aspect of art. A private customer was isolated from any government institution such as the Academy of Painting and Sculpture. He did not pretend to be a connoisseur or adviser of painters but he had individual taste for art and his personally developed demands for it. As a field for dialog between painter and his patrons the portraiture appeared to become one of the most sought-after genres in 18th-century French society. The article aims to highlight a taste of a
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Chuieva, Oksana, and Sofiia Knyzhnykova. "Portrait Motifs of the Daughters of Yaroslav the Wise in the Artistic Tradition of the 11th – 21st Centuries." Bulletin of KNUKiM. Series in Arts, no. 41 (December 30, 2019): 241–51. https://doi.org/10.31866/2410-1176.41.2019.188707.

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The purpose of the article is to trace the stylistic features and the artistic language evolution of the portrait motifs of the daughters of Yaroslav the Wise based on the analysis of the fine arts works of the 11th – 21st centuries. The main methodological principles of the article are the system approaches of mutually complement methods: theoretical (analysis of art sources), empirical and theoretical (theoretical and art analysis of artistic content). The scientific novelty of the article. A thourough analysis of the stylistic features of the artistic language of the portrait motifs o
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Rees, Roger. "Images and Image: a Re-Examination of Tetrarchic Iconography." Greece and Rome 40, no. 2 (1993): 181–200. http://dx.doi.org/10.1017/s0017383500022774.

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Consideration of Tetrarchic portraiture has usually focused on the extant porphyry sculptures (plates 2, 6, 7, 9, and 10). This was perhaps inevitable, since the arresting eyes of the Cairo bust or the stubby legs of the Vatican groups are certainly curious. Few scholars have resisted the temptation to pronounce their aesthetic judgement (and why not?), but none has been as caustic as Bernard Berenson who saw in them ‘the meanest symptoms of decay’, an effect into which the sculptor had ‘simply blundered and stumbled’. Berenson's book and many of the other academic works which refer to the por
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Pilson, Dana. "Margaret French Cresson at Chesterwood." Sculpture Review 70, no. 2 (2021): 45–55. http://dx.doi.org/10.1177/07475284211025395.

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Margaret French Cresson (1889-1973) was the daughter of famed American sculptor Daniel Chester French (1850-1931), who is well-known for his Minute Man in Concord, Massachusetts, and his seated figure of Abraham Lincoln for the Lincoln Memorial in Washington, DC. Cresson was also a sculptor—she studied with her father, collaborated with him on works, and later became successful in the area of portraiture. Both father and daughter were active members of the National Sculpture Society, serving in leadership positions and contributing works to exhibitions. French and his family lived in New York
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Dissertations / Theses on the topic "Society of Portrait Sculptors"

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Schlosserová, Jana. "Vratká společnost." Master's thesis, Vysoké učení technické v Brně. Fakulta výtvarných umění, 2014. http://www.nusl.cz/ntk/nusl-232419.

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The installation is formed from the fifth sculptures, individuals, larger than life size. Their bodies are just shapes and surfaces, which leave place for the rest of the human form. The form is preserved only in black-and-white photography, in portraits, which are part of the sculptures. They ostensibly do nothing, like stopping in time. However they move, but for that move is neccessary initial impetus and it is the role of the viewer. Instability of sculptures is an expression of the unstable position of the human beings in today's society (the origin of instability). Sculptures creates soc
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Grinchtein, Olga. "Portraits of Sculptors in Modernism." Thesis, Uppsala universitet, Konstvetenskapliga institutionen, 2021. http://urn.kb.se/resolve?urn=urn:nbn:se:uu:diva-443240.

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The portrait of sculptor emerged in the sixteenth century, where the sitter’s occupation was indicated by his holding a statue. This thesis has focus on portraits of sculptors at the turn of 1900, which have indications of profession. 60 artworks created between 1872 and 1927 are analyzed.  The goal of the thesis is to identify new facets that modernism introduced to the portraits of sculptors. The thesis covers the evolution of artistic convention in the depiction of sculptor. The comparison of portraits at the turn of 1900 with portraits of sculptors from previous epochs is included. The the
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Stewart, Peter. "Statues in Roman society : representation and response /." Oxford : Oxford University Press, 2003. http://catalogue.bnf.fr/ark:/12148/cb390520035.

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Tozer, Patricia Ann. "A portrait of the artist in society, Warhol paints Warhol." Thesis, National Library of Canada = Bibliothèque nationale du Canada, 1998. http://www.collectionscanada.ca/obj/s4/f2/dsk2/ftp01/MQ36624.pdf.

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Badea-Päun, Gabriel. "The society portrait : painting, prestige and the pursuit of elegance /." London [u.a] : Thames & Hudson, 2007. http://swbplus.bsz-bw.de/bsz276975111inh.pdf.

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Neves, Josélia Maria dos Santos José. "A adaptação de Henry James ao cinema-o caso de The Portrait of a Lady." Master's thesis, Instituições portuguesas -- -Universidade de Aveiro -- -Departamento de Línguas e Culturas, 1999. http://dited.bn.pt:80/29084.

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Gunderson, Maryann S. "Dismissed yet Disarming: The Portrait Miniature Revival, 1890-1930." Ohio University / OhioLINK, 2003. http://rave.ohiolink.edu/etdc/view?acc_num=ohiou1080666457.

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Gilliland, Eric. "The “Cyclops” and “Nestor” Episodes in James Joyce's Ulysses: A Portrait of European Society in 1904." University of Dayton / OhioLINK, 2012. http://rave.ohiolink.edu/etdc/view?acc_num=dayton1335916622.

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Brouhot, Gaylord. "Le portrait du costume : une esthétique du pouvoir médicéen (1537-1609)." Thesis, Paris 1, 2017. http://www.theses.fr/2017PA01H027.

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L'invention de l'imagerie médicéenne a accompagné la campagne politique initiée par Cosimo I, investi duc de Florence en 1537, puis duc de Sienne en 1559, et grand-duc de Toscane en 1570, pour établir une autorité dynastique à la tête d'un principat créé en 1530 par Charles Quint et enraciner un pouvoir autocratique pour ses héritiers. Les arts du textile, de l'ornement et de la joaillerie sont aux fondements de cette image du pouvoir médicéen. Dans un contexte économique et culturel où Florence était considérée, sur la scène internationale, comme un des principaux foyers de l'artisanat du lux
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Гула, Євген, Анна Пугачова, Михайло Руденко та Матвій Кирилюк. "Жанр портрету в сучасному плакаті та його вплив на свідомість соціуму". Thesis, Київський національний університет технологій та дизайну, 2021. https://er.knutd.edu.ua/handle/123456789/18096.

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Надано результати дослідження впливу портретного плакату на соціальний стан спільноти. Метою дослідження є визначення основних засобів виразності та особливостей застосування плаката-портрета як одного з чинників впливу на свідомість соціуму. Охарактеризовано ознаки портретного плакату, його композиційні схеми, образотворчі та технічні прийоми, які забезпечують суттєвий вплив на соціум втіленням та популяризацією відомих портретних образів.<br>The results of a study of the impact of a portrait poster on the social status of the community are presented. The aim of the study is to determine the
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Books on the topic "Society of Portrait Sculptors"

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Balty, Jean Ch. Porträt und Gesellschaft in der römischen Welt. P. von Zabern, 1993.

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Stewart, Peter. Statues in Roman society: Representation and response. Oxford University Press, 2003.

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Metropolitan Museum of Art (New York, N.Y.) and Museum Rietberg, eds. Heroic Africans: Legendary leaders, iconic sculptures. Metropolitan Museum of Art, 2011.

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Beija, Rāmakiṅkara. Self-portrait. Monfakira, 2006.

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Ch, Balty Jean, Tsingarida Athéna, and Evers Cécile, eds. Rome et ses provinces: Genèse & diffusion d'une image du pouvoir : hommages à Jean-Charles Balty. Livre Timperman, 2001.

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Frink, Elisabeth. Frink: A portrait. Bloomsbury, 1994.

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Bryan, Alterman, Alterman Rick, and Alterman Ellie, eds. Rose Alterman: The portrait of a sculptor, from Stockbridge to Miami. B. Alterman, 2009.

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Royal Society of Portrait Painters., ed. Royal Society of Portrait Painters. Royal Society of Portrait Painters, 1990.

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Royal Society of Portrait Painters. and Mall Galleries, eds. Royal Society of Portrait Painters. Royal Society of Portrait Painters, 1996.

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Trimble, Jennifer. Women and visual replication in Roman imperial art and culture: Visual replication and urban elites. Cambridge University Press, 2011.

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Book chapters on the topic "Society of Portrait Sculptors"

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Gulbrandsen, Trygve. "A Portrait of Norwegian Elites." In Elites in an Egalitarian Society. Springer International Publishing, 2018. http://dx.doi.org/10.1007/978-3-319-95984-9_3.

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Chattopadhyay, Paresh. "Post-capitalist Society: A Marxian Portrait." In Marx's Associated Mode of Production. Palgrave Macmillan US, 2016. http://dx.doi.org/10.1057/978-1-137-57535-7_4.

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Strickland, Elisabetta. "Portrait of a Lady." In The Ascent of Mary Somerville in 19th Century Society. Springer International Publishing, 2016. http://dx.doi.org/10.1007/978-3-319-49193-6_6.

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Jarlskog, Cecilia. "The Royal Physiographic Society in Lund and the Gunnar Källén Lectures." In Portrait of Gunnar Källén. Springer International Publishing, 2013. http://dx.doi.org/10.1007/978-3-319-00627-7_60.

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Ramírez-Jefferson, María M., and Cristóbal Mora-Wiesse. "Portrait of a Country. Images of Peruvian Society in the early 20th Century." In Atlantis Highlights in Social Sciences, Education and Humanities. Atlantis Press International BV, 2024. https://doi.org/10.2991/978-94-6463-596-6_47.

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Ravn, Ole. "8. Human mathematics." In Studies on Mathematics Education and Society. Open Book Publishers, 2024. https://doi.org/10.11647/obp.0407.08.

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This chapter discusses how we can think about mathematics as a human enterprise. It takes as its starting point the portrait of a European tradition that has considered mathematics as essentially a non-human realm. As a challenge to this tradition, a Wittgensteinian interpretation of mathematics as a special type of language among all the human languages is outlined and used to develop a platform for understanding mathematics as ‘human mathematics’. This conception is finally given shape through two discussions, first through a challenge to the positioning of mathematics in our contemporary un
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Putra, W. T. G., M. I. Rahmanto, and D. Apsari. "Rethinking family through family portrait in digital Indonesia: A preliminary study." In Embracing the Future: Creative Industries for Environment and Advanced Society 5.0 in a Post-Pandemic Era. Routledge, 2022. http://dx.doi.org/10.1201/9781003263135-38.

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Stewart, Peter. "The Appearance of Statues." In Statues in Roman Society. Oxford University PressOxford, 2004. http://dx.doi.org/10.1093/oso/9780199240944.003.0003.

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Abstract There are, no doubt, good psychological reasons why the head should have received individual attention in most artistic traditions, but from one perspective it is strange that the representation of people should so often have been achieved by this kind of visual synecdoche.1 It has sometimes been suggested that the concentration on the head in ancient portraiture—an emphasis inherited by modern Western art—was a particularly Roman or Italian characteristic, whereas the Greek artistic tradition made use of the entire human body for the representation of the individual. Less effort is n
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"Sculptors' Society of Ireland." In Art and Architecture of Ireland Volume III: Sculpture 1600-2000. Royal Irish Academy, 2014. http://dx.doi.org/10.3318/978-1-908996-64-0.sculptorsociety.

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"Architects, Sculptors and Painters." In Athenian Culture and Society. University of California Press, 2023. http://dx.doi.org/10.2307/jj.2430763.15.

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Conference papers on the topic "Society of Portrait Sculptors"

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Suhina, Yulia. "LEXICAL PORTRAIT OF MODERN CHINESE SOCIETY." In Россия и Китай: история и перспективы сотрудничества. Благовещенский государственный педагогический университет, 2021. http://dx.doi.org/10.48344/bspu.2021.28.10.082.

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Lamangida, Tri Susanti. "Portrait of Motor Tricycle as Sustainable Public Transportation." In International Conference on Technology, Innovation and Society. ITP Press, 2016. http://dx.doi.org/10.21063/ictis.2016.1082.

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Novopashina, Larisa A. "Professional Teacher's Portrait Of The Krasnoyarsk Region." In II International Conference on Economic and Social Trends for Sustainability of Modern Society. European Publisher, 2021. http://dx.doi.org/10.15405/epsbs.2021.09.02.181.

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Shpakovskaya, E., D. Khabibulin, and V. Churilov. "Psychological Portrait of a Person with Virtual Addition." In International Conference on the Theory and Practice of Personality Formation in Modern Society (ICTPPFMS 2018). Atlantis Press, 2018. http://dx.doi.org/10.2991/ictppfms-18.2018.44.

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Starostenko, T. M. "Afghani American literature as a portrait of the contemporary Afghan society." In VІІ КОНГРЕС СХОДОЗНАВЦІВ. Liha-Pres, 2023. http://dx.doi.org/10.36059/978-966-397-356-2-4.

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Persanova, E. M. "PORTRAIT OF A FAMILY IN THE MIRROR OF TIME." In A glance through the century: the revolutionary transformation of 1917 (society, political communication, philosophy, culture). Vědecko vydavatelskě centrum «Sociosfera-CZ», 2017. http://dx.doi.org/10.24045/conf.2017.1.20.

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Wei Yang, Xiaojie Li, and Weilan Wang. "Structure of semantic knowledge database rules-based religious portrait Thangka Image." In 2010 2nd International Conference on Networking and Digital Society (ICNDS). IEEE, 2010. http://dx.doi.org/10.1109/icnds.2010.5479418.

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А.В., Корнилова. "ALEXANDER PUSHKIN AND ARTISTS." In АЛЕКСАНДР СЕРГЕЕВИЧ ПУШКИН КАК КУЛЬТУРНЫЙ ФЕНОМЕН. Crossref, 2024. https://doi.org/10.54874/9785605245797.2024.2.04.

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А.С. Пушкина всегда привлекал мир художников. Он позировал В.А. Тропинину и О.А. Кипренскому, посвящал стихотворные строки К.П. Брюллову, А.О. Орловскому, Д. Доу, в «Евгении Онегине» упоминал «чудотворную кисть» Ф.П. Толстого. Посещая академические выставки, он живо откликался на новые произведения скульпторов А.В. Логановского и Н.С. Пименова, оставил восторженный стихотворный отклик на картину «Последний день Помпеи» К.П. Брюллова и навещал художника в его мастерской. Порадовали Пушкина и иллюстрации к «Руслану и Людмиле», выполненные президентом Академии художеств А.Н. Олениным, заинтересов
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Yavuz, Kemal. "PORTRAİT OF A GLOBAL LEADER: BABUR SHAH." In The Impact of Zahir Ad-Din Muhammad Bobur’s Literary Legacy on the Advancement of Eastern Statehood and Culture. Alisher Navoi' Tashkent state university of Uzbek language and literature, 2023. http://dx.doi.org/10.52773/bobur.conf.2023.25.09/ueiv5899.

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Throughout the human history, many leaders such as presidents, kings, sultans, emirs, shahs, and khans have lived. Looking back to the age of globalization, it is evident that leaders with global qualities and encompassing capabilities were few. Zahirad-Din Muhammad Babur Shah Ghazi stands out as aleader with developed personality, strategic genius, beautiful moral character, superior talents, fair governance of different elements, ruling with justice, avoiding oppression, developing society, building prosperous cities, and embodying virtues like love and mercy. Babur Shah is the founder of th
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Basid, Abdul, M. Faisol, Zahrah Nida' Rosyida Assulthoni, and Muassomah. "Portrait of Pegaten Society in the Novel “Kubah” Based on Marxist Literary Criticism Theory." In Proceedings of the 2nd Internasional Conference on Culture and Language in Southeast Asia (ICCLAS 2018). Atlantis Press, 2019. http://dx.doi.org/10.2991/icclas-18.2019.57.

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Reports on the topic "Society of Portrait Sculptors"

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Battams, Nathan. A Snapshot of Family Diversity in Canada (February 2018). The Vanier Institute of the Family, 2018. http://dx.doi.org/10.61959/zgcs6217e.

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For more than 50 years, the Vanier Institute of the Family has monitored, studied and discussed trends in families and family life in Canada. From the beginning, the evidence has consistently made one thing clear: there is no single story to tell, because families are as diverse as the people who comprise them. This has always been the case, whether one examines family structures, family identities, family living arrangements, family lifestyles, family experiences or whether one looks at the individual traits of family members, such as their ethnocultural background, immigration status, sexual
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Chornodon, Myroslava. FEAUTURES OF GENDER IN MODERN MASS MEDIA. Ivan Franko National University of Lviv, 2021. http://dx.doi.org/10.30970/vjo.2021.49.11064.

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The article clarifies of gender identity stereotypes in modern media. The main gender stereotypes covered in modern mass media are analyzed and refuted. The model of gender relations in the media is reflected mainly in the stereotypical images of men and woman. The features of the use of gender concepts in modern periodicals for women and men were determined. The most frequently used derivatives of these macroconcepts were identified and analyzed in detail. It has been found that publications for women and men are full of various gender concepts that are used in different contexts. Ingeneral,
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Halych, Valentyna. SERHII YEFREMOV’S COOPERATION WITH THE WESTERN UKRAINIAN PRESS: MEMORIAL RECEPTION. Ivan Franko National University of Lviv, 2021. http://dx.doi.org/10.30970/vjo.2021.49.11055.

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The subject of the study is the cooperation of S. Efremov with Western Ukrainian periodicals as a page in the history of Ukrainian journalism which covers the relationship of journalists and scientists of Eastern and Western Ukraine at the turn of the XIX-XX centuries. Research methods (biographical, historical, comparative, axiological, statistical, discursive) develop the comprehensive disclosure of the article. As a result of scientific research, the origins of Ukrainocentrism in the personality of S. Efremov were clarified; his person as a public figure, journalist, publisher, literary cri
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