Relevant bibliographies by topics / Sociology of Cinema / Books
To see the other types of publications on this topic, follow the link: Sociology of Cinema.

Books on the topic 'Sociology of Cinema'

Author: Grafiati
Published: 4 June 2021
Last updated: 1 February 2022

Create a spot-on reference in APA, MLA, Chicago, Harvard, and other styles

Select a source type:

Consult the top 50 books for your research on the topic 'Sociology of Cinema.'

Next to every source in the list of references, there is an 'Add to bibliography' button. Press on it, and we will generate automatically the bibliographic reference to the chosen work in the citation style you need: APA, MLA, Harvard, Chicago, Vancouver, etc.

You can also download the full text of the academic publication as pdf and read online its abstract whenever available in the metadata.

Browse books on a wide variety of disciplines and organise your bibliography correctly.

1

Jung, Berenike. Narrating Violence in Post-9/11 Action Cinema: Terrorist Narratives, Cinematic Narration, and Referentiality. Wiesbaden: VS Verlag für Sozialwissenschaften / GWV Fachverlage GmbH, Wiesbaden, 2010.

Find full text
APA, Harvard, Vancouver, ISO, and other styles
2

Images of postmodern society: Social theory and contemporary cinema. London: Sage Publications, 1991.

Find full text
APA, Harvard, Vancouver, ISO, and other styles
3

Divia, Patel, ed. Cinema India: The visual culture of Hindi film. New Brunswick, N.J: Rutgers University Press, 2002.

Find full text
APA, Harvard, Vancouver, ISO, and other styles
4

Dwyer, Rachel. Cinema India: The visual culture of Hindi film. New Delhi: Oxford University Press, 2002.

Find full text
APA, Harvard, Vancouver, ISO, and other styles
5

Dwyer, Rachel. Cinema India: The visual culture of Hindi film. London: Reaktion Books, 2002.

Find full text
APA, Harvard, Vancouver, ISO, and other styles
6

Jarvie, I. C. Towards a sociology of the cinema: A comparative essay on the structure and functioning of a major entertainment industry. London: Routledge, 1998.

Find full text
APA, Harvard, Vancouver, ISO, and other styles
7

Emer, Rockett, ed. Irish film censorship: A cultural journey from silent cinema to Internet pornography. Dublin: Four Courts, 2004.

Find full text
APA, Harvard, Vancouver, ISO, and other styles
8

Artspace (Sydney, N.S.W.), ed. Mutant media: Essays on cinema, video art and new media. Sydney: Artspace Visual Arts Centre, 2007.

Find full text
APA, Harvard, Vancouver, ISO, and other styles
9

Cohen, Phil. Anansi meets spiderwoman: Curriculum resources for tackling common-sense racism in pupil cultures. London: British Film Institute, 1994.

Find full text
APA, Harvard, Vancouver, ISO, and other styles
10

Megherbi, Abdelghani. Le miroir apprivoisé: Sociologie du cinéma algérien. Alger: Enal, 1985.

Find full text
APA, Harvard, Vancouver, ISO, and other styles
11

Sociologia del cinema: I mutamenti della società italiana attraverso opere cinematografiche. Pisa: ETS, 2008.

Find full text
APA, Harvard, Vancouver, ISO, and other styles
12

Cucinelli, Diego, and Andrea Scibetta, eds. Tracing Pathways 雲路. Florence: Firenze University Press, 2020. http://dx.doi.org/10.36253/978-88-5518-260-7.

Full text
Abstract:
This volume collects contributions written by eight authors interested in different research areas in East Asian Studies. Divided into a Japanese and a Chinese section, it explores topics ranging from East Asian literatures to contact linguistics and sociology. The Japanese section contains four essays about contemporary Japanese cinema and different aspects of Japanese modern and contemporary literature (i.e. the literary motif of kame naku, ‘crying turtle’, yuri manga, and tenkō bungaku, the ‘literature of conversion’). The Chinese section concerns two main macro-topics: on the one hand, it focuses on issues related to cultural contacts between Italy and China; on the other hand, it deals with Chinese migration to Italy, highlighting socio-historical aspects and cultural production.
APA, Harvard, Vancouver, ISO, and other styles
13

Anomie vampirique, anémie sociale: Pour une sociologie du vampire au cinéma. Paris: Harmattan, 2002.

Find full text
APA, Harvard, Vancouver, ISO, and other styles
14

Putting the pieces together: The Graffiti model for indie filmmaking : a behind-the-scenes look at the making of Quality of life. New York: Soft Skull, 2006.

Find full text
APA, Harvard, Vancouver, ISO, and other styles
15

Alfonsi, Laurence. Lectures asiatiques de l'œuvre de François Truffaut: De la sociologie du cinéma. Paris: Harmattan, 2000.

Find full text
APA, Harvard, Vancouver, ISO, and other styles
16

Les spectateurs du temps: Pour une sociologie de la réception du cinéma. Paris, France: Harmattan, 2006.

Find full text
APA, Harvard, Vancouver, ISO, and other styles
17

Baran, Stanley J. Mass communication theory: Foundations, ferment, and future. 4th ed. Belmont, CA: Thomson/Wadsworth, 2006.

Find full text
APA, Harvard, Vancouver, ISO, and other styles
18

Baran, Stanley J. Mass communication theory: Foundations, ferment, and future. 3rd ed. Belmont, CA: Thomson/Wadsworth, 2003.

Find full text
APA, Harvard, Vancouver, ISO, and other styles
19

Baran, Stanley J. Mass communication theory: Foundations, ferment, and future. 3rd ed. Australia: Wadsworth/Thomson, 2003.

Find full text
APA, Harvard, Vancouver, ISO, and other styles
20

Baran, Stanley J. Mass communication theory: Foundations, ferment, and future. 2nd ed. Australia: Wadsworth, 2000.

Find full text
APA, Harvard, Vancouver, ISO, and other styles
21

K, Davis Dennis, ed. Mass communication theory: Foundations, ferment, and future. Belmont, Calif: Wadsworth Pub. Co., 1995.

Find full text
APA, Harvard, Vancouver, ISO, and other styles
22

Filmer le travail, films et travail: Cinéma et sciences sociales. Aix-en-Provence: PUP. Publications de l'Université de Provence, 2009.

Find full text
APA, Harvard, Vancouver, ISO, and other styles
23

L' aventure américaine de l'œuvre de François Truffaut: De la sociologie du cinéma. Paris: Harmattan, 2000.

Find full text
APA, Harvard, Vancouver, ISO, and other styles
24

Kate, Brooks, ed. Knowing audiences: Judge Dredd, its friends, fans, and foes. Luton, Bedfordshire, U.K: University of Luton Press, 1998.

Find full text
APA, Harvard, Vancouver, ISO, and other styles
25

Sociologia dell'ironia: Comunicazione e rappresentazione della complessità moderna nei romanzi filosofici di Voltaire e nel cinema di Woody Allen. 2nd ed. Padova: CLEUP, 2009.

Find full text
APA, Harvard, Vancouver, ISO, and other styles
26

Greiner, Sandra. Lokale Agenda für globale Probleme? Zur Entwicklung und Umsetzung von Nachhaltigkeitsstrategien aus institutionenökonomischer Sicht. Hamburg: Hamburg University Press, 2002.

Find full text
APA, Harvard, Vancouver, ISO, and other styles
27

Itineranti, Catholic Church Pontificio Consiglio della Pastorale per i. Migranti e. gli. Migranti e pastorale d'accoglienza: Quaderni universitari : commenti all'istruzione Erga migrantes caritas christi (II parte). Citt ̉del Vaticano: Libreria Editrice Vaticana, 2006.

Find full text
APA, Harvard, Vancouver, ISO, and other styles
28

Jarvie, Ian Charles. Towards a Sociology of the Cinema (ILS 92). Routledge, 2014. http://dx.doi.org/10.4324/9781315830865.

Full text
APA, Harvard, Vancouver, ISO, and other styles
29

Postsocialist Cinema in PostMao China East Asia History Politics Sociology Culture. Routledge, 2008.

Find full text
APA, Harvard, Vancouver, ISO, and other styles
30

Patel, Divia, and Rachel Dwyer. Cinema India (Envisioning Asia). Reaktion Books, 2002.

Find full text
APA, Harvard, Vancouver, ISO, and other styles
31

Alfredo, Veiga-Neto, and Costa Marisa Vorraber, eds. Estudos culturais em educação: Mídia, arquitetura, brinquedo, biologia, literatura, cinema. Porto Alegre, RS: Editora da Universidade, Universidade Federal do Rio Grande do Sul, 2000.

Find full text
APA, Harvard, Vancouver, ISO, and other styles
32

Jarvie, I. C. Towards a Sociology of the Cinema: A Comparative Essay on the Structure and Functioning of a Major (The International Library of Sociology: The Sociology of Culture). Routledge, 1999.

Find full text
APA, Harvard, Vancouver, ISO, and other styles
33

Rockett, Emer, and Kevin Rockett. Irish Film Censorship: A Cultural Journey From Silent Cinema To Internet Pornography. Four Courts Press, 2005.

Find full text
APA, Harvard, Vancouver, ISO, and other styles
34

Rockett, Emer, and Kevin Rockett. Irish Film Censorship: A Cultural Journey from Silent Cinema to Internet Pornography. Not Avail, 2005.

Find full text
APA, Harvard, Vancouver, ISO, and other styles
35

Anansi Meets Spiderwoman. BFI Publishing, 1994.

Find full text
APA, Harvard, Vancouver, ISO, and other styles
36

Trobia, Alberto, ed. Sociologia del cinema fantastico. Edizioni Kaplan, 2008. http://dx.doi.org/10.4000/books.edizionikaplan.550.

Full text
APA, Harvard, Vancouver, ISO, and other styles
37

Fernando Gomes, Cleber. ENTRE CINEMA E SOCIOLOGIA. EDITORA CRV, 2016. http://dx.doi.org/10.24824/978854440948.0.

Full text
APA, Harvard, Vancouver, ISO, and other styles
38

Introduzione Alla Sociologia del Cinema. L. Sossella, 2001.

Find full text
APA, Harvard, Vancouver, ISO, and other styles
39

Peters, John Durham, Avril Orloff, and Tamar Liebes. Canonic Texts in Media Research: Are There Any? Should There be Any? How about These? Polity Press, 2002.

Find full text
APA, Harvard, Vancouver, ISO, and other styles
40

(Editor), Elihu Katz, Tamar Liebes (Editor), Avril Orloff (Editor), and John Durham Peters (Editor), eds. Canonic Texts in Media Research: Are There Any? Should There be Any? How about These? Polity Press, 2002.

Find full text
APA, Harvard, Vancouver, ISO, and other styles
41

1926-, Katz Elihu, ed. Canonic texts in media research: Are there any? should there be? how about these? Cambridge: Polity Press, 2003.

Find full text
APA, Harvard, Vancouver, ISO, and other styles
42

Alfonsi, Laurence. L'aventure americaine de l'euvre de Francois Truffaut: De la sociologie du cinema (Collection Cinema et societe). Harmattan, 2000.

Find full text
APA, Harvard, Vancouver, ISO, and other styles
43

Alfonsi, Laurence. Lectures asiatiques de l'euvre de Francois Truffaut: De la sociologie du cinema (Collection Cinema et societe). Harmattan, 2000.

Find full text
APA, Harvard, Vancouver, ISO, and other styles
44

Tulloch, John, and Belinda Middleweek. Real Sex Films. Oxford University Press, 2017. http://dx.doi.org/10.1093/oso/9780190244606.001.0001.

Full text
Abstract:
Within the domain of film studies, the recent surge in films depicting graphic and high-impact sex and sexualized violence has been variously classified under the terms transgressive, brutal, provocative, real sex, and extreme cinema. These classifications, however, tend to underplay the films’ sociohistorical contexts and reflexive struggle for meaning. We argue that the similarities and differences between these real or simulated sex films are determined and mediated within geographical space and historical time. But every film book has its own personal historical starting point: in our case, this is the coming together as intertexts of the real sex film Intimacy with a major academic text, The Transformation of Intimacy, and as authorial agents of a television and documentary film producer and a media academic. This book argues that the meanings we attach to “real sex” cinema are discursively constructed not only by academic experts but by filmmakers, performers, audiences, and film reviewers. Debates about the meaning of real sex cinema are best understood in dialogue, and for the first time in interdisciplinary studies, we foster “mutual understanding” and “critical extension” among new risk sociology, feminist mapping theory, feminist film studies, and film reviewers, while also embracing film/media studies concepts of production, social audiences and spectators, genre, narrative, authorship, and stars. Above all, this is an interdisciplinary book, which engages with, supports, critiques, and extends each of these professional fields of discourse, each with its own schema of filmic understanding.
APA, Harvard, Vancouver, ISO, and other styles
45

Precarious creativity: Global media, local labor. 2016.

Find full text
APA, Harvard, Vancouver, ISO, and other styles
46

Sociologia del cinema fantastico: Il signore degli anelli in Italia : audience, media, mercato. Torino: Kaplan, 2008.

Find full text
APA, Harvard, Vancouver, ISO, and other styles
47

Sociologia del cinema fantastico: Il signore degli anelli in Italia : audience, media, mercato. Torino: Kaplan, 2008.

Find full text
APA, Harvard, Vancouver, ISO, and other styles
48

Tulloch, John, and Belinda Middleweek. Introduction. Oxford University Press, 2017. http://dx.doi.org/10.1093/oso/9780190244606.003.0001.

Full text
Abstract:
This introduction traces the book’s origins across three significant dialogical moments. First is the mediated moment of television producer Middleweek interviewing the 7/7 survivor Tulloch, followed by their intertextual engagement with two texts of intimacy, Chéreau’s film and Giddens’s book. Second is an interdisciplinary dialogue employing feminist mapping theory to forge a “bridging” and “rainbow” scholarship between disciplinary fields that provide ways of seeing real sex films, including risk sociology, feminist psychoanalytical theory, and critical geopolitical theory, in combination with concepts of genre, authorship, production, stardom, social audience, and spectatorship. Third is a dialogue within theories of risk modernity exploring the tension between the “demand for constant emotional closeness” and the quest for “confluent love” in real sex film as the utopia and dystopia of love are played out through cinema.
APA, Harvard, Vancouver, ISO, and other styles
49

Morgan, Benjamin, and Quality of Life Crew. Putting the Pieces Together: The Graffiti Model for Indie Filmmaking. Soft Skull Press, 2006.

Find full text
APA, Harvard, Vancouver, ISO, and other styles
50

Tulloch, John, and Belinda Middleweek. Conclusion. Oxford University Press, 2017. http://dx.doi.org/10.1093/oso/9780190244606.003.0014.

Full text
Abstract:
This book has provided a new reading of the transformation of intimacy that can be found in real sex films using an interdisciplinary perspective drawing on new risk sociology; feminist critical geography; and literary and film studies concepts such as structure of feeling, narrative, genre, stardom, social audience, spectatorship, and mise en scène. In this pursuit the book has incorporated a bricoleur methodology of social audience and textual analysis and devised a “soft ethnography” to explore the different authorial signatures on a filmic text. By viewing real sex cinema through a variety of theoretical, empirical, sociohistorical, and reflexive lenses, it has suggested ways that readers can bring to the cinematic experience their own search for a mutual understanding of ideas and perspectives and yet also, like our social audience groups in their discussions with one another, a sense of critical extension as well.
APA, Harvard, Vancouver, ISO, and other styles
You might also be interested in the bibliographies on the topic 'Sociology of Cinema' for other source types:
Journal articles Dissertations / Theses
We offer discounts on all premium plans for authors whose works are included in thematic literature selections. Contact us to get a unique promo code!

To the bibliography