Academic literature on the topic 'Society of Singapore Writers'

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Journal articles on the topic "Society of Singapore Writers"

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Rahmat, Hadijah. "In Search for Canon of Singapore Malay Poetry: Reflection on Nature, Race, Religion and Love." Malay Literature 26, no. 1 (2013): 1–17. http://dx.doi.org/10.37052/ml.26(1)no1.

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This paper discusses selected poems by three generations of Malay writers in Singapore from the first generation poets who received their vernicular education during British colonial period, before Malayan Independence in 1957; to second generation writers who received Malay education when Singapore was part of Malaysia, 1957-1965 who established their poems in 1970s; and the third generation writers who received bilingual education who began to make impacts when Singapore become a Republic in 1980s. These iconic poems embody the easthetic as well as the cultural and political values of Malay society. It is an early attempt to define and search for canon of Singapore Malay poetry. Keywords: literature, canon, poetry, Singapore, culture, identity, values
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Ibrahim, Azhar. "Malay Literature in Singapore: Lines of Thought and Conflicting Ideas." Malay Literature 27, no. 1 (2014): 131–60. http://dx.doi.org/10.37052/ml.27(1)no8.

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A line of thought exists and develops from the socio-political and cultural atmosphere, apart from the writer’s level of public and individual awareness. Beginning with the call for “literature for society” by ASAS’50, the following decades saw more variety in literary trends, although, on the whole, established writers still remained committed to use literature as a means for raising awareness and channelling social criticism, while at the same time using it to present the ideal to which the writer aspires. In the cultural and political context of Singapore, there are three lines of thought. The first is a kind of foregrounding, in which the writer makes a universal observation of humankind and/or describes the condition of the Malay community with all its challenges and problems, touching on issues that have a basis in history or current realism. The second is the tendency to offer alternatives or echo moral messages that call for people to be more spiritual and more ethical in this life, without making a concrete link to the communal life or the structures and systems that underlie the society and nation. The third is a kind of escapism, indicated by a domestication of thought or “popularization” of literature following the dictates of a market in which light reading and entertainment-type reading materials are what sells. In Singapore today, writing is becoming more varied. What is to be observed is how literature has become the vehicle for refuting dominant ideas, apart from becoming the ground for competing ideas as writers present what they feel is the best idea in the interest of society. The challenge for developing an effective literary culture is ensuring that literary works have a clear social vision, employing good techniques and language skills, while at the same time building a grounded, people-oriented literature. This discussion will analyse the obstacles that complicate the literary culture of the Malay literature of Singapore as it aims to achieve all this. Keywords: modern literature, Singapore Malay, political culture, humanity, conflicting ideas
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Che Man, Siti Hajar. "Temasik: Between Convention and Invention." Malay Literature 27, no. 1 (2014): 120–30. http://dx.doi.org/10.37052/ml.27(1)no7.

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This article focusses on the issue of style of presentation by some Singapore short story writers on the livelihood among the Singapore society in the era of `65 leading to the early 90’s. Temasik (short story anthology by Singapore writers) published by the Dewan Bahasa dan Pustaka in 1987 and edited by Suratman Markasan is chosen for the purpose. Each and every short story in this anthology portrayed the what, where, who, how and when of the Singapore society after 1965 which later became the rigours of livelihood till today. The issues touched upon by the writers are analysed based on the existence of the inter-relation of two dimensions – namely the concept of the creation of creative works and the observation of its continuity and layering between invention and convention. The first concept deals with the bond between reality, imagination, illusion and fantasy whereas the second concept deals with the combination between the pattern of story telling which also mirrors the maturity and experience of the short story writers of the 80’s. The Temasik anthology is not only seen as a catalyst, but also as an impetus toward the production of creative works of quality, apart from ushering the emergence of Singapore writers and works in the era of e-literature. Keywords : Temasik , creative works, convention, invention, e-literature
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Lam (林立), Lap. "Poetic Record of Local Customs: Bamboo Branch Verses of Singapore (1888–1941)." Journal of Chinese Overseas 15, no. 1 (2019): 5–32. http://dx.doi.org/10.1163/17932548-12341391.

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Abstract During the colonial period, Chinese poets in Singapore frequently adopted the short poetic genre called “Bamboo Branch Verse” to depict local customs, cultures, and their diasporic experiences. This genre has a folksong origin, and is traditionally used by literati writers to describe local folkways and secular love in exotic places. Li Qingnian’s Nanyang zhuzhici huibian shows that no fewer than 4,197 pieces were published in Malaya and Singapore from 1888 to 1950. Based on Li’s compilation yet adopting a more critical approach in handling his source materials, this article studies the content and generic style of Singapore’s zhuzhici and its relation to local society, from 1888, the year the first set of zhuzhici poems was published, to 1941, before Singapore was occupied by the Japanese army. It first reviews the tradition of zhuzhici writing and attempt to clarify its generic distinctiveness, so as to link the zhuzhici in Singapore with its origin and to point out what is new and unchanged. Second, it examines how writers used the miniature form of zhuzhici for social criticism and to respond to the colorful, complex Nanyang cultures. Finally, it focuses on Khoo Seok Wan’s poems to explicate the relationship between zhuzhici and print culture, his attitude toward local customs, and how he applied local languages, cyclic form, and explanatory notes in the genre.
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Rahman, Abdul, Idi Warsah, and Ali Murfi. "Islamic Education System in Singapore: Current Issues and Challenges." Jurnal Pendidikan Islam 8, no. 2 (2020): 197–222. http://dx.doi.org/10.14421/jpi.2019.82.197-222.

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Although Singapore cannot be used as a model for global Islamic education, this country has quite several madrasahs. The Singapore government is also quite responsive in providing support for the continuation of Islamic education activities. This study aims to analyze the Islamic education system—madrasah management and curriculum in Singapore. Most importantly, this study identifies how the role of madrasahs in the Singapore education system is. The study in this paper is qualitative. This study uses library research, and the method of content analysis and constant comparative analysis becomes the first option of the writer. The results show that Singapore's Islamic Ugama Majlis (MUIS) plays a significant role in monitoring and managing the development of Islamic education in Singapore, which performs three types of Islamic education, Part-Time Education, Full Time Education, and Islamic Study Program for the Community. MUIS created a special curriculum by proposing the Singapore Islamic Education System (SIES) by introducing the ALIVE curriculum. The role and relevance of madrasahs cannot be underestimated or dismissed because the growing Muslim community and society will always need the right channels for real Islamic education regardless of how progressive or modern it is. This paper provides a broad view of madrasah in Singapore and looks at management, curriculum, and the role of madrasahs.
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Barnard, Timothy P. "Sedih sampai buta : Blindness, modernity and tradition in Malay films of the 1950s and 1960s." Bijdragen tot de taal-, land- en volkenkunde / Journal of the Humanities and Social Sciences of Southeast Asia 161, no. 4 (2009): 433–53. http://dx.doi.org/10.1163/22134379-90003703.

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In the 1950s and 1960s Malaya/Malaysia was undergoing a tremendous amount of social change. One method of examining how this period was understood is through Malay film. A number of Malay writers and activists found work in the vibrant film industry of the Peninsula, which was centred on Singapore at the time, and proceeded to infuse many of the films with their ideas, hopes, and understandings of the society they saw around them. As part of these developments, and perhaps due to the phenomenon of repetition, blindness became a metaphor in a number of films to address the issue of modernity and tradition, and the tension between rural and urban. In films produced in the early 1950s blindness occurs among kampung-based characters, or among supporting players within the larger drama. Their blindness is usually caused or compounded by a sadness in their lives. In these films, an urban-based character attempts to arrange for an operation that will remedy the condition, but only after a character has had to deal with the underside of modernity. The use of blindness as a trope for moral/ethical failure is alien to traditional Malay culture. Thus, its use and repetition represent the external influences and ideas of modernity in Malay filmmaking of the period. While the city was frightening, it held the possibility of change for the better. Characters in these films had to deal first with the negative sides of such a life, but if they retained the positive traditional values of Malay culture, all would be well. By the early 1960s, however, after the promise of independence had transitioned to debates over merger, identity, and economic and social disruption, the metaphor of blindness had also shifted. Although technologycould cure the condition, the world that accompanied this technology was one that was unbearable. Unlike the earlier supporting characters facing a sightless life, it was now the main character who becomes blind in a manner that is violent and irreversible. It was a world that promoted selfishness and materialism. Blindness now became an act of mutilation, not a symbol of sadness but one of alienation.
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Jaenicke, Stephan. "Singapore Catalysis Society." Catalysis Surveys from Asia 12, no. 4 (2008): 326–27. http://dx.doi.org/10.1007/s10563-008-9057-1.

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Chia, Boon-Lock, Charles Chai-Soon Toh, Bernard Wing-Kuin Kwok, and Kian-Keong Poh. "The Singapore Cardiac Society." Circulation Journal 76, no. 6 (2012): 1289–91. http://dx.doi.org/10.1253/circj.cj-66-0033.

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Epshtein, Mikhail. "How society censors its writers." Index on Censorship 19, no. 6 (1990): 8. http://dx.doi.org/10.1080/03064229008534853.

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Cotton, James. "State and society in Singapore." Pacific Review 9, no. 2 (1996): 278–82. http://dx.doi.org/10.1080/09512749608719184.

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Dissertations / Theses on the topic "Society of Singapore Writers"

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Lim, Yi-En. "A linguistic and critical study of selected works by two Singaporean writers : heteroglossia in Singaporean society." Thesis, University of East Anglia, 1995. http://ethos.bl.uk/OrderDetails.do?uin=uk.bl.ethos.296809.

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Manns, Jeffrey David. "Limiting Leviathan : civil society and the state in Singapore." Thesis, University of Oxford, 2001. http://ethos.bl.uk/OrderDetails.do?uin=uk.bl.ethos.395228.

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Hornidge, Anna-Katharina. "Knowledge society : vision and social construction of reality in Germany and Singapore." Berlin ; Münster Lit, 2007. http://deposit.d-nb.de/cgi-bin/dokserv?id=2984111&prov=M&dokv̲ar=1&doke̲xt=htm.

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Han, Christine Mui Neo. "Education for citizenship in a plural society : with special application to Singapore." Thesis, University of Oxford, 1997. http://ora.ox.ac.uk/objects/uuid:7f4b512c-f457-46fa-8980-f5d5e80feb45.

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The thesis aims to suggest directions towards a defensible conception of citizenship and approach to citizenship education in Singapore. In recent years, citizenship in Singapore has centred around the themes of identity and participation. Among educationists in general, there is a recognition that citizens need to be prepared for involvement in the political process. In plural societies, however, there is no one set of values which can guide deliberation and resolve differences. Consequently, there are questions as to the values which could be advocated in citizenship education. The approach in this thesis is to analyse the concept of citizenship, with due consideration given to the values and assumptions of Singapore society, and its social, political and economic circumstances. This analysis is carried out in the light of the research and theorising on citizenship and citizenship education in England and Wales. Controversial issues exist on which there is no agreement on which society is divided. The neutral approach, which is sometimes suggested as being appropriate for handling such issues, is examined. The larger question of state neutrality is also discussed, and a case is made for state perfectionism. In addition, it is argued that there are legitimate variations in moral judgement, and an account is presented of the nature of moral thinking that admits of such variations. It is suggested that a common culture is important in a plural society because this provides the grounds for policy decisions, particularly where state perfectionism is espoused; it also allows for the development of a national identity. Developing this common culture requires public deliberation in exploring the values and issues concerning a society. Finally, the arguments that have been presented are related to citizenship and citizenship education in Singapore, and recommendations made.
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Francesch, Maria. "A "disciplined governance" approach to government." Thesis, The University of Hong Kong (Pokfulam, Hong Kong), 2005. http://ndltd.ncl.edu.tw/handle/67867325101140654219.

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Cheung, Sui-fan Ellen, and 張瑞芬. "The notion of 'identity' and the role of English in the writings of Singaporean and Malaysian writers." Thesis, The University of Hong Kong (Pokfulam, Hong Kong), 1998. http://hub.hku.hk/bib/B31951922.

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Tuchman, Paula Schrier. "Weak but not meek an international society explanation of asymmetric deterrence /." access full-text, 1995. http://libweb.cityu.edu.hk/cgi-bin/ezdb/umi-r.pl?9601994.pdf.

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Sin, Song-Chiew James, University of Western Sydney, and of Performance Fine Arts and Design Faculty. "Arts, culture and museum development in Singapore." THESIS_FPFAD_XXX_SinSongChiew_ J.xml, 1997. http://handle.uws.edu.au:8081/1959.7/240.

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This thesis discusses some aspects of the exhibition designer's role in state museums and galleries. It draws on the author's experiences in Singapore and his observations as a student living in Sydney. Museum exhibition designers are servants of the state. They help create public culture and promote a version of history. But if one is to understand the ways in which designers create meaning (and serve their employer's interests) we need to identify the 'vocabulary' and 'grammar' that they have at their disposal. To this end, the thesis outlines the variables that they work with and argues that they need to understand their employer's ideologies and history. The design vocabulary and grammar that the exhibition designer works with to create meaning in bridging understanding needs to be commensurate with the knowledge of history and the primary ideologies of the state which he/she serves. Singapore's recent interest in arts and heritage museums as part of a larger desire for regional economic and cultural survival and pre-eminence needs to be identified with the evolution, interconnectedness and ambitions of Singapore's arts and cultural organisations. In conjunction, some of the implications of Singapore's Arts and Heritage Policy need to be unpacked. A brief but concise comparative history of Sydney, Australia is made for the arts, cultural and museum comparison between Australia and Singapore. The exhibition designer's vocabulary and grammar can then be used to evaluate four exhibitions in Sydney and Singapore. This dissertation addresses the issues of 'Asian-ness' , modernisation without westernisation and the state's desire to meet the challenges which global communication systems place upon Singapore citizen's welfare. The dissertation is very art focused. It discusses all display objects as though they were paintings and works of fine art
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Maitland, Rebecca. "Literature as social conscience : Russian writers and the transformation of Tsarist society, 1820-1906 /." Title page, contents and introduction only, 1997. http://web4.library.adelaide.edu.au/theses/09AR/09arm232.pdf.

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Anderton, Marja Arendina Louise. "The power to destroy false images : eight British women writers and society 1945-1968." Thesis, University of Glasgow, 1994. http://theses.gla.ac.uk/4409/.

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This dissertation aims to oppose the assumption underlying many studies that the immediate post-war period was a `silent' time in which there were no signs that women were not generally content to follow the ideal of femininity, and that the feminist movement started suddenly in 1968. This thesis focuses on the dissenting voices which could be heard both in society and literature before 1968. Part I deals with the position of women in society between 1945 and 1968. It concentrates particularly on women at work and in the family. The fact that more married women than ever before entered the labour market after World War II contradicts the idea that British women in the '50s were mostly housewives. Furthermore, in spite of the apparent coming into existence of the so-called `affluent society', women had many reasons to feel dissatisfied. Women were mainly found in low-status and low-paid jobs, and in the family women had very little power, especially sexually and financially. This part of the thesis also deals with women in society who were expressing the discontent they felt. First of all, there were middle-class journalists (e.g. Stott) and sociologists (e.g. Gavron, Klein) who were registering women's dissatisfaction in their publications. Secondly, an outlet for grievances for women was formed by The Guardian's women's page (especially the letters section) which discussed many controversial issues. Part II deals with another group of middle-class women who turned to the problematic position of women in society in their publications, eight British women novelists who started writing in this period. This part discusses the lives of Doris Lessing, Iris Murdoch, Muriel Spark, Penelope Mortimer, A.S. Byatt, Margaret Drabble, Edna O'Brien and Beryl Bainbridge, with particular reference to their emergence as writers. The biographical section refers to interviews as well as to letters to the author. The final part of the dissertation discusses several novels by each writer. There are three main themes which recur again and again in these novels, the search for an identity (a female form of the Bildungsroman is very popular), the restrictive influence of the family on the heroines, and the importance of work for the self-esteem of many of the female characters.
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Books on the topic "Society of Singapore Writers"

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Singapore, ideology, society, culture. Chopman, 1985.

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Singapore civil society and British power. Talisman, 2005.

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(Singapore), Trinity Theological College, ed. Engaging society: The Christian in tomorrow's Singapore. Trinity Theological College, 2013.

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Lai, Amy Tak-Yee. Asian English writers of Chinese origin: Singapore, Malaysia, Hong Kong. Cambridge Scholars, 2009.

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Asian English writers of Chinese origin: Singapore, Malaysia, Hong Kong. Cambridge Scholars, 2009.

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Copyright Paperback Collection (Library of Congress), ed. Murder at the Galactic Writers' Society. Daw Books, 1995.

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name, No. The making of Singapore sociology: Society and state. Brill, 2003.

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Straight talk: Reflections on Singapore politics, economy & society. Straits Times Press, 2013.

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George, Woodcock. Writers and politics. Black Rose Books, 1990.

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Bender, Aimee. The secret society of demolition writers: Stories. Random House, 2005.

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Book chapters on the topic "Society of Singapore Writers"

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Chee, Chan Heng, Sharon Siddique, Irna Nurlina Masron, and Dominic Cooray. "Singapore society." In Singapore’s Multiculturalism. Routledge, 2019. http://dx.doi.org/10.4324/9780429449949-6.

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Somjee, A. H., and Geeta Somjee. "Singapore: A Super Pragmatic Society." In Development Success in Asia Pacific. Palgrave Macmillan UK, 1995. http://dx.doi.org/10.1057/9780230371675_2.

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Voigt, Herbert, and Ratko Magjarević. "The Biomedical Engineering Society (Singapore)." In Launching IFMBE into the 21st Century: 50 Years and Counting. Springer Berlin Heidelberg, 2014. http://dx.doi.org/10.1007/978-3-642-30160-5_102.

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Lee, Daphnee. "Singapore Society in Transition, Really?" In Managing Chineseness. Palgrave Macmillan UK, 2016. http://dx.doi.org/10.1057/978-1-137-58258-4_7.

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Okada, Sumie. "Natsume Soseki: Western individualism and the Japanese society." In Western Writers in Japan. Palgrave Macmillan UK, 1999. http://dx.doi.org/10.1057/9780230377738_12.

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Chong, Jean. "LGBTQ activism in Singapore 1." In A History of Human Rights Society in Singapore. Routledge, 2017. http://dx.doi.org/10.4324/9781315527413-9.

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Agnew, Éadaoin. "High Society: Hill Stations and Social Occasions." In Imperial Women Writers in Victorian India. Springer International Publishing, 2016. http://dx.doi.org/10.1007/978-3-319-33195-9_7.

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Jeevanandam, Lohsnah, and Adrian Toh. "The Singapore Psychological Society Code of Ethics." In Handbook of International Psychology Ethics. Routledge, 2021. http://dx.doi.org/10.4324/9780367814250-5.

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Poocharoen, Ora-orn, and Fazlin Abdullah. "Controlling or Empowering Non-Profit Organisations?: Dimensions of Accountability in Singapore." In Manufacturing Civil Society. Palgrave Macmillan UK, 2014. http://dx.doi.org/10.1057/9781137351630_10.

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Smith, Catharine, Kimberly Ang, and Bryan Gan. "Socio-economic rights activism in Singapore." In A History of Human Rights Society in Singapore. Routledge, 2017. http://dx.doi.org/10.4324/9781315527413-6.

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Conference papers on the topic "Society of Singapore Writers"

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Boiarsky, Carolyn. "Best rhetorical practices in risk communication for entrpreneurs, managers, and writers." In 2016 IEEE Professional Communication Society (ProComm). IEEE, 2016. http://dx.doi.org/10.1109/ipcc.2016.7740476.

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"Real Estate Portfolio Diversification in Singapore." In 5th European Real Estate Society Conference: ERES Conference 1998. ERES, 1998. http://dx.doi.org/10.15396/eres1998_170.

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Chin, Lawrence. "Sustainability in Retail Developments: Case of Singapore." In 22nd Annual European Real Estate Society Conference. European Real Estate Society, 2015. http://dx.doi.org/10.15396/eres2015_5.

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"Analysis of land tenders in Singapore." In 19th Annual European Real Estate Society Conference: ERES Conference 2012. ERES, 2012. http://dx.doi.org/10.15396/eres2012_007.

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"Living Satisfaction in Condiminiums: Case of Singapore." In 6th European Real Estate Society Conference: ERES Conference 1999. ERES, 1999. http://dx.doi.org/10.15396/eres1999_181.

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"Urban Decentralisation in Singapore: An Institutional Approach." In 10th European Real Estate Society Conference: ERES Conference 2003. ERES, 2003. http://dx.doi.org/10.15396/eres2003_133.

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Smirnov, Natalia, Matthew W. Easterday, and Elizabeth M. Gerber. "Scaling Studio-Based Learning Through Social Innovation Networks." In Singapore: International Society of the Learning Sciences. Singapore: International Society of the Learning Sciences, 2016. http://dx.doi.org/10.22318/icls2016.1.

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"Optimising Land Use in Singapore: Policies and Options." In 5th European Real Estate Society Conference: ERES Conference 1998. ERES, 1998. http://dx.doi.org/10.15396/eres1998_165.

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"Cointegration Analysis of Singaporeís Residential Market." In 10th European Real Estate Society Conference: ERES Conference 2003. ERES, 2003. http://dx.doi.org/10.15396/eres2003_132.

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"Planning and Management of Technology Parks in Singapore." In 4th European Real Estate Society Conference: ERES Conference 1997. ERES, 1997. http://dx.doi.org/10.15396/eres1997_124.

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