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Journal articles on the topic 'Society of Portrait Sculptors'

Author: Grafiati

Published: 25 February 2023

Last updated: 31 July 2025

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1

Rosen, Ismond. "The kiss - psychiatry in pictures." British Journal of Psychiatry 196, no. 1 (2010): 12. http://dx.doi.org/10.1192/bjp.196.1.12.

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The sculptor Ismond Rosen was a distinguished psychoanalyst and consultant psychiatrist who became a fellow to both the Royal College of Psychiatrists and the Society of Portrait Sculptors. He presented this 1947 white marble carving to the Royal Society of Medicine in 1987, where it can now be seen framed by a window on the south fac, ade. The stillness of its simple curves symbolises the importance of early attachments as a template for all subsequent relationships. In Dr Rosen's own words, ‘The two heads relate above and fuse below in a manner expressive of human loving, both in its earlies

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Məhəmməd qızı Rzayeva, Gülgəz. "Artistic features of memorial plaques in the works of Natig Aliyev." SCIENTIFIC WORK 65, no. 04 (2021): 290–92. http://dx.doi.org/10.36719/2663-4619/65/290-292.

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The literaryization of historical events and memories of personalities in world art, the choice of artistic interpretations of images are of particular relevance. The most common type of memorial plaques are a close synthesis of architectural monuments and sculptures and serve as an integral part of the history and material culture of society. Memorial plaques occupy a large place in the work of Natig Aliyev. In addition to the similarity of the portrait in each of his images, the spiritual and psychological fullness of the work comes to the fore. Key words: sculpture, artist, poet, writer, me

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Buccino, Laura. "Ritratti di Leptis Magna: modelli, produzione, contesto tra la dinastia flavia e gli Antonini." Libyan Studies 45 (November 2014): 19–47. http://dx.doi.org/10.1017/lis.2014.3.

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AbstractDifferent types of marble portraits are discussed: both official Imperial images as well as private portraits, with the intention of illustrating the relationship to Roman models and to highlight stylistic and technical characteristics belonging to local sculptors. The portraits belonged to honourific statues dedicated in Lepcis Magna in public prestigious areas (Old Forum, Theatre, Serapeum, Hadrianic Baths). In these public meeting places the Imperial government officials, civic authorities and the privateevergeteshad the opportunity of celebrating the central power and its represent

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Konkoly, Ágnes. "Schaár Erzsébet ifjúkora és korai szobrászművészete (1908-1931)." Művészettörténeti Értesítő 72, no. 1 (2024): 65–101. http://dx.doi.org/10.1556/080.2023.00002.

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The present paper is a subchapter of my doctoral dissertation titled The Oeuvre of Sculptor Erzsébet Schaár (1908– 1975). The paper discussing a period of her life’s path sofar only tangentially touched on by special literature divides into three parts: the first is concerned with the artist’s family background, childhood and adolescence, the second with the initial phase of the career, the academy years, and the third looks at works created in the 1920s and the early 1930s, as well as exhibitions of that period.Schaár was a veritable “child prodigy”. She began her studies as Zsigmond Kisfalud

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Tomaszewicz, Agnieszka. "Sculpture in Socialist Realism—Soviet Patterns and the Polish Reality." Arts 11, no. 1 (2021): 6. http://dx.doi.org/10.3390/arts11010006.

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Socialist realism was more than just a trend in art. It was also, and perhaps predominantly, a method of educating the new post-revolutionary society in the Union of Soviet Socialist Republics. In socialism, the state became the commissioner, consumer, and critic of art, treating it as a major propaganda tool. It is thus not surprising that the socialist realism patterns were imposed on artists working in those countries which found themselves in the Soviet sphere of influence after the end of the Second World War. In Poland, which was the Soviet Union’s closest neighbour and one of the larger

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Apostolović, Sara. "Self-portrait of Vanessa Beecroft in the medium of performance." Zbornik Akademije umetnosti, no. 12 (2024): 208–23. http://dx.doi.org/10.5937/zbaku2412208a.

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Vanessa Beecroft is a contemporary artist of Anglo-Italian origin, whose work is associated with the USA. She currently lives in Los Angeles. After studying painting at the Accademia Ligustica di Belle Arti in Genoa (1987-1988), she completed her studies in Stage Design at the Accademia di Belle Arti di Brera in Milan. Her artistic expression in the medium of performance is based on the direction of live visual compositions, in which she combines elements of theatre, painting, sculpture, architecture, and fashion, interpreted through the lenses of feminism and voyeurism. The central focus of h

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Agratina, Elena E. "AN ARTIST AND PRIVATE CUSTOMER IN THE 18TH-CENTURY PARIS. SURVEY ON THE DEVELOPMENT OF PORTRAIT PAINTING." RSUH/RGGU Bulletin. Series Philosophy. Social Studies. Art Studies, no. 4 (2022): 111–31. http://dx.doi.org/10.28995/2073-6401-2022-4-111-131.

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The interaction between a painter and his donator as a phenomenon of art history gives many opportunities to the research of social aspect of art. A private customer was isolated from any government institution such as the Academy of Painting and Sculpture. He did not pretend to be a connoisseur or adviser of painters but he had individual taste for art and his personally developed demands for it. As a field for dialog between painter and his patrons the portraiture appeared to become one of the most sought-after genres in 18th-century French society. The article aims to highlight a taste of a

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Chuieva, Oksana, and Sofiia Knyzhnykova. "Portrait Motifs of the Daughters of Yaroslav the Wise in the Artistic Tradition of the 11th – 21st Centuries." Bulletin of KNUKiM. Series in Arts, no. 41 (December 30, 2019): 241–51. https://doi.org/10.31866/2410-1176.41.2019.188707.

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The purpose of the article is to trace the stylistic features and the artistic language evolution of the portrait motifs of the daughters of Yaroslav the Wise based on the analysis of the fine arts works of the 11th – 21st centuries. The main methodological principles of the article are the system approaches of mutually complement methods: theoretical (analysis of art sources), empirical and theoretical (theoretical and art analysis of artistic content). The scientific novelty of the article. A thourough analysis of the stylistic features of the artistic language of the portrait motifs o

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9

Rees, Roger. "Images and Image: a Re-Examination of Tetrarchic Iconography." Greece and Rome 40, no. 2 (1993): 181–200. http://dx.doi.org/10.1017/s0017383500022774.

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Consideration of Tetrarchic portraiture has usually focused on the extant porphyry sculptures (plates 2, 6, 7, 9, and 10). This was perhaps inevitable, since the arresting eyes of the Cairo bust or the stubby legs of the Vatican groups are certainly curious. Few scholars have resisted the temptation to pronounce their aesthetic judgement (and why not?), but none has been as caustic as Bernard Berenson who saw in them ‘the meanest symptoms of decay’, an effect into which the sculptor had ‘simply blundered and stumbled’. Berenson's book and many of the other academic works which refer to the por

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Pilson, Dana. "Margaret French Cresson at Chesterwood." Sculpture Review 70, no. 2 (2021): 45–55. http://dx.doi.org/10.1177/07475284211025395.

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Margaret French Cresson (1889-1973) was the daughter of famed American sculptor Daniel Chester French (1850-1931), who is well-known for his Minute Man in Concord, Massachusetts, and his seated figure of Abraham Lincoln for the Lincoln Memorial in Washington, DC. Cresson was also a sculptor—she studied with her father, collaborated with him on works, and later became successful in the area of portraiture. Both father and daughter were active members of the National Sculpture Society, serving in leadership positions and contributing works to exhibitions. French and his family lived in New York

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Mammadova, L. "TOKAY MAMEDOV - THE UNRIVALED MASTER OF PORTRAIT AND MONUMENTAL SCULPTURE." Slovak international scientific journal, no. 86 (August 12, 2024): 27–29. https://doi.org/10.5281/zenodo.13299410.

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The article discusses the work of outstanding Azerbaijan sculptor Tokay Mamedov, as well as an analysis of the artist's sculptural works. At the beginning of the 20th century, a large national school of sculpture was formed in Azerbaijan with its own traditions and themes. The wide and multifaceted creative search of sculptors not only contributed to the birth of these traditions but also created the preconditions for the development of new characteristics and qualities of modern Azerbaijani plastic art. This is the most acute sense of modernity and aspiration to monumentality. Among the works

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Кузнецова, І. О., О. В. Лільчицький та М. О. Привалов. "Специфіка відображення теми спорту в творах античного мистецтва". Art and Design, № 4 (15 лютого 2021): 136–48. http://dx.doi.org/10.30857/2617-0272.2020.4.11.

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Aim of work is to identify sport reflection features in ancient art. The paper uses methods of systematization and updating of analytical information about the peculiarities of the reflection of elements related to sports in the styles of the ancient world. The accumulation, systematization and implementation of information is carried out by studying the specialized professional literature and sites depicting the reflection of elements related to sports in ancient art. The main reflections of sports life in ancient art are identified and characterized. There is a description of ancient art tha

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Selwyn, S. "Book Review: Royal Society of Medicine — Portraits, Paintings and Sculptures." Journal of the Royal Society of Medicine 82, no. 4 (1989): 247. http://dx.doi.org/10.1177/014107688908200423.

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Eminbeyli, Narmin. "Artistic features of portrait works of foreign sculptors working in Azerbaijan." Researches, no. 01 (2024): 114. http://dx.doi.org/10.59849/2311-8482.2024.1.114.

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Kim, Minok. "Artistic Representation of City Images Through Iconic Sculptures: A Critical Analysis of the Memorial Sculpture Agape ‘Woni’s Mother’." Academic Association of Global Cultural Contents 62 (February 28, 2025): 1–15. https://doi.org/10.32611/jgcc.2025.2.62.1.

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The Woni's Mother Letters are historical records that encapsulate humanistic meanings of overcoming death and sublime love. Furthermore, these letters not only reveal a rare glimpse into a horizontal marital relationship during the Joseon Dynasty but also portray the affectionate emotions of a wife towards her husband through compelling expressions and a bold literary style. However, the Woni's Mother content inspired by these letters largely adheres to the idealized image of a Joseon-era woman as assigned by traditional gender roles, failing to break away from that framework. The Woni's Mothe

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Павлюк, Ігор Зиновійович. "Аркадій Любченко: дискурс етики та естетики". Українська література: історичний досвід і перспективи, № 4 (31 грудня 2024): 25–36. https://doi.org/10.31652/3041-1084-2024-4-03.

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The image (myth) of the author, like that of the Christian God, is triune, harmoniously composed of the text-biography-external image of the writer, where the author’s image (photo, sculptor, painted portrait) is a tertiary component of the myth. However, according to the laws of alchemy and metaphysics, it must function like the positive and negative in physics or acid and base in chemistry. Sometimes the author’s biography is more intriguing than the text itself, while at other times, it is dull (bureaucratic), uninteresting (or even entirely unknown, as in the case of the mythical author of

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SCHEID, Kirsten. "Changing Body and Society: A speculative examination of portraiture in Choucair’s non-representational corpus." Regards, no. 22 (October 10, 2019): 17–41. https://doi.org/10.70898/regards.v0i22.135.

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What ways do portraits relate people to aesthetic practices and social configurations when representational and individualizing assumptions that ensue from figurative art cannot be assumed? If social being is not given, an art act might be seen to affect primarily an artist’s relation to the possibility of subjectivity. The idea that the audience of an artwork includes the artist herself raises questions about her self-understanding and social being. Building on my ethnographic research, I conduct a speculative examination of portraiture in relation to the career of Saloua Raouda Choucair towa

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18

Botirov, Mukhammadjon Abdukadirovich, and Maftuna Muhammadjon kizi Botirova. "THE ROLE AND SIGNIFICANCE OF A GREAT SCULPTURE IN SOCIETY." Fars Int J Edu Soc Sci Hum 10(12); 2022; 10, no. 12 (2022): 810–15. https://doi.org/10.5281/zenodo.7494276.

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19

Honcharuk, Oleksandr. "Portrait sculpture of Lviv on the border of modernism and postmodernism." Bulletin of Lviv National Academy of Arts, no. 41 (December 26, 2019): 25–30. http://dx.doi.org/10.37131/2524-0943-2019-41-03.

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Main vectors of develovpment of portrait sculpture in Lviv of 90s of the XX century in the context of the time. Changes, which occured in art, were identified; where new environment is being formed, in which portrait sculpture becomes an object of preservation and transmission of information. It’s proved that visualization of Ukrainian history is mainly due to developments in individual personification of events of prominent leaders of their time. The analysis of a number of sources related to the peculiarities of artistic and critical understanding of complex creative processes specific to Lv

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20

Jagodziński, Kajetan. "The role of the artist in the Maya society in the late classical period based on epigraphic analysis of the signatures of scribes and sculptors." Studia Europaea Gnesnensia, no. 19 (June 15, 2019): 415–22. http://dx.doi.org/10.14746/seg.2019.19.21.

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21

Fang, Zhiyu. "Contemporary Chinese Sculpture Promoting the “Idea of China” (the case of Cao Chunsheng and Deng Ke)." Scientific and analytical journal Burganov House. The space of culture 18, no. 6 (2022): 95–100. http://dx.doi.org/10.36340/10.36340/2071-6818-2022-18-6-95-100.

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Ever since the beginning of the Reform Era, China rapidly and steadily walks the path of socialism with Chinese characteristics. Moving towards the new era, the Chinese government and society do not forget about their values and guidelines, the "Idea of China" is developed in art. Art pieces aim to promote Chinese cultural traditions, patriotism, the fighting spirit of Chinese nation. Sculpture is actively involved in this process as one of the art forms that allows broadcasting ideas about beauty and justice. Over the years, sculptors have persisted in exploring different genres and styles, w

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MARIAN, Ana. "Modeling and plastic techniques in creation of Moldovan sculptural nudes." Arta 31, no. 1 (2022): 88–94. http://dx.doi.org/10.52603/arta.2022.31-1.12.

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There are many various materials suitable for the creation of sculptural nudes, but they are almost identical to those used to create a sculptural portrait. Among them, there is clay, stone (from limestone and granite to marble and some semi-precious stones), metals (bronze, aluminum, silver, gold), wood (of various types), wax (as a preliminary material), plasticine (which is also used for sketches) and gypsum (intended for casting works). Plastic techniques, as well as modeling ones, expand the range of interpretation of nude with the assistance of sculptural language elements and original c

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MARTIROSYAN, MADONA. "THE CHARACTER OF TIGRAN THE GREAT IN COINS AND SCULPTURE." Scientific bulletin 1, no. 44 (2023): 170–85. http://dx.doi.org/10.24234/scientific.v1i44.54.

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The well-known image of Tigran the Great of modern drams occupies a central place in monumental sculpture as well as high-sculpture iconography. While creating round statues, sculptors-engravers depicted Tigran the Great in their own way, dressing him in imitation of the clothes of the famous Roman rulers of the time. The sculptors did not even protect the well-known portrait from the dram: they were guided by their own ideas. In that sense, the episodes are more conservative. In their high sculptures, Tigran the Great has a recognizable image and repeats the image on the drams. Among the Arme

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Mammadov, Mardan Mursal o. "THE ROLE OF FEMALE SCULPTORS IN THE DEVELOPMENT OF AZERBAIJANI ART." Deutsche internationale Zeitschrift für zeitgenössische Wissenschaft 60 (July 18, 2023): 4–9. https://doi.org/10.5281/zenodo.8161023.

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This article is devoted to the importance of using historical architectural monuments - Karabakh monuments in the formation of patriotic education of young people. It is known to everyone that for nearly 30 years, 20% of the territory of Azerbaijan and its historical architectural monuments were occupied by Armenian usurpers. In order to teach the youth to love the motherland, we need to arm them with knowledge about our valuable resources there. At the same time, by studying the history of Karabakh monuments, we get to know the national culture of our ancestors. It should be noted that althou

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Marian, Ana. "Stylistic implementations in the genre of Moldovan sculptural portrait." Arta 33, no. 1(AV) (2024): 74–80. https://doi.org/10.52603/arta.2024.32-1.08.

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The transition in the national sculpture from the end of the 19th century to the beginning of the 20th century from the system of plastic and conventional figurative medieval form to the realistic one led to the assimilation of influences from Russian, Romanian and Western Art. The influences of impressionism can be felt in the creation of Nichifor Colun and in the creation of Alexandru Plămădeala, Claudia Cobizev, Lazăr Dubinovschi, in which classical realist art is combined with modernism. The gallery of portraits in the spirit of socialist realism was represented by Valentin Kuznetsov, Nico

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Edwards, Jason. "The Great Game? Anglo-Afghan monuments in St Paul’s Cathedral, c. 1816–1916." Sculpture Journal 33, no. 2 (2024): 237–50. http://dx.doi.org/10.3828/sj.2024.33.2.08.

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This article considers the perhaps surprising centrality of sculptural engagements with Afghanistan and the broader north-west frontier of the Raj during the century after the Battle of Waterloo. The article ranges across a broad array of commemorative media, from standing white marble figurative statues and portrait busts, through allegorical mourning figures and memorial brasses, to High Church religious sculpture and scenes of biblical history. It argues that sculptors never really settled on a sculptural iconography for Afghanistan, in spite of drawing on key photographic and print represe

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Zverkova, S. A. "YOUTH PORTRAIT IN INFORMATION SOCIETY." Social - Economic Phenomena and Processes 11, no. 3 (2016): 21–25. http://dx.doi.org/10.20310/1819-8813-2016-11-3-21-25.

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Dzeban, Oleksander, Olena Aleksandrova, and Nataliia Vinnikova. "Axiological portrait of information society." Skhid, no. 5(163) (November 1, 2019): 13–19. http://dx.doi.org/10.21847/1728-9343.2019.5(163).182436.

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f, f. "A study on the Artistic Conception of Chinese Portrait Sculpture." Society for Chinese Humanities in Korea 85 (December 31, 2023): 539–52. http://dx.doi.org/10.35955/jch.2023.12.85.539.

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Portrait sculpture is an important part of sculpture classification.Portrait sculptures have a long history, but their origins are relatively late in China.In the process of studying abroad, Chinese elders introduced Western portrait sculptures to China.The combination of Chinese native art culture and western sculpture creates portrait sculptures that conform to Chinese aesthetics.especially in the context of consciousness.The artistic conception of sculpture art is to extend the limited time space to the infinite time space, which is to break through the small space and explore the infinite

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Woodhead, Linda, James T. Richardson, Martyn Percy, Catherine Wessinger, and Eileen Barker. "Portrait." Religion and Society 9, no. 1 (2018): 1–23. http://dx.doi.org/10.3167/arrs.2018.090102.

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I wish I had been present at the 1993 annual meeting of the Society for the Scientific Study of Religion (SSSR) when Professor Eileen Barker delivered her subversive presidential address: “The Scientific Study of Religion? You Must Be Joking!” I imagine that not all audience members were delighted. The address lives up to its billing, driving a cart and horses through pervasive positivistic assumptions in the study of religion and ushering in a very different approach. I will not pretend that it changed my life the first time I read it, but I have gone back to it time and again, and it continu

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Van Alfen, Peter. "The J. Sanford Saltus Award." Sculpture Review 69, no. 1 (2020): 28–35. http://dx.doi.org/10.1177/0747528420926815.

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This article traces the origins and recent developments of the J. Sanford Saltus Award for Lifetime Achievement in Medallic Art. Initiated in 1913 at the American Numismatic Society (ANS) and first awarded in 1919, the Saltus Award continued to be one of the most prestigious and most coveted awards for sculptors and other artists engaged in numismatic design and handheld sculpture.

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Fang, Liu. "The process of orientalization of urban sculpture in China from the middle of the 19th century." OOO "Zhurnal "Voprosy Istorii" 2024, no. 3 (2024): 170–77. http://dx.doi.org/10.31166/voprosyistorii202403statyi13.

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The development of contemporary urban sculpture in China starkly illustrates the myriad contradictions and trials inherent in the process of modernization within Chinese society. From the middle of the 19th century Chinese urban sculpture faces a dilemma: the global assimilation and the following traditional Chinese aesthetics. The solution to this problem was achieved through the combined efforts of generations of Chinese sculptors.

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Бірюльов, Ю. "Творчість єврейських скульпторів у Львові в 1919-1941 рр." ВІСНИК Львівської національної академії мистецтв, № 35 (16 липня 2018): 55–71. https://doi.org/10.5281/zenodo.1313084.

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Objectives: to determine and systematize principal imaginative-stylistic and national peculiarities of sculptural art of Lviv Jewish sculptors in the period from 1919 to 1941. For the first time in the study of art this article in an integrated manner presents the view of imaginative-stylistic and national originality of Jewish sculptural heritage of Lviv of that period that has not been explored until present time and provides new biographical details of the sculptors. Discussion of the problem. The origins of efflorescence of the Jewish plastic arts in Lviv in the Inter-War Period can be fou

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Keynes, Milo. "The Portrait of Dr William Harvey in the Royal Society Since 1683." Notes and Records of the Royal Society 60, no. 3 (2006): 249–52. http://dx.doi.org/10.1098/rsnr.2006.0152.

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A portrait of William Harvey in the Royal Society since 1683 is a copy by an unknown artist after a portrait, now lost, painted by Sir Peter Lely ca . 1650. Three other unattributed copies besides a copy bought from Lely's studio on his death by the Earl of Bradford have been located. The present labelling of the Royal Society portrait should be corrected.

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Moghari, Shaghayegh. "Portrait of Women in Victorian Novels." International Journal of Language and Literary Studies 2, no. 4 (2020): 167–76. http://dx.doi.org/10.36892/ijlls.v2i4.414.

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This article examines the representation of three female characters in three Victorian novels. These three novels are Bleak house, Ruth, and Lady Audley’s Secret. This work is, in fact, a study of how women were viewed in Victorian novels which actually depicted the Victorian society. The society of that time was male-dominated that tried to rule over women unfairly and made them as submissive as possible in order to handle them easily according to their selfish tastes. If women in Victorian society followed the expectations of men thoroughly, they were called angel-in-the-house; if not, they

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Aleinikova, Svetlana M. "Axiological Portrait of the Modern Belarusian Society." Problemy natsional'noi strategii, no. 5 (2021): 135–47. http://dx.doi.org/10.52311/2079-3359_2021_5_135.

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Reilly, Michael P. J. "Women in Mangaian Society: A Historical Portrait." Journal of Pacific History 36, no. 2 (2001): 149–61. http://dx.doi.org/10.1080/00223340120075542.

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Omar, Cerrillo Garnica. "Roma: a Portrait of Mexican Segregational Society." Art Style, Art & Culture International Magazine 1, no. 1 (2019): 25–34. https://doi.org/10.5281/zenodo.4068465.

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Art Style | Art & Culture International Magazine Abstract Through recent years, Mexican filmmakers have become very successful in international cinema contests, particularly in American Academy Awards, the Oscars. In 2018, the film “Roma” was pointed to be the new Mexican sensation, getting ten nominations for the contest. This movie generated many controversies in the Mexican, like an exhibition ban in theaters; the Oscar nomination in the category of Actress in a Leading Role for Yalitzia Aparicio, a rookie indigenous actress; and some others caused by the social situation po

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Keynes, M. "A bogus Newtonian ‘curiosity’ at The Royal Society." Notes and Records of the Royal Society of London 55, no. 2 (2001): 247–52. http://dx.doi.org/10.1098/rsnr.2001.0141.

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The portrait of Isaac Newton in 1717 by Charles Jervas (which graced the cover of Notes and Records last year) shows Newton pointing his finger towards a watch. Is this the gold watch thought to have belonged to Newton, which is now kept in The Royal Society? New evidence, presented in this paper, indicates that the watch is bogus, being of later date. So the answer is ‘no’. A gold watch presented by Newton to Richard Bentley in 1717 is another possible candidate, but does not look like the watch in the portrait.

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Christensen, Charlotte. "The Prince, the Noblemen and the Painter: Collectionso Works of Art in Copenhagen Between 1800 and 1848." Artium Quaestiones, no. 34 (December 27, 2023): 81–109. http://dx.doi.org/10.14746/aq.2023.34.3.

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The history of collecting in Denmark and Norway in the 19th century is intimately connected with the history of the painters and sculptors active during that period. Only in Copenhagen were the Royal and private collections accessible to the artists, for whom copying paintings by Old Masters formed an important part of their curriculum. Major collectors of the Age were Prince Christian Frederik (later King Christian VIII of Denmark), who mainly acquired paintings and sculptures by contemporary artists, and the portrait painter Christian Albrecht Jensen, whose preference was to buy and sell the

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Eller, Thomas, Roger Malina, and Shi Wenqing. "Portrait of Artist Shi Wenqing." Leonardo 53, no. 5 (2020): 122. http://dx.doi.org/10.1162/leon_a_01882.

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On further review, the editors of Leonardo journal and the leadership of the International Society for the Arts, Sciences and Technology have rescinded acceptance of this article as it does not fit the editorial focus of our publication. We regret the error.

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Schupbach, William. "Alex Sakula, Royal Society of Medicine London: portraits, paintings and sculptures, London, Royal Society of Medicine Services Ltd., 1988, 8vo, pp. xiii, 194, illus., £20.00." Medical History 33, no. 4 (1989): 513. http://dx.doi.org/10.1017/s002572730005016x.

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Gultom, Eva Solina, and Syifa Salsabila. "THE PORTRAIT OF DYSTOPIA SOCIETY IN FLAWED NOVEL." SEMAR : Jurnal Sosial dan Pengabdian Masyarakat 1, no. 01 (2023): 76–83. http://dx.doi.org/10.59966/semar.v1i01.440.

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This study looks at how control and resistance are portrayed in Cecelia Ahern's dystopian novel Flawed and how the main character reacts to it. The goal of this study is to examine the concepts of control and resistance as they are presented in the book Flawed. Michel Foucault's theory of power and knowledge was applied to this study. The descriptive qualitative approach was used to carry out this study. The researcher discovered sixteen data sets with resistance elements from Celestine as the main character and fourteen data sets with control aspects from the government. The research's conclu

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Fang, Zhiyu. "Traditions and Innovations in Chinese Contemporary Sculpture." Scientific and analytical journal Burganov House. The space of culture 18, no. 2 (2022): 28–39. http://dx.doi.org/10.36340/2071-6818-2022-18-2-28-39.

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After the Cultural Revolution, an unprecedented period of openness began in China. The gradual deepening of the Reform and Openness Policy created more opportunities for the development of contemporary Chinese sculpture. For "tradition", sculptors combine the form and content of traditional culture and sculpture, expressing the problems of modern life and human society, forming a rich creative thought and a broad creative outlook. Two art directions were formed. The first direction follows the creative method of sculptors who studied in France before the formation of the People's Republic of C

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Lantuh, V., and I. Lantuh. "Psychological portrait of subjects of entrepreneur activity." Fundamental and applied researches in practice of leading scientific schools 32, no. 2 (2019): 3–10. http://dx.doi.org/10.33531/farplss.2019.2.01.

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The article deals with the psychological characteristics of subjects of entrepreneur activity. It also identifies and describes their personal qualities, shows how the positive factors of the personality of entrepreneurs influence success in their professional activities. Particular attention is paid to such important qualities of entrepreneurs as leadership, style of behavior, quality of mind, organizational and administrative skills and attitudes towards oneself, to the team and professional activities. The psychological portrait of an entrepreneur highlights professional qualities that dist

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Novikova, Ekaterina S. "XVITH CENTURY FEMALE SELF-PORTRAITURE IN ITALY AND ITS FORMAL CRITERIA." Arts education and science 3, no. 36 (2023): 74–82. http://dx.doi.org/10.36871/hon.202303074.

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Since the second half of the XVIth century, the number of female artists and sculptors gradually increased. Their work was extremely important already because for the first time it claimed success in a field where, until then, the fame had belonged exclusively to men. Self-portraits in the XVIth century became an extremely popular form of artistic creation among painters, including women. In general, the practice of artists putting their signatures on paintings did not go beyond the Italian tradition. However, it can be assumed that witnessing their work was an important moment for women of th

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Livesley, Brian. "John Hunter's Beard." Bulletin of the Royal College of Surgeons of England 93, no. 2 (2011): 68–70. http://dx.doi.org/10.1308/147363510x551405.

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In this paper, evidence is provided to show that the John Hunter portrait owned by the Worshipful Society of Apothecaries (WSA) was painted by Sir Joshua Reynolds as a preliminary sketch for his famous portrait donated to the College by Mrs Hunter and her son. The provenance of the sketch has been disputed by art experts, who have given no explanation about how Hunter came to have the beard that features in the WSA portrait. The answer is a simple clinical one.

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Yulianeta. "The Study of Poetry Anthology “Di Atas Viaduct”: A Portrait of a Changing Urban Society in Bandung, Indonesia." South Asian Journal of Social Sciences and Humanities 4, no. 1 (2023): 129–62. http://dx.doi.org/10.48165/sajssh.2023.4108.

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Purpose of the study: This research is based on the phenomenon of urban society in which the complexity of urban culture has caused the Indonesia to change. For example, the polluted Cikapundung river, the rarely heard of Sundanese songs, the rice fields turned into settlements, and the large number of prostitutions spread across Bandung, West Java, Indonesia. Methodology: This study aims to reveal the portrait of the urban society of Bandung in the poetry anthology. The method used in this study is the sociology of literature carried out with a sociological approach focusing on the analysis o

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Noviani, Isra Rahma, and Zulfadhli. "Potret Gaya Hidup Remaja Urban dalam Novel 12 Cerita Glen Anggara Karya Luluk Hf." Persona: Kajian Bahasa dan Sastra 3, no. 3 (2024): 627–35. http://dx.doi.org/10.24036/jpers.v3i3.274.

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Portrait of the lifestyle of urban teenagers which is a form of life in explaining phenomena that occur in urban society. Urban society itself has different characteristics from rural society which can be seen from the way of thinking and the surrounding environment. One of the novels that can be seen is a portrait of urban teenagers entitled 12 Stories of Glen Anggara by Luluk HF. The life of urban teenagers is explained through the characters' behavior with their environment, such as towards friends and family, which influences their lifestyle. This research is included in qualitative resear

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Subbotina, Irina, and Lubov Ostapenko. "Socio-Cultural Portrait of Modern Gagaus Woman." Journal of Ethnology and Culturology 29 (August 2021): 13–21. http://dx.doi.org/10.52603/rec.2021.29.02.

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Based on the materials of ethno-sociological and ethno demographic studies from the Soviet and post-Soviet times, carried out by Russian and Moldavian scientists, the article presents a dynamic, socio-cultural image of a Gagauz woman. Different aspects of a modern woman’s life are considered: her life values, attitude to labour, education, wealth, marriage and family. The article also raises questions about religion, ethnic identity, language skills, labour migration of Gagauz women, the transformation of gender stereotypes in Gagauz society. Powerful globalization processes, socio-economic an

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