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Books on the topic 'Sociology Actor-network theory'

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1

Fenwick, Tara J. Actor-network theory in education. Routledge, 2010.

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2

Farias, Ignacio, 1978- editor of compilation, ed. Urban cosmopolitics: Agencements, assemblies, atmospheres. Routledge, 2016.

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3

Michel, Callon, ed. Débordements: Mélanges offerts à Michel Callon. Presses des mines, 2010.

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4

Hoogsteyns, Maartje. Artefact mens: Een interdisciplinair onderzoek naar het debat over materialiteit binnen de material culture studies. Veerhuis, 2008.

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Hoogsteyns, Maartje. Artefact mens: Een interdisciplinair onderzoek naar het debat over materialiteit binnen de material culture studies. Veerhuis, 2008.

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6

In defense of things. Rowman & Littlefield Publishers, 2010.

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7

1967-, Jensen Torben Elgaard, ed. Bruno Latour: Hybrid thoughts in a hybrid world. Routledge, 2011.

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8

Nimmo, Richie. Actor-Network Theory Research. SAGE Publications, Limited, 2016.

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9

Revisiting Actor-Network Theory in Education. Taylor & Francis Group, 2017.

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10

1946-, Law John, and Hassard John 1953-, eds. Actor network theory and after. Blackwell Publishers/Sociological Review, 1999.

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11

Michael, Mike. Actor-Network Theory: Trials, Trails and Translations. SAGE Publications, Limited, 2016.

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12

Michael, Mike. Actor Network Theory: Trials, Trails and Translations. SAGE Publications, Limited, 2016.

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13

Latour, Bruno. Reassembling the Social: An Introduction to Actor-Network-Theory (Clarendon Lectures in Management Studies). Oxford University Press, USA, 2007.

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14

Latour, Bruno. Reassembling the Social: An Introduction to Actor-Network-Theory (Clarendon Lectures in Management Studies). Oxford University Press, USA, 2005.

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15

Blok, Anders, and Torben Elgaard Jensen. Bruno Latour: Hybrid Thoughts in a Hybrid World. Routledge, 2012.

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16

Cinematic Perspectives On Digital Culture Consorting With The Machine. Palgrave MacMillan, 2012.

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17

Haworth, Christopher. Technology, Creativity, and the Social in Algorithmic Music. Edited by Roger T. Dean and Alex McLean. Oxford University Press, 2018. http://dx.doi.org/10.1093/oxfordhb/9780190226992.013.13.

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This chapter surveys developments in the sociology of art and theories of mediation to examine the contribution of technical devices and institutions to musical creativity. In particular, it considers Actor-Network Theory as a means to analyse the contributions of ‘nonhuman actors’ to the social world of algorithmic music. Two case studies are discussed: the network music pioneers The Hub and the contemporary genre of live coding. The example of The Hub raises the question of technological change and the necessity of considering the external forces that bear on the instrumentarium of algorithm
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