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Books on the topic 'Sodomy in art'

Author: Grafiati

Published: 4 June 2021

Last updated: 1 February 2022

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1

Eva, Cantarella, ed. Images of ancient Greek pederasty: Boys were their gods. London: Routledge, 2008.

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2

Bartalini, Roberto. Le occasioni del Sodoma: Dalla Milano di Leonardo alla Roma di Raffaello. Roma: Donzelli, 1996.

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3

Are gay rights right?: Making sense of the controversy. Portland, OR: Multnomah, 1990.

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4

Berean League Fund (Saint Paul, Minn.), ed. Are "gay rights" right?: A report on homosexuality and the law. St. Paul, Minn. (2875 Snelling Ave. N., St. Paul 55113): The Fund, 1985.

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5

Seeing sodomy in the Middle Ages. 2015.

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6

K, Hubbard Thomas, ed. Greek love reconsidered. New York: W. Hamilton Press, 2000.

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7

Images of Ancient Greek Pederasty: Boys Were Their Gods. Taylor & Francis Group, 2009.

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8

Days of Sodom. Bruno Gmunder Verlag Gmbh, 2006.

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9

Morton, Jonathan. Usury, Avarice, and Infinite Desire. Oxford University Press, 2018. http://dx.doi.org/10.1093/oso/9780198816669.003.0006.

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Money goes to the heart of the Rose’s central problematic—the relationship between art and nature. This chapter engages closely with thirteenth-century Parisian philosophy and theology in its analysis of money, usury, and avarice. In considering the reception of Aristotle’s Politics by Albert the Great, Aquinas, and Giles of Rome, it shows how the Rose engages with the idea of an Aristotelian teleology of money, using it to put the principle of infinity that categorizes the avaricious acquisition of wealth in tension with the end-directed principles of nature that inform the whole poem. The twinned ideas of infinity and of natural acts as teleological are shown to link the two practices condemned most severely in the poem: sodomy and usury.

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10

Fiorella, Sricchia Santoro, De Marchi Andrea, Maccherini Michele, and Galleria di Palazzo Chigi-Saracini (Siena, Italy), eds. Da Sodoma a Marco Pino: Addenda. Siena: Palazzo Chigi Saracini, 1991.

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11

Gosine, Andil. Nature's Wild. Duke University Press, 2021. http://dx.doi.org/10.1215/9781478021889.

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In Nature's Wild, Andil Gosine engages with questions of humanism, queer theory, and animality to examine and revise understandings of queer desire in the Caribbean. Surveying colonial law, visual art practices, and contemporary activism, Gosine shows how the very concept of homosexuality in the Caribbean (and in the Americas more broadly) has been overdetermined by a colonially influenced human/animal divide. Gosine refutes this presupposed binary and embraces animality through a series of case studies: a homoerotic game called puhngah, the institution of gender-based dress codes in Guyana, and efforts toward the decriminalization of sodomy in Trinidad and Tobago—including the work of famed activist Colin Robinson, paintings of human animality by Guadeloupean artist Kelly Sinnapah Mary, and Gosine's own artistic practice. In so doing, he troubles the ways in which individual and collective anxieties about “wild natures” have shaped the existence of Caribbean people while calling for a reassessment of what political liberation might look like. >Duke University Press Scholars of Color First Book Award recipient

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12

From Iced Earth To Sodom The Art Of Axel Hermann Von Iced Earth Bis Sodom Die Kunst Des Axel Hermann. Jeske, Otger, u. Matthias Mader. I.P. Verlag, 2013.

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13

Summary report to act or not to act? section 377 of the Bangladesh penal code. Dhaka: James P. Grant School of Public Health, 2009.

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14

Fiorella, Sricchia Santoro, Angelini Alessandro, and Galleria di Palazzo Chigi-Saracini (Siena, Italy), eds. Da Sodoma a Marco Pino: Pittori a Siena nella prima metà del Cinquecento. Firenze: Studio per edizioni scelte, 1988.

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15

Hobbs, Simon. Cultivating Extreme Art Cinema. Edinburgh University Press, 2018. http://dx.doi.org/10.3366/edinburgh/9781474427371.001.0001.

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The use of hard-core sex and brutal violence in films such as Antichrist, Romance and Irreversible has been branded by many as an unsophisticated attempt to attract audiences. These accusations of gimmickry have been directed towards a range of extreme art films, however they have rarely been explored in detail. This book therefore seeks to investigate the validity of these claims by considering the extent to which these often infamous sequences of extremity inform the commercial identity of the film. Through close textual analysis of various paratexts, the book examines how sleeve designs, blurbs, and special features manage these extreme reputations, and the extent to which they exploit the supposed value of extremity. The book positions the tangible home video product as a bearer of meaning, capable of defining the public persona of the film. The book explores the ways home video artefacts communicate to both highbrow and lowbrow audiences by drawing from contradicting marketing traditions, as well as examining the means through which they breach long-standing taste distinctions. Including case studies from both art cinema and exploitation cinema – such as Cannibal Holocaust, Salò, Or the 120 Days of Sodom, Weekend and Antichrist – the book explores the complicated dichotomies between these cinematic traditions, offering a fluid history of extreme art cinema while challenging existing accounts of the field. Ultimately, the book argues that extremity – far from being a simple marketing tool – is a complex and multifaceted commercial symbol.

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16

Williams, Westwick Abijah. Of Modern Sodom: Gay Christians Are Special to God - The Modern Christian Series #3. Strategic Book Publishing & Rights Agency, LLC, 2017.

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17

Puff, Helmut. Same-sex Possibilities. Edited by Judith Bennett and Ruth Karras. Oxford University Press, 2013. http://dx.doi.org/10.1093/oxfordhb/9780199582174.013.025.

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This chapter considers the world of same-sex intimacy, erotic and otherwise, in the European Middle Ages. It proposes that there was a vibrant culture of same-sex interactions during this period. When, in the 1970s, researchers started to explore the history of homoeroticism in depth, they focused predominantly on prohibitions against and condemnations of sex between men and sex between women. In the meantime, new ways of reading as well as different archives have instigated a change of perspective; we are beginning to take stock of the many same-sex possibilities that existed in medieval times. This chapter retraces this shift in perspective. It also shows how, toward the end of the Middle Ages, the dissemination of the concept of sodomy among Christian believers affected the rich fabric of homosocial life and emotions.

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18

Quint, David. Milton’s Book of Numbers: Book 1 and Its Catalog. Princeton University Press, 2017. http://dx.doi.org/10.23943/princeton/9780691161914.003.0002.

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This chapter shows how book 1 of Paradise Lost metaphorically depicts the role of the devil in raising the rebel angels out of their “bottomless perdition,” an act of poetic creation analogous to the divine creation of the universe described in the invocation—“how the heavens and earth/Rose out of chaos.” The chief devils described in the catalog that occupies the center of book 1 and organizes its poetic figures and symbolic geography—Carthage, Sodom, Egypt, Babel-Babylon, Rome—are precisely those who will come to inhabit the pagan shrines that human idolatry will build next to or even inside the Jerusalem temple, profaning God's house. This catalog—whose traditional epic function is to size up military force—instead suggests the force of spiritual falsehood, and it corresponds to the defeated devils' own reluctance to pursue another direct war against God; they would rather resort to satanic fraud.

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19

Lakkimsetti, Chaitanya. Legalizing Sex. NYU Press, 2020. http://dx.doi.org/10.18574/nyu/9781479810024.001.0001.

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Based on twenty months of ethnographic research, the book looks at the relationship between the HIV/AIDS epidemic and rights-based struggles of sexual minorities in contemporary India. Sex workers, gay men, and transgender people in India have become visible in the Indian public sphere since the mid-1980s, when AIDS became an issue in India. Whereas sexual minorities were previously stigmatized and criminalized because of the threat of the HIV/AIDS epidemic, the Indian state started to fold these groups into national HIV/AIDS policies as “high-risk” groups for an effective response to the epidemic. The book argues that HIV/AIDS transformed the relationship between sexual minorities and the state from one focused on juridical exclusion to one focused on inclusion through biopower. The new relationship between the state and sexual minorities brought about by HIV/AIDS and the shared power communities felt with the state enabled them to demand rights and citizenship from the Indian state. In addition to paying attention to these transformations, the book also comparatively captures the rights-based struggles of sexual minorities in India who have successfully mobilized against a colonial era anti-sodomy law, successfully petitioned in the courts for recognition of gender identity, and stalled attempts to criminalize sexual labor. This book uniquely brings together the struggles of sex workers and transgender and gay groups that are often studied separately.

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