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Dissertations / Theses on the topic 'Sociology of Cinema'

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Published: 4 June 2021
Last updated: 25 July 2025

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1

Gonçalves, Gabriela Peters Cremasco [UNIFESP]. "Boilesen, Hércules e Vlado: cinema e fragmentos de memória." Universidade Federal de São Paulo (UNIFESP), 2013. http://repositorio.unifesp.br/11600/41745.

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Submitted by Cristiane de Melo Shirayama (cristiane.shirayama@unifesp.br) on 2018-04-10T18:44:10Z No. of bitstreams: 1 GABRIELAPETERSCREMASCOGONCALVES-DISSERTACAOFINAL.pdf: 1154064 bytes, checksum: 940e0d33f73a872906310f26540ac608 (MD5)<br>Approved for entry into archive by Diogo Misoguti (diogo.misoguti@gmail.com) on 2018-04-11T12:00:46Z (GMT) No. of bitstreams: 1 GABRIELAPETERSCREMASCOGONCALVES-DISSERTACAOFINAL.pdf: 1154064 bytes, checksum: 940e0d33f73a872906310f26540ac608 (MD5)<br>Made available in DSpace on 2018-04-11T12:00:46Z (GMT). No. of bitstreams: 1 GABRIELAPETERSCREMASCOGONCALVE
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Violin, Fernando Augusto. "Sociologia no ensino médio sob as lentes do cinema : reflexões acerca da apropriação pedagógica de filmes nos livros didáticos adotados pela diretoria regional de ensino de São José do Rio Preto/SP /." São José do Rio Preto, 2019. http://hdl.handle.net/11449/181839.

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Orientador: Humberto Perinelli Neto<br>Banca: Angela Maria de Sousa Lima<br>Banca: Maria Eliza Belize Arnoni<br>Resumo: Como é proposto a construção do conhecimento com base no cinema na escola, mais especificamente no ensino de Sociologia envolvendo o Ensino Médio? Tal pergunta levou a constatar que os livros didáticos cumprem, em boa medida, esse papel. Isto porque, pode-se verificar nos diversos títulos adotados pela rede pública paulista a indicação de filmes. Tentando encontrar respostas à questão, busca-se como objetivo dessa pesquisa compreender a apropriação pedagógica do cinema regist
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3

Machado, Maíra Saruê. "Modernidade, cinema e temporalidade." Universidade de São Paulo, 2008. http://www.teses.usp.br/teses/disponiveis/8/8132/tde-04122008-165855/.

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Esta pesquisa tem por objetivo entender, por meio da análise fílmica, as formas como a temporalidade está presente no imaginário social na modernidade. Para isso, foi inicialmente elaborada uma abordagem histórica da constituição da temporalidade moderna, refletindo sobre a perda da narrativa, e da tradição e as mudanças no significado da morte. A análise dos filmes Dolls, Paris, Texas, Sob a areia e A eternidade e um dia vêm mostrar formas de temporalidade que se apresentam como contraponto àquela hegemônica na modernidade. Em seus temas, são abordados os elementos de ruptura: a errância, o d
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4

Hill, John. "Class, sexuality and the British cinema, 1956-63." Thesis, University of York, 1985. http://etheses.whiterose.ac.uk/10937/.

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5

Scarpa, Paulo Cesar Almeida. "Cinema e realismo: Frederick Wiseman." Universidade de São Paulo, 2012. http://www.teses.usp.br/teses/disponiveis/8/8132/tde-06122012-114423/.

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O presente trabalho investiga, a partir da sociologia do cinema, uma seleção de filmes documentais do cineasta americano Frederick Wiseman (1930-). Trata-se de um documentarista com grande importância para o que ficou conhecido como cinema direto ou cinema vérité, uma corrente cinematográfica que, através de determinados artifícios formais ausência de narração, entrevistas ou intertítulos , causa uma forte impressão de realismo. Com isso, pretendi não apenas melhor compreender a produção deste cineasta como também refletir sobre algumas das construções narrativas presentes em seus filmes e, a
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Donald, Stephanie Jane. "Chinese cinema and civil society in the post-Maoist era." Thesis, University of Sussex, 1997. http://ethos.bl.uk/OrderDetails.do?uin=uk.bl.ethos.320224.

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7

Teixeira, Roberto Aparecido [UNESP]. "Representações da periferia no cinema brasileiro: do neorrealismo ao hiper-realismo." Universidade Estadual Paulista (UNESP), 2012. http://hdl.handle.net/11449/88794.

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Made available in DSpace on 2014-06-11T19:23:37Z (GMT). No. of bitstreams: 0 Previous issue date: 2012-03-28Bitstream added on 2014-06-13T19:26:29Z : No. of bitstreams: 1 teixeira_ra_me_mar.pdf: 1191206 bytes, checksum: 28aa0a7599d3fa99a777f367ecf67479 (MD5)<br>Coordenação de Aperfeiçoamento de Pessoal de Nível Superior (CAPES)<br>Analisamos nesta pesquisa cinco obras da produção cinematográfica nacional: Rio, Quarenta Graus (1955), Rio, Zona Norte (1957), O assalto ao trem pagador (1962), Quanto vale ou é por quilo? (2005) e Tropa de Elite (2007). Todos esses filmes trazem, cada qual a sua
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Rocha, Francisco Alberto. "Figurações do ritmo: da sala de cinema ao salão de baile paulista." Universidade de São Paulo, 2007. http://www.teses.usp.br/teses/disponiveis/8/8138/tde-06072007-103450/.

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A presente investigação analisa a difusão de determinado repertório e estética musical imbricados ao fenômeno da dança e prática dos bailes, no contexto de modernização de São Paulo. Particularmente, abordamos o momento em que uma nova centralidade redesenhou sua fisionomia urbana grosso modo entre meados de 1930 e 1950. Nesse cenário, tal musicalidade, não apenas se mesclou de maneira singular às representações do moderno, como também fomentou no imaginário da metrópole emergente certo ideal de progresso e modernidade. A análise apreende o sentido desse repertório musical no entrecruzamento
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Gomes, Lenildo Monteiro. "Um prato que se come frio: a dimensÃo da violÃncia nos filmes de Quentin Tarantino." Universidade Federal do CearÃ, 2006. http://www.teses.ufc.br/tde_busca/arquivo.php?codArquivo=10809.

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FundaÃÃo de Amparo à Pesquisa do Estado do CearÃ<br>Alguns aspectos da sociedade contemporÃnea podem ser analisados a partir da leitura peculiar dimensionada no processo de produÃÃo artÃstica. Dessa forma a arte surge nesse contexto histÃrico influenciada pelo consumismo pela sociedade da comunicaÃÃo e pelos mass media, sendo relacionada ao esteticismo e à espetacularizaÃÃo, reconfigurando-a notadamente na produÃÃo voltada para a televisÃo e para o cinema. A arte à expressÃo da vida e objeto de anÃlise das relaÃÃes sociais e, seus pressupostos, remetem a problemÃtica da estÃtica. Nesse senti
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Teixeira, Roberto Aparecido. "Representações da periferia no cinema brasileiro : do neorrealismo ao hiper-realismo /." Marília : [s.n.], 2012. http://hdl.handle.net/11449/88794.

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Orientador: Célia Aparecida Ferreira Tolentino<br>Banca: Paulo Eduardo Teixeira<br>Banca: Odair da Cruz Paiva<br>Resumo: Analisamos nesta pesquisa cinco obras da produção cinematográfica nacional: Rio, Quarenta Graus (1955), Rio, Zona Norte (1957), O assalto ao trem pagador (1962), Quanto vale ou é por quilo? (2005) e Tropa de Elite (2007). Todos esses filmes trazem, cada qual a sua maneira, as representações da periferia no cinema brasileiro. Alguns com claras preocupações políticas, outros mais engajados com o mercado cinematográfico. Tomamos tais narrativas como porta de entrada para anális
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Furtado, Sylvia Beatriz Bezerra. "Images that resist: in the intensive Aleksander Sokurov film." Universidade Federal do CearÃ, 2010. http://www.teses.ufc.br/tde_busca/arquivo.php?codArquivo=11178.

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CoordenaÃÃo de AperfeiÃoamento de Pessoal de NÃvel Superior<br>The artistic phenomenon should be , first of all defined by the description of forces . In the forms , colors , sounds , materials , and in the special case of cinema mode these forces as part of automation mechanism images . In this sense Deleuze gives to the arts by assigning the role to detect the signs , capture them and make them sensitive . Such that we can no longer say about art as a place of production of meanings , but the trial of strength. It is, this field of think of art as material composition forces . Art does not r
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Santana, Gilmar. "Riso, lágrima, ironia e tratados: Pedro Almodóvar - genialidade e paradoxo em construção permanente." Universidade de São Paulo, 2007. http://www.teses.usp.br/teses/disponiveis/8/8132/tde-14112007-142859/.

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O êxito de uma obra artística autêntica depende de vários mecanismos sociais que possibilitem sua permanência. Muito além de comprovar qualidade, o autor precisa deixar claras as condições de sua proposta diante do universo criativo que elegeu e, sobretudo, aprender o funcionamento de suas regras. Assimiladas, ele deve - a cada novo trabalho - articular contínuas negociações que viabilizem a ampliação da mensagem produzida. É o que tem feito Pedro Almodóvar no decorrer de sua trajetória no cinema, desde a estréia do primeiro longa-metragem no circuito comercial em 1980. Esta análise demonstra
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Hearne, Joanna Megan. ""The Cross-Heart People": Indigenous narratives,cinema, and the Western." Diss., The University of Arizona, 2004. http://hdl.handle.net/10150/290072.

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The Cross-Heart People': Indigenous Narratives, Cinema, and the Western examines cycles of cinematic and literary production, public interest, and Federal Indian policy; redirects critical considerations of the "frontier myth" in the Western; and calls attention to indigenous participation and activism in the genre from the silent era onward. To this end, my study maps changing configurations of Native American and cross-racial homes in the "Indian drama" and other visual and textual forms. Such reciprocal generic influences have lent fictional narratives the authority of documentary "truth" w
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Moghimi, Habib Allah. "Exploring Iranian Daily Life by Analysing Iranian Cinema." Thesis, The University of Sydney, 2021. https://hdl.handle.net/2123/25763.

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My PhD thesis explores Iranian urban daily life by analysing Iranian cinema. Many scholars from different perspectives have focused on Iranian society in various political, social and cultural fields, although less attention is still being paid to Iranian daily life from the perspective of critical studies of everyday life. Moreover, many scholars have investigated Iranian films from macro- and micro-perspectives. Macro-sociological approaches have focused on the social, political and historical structures of Iranian cinema. These research are done in the field of sociology of cinema. Micro-so
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Lapacek-Trout, Natalie L. ""Cool Buzzword" or "Social Failure"? Examining the Nerd on Television." Thesis, Southern Illinois University at Edwardsville, 2014. http://pqdtopen.proquest.com/#viewpdf?dispub=1560764.

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<p> This study delves into the world of nerd culture as it is presented on network, cable and web television. Drawing on foundational research within both popular culture and scholarly research, the author examines the culture through textual analysis of one episode from each of five television shows: <i>The Big Bang Theory; 30 Rock; King of the Nerds; The Nerdist; </i> and <i>The Guild.</i> As this study's theoretical framework is the Frankfurt scholars' theory of the commodification of culture, the authenticity of nerd culture in its present state is a central issue. Findings from the litera
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Furtado, Sylvia Beatriz Bezerra. "Imagens que resistem: o intensivo no cinema de Aleksander Sokurov." reponame:Repositório Institucional da UFC, 2007. http://www.repositorio.ufc.br/handle/riufc/24566.

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FURTADO, Sylvia Beatriz Bezerra. Imagens que resistem: o intensivo no cinema de Aleksander Sokurov. 2007. 229f. – Tese (Doutorado) – Universidade Federal do Ceará, Programa de Pós-graduação em Sociologia, Fortaleza (CE), 2007.<br>Submitted by Gustavo Daher (gdaherufc@hotmail.com) on 2017-08-04T11:00:45Z No. of bitstreams: 1 2007_tese_sbbfurtado.pdf: 1141924 bytes, checksum: 14027805361c89643d42aeafc48ad609 (MD5)<br>Approved for entry into archive by Márcia Araújo (marcia_m_bezerra@yahoo.com.br) on 2017-08-04T19:31:41Z (GMT) No. of bitstreams: 1 2007_tese_sbbfurtado.pdf: 1141924 bytes, checksu
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Leme, Caroline Gomes 1986. "Cinema e sociedade = sobre a ditadura militar no Brasil." [s.n.], 2011. http://repositorio.unicamp.br/jspui/handle/REPOSIP/281781.

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Orientador: Marcelo Siqueira Ridenti<br>Acompanhado de 2 DVDs: Cenas compiladas<br>Dissertação (mestrado) - Universidade Estadual de Campinas, Instituto de Filosofia e Ciências Humanas<br>Made available in DSpace on 2018-08-17T17:07:03Z (GMT). No. of bitstreams: 1 Leme_CarolineGomes_M.pdf: 8319268 bytes, checksum: b3e457afe50127afaa3479aaf9957d12 (MD5) Previous issue date: 2011<br>Resumo: De 1979 aos dias atuais, a ditadura militar fez-se presente em um número significativo de obras fílmicas. Analisar essa produção cinematográfica é examinar como está sendo ressignificado o passado, quais qu
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Marquez, Zaida. "Articulating a diasporic identity: The case of Latin American filmmakers in Quebec." Thesis, University of Ottawa (Canada), 2009. http://hdl.handle.net/10393/28420.

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The flow of immigrants to Canada continues to increase steadily. Questions regarding identity are thus unavoidable in order to understand how diasporic identities are constructed within a multicultural Canada. An important contribution to this debate is embedded in the cinematographic expressions that immigrants produce. Such cultural products serve not only as mean to represent themselves, but also to negotiate their positions in regards to Canadian society, as well as their countries of origin. The Latin American community is an interesting example, as multiple cultures, nations, histories,
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GOMES, Lenildo Monteiro. "Um prato que se come frio: a dimensão da violência nos filmes de Quentin Tarantino." www.teses.ufc.br, 2006. http://www.repositorio.ufc.br/handle/riufc/7170.

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GOMES, Lenildo Monteiro. Um prato que se come frio: a dimensão da violência nos filmes de Quentin Tarantino. 2006. 204f. – Dissertação (Mestrado) – Universidade Federal do Ceará, Programa de Pós-graduação em Sociologia, Fortaleza (CE), 2006.<br>Submitted by Márcia Araújo (marcia_m_bezerra@yahoo.com.br) on 2014-01-21T16:08:00Z No. of bitstreams: 1 2006-DIS-LMGOMES.pdf: 1842945 bytes, checksum: d82c432194142acc15f46716fdd99a2f (MD5)<br>Approved for entry into archive by Márcia Araújo(marcia_m_bezerra@yahoo.com.br) on 2014-01-21T16:19:44Z (GMT) No. of bitstreams: 1 2006-DIS-LMGOMES.pdf: 184294
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Victorino, Lilian. "O documentário vai a Hollywood: a paixão pelo \'real\' e os filmes de Michael Moore." Universidade de São Paulo, 2014. http://www.teses.usp.br/teses/disponiveis/8/8132/tde-05112014-190949/.

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Esta tese apresenta uma análise sociológica de cinco filmes do cineasta Michael Moore: Roger e Eu (1989), The Big One (1997), Tiros em Columbine (2002), Fahrenheit 9/11 (2004) e Capitalismo: uma história de amor (2009). O principal objetivo da pesquisa foi investigar a particularidade dos filmes de Moore, reconhecido internacionalmente como o cineasta de documentário mais assistido na história do gênero. A partir da construção visual de cada filme, analiso em detalhe: os temas, os grupos formados, os valores sociais, os conflitos, as saídas para os problemas e as diversas construções simbólica
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Silva, Júnior Ailton da Costa. "Cinema, imaginário e subjetividade: o filme Vidas Secas e a construção de diferentes memórias." Universidade Federal de Alagoas, 2014. http://www.repositorio.ufal.br/handle/riufal/3545.

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This work of historical- sociological aims to investigate, by means of collective memory and cinema, the process of formation of two distinct memories that have acquired a specific link through the process of developing the feature film Vidas Secas, 1963. First we have the formation of a cultural and political memory of film makers of the first phase of Cinema Novo ,which were greatly impacted after completion of the film , and then the memory of the former in habitants of the municipality of Minador Negrão , located inside Alagoas , who had interests in the filming process performed in the ye
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Krainitzki, Eva. "Exploring the hypervisibility paradox : older lesbians in contemporary mainstream cinema (1995-2009)." Thesis, University of Gloucestershire, 2011. http://eprints.glos.ac.uk/918/.

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This thesis explores the intersection of age, gender and sexuality in representations of older lesbian characters in contemporary narrative film. Taking the 1990s as a benchmark of lesbian visibility, I explore the turn of the century representability by focusing on British and American film (1995 to 2009). I identify a hypervisibility paradox during this period of cinematic production where the presence of a multitude of young lesbian and bisexual characters can be seen to be in complete contrast with the invisibility of the older lesbian. Mainstream postfeminist culture censors the ageing fe
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Delaporte, Chloé. "Genres et socialisation a Hollywood : sociologie des films américains des réalisateurs de cinéma d’origine européenne expatries aux États-Unis entre 1900 et 1945." Thesis, Paris 3, 2011. http://www.theses.fr/2011PA030042.

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Cette thèse consiste en une sociologie des films américains des réalisateurs de cinéma d’origine européenne expatriés aux États-Unis entre 1900 et 1945. Le corpus, exhaustif, a été établi à partir d’une population d’étude circonscrite à 77 réalisateurs, et comprend 2657 films. Ce travail renseigne un aspect particulier du transfert culturel transatlantique : la socialisation professionnelle à Hollywood par le biais du système de catégorisation de la production cinématographique en « genres ». Le genre est envisagé comme produit d’une construction sociale, dans une perspective pragmatique. C’es
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Cottrell, Matt Dee. "The Question Concerning the Cooptation of the Sundance Film Festival: An Analysis of the Commodification of Independent Cinema." DigitalCommons@USU, 2009. https://digitalcommons.usu.edu/etd/485.

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The Sundance Film Festival has transformed from being a fringe festival to a leading showcase for independent cinema. This research shows that studios now descend upon the festival to acquire films for commercial distribution. The Sundance Film Festival seems to currently operate as a marketplace for films rather than an independent festival. This research seeks to examine how Hollywood studios have been able to infiltrate and commodify independent projects from the Sundance Film Festival and what the potential ramifications are for emerging independent filmmakers seeking to have their proj
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Johnson, Austin Haney. "Doing cisgender vs. doing transgender| An extension of 'doing gender' using documentary film." Thesis, Kent State University, 2014. http://pqdtopen.proquest.com/#viewpdf?dispub=1555293.

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<p> Trans men have been the subject of many empirical studies in recent years that focus primarily on their engagement with masculinity within interaction. By highlighting the experiences of trans men, researchers argue that the persistent and often invisible experiences of gender inequality, specifically those of cisgender women, are made more visible. While scholars studying trans men in these scenarios categorize these interactions under the general heading of doing gender, I argue that these studies highlight experiences of doing cisgender, defined in this paper as individuals' accomplishm
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Chaves, Maria Margarete Pinto. "Representação da infância em documentários brasileiros: ser criança não significa ter infância." Universidade Federal de Juiz de Fora, 2015. https://repositorio.ufjf.br/jspui/handle/ufjf/1174.

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Submitted by Renata Lopes (renatasil82@gmail.com) on 2016-04-04T11:18:00Z No. of bitstreams: 1 mariamargaretepintochaves.pdf: 13302415 bytes, checksum: 65bbac7118f0e0616ae8e00a3f3b6c94 (MD5)<br>Approved for entry into archive by Adriana Oliveira (adriana.oliveira@ufjf.edu.br) on 2016-04-24T03:41:20Z (GMT) No. of bitstreams: 1 mariamargaretepintochaves.pdf: 13302415 bytes, checksum: 65bbac7118f0e0616ae8e00a3f3b6c94 (MD5)<br>Made available in DSpace on 2016-04-24T03:41:20Z (GMT). No. of bitstreams: 1 mariamargaretepintochaves.pdf: 13302415 bytes, checksum: 65bbac7118f0e0616ae8e00a3f3b6c94 (M
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Ródenas, Cantero Gabriel. "Jim Jarmusch: Lecturas sobre el insomnio americano (1980-1991)." Doctoral thesis, Universidad de Murcia, 2009. http://hdl.handle.net/10803/10835.

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La presente tesis doctoral aborda el primer periodo de la filmografía de Jim Jarmusch. La tesis principal es que su cine supone una respuesta cinematográfica al estado de las cosas durante el denominado "Periodo Reagan" y una relectura de la tradición fílmica anterior.<br>The present Ph.D. tackles the first period in Jim Jarmusch´s Filmography. The main Thesis is that his Cinema is a reaction to the Status Quo during the so-called "Reagan in-office Period" and a relecture of the previous Filmic Tradiction
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Guirau, Marcelo Cizaurre. "Figurações da indefinição: a epistemologia travada de Matrix." Universidade de São Paulo, 2007. http://www.teses.usp.br/teses/disponiveis/8/8147/tde-23012008-112021/.

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Neste trabalho, estudaremos os filmes da trilogia Matrix do ponto de vista da figuração. A análise do tecido narrativo dos filmes objeto desse estudo revela uma série de falhas e inconsistências. Essas falhas expõem alguns dilemas da experiência sob o domínio do capitalismo tardio. As zonas de ambigüidade e indefinição que identificamos em Matrix nos orientaram a pensar essa obra cinematográfica como um esforço cognitivo mal resolvido. Essa é a epistemologia travada de Matrix, que será estudada não como uma simples falha de diagnóstico resultante da falta de lucidez cognitiva dos criadores da
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Cardoso, Ana T?zia Patr?cio de Melo. "A no??o de acontecimento na experi?ncia do DOCTV RN IV Sangue do Barro." Universidade Federal do Rio Grande do Norte, 2012. http://repositorio.ufrn.br:8080/jspui/handle/123456789/13667.

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Made available in DSpace on 2014-12-17T14:20:08Z (GMT). No. of bitstreams: 1 AnaTPMC_DISSERT.pdf: 1347609 bytes, checksum: 09687f612d26a6b88d4b61ce1a877abf (MD5) Previous issue date: 2012-10-04<br>This dissertation presents a reflection upon the notion of event, inspired by the contributions of Edgar Morin to the thinking of the present. The research analysis this notion particularly from the experience of the documentary titled Sangue do Barro, which was the winner of the 4th edition of DOCTV, in the federal state of Rio Grande do Norte in 2008. The study focuses on how facts from daily lif
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Estrada, Gabriel S. "In nahui ollin, a cycle of four indigenous movements: Mexican Indian rights, oral traditions, sexualities, and new media." Diss., The University of Arizona, 2002. http://hdl.handle.net/10150/280008.

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Pre-existing more hegemonic theories of Cultural Studies, Hispanic Studies, Media Arts, and Queer Studies, Nahuatl cosmologies offers an evolving political grounding for Native scholars. A Nahuatl cosmology of four directions represents a circle of masculinity, elders, femininity, and youth and forms the epistemology by which one can view Nahuatl and Xicana/o culture. In the east, Indigenous Rights directly relate to the hegemonic oppressions such as war, prison, and heterosexism that many Indigenous men face. Indigenous peoples fight those hegemonies with international legal concepts and thro
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TETI, Marco. "Il disegno animato giapponese di serie degli anni Ottanta. Storia, figure e linguaggio." Doctoral thesis, Università degli studi di Ferrara, 2010. http://hdl.handle.net/11392/2389191.

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This dissertation is about the Eighties’ Japanese animated series, their formal and content characteristics will be analyzed in the following chapters. We point out that the anime we considered most are the ones that were broadcast in Japan during the Eighties, thus we do not refer to anime we saw on European or American television during those years. As a matter of fact, during that decade Japan produced the worldwide largest number of animated series as ever. The approach we will have in this research is mainly a pragmatic way of studying. We have to admit that we adopted the method a
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Réguant, Frédérique. "La puissance des genres fictionnels de l'imaginaire : sociologie d'une mouvance sociétale." Thesis, Montpellier 3, 2017. http://www.theses.fr/2017MON30027/document.

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Magie, monstres, vampires, héros, les images de l’extraordinaire sont omniprésentes et fascinent le grand public. Des librairies qui ouvrent à minuit pour la sortie du dernier Harry Potter, des cinémas bondés pour le dernier volet du Hobbit, des manifestations culturelles de plus en plus importantes, une forte expansion des jeux de rôles, ne sont autre que les indices sociétaux d’une évolution des nouvelles manières de vivre la quotidienneté, le présent. En constante mutation, ces « genres fictionnels de l’imaginaire », comme nous les nommons, ont pénétré de multiples sphères de la vie des ind
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Chartain, Lucile. "Le cinéma allemand contemporain en France : la production de l'image d'un autre." Thesis, Sorbonne Paris Cité, 2015. http://www.theses.fr/2015USPCB208.

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Notre travail de thèse de sociologie présente le passage du cinéma allemand en France depuis 1990, de sa sphère de production jusqu'à sa sphère de réception individuelle. Il mobilise les études sur la culture de l'École de Francfort ainsi que les apports de la sociologie de la réception, et s'appuie sur une enquête empirique menée auprès d'acteurs de la branche de production allemande et de spectateurs français. La production contemporaine est traversée par des mutations qui convergent pour générer un paysage cinématographique plus diversifié. L'apparition d'une voie médiane entre cinéma comme
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Cavaleri, Giuseppe. "Le cinéma italien en France : histoire, société et diffusion : étudiées à travers les œuvres de Emanuele Crialese, Matteo Garrone et Paolo Sorrentino." Thesis, Paris 10, 2017. http://www.theses.fr/2017PA100096/document.

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Nous pouvons appréhender le Cinéma comme un vecteur culturel capable de cristalliser les us et coutumes d’une société, ou comme un outil susceptible d’en manifester les aspirations. L’industrie cinématographique italienne demeure parmi celles qui ont su imposer dans l'imaginaire des publics des œuvres venues aussitôt enrichir le patrimoine culturel mondial. De nos jours, sa présence internationale est plus modérée, et le rayonnement de ses œuvres ne dépasse que rarement les limites nationales. Les quelques auteurs tels que Emanuele Crialese, Matteo Garrone et Paolo Sorrentino ont su gagner une
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Ethis, Emmanuel. "Les spectateurs du temps : introduction a une sociologie de la reception des oeuvres filmiques." Paris, EHESS, 1998. http://www.theses.fr/1998EHESA023.

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Matiere bien souvent impensee en ses dimensions anthropologiques les plus agissantes, le temps - fondation cachee de nos +boussoles culturelles; - constitue une substance vive de l'oeuvre cine, matographique. Observe sous cet angle, chaque recit filmique se laisse ainsi saisir comme le resul, tat d'une splendide synthese temporelle qui n'a de cesse de se recomposer dans le regard du spectateur. De fait, l'introduction a la sociologie de la reception des oeuvres filmiques proposee dans les spectateurs du temps tente de prendre experimentalement au mot l'idee selon laquelle les recep, tions spec
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Baik, Seung Kyung. "Faire valoir le cinéma de qualité ˸ les labels d’art et essai en France et les salles réservées aux art films en Corée du Sud." Thesis, Paris 3, 2019. http://www.theses.fr/2019PA030008.

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Cette étude porte sur le processus de qualification du cinéma de qualité à travers les deux marchés créés principalement par le label d’« art et essai » en France et de celui de « salle réservée aux art films » en Corée du Sud. Elle retrace les inventions économiques, politiques et pratiques qui ont permis d’instaurer le cinéma de qualité, le cinéma d’auteur, et de définir peu à peu la notion même de qualité. Fondée sur les idées pragmatiques, la recherche part de l’idée qu’il faut pour cela centrer l’analyse sur l’expérience collective des spectateurs en salle, ce qui pe
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Rachetti, Luiz Gustavo Ferri. "Sociologia e cinema: o uso do audiovisual na aprendizagem de sociologia no ensino m?dio." PROGRAMA DE P?S-GRADUA??O EM CI?NCIAS SOCIAIS, 2016. https://repositorio.ufrn.br/jspui/handle/123456789/21580.

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Ghasemian, Ali Aveh. "Histoire de la caméra portée dans le cinéma iranien, sous ses aspects esthétique et ontologique (1957-2016)." Electronic Thesis or Diss., Paris 10, 2020. http://faraway.parisnanterre.fr/login?url=http://www.harmatheque.com./ebook/la-camera-portee-dans-le-cinema-iranien-esthetique--sociologie-et-ontologie-72796.

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La réalité cinématographique prend une nouvelle dimension polémique dans la forme et le fond du film depuis que la caméra portée fait partie des nouvelles pratiques cinématographiques (depuis 1924). Le rapport entre la réalité et le mouvement cinématographique nécessite une nouvelle relecture via ce dispositif. Grâce au développement technologique au cours de l'histoire du cinéma, la caméra portée, à savoir dans cette recherche, à l'épaule et au poing, applique ces fonctions variées à l'image. Cependant, à ce jour il y a peu d’analyses sérieuses disponibles concernant ses fonctions sur le plan
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Kouts, Aurite. "Silence on tourne! Incidences des interactions entre acteurs dans le cadre d'un processus creatif." Thesis, Paris, EHESS, 2019. http://www.theses.fr/2019EHES0032.

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La présente thèse se propose d’étudier les ressorts d’un tournage d’un long métrage de fiction sous l’angle des interactions de ses participants dans un contexte particulier : celui du cinéma israélien. Ma thèse s’inscrit dans la continuité des travaux des sociologues de l’école interactionniste au sens large tels que Howard S. Becker ou Erving Goffman Elle se base sur une enquête de terrain de plusieurs mois en observation participante d’un tournage d’un long métrage de fiction israélien contemporain tourné majoritairement à Jérusalem et une trentaine d’entretiens qui apportent un éclairage i
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Pinto, Aurélie. "Les salles de cinéma d'art et d'essai : sociologie d'un label culturel entre marché politique et politique publique." Amiens, 2012. http://www.theses.fr/2012AMIE0026.

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Située au croisement de la sociologie économique, de la sociologie de la culture et de la science politique, cette thèse porte sur le label Art et essai. Elle vise à rendre compte de la spécificité d'un marché dans lequel un label de qualité fonctionne comme une mesure et un enjeu. La première partie, "Socio-histoire et topographie du label Art et essai" met au jour les principes concurrents de qualification sur le marché de l'exploitation cinématographique, entre considérations d'orde culturel, éducatif, industriel et politique. Deux enquêtes statistiques, l'une à partir de données sur les sa
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Prince, Rob. "Say Hello to My Little Friend: De Palma's Scarface, Cinema Spectatorship, and the Hip Hop Gangsta as Urban Superhero." Bowling Green, Ohio : Bowling Green State University, 2009. http://rave.ohiolink.edu/etdc/view?acc%5Fnum=bgsu1256860175.

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Blanc, Mathias. "L'Image-relation : sociologie du monde du cinéma documentaire." Université Marc Bloch (Strasbourg) (1971-2008), 2008. http://www.theses.fr/2008STR20080.

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Le monde du cinéma documentaire est composé des différents acteurs qui participent à la réalisation, à la production et à la diffusion des films documentaires. En France, les retranscriptions publiées de débats (tenus en festivals et au sein des associations professionnelles), et les articles parus dans les revues dédiées au genre, témoignent et concourent à la propagation de considérations esthétiques, éthiques et politiques. La différenciation revendiquée entre documentaire et reportage amène à remettre en cause un mode d’agir dominant dans les médias audiovisuels. Ce faisant, l’enfermement
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Pujol, Ozonas Cristina. "Cinefilia y crítica de cine en España (1990-2000). Una aproximación sociocultural." Doctoral thesis, Universitat Ramon Llull, 2010. http://hdl.handle.net/10803/9215.

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Al llarg d'aquest treball, he intentat defensar la idea de que els judicis de valor que elabora la crítica de cinema espanyola estàn inscrits en tradicions culturals que deriven, la major part d'elles, de categories històrica i socialment construïdes. En aquest cas, la cinefília, en qualsevol de les seves accepcions, seria l'origen sociocultural de les tradicions cinematogràfiques de gran part de la crítica. D'ella sorgirien les idees i conceptes que fa servir la crítica sobre el que és art, cultura i cinema. D'altra banda, he desenvolupat la idea de que aquestes tradicions cinèfiles, per molt
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Teles, Paulo Roberto Alves. "As representações de intolerância e de grupos juvenis no século XXI a partir da produção cinematográfica contemporânea." Pós-Graduação em Sociologia, 2013. https://ri.ufs.br/handle/riufs/6261.

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The film productions related to themes that set the present direct ways or more contained intolerance, were commonplace in the scenario of world cinema. So, the research analyzes the representations of intolerance and fascist practices through cultural production in the 21st century. For this paper were chosen Hooligans (Green Street Hooligans - 2005) by Lexis Alexander and This is England (2006) by Shane Meadows as empirical objects. Given this, awakens our attention the frequency of films produced, which possessed as urban tribes related to theme clearly marked by fascist postures, in additi
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Пазич, Анна Романівна. "Кіно і суспільство - американський кейс другої половини ХХ століття". Bachelor's thesis, КПІ ім. Ігоря Сікорського, 2020. https://ela.kpi.ua/handle/123456789/35901.

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Кінематограф як складова масової культури органічно вплітається у соціологічні дослідження суспільства. Тому вивчення впливу кіно на суспільство та їх зв’язку дає можливість отримувати знання про суспільні процеси, поведінку, цінності, ідеології. Розглянувши історію кінематографу як частини суспільного життя другої половини ХХ століття, стає зрозумілим як взаємодіють та комунікують кіно та аудиторія; а розглянувши теорії та підходи до вивчення соціології кіно, стає можливим класифікувати способи впливу кінематографу на суспільство. Використавши метод візуального та дискурс-аналізу до найпопуля
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Pachot, Christine. "Le cinéma des années 30 et la culture télévisuelle à l'ère de l'An 2000 : de l'efficience culturelle de la télévision : Fiction ou réalité ?" Université Pierre Mendès France (Grenoble ; 1990-2015), 1997. http://www.theses.fr/1997GRE29014.

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La creation cinematographique n'existe que par le regard du public. Aujourd'hui, le cinema entretient des relations tres etroites avec la television. A la fois, partenaires et adversaires, ils ne trouvent un terrain d'entente que lorsque la diffusion televisuelle se substitue a la projection en salle pour que perdure le film. Et c'est bien parce que la television propose regulierement des oeuvres du "realisme poetique", courant cinematographique des annees trente, qu'il est encore tres present dans nos esprits. Ce dernier est encore fortement apprecie, et c'est seulement a travers la televisio
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Grégori, Florence. "Sociologie de l'image filmique, analyse de l'image en son régime mental." Paris 5, 1998. http://www.theses.fr/1998PA05H022.

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Notre thèse se propose d'analyser sociologiquement une image filmique que nous avons choisi de définir par le vocable d'image mentale. Ceci parce que le régime en lequel travaille actuellement l'image est celui du mental. D'autre part, l'image qui circule résulte d'une pensée symbolique. Voici poses les deux paramètres primordiaux que présupposait notre recherche. L'approche se fait uniquement par analyse, selon les règles qui sont en vigueur dans les domaines sociologique et filmique, de films, de corpus de films, d'auteurs et même quelquefois d'un unique film. Les résultats sont regroupés pa
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Kastler, Benoît. "Des âges au cinéma : la culture cinématographique des jeunes spectateurs." Thesis, Lyon, 2017. http://www.theses.fr/2017LYSE3063.

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Ma thèse s’intitule « Des âges au cinéma : la culture cinématographique des jeunes spectateurs ». Elle se consacre à l’étude de la socialisation au septième art sous la perspective privilégiée de l’âge, variable déterminante, sans néanmoins réduire la recherche à une analyse uni-factorielle.Pour mieux comprendre l’action de la variable d’âge, nous la décomposons dans une première partie en traitant de notions connexes essentielles ; l’individu, la mémoire, les interrelations sociales, le temps et le corps. L’âge n’est plus entrevu au singulier : il laisse place à une pluralité d’âges que l’on
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Bispo, Bruno Vilas Boas. "As imagens da utopia no cinema documentário de Patrício Guzmán." Faculdade de Filosofia e Ciências Humanas, 2016. http://repositorio.ufba.br/ri/handle/ri/27501.

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Alexandre, Olivier. "La règle de l'exception : sociologie du cinéma français (1981 à nos jours)." Paris, EHESS, 2012. http://www.theses.fr/2012EHES0076.

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L'exception du cinéma français recouvre un triple régime de singularité. En premier lieu, le secteur constitue le principal contre-modèle à l'industrie hollywoodienne. Ensuite, à la différence des autres cinématographies européennes, la mutation (libéralisation et expansion) du secteur audiovisuel des années 1980 n'a pas débouché sur un effondrement industriel et artistique de la filière. Enfin, le réalisateur y assure un rôle artistiquement cardinal, au détriment du producteur et de l'acteur. Exception internationale, exception historique, exception auctoriale : la thèse proposée vise à dénou
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