Relevant bibliographies by topics / Sodomy in art

Contents

  1. Journal articles
  2. Dissertations / Theses
  3. Books
  4. Book chapters
  5. Conference papers

Academic literature on the topic 'Sodomy in art'

Author: Grafiati
Published: 4 June 2021
Last updated: 1 February 2022

Create a spot-on reference in APA, MLA, Chicago, Harvard, and other styles

Select a source type:

Consult the lists of relevant articles, books, theses, conference reports, and other scholarly sources on the topic 'Sodomy in art.'

Next to every source in the list of references, there is an 'Add to bibliography' button. Press on it, and we will generate automatically the bibliographic reference to the chosen work in the citation style you need: APA, MLA, Harvard, Chicago, Vancouver, etc.

You can also download the full text of the academic publication as pdf and read online its abstract whenever available in the metadata.

Journal articles on the topic "Sodomy in art"

1

Boyd, David L. "Sodomy, Misogyny, and Displacement: Occluding Queer Desire in Sir Gawain and the Green Knight." Arthuriana 8, no. 2 (1998): 77–113. http://dx.doi.org/10.1353/art.1998.0017.

Full text
APA, Harvard, Vancouver, ISO, and other styles
2

Frantzen, Allen J. "The Disclosure of Sodomy in Cleanness." PMLA/Publications of the Modern Language Association of America 111, no. 3 (May 1996): 451–64. http://dx.doi.org/10.2307/463168.

Full text
Abstract:
Cleanness, an alliterative Middle English poem attributed to the author of Sir Gawain and the Green Knight, contains a graphic account of the destruction of Sodom. Elaborating the theme of cleanness, the poet advocates not only sexual purity but also right conduct and respect for God's will. Exhortations to clean behavior are conventional; less expected are the poem's bold censure of “unclean” sexual acts, especially sodomy, and insistence that the clergy maintain vigilant surveillance of sexual wrongdoing. A poem with a salacious cast, Cleanness takes unusual risks in describing sodomy while denouncing it. Using Foucault's “rule of the tactical polyvalence of discourses,” I analyze Cleanness in relation to contemporary manuals of confession, which avoid mentioning sodomy for fear that the word might encourage the act. The poem's description of Sodom concludes with a construction of the feminine that serves as a corrective to the sins of male lust.
APA, Harvard, Vancouver, ISO, and other styles
3

Blanchard, Mary W. "The Soldier and the Aesthete: Homosexuality and Popular Culture in Gilded Age America." Journal of American Studies 30, no. 1 (April 1996): 25–46. http://dx.doi.org/10.1017/s0021875800024300.

Full text
Abstract:
The aftermath of civil strife, note some historians, can change perceptions of gender. Particularly for males, the effect of exhaustive internal wars and the ensuing collapse of the warrior ideal relegates the soldier/hero to a marginal iconological status. Linda L. Carroll has persuasively argued, for instance, that, following the Italian wars, one finds the “damaged” images of males in Renaissance art: bowed heads, display of stomach, presentation of buttocks. In fact, male weakness and “effeminacy” can, notes Linda Dowling, follow on the military collapse of any collective state. Arthur N. Gilbert argues, in contrast, that historically in wartime, male weakness in the form of “sodomites” was rigorously persecuted. From 1749 until 1792, for instance, there was only one execution for sodomy in France, while, during the Napoleonic Wars, the period of 1803–14, seven men were executed. Such analysis suggests that, in the aftermath of civil wars, cultural attitudes toward effeminate or homosexual men shifted from suppression or persecution during martial crisis to one of latitude and perhaps tolerance in periods following the breakdown of the military collective.The aftermath of America's Civil War, the decades of the 1870s and 1880s, provides a testing ground to examine attitudes toward the soldier/hero and toward the effeminate male in a time of social and cultural disarray. At this time, an art “craze,” the Aesthetic Movement, captured popular culture. Aestheticism, seen in the eighteenth century as a “sensibility,” had, by the nineteenth century, an institutional base and a social reform ideology.
APA, Harvard, Vancouver, ISO, and other styles
4

Porcarelli, Angela. "Dreams and desire. The cinema of Pier Paolo Pasolini and Federico Fellini: A conversation with Roberto Chiesi." Journal of Italian Cinema & Media Studies 10, no. 1 (January 1, 2022): 97–107. http://dx.doi.org/10.1386/jicms_00104_7.

Full text
Abstract:
In this interview, Roberto Chiesi talks about the personal and professional relationship between Pier Paolo Pasolini and Federico Fellini. He describes their experience with neorealism and how each of them moved past it to develop an original and unique cinematographic style. He focuses on specific elements of their cinema, such as the importance of the oneiric dimension and their conception of the sacred. Chiesi explains the central role civic involvement had in the work of Pasolini; his last movie Salò o le 120 giornate di Sodoma (Salò, or the 120 Days of Sodom) (Pasolini 1975) is centred on the dramatic process of degradation caused by the new consumeristic ideology. Fellini, instead, was primarily concerned with the corruptive vulgarity of the new commercial television. Highlighting the importance of Pasolini and Fellini’s legacy, Chiesi concludes the interview by saying that the two artists had the foresight to imagine the dreadful long-term consequences the events of their time would produce, consequences we are experiencing in today’s society.
APA, Harvard, Vancouver, ISO, and other styles
5

Mills, Robert. "Seeing Sodomy in theBibles moralisées." Speculum 87, no. 2 (April 2012): 413–68. http://dx.doi.org/10.1017/s0038713412001078.

Full text
APA, Harvard, Vancouver, ISO, and other styles
6

Schleiner, Winfried, and Gregory W. Bredbeck. "Sodomy and Interpretation: Marlowe to Milton." Shakespeare Quarterly 44, no. 4 (1993): 501. http://dx.doi.org/10.2307/2871012.

Full text
APA, Harvard, Vancouver, ISO, and other styles
7

Rodriguez, S. M. "Homophobic Nationalism: The Development of Sodomy Legislation in Uganda." Comparative Sociology 16, no. 3 (June 2, 2017): 393–421. http://dx.doi.org/10.1163/15691330-12341430.

Full text
Abstract:
Literature on sexuality and citizenship has demonstrated the myriad of ways that states use legislation to produce, regulate, and protect a sexually and racially “pure” citizen. In the context of the European imperial powers, this citizen is heterosexual, monogamous, and white. In the postcolonial Ugandan context, the development of sodomy legislation shows that this ideal citizen is heterosexual, monogamous, and yet untarnished by contemporary Western ideals (which is undoubtedly paradoxical). This work engages with colonial legislative texts, most notably the Ugandan Penal Code Act of 1950. The author then triangulates this with an analysis of the Anti-Homosexuality Bill and Act and parliamentary record from 1999-2013. With this data, it is argued that the Ugandan construct of an ideal citizen is not only a reactionary result of colonialism, but that it is also demonstrative of the anti-globalization ideology that has heightened in the wake of rapidngoization of the globallgbtirights movement.
APA, Harvard, Vancouver, ISO, and other styles
8

Clark, David. "Discourses of Masturbation." Men and Masculinities 20, no. 4 (March 16, 2016): 453–81. http://dx.doi.org/10.1177/1097184x16634799.

Full text
Abstract:
As an aspect of medieval sodomy, masturbation is often ignored or dismissed by medievalists. Although its status within medieval discourse on sex and gender is multiple and contested, this article demonstrates that it does have a recurrent cluster of associations, and it offers an important perspective on medieval masculinities and male sexuality. Moreover, far from constituting a meaningless, solitary act in medieval literature, on the contrary, masturbation is both overdetermined and always already relational.
APA, Harvard, Vancouver, ISO, and other styles
9

Pequigney, Joseph. "Sodomy in Dante's Inferno and Purgatorio." Representations 36 (1991): 22–42. http://dx.doi.org/10.2307/2928630.

Full text
APA, Harvard, Vancouver, ISO, and other styles
10

Halley, Janet E. "Reasoning about Sodomy: Act and Identity in and after Bowers v. Hardwick." Virginia Law Review 79, no. 7 (October 1993): 1721. http://dx.doi.org/10.2307/1073385.

Full text
APA, Harvard, Vancouver, ISO, and other styles
More sources

Dissertations / Theses on the topic "Sodomy in art"

1

Wisely, Karen S. "The “Dallas Way” in the Gayborhood: The Creation of a Lesbian, Gay, Bisexual, and Transgender Community in Dallas, Texas, 1965-1986." Thesis, University of North Texas, 2011. https://digital.library.unt.edu/ark:/67531/metadc103411/.

Full text
Abstract:
This thesis describes the creation of the gay and lesbian community in Dallas, the fourth largest metropolitan area in the United States. Employing more than seventy-five sources, this work chronicles the important contributions the gay men and lesbians of Dallas have made in the struggle for gay civil rights. This thesis adds to the studies of gay and lesbian history by focusing on a region of the United States that has been underrepresented, the South. In addition, this work addresses the conflicts that arise within the community between men and women.
APA, Harvard, Vancouver, ISO, and other styles
2

Boswell, Schiefer Ellen W. "Miracle at Monte Oliveto Renaissance Benedictine Ideals and Humanist Pictorial Ideals in Perspective." University of Cincinnati / OhioLINK, 2012. http://rave.ohiolink.edu/etdc/view?acc_num=ucin1337363195.

Full text
APA, Harvard, Vancouver, ISO, and other styles
3

Rocke, Michael. "Forbidden friendships : homosexuality and male culture in Renaissance Florence /." New York : Oxford University Press, 1996. http://catalogue.bnf.fr/ark:/12148/cb39224771s.

Full text
APA, Harvard, Vancouver, ISO, and other styles
4

Gailliard, Michel. "Le langage de l'obscénité : étude stylistique des romans de DAF de Sade : "Les cent vingt journées de Sodome", les trois "Justine" et "Histoire de Juliette /." Paris : H. Champion, 2006. http://catalogue.bnf.fr/ark:/12148/cb40153131z.

Full text
APA, Harvard, Vancouver, ISO, and other styles
5

DiGangi, Mario. "The homoerotics of early modern drama /." Cambridge (G.B.) : Cambridge university press, 1997. http://catalogue.bnf.fr/ark:/12148/cb37623172n.

Full text
APA, Harvard, Vancouver, ISO, and other styles
6

Cousi, Clémentine. "Séparation de phase et cristallisation induites par l'ajout de molybdène et de phosphore dans un verre silico-sodo-calcique /." Gif-sur-Yvette : CEA Saclay, Direction des systèmes d'information, 2004. http://catalogue.bnf.fr/ark:/12148/cb39959073k.

Full text
APA, Harvard, Vancouver, ISO, and other styles

Books on the topic "Sodomy in art"

1

Eva, Cantarella, ed. Images of ancient Greek pederasty: Boys were their gods. London: Routledge, 2008.

Find full text
APA, Harvard, Vancouver, ISO, and other styles
2

Bartalini, Roberto. Le occasioni del Sodoma: Dalla Milano di Leonardo alla Roma di Raffaello. Roma: Donzelli, 1996.

Find full text
APA, Harvard, Vancouver, ISO, and other styles
3

Are gay rights right?: Making sense of the controversy. Portland, OR: Multnomah, 1990.

Find full text
APA, Harvard, Vancouver, ISO, and other styles
4

Berean League Fund (Saint Paul, Minn.), ed. Are "gay rights" right?: A report on homosexuality and the law. St. Paul, Minn. (2875 Snelling Ave. N., St. Paul 55113): The Fund, 1985.

Find full text
APA, Harvard, Vancouver, ISO, and other styles
5

Seeing sodomy in the Middle Ages. 2015.

Find full text
APA, Harvard, Vancouver, ISO, and other styles
6

K, Hubbard Thomas, ed. Greek love reconsidered. New York: W. Hamilton Press, 2000.

Find full text
APA, Harvard, Vancouver, ISO, and other styles
7

Images of Ancient Greek Pederasty: Boys Were Their Gods. Taylor & Francis Group, 2009.

Find full text
APA, Harvard, Vancouver, ISO, and other styles
8

Days of Sodom. Bruno Gmunder Verlag Gmbh, 2006.

Find full text
APA, Harvard, Vancouver, ISO, and other styles
9

Morton, Jonathan. Usury, Avarice, and Infinite Desire. Oxford University Press, 2018. http://dx.doi.org/10.1093/oso/9780198816669.003.0006.

Full text
Abstract:
Money goes to the heart of the Rose’s central problematic—the relationship between art and nature. This chapter engages closely with thirteenth-century Parisian philosophy and theology in its analysis of money, usury, and avarice. In considering the reception of Aristotle’s Politics by Albert the Great, Aquinas, and Giles of Rome, it shows how the Rose engages with the idea of an Aristotelian teleology of money, using it to put the principle of infinity that categorizes the avaricious acquisition of wealth in tension with the end-directed principles of nature that inform the whole poem. The twinned ideas of infinity and of natural acts as teleological are shown to link the two practices condemned most severely in the poem: sodomy and usury.
APA, Harvard, Vancouver, ISO, and other styles
10

Fiorella, Sricchia Santoro, De Marchi Andrea, Maccherini Michele, and Galleria di Palazzo Chigi-Saracini (Siena, Italy), eds. Da Sodoma a Marco Pino: Addenda. Siena: Palazzo Chigi Saracini, 1991.

Find full text
APA, Harvard, Vancouver, ISO, and other styles
More sources

Book chapters on the topic "Sodomy in art"

1

Burg, B. R. "Sodomy, Indecency, and HMS Africaine." In Boys at Sea, 130–57. London: Palgrave Macmillan UK, 2007. http://dx.doi.org/10.1057/9780230590700_6.

Full text
APA, Harvard, Vancouver, ISO, and other styles
2

Burg, B. R. "Law, Literature, Sodomy, and Royal Navy Officers." In Boys at Sea, 1–25. London: Palgrave Macmillan UK, 2007. http://dx.doi.org/10.1057/9780230590700_1.

Full text
APA, Harvard, Vancouver, ISO, and other styles
3

Burg, B. R. "Regulating Sodomy in the Pre-Nelson Navy." In Boys at Sea, 26–45. London: Palgrave Macmillan UK, 2007. http://dx.doi.org/10.1057/9780230590700_2.

Full text
APA, Harvard, Vancouver, ISO, and other styles
4

Bos, David J. "Hellish Evil, Heavenly Love: A Long-Term History of Same-Sex Sexuality and Religion in the Netherlands." In Public Discourses About Homosexuality and Religion in Europe and Beyond, 21–58. Cham: Springer International Publishing, 2020. http://dx.doi.org/10.1007/978-3-030-56326-4_2.

Full text
Abstract:
AbstractThis chapter offers an overview of changes in Dutch perceptions of, and attitudes toward, same-sex sexuality and the part religion played in them. It discusses landmark events and publications from 1730—when “sodomy” became a public issue—until the present. It describes the evolution of discourse on same-sex sexuality, with special reference to the earliest publications on “homosexuality,” alias “Uranism,” which often referred to religion. In the twentieth century, Roman Catholic and Protestant opposition to homosexual emancipation gradually gave way to sympathy, and in the 1960s some pastors were vocal advocates of acceptance. In the early 1970s, homosexuality became a doctrinal issue, a religious identity marker. Polarization was exacerbated in the late 1970s, which saw the rise of both the gay and lesbian movement and religious fundamentalism. “Discursive associations” between religion—including Judaism and Islam—and homosexuality are brought to light partly by means of quantitative content analysis of newspapers.
APA, Harvard, Vancouver, ISO, and other styles
5

Zahed, Ludovic-Mohamed. "Distressing Qur’anic Verses?" In Homosexuality, Transidentity, and Islam. Nieuwe Prinsengracht 89 1018 VR Amsterdam Nederland: Amsterdam University Press, 2019. http://dx.doi.org/10.5117/9789463720311_ch02.

Full text
APA, Harvard, Vancouver, ISO, and other styles
6

Endong, Floribert Patrick C. "A Latter-Day Sodom and Babylon." In Advances in Media, Entertainment, and the Arts, 1–28. IGI Global, 2019. http://dx.doi.org/10.4018/978-1-5225-9312-6.ch001.

Full text
Abstract:
This chapter examines the manner in which Nigerian bloggers and web journalists interpreted, framed and represented Obama's gay rights diplomacy in Nigeria. The chapter specifically explores the extent to which these web journalists' interpretations of the American pro-gay movement generated new religion-inspired representations of the U.S. government and Americans on the social networks. The study is based on a quantitative and qualitative content analysis of over 162 online articles generated by Nigerian citizen journalists in reaction to Obama's gay rights advocacy in Nigeria and Africa. It answers the following research questions: how did Nigerian web/citizen journalists frame Obama's pro-gay move? What was their tone? How did they represent America and its people in their articles or posts? And how did religion and culture influence the latter's representations of America and Americans?
APA, Harvard, Vancouver, ISO, and other styles
7

Hobbs, Simon. "Salò, Or the 120 Days of Sodom and Ilsa, the Wicked Warden: Fascism, Pornography and Disgust." In Cultivating Extreme Art Cinema, 88–113. Edinburgh University Press, 2018. http://dx.doi.org/10.3366/edinburgh/9781474427371.003.0005.

Full text
Abstract:
This chapter examines Salò, Or the 120 Days of Sodom and Ilsa, the Wicked Warden. Although both films use Fascist imagery to comment on the corrupting nature of power, they continue to enjoy very different cultural reputations. In order to explore this, the chapter firstly examines the BFI’s special edition Blu-ray release of Pasolini’s film, discussing the way the product employs exploitation tactics over the more established art film marketing directives expected from a highbrow company. Exploiting the film’s more transgressive attributes, the analysis shows how in-text extremity can be externally commercialised. Thereafter, the chapter investigates Ilsa, the Wicked Warden’s appearance within Anchor Bay’s ‘Jess Franco Collection’. Considering whether the auteur branding successfully redeems the lowbrow reputation of both film and filmmaker, the chapter highlights the ways lowbrow distributors use highbrow approaches to legitimise their texts. Ultimately, the chapter suggest that although the BFI trade off notions of disgust, the product presents Pasolini’s film as an artistically challenging experience rather than mere exploitation. In contrast, the chapter asserts that Anchor Bay’s attempt to legitimise Franco’s film is undone be the consistent centralisation of sexually explicit content.
APA, Harvard, Vancouver, ISO, and other styles
8

Encarnación, Omar G. "A Shameful History and a Dark Legacy." In The Case for Gay Reparations, 23–55. Oxford University Press, 2021. http://dx.doi.org/10.1093/oso/9780197535660.003.0002.

Full text
Abstract:
This chapter introduces Alfred Kinsey, America’s most famous sexologist, who argued in 1953 that homosexual relations are more severely penalized by public opinion and statute law in the United States than in any other major culture in the world. It looks at the US Supreme Court’s 2003 ruling in the Lawrence v. Texas case, which meant that the United States was no longer the only major Western democracy criminalizing homosexual conduct between consenting adults. The chapter also mentions Alabama, Florida, Idaho, Louisiana, Mississippi, North Carolina, South Carolina, Michigan, Utah, and Virginia, which banned consensual sodomy without respect to the sex of those involved, and Texas, Kansas, Oklahoma, and Missouri, which prohibited acts of sodomy by same-sex couples. It discusses America’s democratic peers in Western Europe and the Americas that ceased to make consensual homosexual relations a crime, such as France in 1791 and Brazil in 1830.
APA, Harvard, Vancouver, ISO, and other styles
9

Rao, Rahul. "Spectres of Colonialism." In Out of Time, 107–35. Oxford University Press, 2020. http://dx.doi.org/10.1093/oso/9780190865511.003.0004.

Full text
Abstract:
Awareness that anti-sodomy laws in the global South are a remnant of British colonialism has generated a discourse of atonement for colonialism among a British political elite not typically known for such contrition. This chapter investigates why this has been the case through a parallel reading of British parliamentary debates on the bicentenary of the abolition of the slave trade, and on the state of global LGBT rights. Drawing on Melanie Klein’s notion of manic reparation, it demonstrates how elites have sublimated their shame around historic wrongs perpetrated by Britain into moral crusades purporting to remedy them. It then contrasts categorical expressions of atonement for the ‘sexual’ legacies of colonialism with a more ambivalent reckoning with its ‘racial’ legacies. Taking issue with the separation of these analytics, the chapter reveals how atonement for the colonial imposition of anti-sodomy laws abroad is enabled by a whitening of queer suffering at home.
APA, Harvard, Vancouver, ISO, and other styles
10

Israëls, Machtelt. "Sodoma at Porta Pispini and the Pictorial Decoration of Sienese City Gates *." In Art as Politics in Late Medieval and Renaissance Siena, 195–220. Routledge, 2017. http://dx.doi.org/10.4324/9781315096933-10.

Full text
APA, Harvard, Vancouver, ISO, and other styles

Conference papers on the topic "Sodomy in art"

1

Kukharenkova, O. V., E. M. Kurenkova, and V. O. Lyakinа. "Yield of spring barley when application traditional and resource-saving processing soddy-podzoly soil." In Растениеводство и луговодство. Тимирязевская сельскохозяйственная академия, 2020. http://dx.doi.org/10.26897/978-5-9675-1762-4-2020-157.

Full text
Abstract:
The data on the yield and structure of the yield of spring barley of the Mikhailovsky variety on sod-podzolic soil when grown according to the traditional technology, including moldboard plowing, and with the use of minimal tillage are given. During the years of research, soil cultivation methods did not affect the yield of spring barley.
APA, Harvard, Vancouver, ISO, and other styles
You might also be interested in the extended bibliographies on the topic 'Sodomy in art' for particular source types:
Journal articles Books
We offer discounts on all premium plans for authors whose works are included in thematic literature selections. Contact us to get a unique promo code!

To the bibliography