Relevant bibliographies by topics / Sodom and Gomorrah

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  2. Dissertations / Theses
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Academic literature on the topic 'Sodom and Gomorrah'

Author: Grafiati
Published: 4 June 2021
Last updated: 15 February 2022

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Journal articles on the topic "Sodom and Gomorrah"

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Cocks, H. G. "Sodom and Gomorrah, 1851." Victorian Review 36, no. 1 (2010): 27–31. http://dx.doi.org/10.1353/vcr.2010.0021.

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Bergoeing, Jean Pierre. "SODOM AND GOMORRAH AND PLATES TECTONIC." Mercator 17, no. 06 (June 15, 2018): 1–8. http://dx.doi.org/10.4215/rm2018.e17014.

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Ngahu, Silva S. Thesalonika. "Menguak Prasangka Homoseksualitas dalam Kisah Sodom dan Gomora: Kajian Hermenutik Kejadian 19:1-26." GEMA TEOLOGIKA: Jurnal Teologi Kontekstual dan Filsafat Keilahian 4, no. 1 (April 24, 2019): 17. http://dx.doi.org/10.21460/gema.2019.41.406.

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The issue of homosexuality tends to be avoided in the public discourse in Indonesia. Heteronormative constructions based on religious teachings lead to a negative stigma against homosexuals, producing injustice and discrimination. The story of Sodom and Gomorrah in Genesis 19:1-26 considered as a reference for punishment against homosexuals is used as an excuse to legitimize discrimination and hatred by particular grups of Christians. This study uses historical criticism method in the biblical hermeneutic work and qualitative methods in the field research. The finding show that the story is a criticism of the xenophobic attitude of the inhabitants of Sodom and Gomorrah as well as a way of promoting the importance of the culture of hospitality.
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Madsen, Virginia. "Children of Sodom and Gomorrah: Review 2." RadioDoc Review 1, no. 1 (2014): 1–12. http://dx.doi.org/10.14453/rdr.v1i1.10.

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Hall, Alan. "Children of Sodom and Gomorrah: Review 1." RadioDoc Review 1, no. 1 (2014): 1–7. http://dx.doi.org/10.14453/rdr.v1i1.9.

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Cocks, H. G. "The Discovery of Sodom, 1851." Representations 112, no. 1 (2010): 1–26. http://dx.doi.org/10.1525/rep.2010.112.1.1.

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The alleged discovery of the sites of Sodom and Gomorrah by the French traveler Louis Féélicien de Saulcy in 1851 provided the occasion for a series of debates in Britain on the question of biblical authority that were also, for some audiences, about examining the crimes and sins of the Sodomites and defining them openly as homoerotic lust. In this way, and at this moment, questions of same-sex desire became an important accompaniment to pressing debates about faith.
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Carlson, Reed. "The Open God of the Sodom and Gomorrah Cycle." Journal of Pentecostal Theology 21, no. 2 (2012): 185–200. http://dx.doi.org/10.1163/17455251-02102001.

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The destruction of Sodom and Gomorrah often evokes images of a closed God who acts unilaterally in judgment. This article, however, will argue for an Open God who collaborates with creation towards a unique future. This article is intended to make a small contribution to recent Pentecostal engagement with Terence E. Fretheim’s Relational Theology. Part 1 is a discussion of the Open God in Pentecostal context. Part 2 is a close reading of the Sodom Cycle with special attention to the Masoretic Text. Part 3 is a short discussion of theological implications for Pentecostal reflection including the normalization of biblical narrative, the Open God of Pneumatic experience and the freedom of evil.
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Hendel, Ronald S., and Weston W. Fields. "Sodom and Gomorrah: History and Motif in Biblical Narrative." Journal of Biblical Literature 118, no. 1 (1999): 126. http://dx.doi.org/10.2307/3268230.

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Trifonov, Vladimir G. "The Bible and geology: destruction of Sodom and Gomorrah." Geological Society, London, Special Publications 273, no. 1 (2007): 133–42. http://dx.doi.org/10.1144/gsl.sp.2007.273.01.12.

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Harris, G. M., and A. P. Beardow. "The destruction of Sodom and Gomorrah: a geotechnical perspective." Quarterly Journal of Engineering Geology and Hydrogeology 28, no. 4 (November 1995): 349–62. http://dx.doi.org/10.1144/gsl.qjegh.1995.028.p4.04.

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Dissertations / Theses on the topic "Sodom and Gomorrah"

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Hanafi, el Siofi Mona. "Der Westen - ein Sodom und Gomorrah [Gomorrha]? westliche Frauen und Männer im Fokus ägyptischer Musliminnen." Sulzbach/Taunus Helmer, 2007. http://d-nb.info/991498550/04.

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Poston, Lance E. "Deconstructing Sodom and Gomorrah: A Historical Analysis of the Mythology of Black Homophobia." Ohio University / OhioLINK, 2018. http://rave.ohiolink.edu/etdc/view?acc_num=ohiou1536608616555175.

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Schielke, Samuli. "Mona Hanafi El Siofi, Der Westen – ein Sodom und Gomorrah? Westliche Frauen undMänner im Fokus ägyptischer Musliminnen / [rezensiert von] Samuli Schielke." Universität Potsdam, 2010. http://opus.kobv.de/ubp/volltexte/2010/4487/.

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Rezensiertes Werk: Hanafi El Siofi, Mona: Der Westen : ein Sodom und Gomorrah? Westliche Frauen und Männer im Fokus ägyptischer Musliminnen. - Sulzbach/Taunus : Helmer, 2009. - 212 S. ISBN: 978-3-89741-281-1
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Jones, Aleiah. "Querying the Church: Christian Church Leaders' Perspectives on Homosexuality." University of Toledo / OhioLINK, 2013. http://rave.ohiolink.edu/etdc/view?acc_num=toledo1365073437.

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Rogers, Suzanne Provost. "L'espace jaloux dans "La Jalousie" et dans "Sodome et Gomorrhe"." Diss., The University of Arizona, 1995. http://hdl.handle.net/10150/187145.

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In Alain Robbe-Grillet's La Jalousie and Marcel Proust's Sodome et Gomorrhe, semantic duality of "jealousy" makes it both a realistic objective architectural element (the shutter in the window) and an abstract subjective element (the feeling of jealousy). Architectural jealousy constitutes a metaphor of romantic jealousy, which is a formalization of jealous love in the text. The romantic environment makes jealous love appear a part of "natural" reality. Some techniques are used to colorize the decor according to an "interior universe." Fragmentation of space and the delineation of text into borders contribute to illustrate the paradoxical jealous space in which one can see the object of one's jealousy, but where one always meets only oneself. The closing of the text into borders allows displacement by way of analogy, description and understatement, processes that force the reader to explore the allegorical narrative and the jealous space, a textual space. In a metaphorical place, the distortion of the narrative instance's point of view brings on analogical displacement. In La Jalousie, the traces revealing the presence of the narrator in the narrative can be observed. The motifs reflect his own image, in a jealous space. The narrator of La Recherche displaces the object of his jealousy who is not Albertine but the text itself. The text is the jealous object. The characters, as per Bakhtin's theories, try to escape the dictatorial point of view of the jealous narrator; they hide in folds of text where there exist blind spots, shades and reflections. They use the romantic fallacy to represent to the narrator the image he wishes to see. The socio-semiotic paradigm illustrates the narrator's masculine voice, which only suggests the recipient of jealousy, the "she" object. Romanticism renders dictatorial jealousy obscure; it then appears as jealous love. Jealousy constitute a metaphor of the untold in the narrative.
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Åkermo, Per-Erik. "Sodom och gomorra- En berättelse om sexuell synd? : En undersökning av Sodomberättelsens biblisk- judiska tolkningstradition och -miljö." Thesis, Linköping University, Department of Culture and Communication, 2007. http://urn.kb.se/resolve?urn=urn:nbn:se:liu:diva-9348.

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Denna uppsats studerar Sodom och Gomorraberättelsen både med avseende på tillkomsthistoria och undersöker även hur den har förmedlats vidare i den judiska tolkningstraditionen. Den centrala frågeställning är huruvida denna denna berättelse handlar om sexuell synd eller ej. Har den alltid används för fördömandet av homosexuella? Det tydliga svaret som undersökningen visar är nej! Uppsatsen behandlar också Leviticus text rörande homosexuella relationer samt ger tolkningsförslag till denna.

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McGinnis, Reginald James. "Marcel Proust : Sodome et Gomorrhe ou l’inversion dans A la recherche du temps perdu." Thesis, University of British Columbia, 1985. http://hdl.handle.net/2429/25461.

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En prenant comme point de départ le récit biblique de la destruction des villes de la plaine, le narrateur adopte une voix d'historien, se fait exégète pour fabriquer un mythe d'origine: les descsendants de Sodome. L'allusion à la Genèse a longtemps égaré la critique, laquelle, s'attachant au thème de la culpabilité, n'a pas su voir que la théorie proustienne de l'homosexualité avait un sens plus profond. Cette thèse essaie de réexaminer le thème de la sexualité dans la Recherche et d'analyser le fonctionnement textuel de l'inversion qui est également une métaphore de la structure même de l'oeuvre. Le narrateur proustien décrit un monde dominé par l'incertitude et par l'instabilité où toute chose est susceptible de changer, de s'intervertir. Ainsi, à Gomorrhe, le mensonge tend vers la vérité, et la vérité vers le mensonge, et la situation du narrateur, perpétuellement obligé d'interpréter et de réinterpréter les mensonges d'Albertine, est en ce sens analogue à celle du lecteur du texte proustien - texte dont la signification est toujours fondamentalement et irréductiblement ambiguë.
Arts, Faculty of
French, Hispanic, and Italian Studies, Department of
Graduate
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Mauriac, Dyer Nathalie. "Les deux volets du sodome et gomorrhe iii de marcel proust. Dossier critique et editorial." Paris 3, 1994. http://www.theses.fr/1994PA030186.

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Un dossier de recherches textuelles, genetiques et litteraires consacrees a la dactylographie originale d'albertine disparue, corrigee par marcel proust en 1922 peu avant sa mort retrouvee en 1986: deux editions presentees et annotees du texte (grasset, 1987, avec e. Wolff; sodome et gomorrhe iii: la prisonniere suivi de albertine disparue, le livre de poche "classique", 1993); quatre articles parus dans le bulletin marcel proust (entre 1990 et 1992). Pour l'essentiel ecartee par les premiers editeurs posthumes soucieux de masquer l'inachevement d'a la recherche du temps perdu, cette dactylographie constitue la seule suite authentique a la prisonniere, et doit aujourd'hui etre reintegree a cette place dans l'oeuvre, comme seconde partie de sodome et gomorrhe iii. Solidement etablie a partir d'une etude minutieuse du dossier genetique, son autorite se verifie sur le plan litteraire par la coherence narrative qu'elle permet de retablir. En depit de son inachevement et de celui, desormais manifeste, de la recherche, elle doit etre preferee par les editeurs contemporains des posthumes a la restauration artificiellement creee en 1925 par le docteur robert proust, frere de marcel proust, qui prive le lecteur d'elements capitaux du cycle de sodome et gomorrhe
Textual, genetic and literary studies of the typescript entitled albertine disparue, discovered in 1986: two editions with introduction and notes (grasset, 1987, co-authored with e. Wolff; sodome et gomorrhe iii: la prisonniere suivi de albertine disparue, livre de poche "classique", 1993); four articles from bulletin marcel proust (1990-2, oncl. Proust's deathbed notes for the sequel to albertine disparue); and a "document de synthese" (320 pp. , incl. A critique of other responses to the typescript and a first critical reading of the restored volume). Ignored in 1925 in its most important changes by posthumous editors wishing to disguise the unfinished state of the novel, and since hidden from sight, it must heneeforth be integrated (with la prisonniere) into a la recherche du temps perdu as the second half of sodome et gomorrhe iii (announceed in la nouvelle revue francaise, dec. 1,1922), in place of the artificial "prosthesis" of robert proust, which has usurped the title albertine disparue in the inauthentic canon accepted since 1931 and has deprived the reader of crucial elements in the narrative structure of the "cycle" sodome et gomorrhe
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Beynel, Julie. "Jeux de miroirs et dédoublements dans Sodome et Gomorrhe et Le Temps retrouvé de Marcel Proust, et dans Orlando de Virginia Woolf : modernisme et "baroquisme"." Thesis, Lyon, 2018. http://www.theses.fr/2018LYSEN050/document.

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Dans des contextes communs de guerres et de révolutions scientifiques, les représentations qui fondent, et parfois hantent, l’imaginaire d’auteurs de l’époque baroque et du début du vingtième siècle présentent des similitudes. Images d’un monde renversé, où les espaces, les êtres et les instants se reflètent, où l’instabilité et la mutabilité sont des lois régissant toute chose, les scènes et décors des trois œuvres du corpus se substituent à l’harmonie du monde, celle du Créateur, telle que la Bible la décrit. Espace, personnages, temps vécu apparaissent à travers un prisme qui renvoie à leurs doubles, diffractés, reflétés d’abord dans la machine de la mémoire involontaire. La réalité se change dès lors en réalités, les lieux en impressions d’un ailleurs, les amis en chimères, tous faisant l’objet d’études et d’interprétations sans cesse réévaluées. Dans une écriture où les vues s’accumulent et se superposent, Marcel Proust et Virginia Woolf n’en finissent pas de prolonger les impressions, circonvolutions, arabesques qui diffèrent sans cesse la conclusion du récit, au profit du spectacle d’événements sensibles et de voyages de héros à travers les strates du temps vécu. Personnages en mouvement, Orlando et le Narrateur courent à la recherche de la chair du temps, qu’ils semblent trouver dans leur ombre et dans le frisson d’un instant, selon des modalités extatiques que Le Bernin ou Le Caravage ont représentées dans leur art respectif. Faits de mondes d’apparences, d’illusions, Sodome et Gomorrhe, Le Temps retrouvé ou Orlando ne sont pourtant pas des textes faisant l’apologie du scepticisme et du renoncement à une certaine forme d’essence : encore faut-il qu’elle soit éclatante et advienne dans la beauté d’une image qui traduise la coïncidence d’une vision éphémère et d’une création poétique offerte aux temps à venir
In common contexts of wars and scientific revolutions, the representations that melt, and sometimes haunt, the imaginary of writers of the Baroque and early twentieth century are similar. Images of an inverted world, where spaces, beings and moments are reflected, where instability and mutability are laws governing everything, the scenes and scenery of the three works of the corpus replace the harmony of the world that of the Creator, as the Bible describes it.Space, characters, lived time appear through a prism that refers to their double, diffracted, reflected first in the machine of involuntary memory. Reality is then changed into realities, places into impressions of an elsewhere, friends in chimeras, all subject to studies and interpretations constantly reevaluated.In a writing where views accumulate and overlap, Marcel Proust and Virginia Woolf endlessly prolong the impressions, convolutions, arabesques that constantly differ the conclusion of the story, in favor of the spectacle of sensitive events and hero journeys through the strata of lived time.Characters in motion, Orlando and the Narrator run in search of the flesh of time, which they seem to find in their shadow and in the thrill of a moment, according to ecstatic modalities that Bernini or Caravaggio represented in their art respective.Facts of worlds of appearances, of illusions, Sodom and Gomorrah, The Time found or Orlando are not however texts making the apology of the skepticism and the renunciation of a certain form of essence: it is still necessary that it be brilliant and come into the beauty of an image that reflects the coincidence of an ephemeral vision and a poetic creation offered to the times to come
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Montagnon, Solange. "Conversations de salon et roman d'apprentissage : Charles Sorel, Histoire comique de Francion ; Claude Crebillon, Les Egarements du coeur et de l'esprit ; Honoré de Balzac, Illusions perdues ; Splendeurs et misères des courtisanes ; Marcel Proust, Le côté des Guernantes ; Sodome et Gomorrhe." Saint-Etienne, 2004. http://www.theses.fr/2004STET2103.

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La scène de conversation est récurrente dans notre littérature. Pourtant, elle a été peu analysée en tant que telle, alors que le dialogue romanesque est l’objet de travaux divers et que la conversation comme pratique sociale intéresse diverses disciplines. Il est vrai qu’un paradoxe marque les « conversations de salon » : les romanciers ont été fascinés par l’art de la parole tel qu’il est pratiqué dans son temple, et en même temps l’accusation de vanité pèse sur la scène mondaine, investie par des masques frivoles ou vulgaires. Nous essayons dans notre étude de voir comment ce discours social particulier est représenté à travers quelques grandes œuvres dont le héros fait ses débuts dans la vie. Un jeune homme prend donc la parole au sein du groupe qui édicte ou conserve des règles de vie en commun, mais s’il est là comme à une audition qui consacre de manière plus ou moins symbolique son intégration au groupe, il va aussi par sa mobilité d’apprenti permettre d’évaluer la pertinence de ce langage et des valeurs qu’il soutient. Nous considérons donc le salon comme un élément de l’architecture narrative propre à chaque auteur et la scène de conversation comme une étape dans la formation du héros
Conversation scenes are recurrent in our litterature. Yet, they have rarely been analysed as such, even if the dialogue in novels is the subject of different works and the conversation as a social practice is of interest to different disciplines. It is true that a paradox marks the “salon conversation” : novelists have been fascinated by the art of speech as it is practiced in its temple, and at the same time the accusation of vanity weights on the wordly scene, dressed upin frivolous or vulgar masks. In our study we try to examine how this particular social discourse has been represented in some major works in which the hero takes his steps in life. A young man takes the floor within a group which lays down or conserves the rules of common life, but if he is there as if he were at an audition which confirms in a more or less symbolic way his integration into the group, he will also, through his mobility as an apprentice, allow the reader to evaluate the pertinence of his language and the values it upholds. We therefore consider the salon as an element of narrative architecture of each author and the conversation scene as a step forward in the development of the hero
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Books on the topic "Sodom and Gomorrah"

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Marcel, Proust. Sodom and Gomorrah. London: Chatto & Windus, 1992.

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Marcel, Proust. Sodom and Gomorrah. New York: Modern Library, 1999.

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Marcel, Proust. Sodom and Gomorrah. London: Penguin Group UK, 2010.

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Marcel, Proust. Sodom and Gomorrah. New York: Modern Library, 1993.

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Proust, Marcel. Sodom and Gomorrah. London: Folio Society, 2000.

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Marcel, Proust. Sodom and Gomorrah. Edited by Sturrock John and Prendergast Christopher. New York, N.Y: Viking, 2004.

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Lord, Bob. Beyond Sodom and Gomorrah. [Fair Oaks, CA]: Journeys of Faith, 1999.

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Pellegrino, Charles R. Return to Sodom and Gomorrah. New York: Avon Books, 1995.

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Sodom and Gomorrah: History and motif in Biblical narrative. Sheffield: Sheffield Academic Press, 1997.

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Pellegrino, Charles R. Return to Sodom and Gomorrah: Bible stories from archaeologists. New York: Random House, 1994.

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Book chapters on the topic "Sodom and Gomorrah"

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Issar, Arie S. "The Destruction of Sodom and Gomorrah." In SpringerBriefs in Geography, 75–81. Cham: Springer International Publishing, 2013. http://dx.doi.org/10.1007/978-3-319-01937-6_9.

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Breitman, A. "The New Sodom and Gomorrah or an Antichristian of the 21st Century." In Smart Technologies and Innovations in Design for Control of Technological Processes and Objects: Economy and Production, 189–95. Cham: Springer International Publishing, 2019. http://dx.doi.org/10.1007/978-3-030-18553-4_24.

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"Sodom and Gomorrah." In Never Say I, 215–49. Duke University Press, 2006. http://dx.doi.org/10.1215/9780822388371-007.

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"Sodom and Gomorrah:." In Never Say I, 215–49. Duke University Press, 2006. http://dx.doi.org/10.2307/j.ctv1220msr.10.

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"Chapter 3." In Sodom and Gomorrah, 417–562. Yale University Press, 2021. http://dx.doi.org/10.2307/j.ctv1pdrr2n.9.

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"Front Matter." In Sodom and Gomorrah, i—iv. Yale University Press, 2021. http://dx.doi.org/10.2307/j.ctv1pdrr2n.1.

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"Introduction." In Sodom and Gomorrah, ix—xiv. Yale University Press, 2021. http://dx.doi.org/10.2307/j.ctv1pdrr2n.4.

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"Part Two, Chapter 1." In Sodom and Gomorrah, 39–166. Yale University Press, 2021. http://dx.doi.org/10.2307/j.ctv1pdrr2n.6.

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"Acknowledgments." In Sodom and Gomorrah, vii—viii. Yale University Press, 2021. http://dx.doi.org/10.2307/j.ctv1pdrr2n.3.

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"Chapter 4." In Sodom and Gomorrah, 563–84. Yale University Press, 2021. http://dx.doi.org/10.2307/j.ctv1pdrr2n.10.

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