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Books on the topic 'Society of Portrait Sculptors'

Author: Grafiati

Published: 25 February 2023

Last updated: 31 July 2025

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1

Balty, Jean Ch. Porträt und Gesellschaft in der römischen Welt. P. von Zabern, 1993.

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2

Stewart, Peter. Statues in Roman society: Representation and response. Oxford University Press, 2003.

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3

Metropolitan Museum of Art (New York, N.Y.) and Museum Rietberg, eds. Heroic Africans: Legendary leaders, iconic sculptures. Metropolitan Museum of Art, 2011.

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4

Beija, Rāmakiṅkara. Self-portrait. Monfakira, 2006.

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5

Ch, Balty Jean, Tsingarida Athéna, and Evers Cécile, eds. Rome et ses provinces: Genèse & diffusion d'une image du pouvoir : hommages à Jean-Charles Balty. Livre Timperman, 2001.

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6

Frink, Elisabeth. Frink: A portrait. Bloomsbury, 1994.

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7

Bryan, Alterman, Alterman Rick, and Alterman Ellie, eds. Rose Alterman: The portrait of a sculptor, from Stockbridge to Miami. B. Alterman, 2009.

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8

Royal Society of Portrait Painters., ed. Royal Society of Portrait Painters. Royal Society of Portrait Painters, 1990.

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9

Royal Society of Portrait Painters. and Mall Galleries, eds. Royal Society of Portrait Painters. Royal Society of Portrait Painters, 1996.

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10

Trimble, Jennifer. Women and visual replication in Roman imperial art and culture: Visual replication and urban elites. Cambridge University Press, 2011.

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11

Mikāne, Vija. Model̦stundas. Zinātne, 2005.

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12

Shapiro, Petr. Peter Shapiro. s.n., 1998.

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13

Cēbere, Gundega. Burkards Dzenis. Latvijas Enciklopēdija, 1997.

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14

1840-1917, Rodin Auguste, Heidrich William P. 1954-, Elsen Albert Edward 1927-, and Memphis Brooks Museum of Art., eds. All the masks fall off: Rodin's last sculpture, the portrait of Clémentel. Memphis Brooks Museum of Art, 1988.

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15

Åsen, Kjell. Anne Grimdalen: Kunstnar og medmenneske. Lunde, utgjeve i samarbeid med Anne Grimdalens minne, 1999.

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16

Pötzl-Malikova, Maria. F.X. Messerschmidt a záhada jeho charakterových hláv. Albert Marenčin Vydavatel̕stvo PT, 2004.

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17

Dolmatovskiĭ, Boris. Moĭ Nikogosi︠a︡n!: Fotalʹbom. Niko Art Gallery, 2019.

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18

Pączek, Jakub, and Aleksandra Szymczyk. Stanisław Szukalski: Fotografista = The photographist. Muzeum Górnośląskie w Bytomiu, 2021.

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19

Kinkead, Gwen. Chinatown: A portrait of a closed society. HarperCollins, 1991.

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20

Quigly, Isabel. The Royal Society of Literature: A portrait. Royal Society of Literature, 2000.

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21

Kinkead, Gwen. Chinatown: A portrait of a closed society. HarperCollins, 1992.

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22

Badea-Păun, Gabriel. The society portrait: From David to Warhol. Vendome Press, 2007.

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23

Castellano, Gennaro. Portrait of king paintin'. Allemandi, 2019.

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24

Pepper, Terence. High society: Photographs, 1897-1914. National Portrait Gallery, 1998.

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25

Perlotti, Luis. Luis Perlotti: Retratista de América. Comisión de Preservación del Patrimonio Histórico-Cultural de la Ciudad de Buenos Aires, 2000.

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26

Perlotti, Luis. Luis Perlotti: Retratista de América. Comisión de Preservación del Patrimonio Histórico-Cultural de la Ciudad de Buenos Aires, 2000.

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27

Amizo, Isabella Banducci. Poética dos bugres: Uma incursão sobre arte, identidade e o outro. Outras Letras, 2018.

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28

Ardagh, John. Ireland and the Irish: Portrait of a changing society. Hamish Hamilton, 1994.

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29

Ardagh, John. Ireland and the Irish: Portrait of a changing society. Penguin, 1995.

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30

Hugh, David. The Fitzrovians: A portrait of Bohemian Society, 1900-55. M. Joseph, 1988.

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31

Ardagh, John. Ireland and the Irish: Portrait of a changing society. Hamish Hamilton, 1994.

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32

Lucas, Suzanne. The Royal Society of Miniature Painters,sculptors and gravers,one hundred years: Commemorating the one hundreth anniversary of the Royal Society of Miniature Painters, Sculptors and Gravers. Lucas Art, 1995.

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33

Gillman, Harvey. A portrait of friends: An introduction to the Quakers. Quaker Home Service, 1993.

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34

Wendorf, Richard. Sir Joshua Reynolds: The painter in society. National Portrait Gallery, 1996.

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35

Wendorf, Richard. Sir Joshua Reynolds: The painter in society. Harvard University Press, 1996.

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36

1945-, Schonberg Michal, ed. Projdi tou branou!: Rozhovory s Alešem Veselým. Torst, 2006.

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37

Stahlecker, Adrian. Schilderswijk en society: Fragmenten uit het leven van een Haagse kunstenaar. Aspekt, 2006.

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38

Royal Society of Portrait Painters. Royal society of portrait painters: Catalogue of the annual exhibition, 11th May-22nd May 1989. Royal Society of Portrait Painters, 1989.

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39

Shawe-Taylor, Desmond. The Georgians: Eighteenth-century portraiture & society. Barrie & Jenkins, 1990.

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40

Reski, Petra. The honored society: A portrait of Italy's most powerful Mafia. Nation Books, 2013.

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41

Schwarz, Hans, b. 1492 or 3?, ed. Hans Schwarz: Ein Augsburger Bildhauer und Medailleur der Renaissance. Deutscher Kunstverlag, 2006.

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42

Semavi, Eyice, ред. Atatürk ve Pietro Canonica: Eserleri ve Türkiye seyahatnâmesi ile Atatürkʼe dair hatıraları. Eren, 1986.

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43

Shay, Michael. Portrait of the arts in Wyoming: A collection of interviews. Wyoming Arts Council, 1997.

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44

E, Kleiner Diana E., and Matheson Susan B, eds. I, Claudia II: Women in Roman art and society. University of Texas Press, 2000.

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45

S, Middendorf Henry, ed. The portrait collection of the New York Genealogical and Biographical Society. The Society, 1993.

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46

Erehwon Center for the Arts, ed. SYM, Galicano, and PASPI: Portrait Artists Society of the Philippines, Inc. Erehwon Artworld Corporation, 2020.

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47

G, Hall Eamonn, and Hogan Daire, eds. The Law Society of Ireland, 1852-2002: Portrait of a profession. Four Courts Press, 2002.

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48

Tonna, Caroline. Society fashion in Malta: The portrait photography of Leandro Preziosi, 1830-1869. FPM, Fondazzjoni Patrimonju Malti, 2022.

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49

Dagg, Kevin. The Kurds. University of Edinburgh, 2024. http://dx.doi.org/10.2218/ed.9781836450382.

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Abstract:

The Kurds is a group of six wooden portrait heads of members of the migrant Kurdish community in Edinburgh. The output builds on Dagg’s longstanding practice research into figurative sculpture, in particular techniques and processes of woodcarving, including novel approaches to polychrome. It brings this research expertise to a focused interrogation of the meaning and potential of portrait sculpture with respect to a particular, marginalised community. It investigates how portrait sculpture can meaningfully function as a mode of community engagement and through this foreground broader question

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50

Les portraits sculptes de romains en grece et en Italie de cynoscephales a actium (197-31 av. j.-c.). L'Harmattan, 2002.

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