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Books on the topic 'Software piracy'

Author: Grafiati

Published: 4 June 2021

Last updated: 29 July 2024

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Consult the top 43 books for your research on the topic 'Software piracy.'

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1

Marshall, Patrick G. Software Piracy. 2455 Teller Road, Thousand Oaks California 91320 United States: CQ Press, 1993. http://dx.doi.org/10.4135/cqresrre19930521.

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2

Poddar, Sougata. Network externality and software piracy. Helsinki: United Nations University, World Institute for Development Economic Research, 2002.

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3

Johns, Adrian. Piracy. Chicago: University of Chicago Press, 2010.

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4

Jr, Hugo Orrico. Pirataria de software. São Paulo: M.M. Livros, 2004.

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5

Keet, Ernest E. Preventing piracy: A business guide to software protection. Reading, Mass: Addison-Wesley Pub. Co., 1985.

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6

Krömer, Jan. No copy: Die Welt der digitalen Raubkopie. Leipzig: Tropen, 2006.

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7

Ezhov, A. A. I︠U︡ridicheskai︠a︡ zashchita iskli︠u︡chitelʹnykh prav pravoobladateleĭ na programmy dli︠a︡ ĖVM i bazy dannykh: Monografii︠a︡. [Moskva]: Izdatelʹskiĭ dom "I︠U︡piter", 2003.

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8

T, Carlos A. Peláez. La campaña de la B.S.A. en Bolivia. Bolivia]: Diseño Gráfico & Edición de Publicaciones Literarias Jh. Jorge Estada Cuenca, 2001.

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9

Bunn, Edward DeV. Internet software piracy and the NET Act: A historical and perspective analysis of cyberlaw in the United States. Gainesville, Fla: Cambridge Lighthouse Press, 2005.

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10

Supanto. Criminal policy: Memberantas pembajakan program komputer. Surakarta, Jawa Tengah, Indonesia: Kerja Sama Lembaga Pengembangan Pendidikan (LPP) dan UPT Penerbitan dan Pencetakan UNS (UNS Press), Universitas Sebelas Maret Surakarta, 2011.

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11

United States. Office of the U.S. Trade Representative. The anti-counterfeiting trade agreement: Fighting piracy and counterfeiting, supporting American jobs. [Washington, D.C.]: Office of the United States Trade Representative, Executive Office of the President, 2011.

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12

White, Emmanuel. Intellectual property rights in software: The U.S. vs. China's position. S.l.]: Kush Communications Pub., 1999.

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13

Giblin, Rebecca. Code wars: 10 years of P2P software litigation. Cheltenham, UK: Edward Elgar Publishing, 2011.

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14

Trade, United States Congress House Committee on International Relations Subcommittee on International Economic Policy and. Costs of Internet piracy for the music and software industries: Hearing before the Subcommittee on International Economic Policy and Trade of the Committee on International Relations, House of Representatives, One Hundred Sixth Congress, second session, July 19, 2000. Washington: U.S. G.P.O., 2001.

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15

Lee, Mark S. Entertainment & intellectual property law. Eagan, MN: Thomson/Glasser LegalWorks, 2005.

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16

Software Piracy Exposed. Elsevier, 2005. http://dx.doi.org/10.1016/b978-1-932266-98-6.x5021-1.

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17

Honick, Ron. Software Piracy Exposed. Elsevier Science & Technology Books, 2005.

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18

Craig, Paul. Software Piracy Exposed. Syngress, 2005.

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19

Duthel, Heinz. Warez the Scene. Software Piracy Exposed. Lulu Press, Inc., 2010.

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20

Duthel, Heinz. Warez the Scene. Software Piracy Exposed. Lulu Press, Inc., 2010.

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21

Eve, Martin Paul. Warez: The Infrastructure and Aesthetics of Piracy. punctum books, 2021. http://dx.doi.org/10.53288/0339.1.00.

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When most people think of piracy, they think of Bittorrent and The Pirate Bay. These public manifestations of piracy, though, conceal an elite worldwide, underground, organized network of pirate groups who specialize in obtaining media – music, videos, games, and software – before their official sale date and then racing against one another to release the material for free. Warez: The Infrastructure and Aesthetics of Piracy is the first scholarly research book about this underground subculture, which began life in the pre-internet era Bulletin Board Systems and moved to internet File Transfer Protocol servers (“topsites”) in the mid- to late-1990s. The “Scene,” as it is known, is highly illegal in almost every aspect of its operations. The term “Warez” itself refers to pirated media, a derivative of “software.” Taking a deep dive in the documentary evidence produced by the Scene itself, Warez describes the operations and infrastructures an underground culture with its own norms and rules of participation, its own forms of sociality, and its own artistic forms. Even though forms of digital piracy are often framed within ideological terms of equal access to knowledge and culture, Eve uncovers in the Warez Scene a culture of competitive ranking and one-upmanship that is at odds with the often communalist interpretations of piracy. Broad in scope and novel in its approach, Warez is indispensible reading for anyone interested in recent developments in digital culture, access to knowledge and culture, and the infrastructures that support our digital age.

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22

Congress, United States, United States House of Representatives, and Committee on International Relations. Costs of Internet piracy for the music and software industries. CreateSpace Independent Publishing Platform, 2018.

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23

Warez: The Infrastructure and Aesthetics of Piracy. Punctum Books, 2021.

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24

Warez: The Infrastructure and Aesthetics of Piracy. Punctum Books, 2021.

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25

Hall, David Locke. CRACK99: The Takedown of a $100 Million Chinese Software Pirate. Blackstone Audio, Inc., 2015.

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26

Hall, David Locke. Crack99: The Takedown of a $100 Million Chinese Software Pirate. Norton & Company, Incorporated, W. W., 2015.

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27

Fisk, Nathan. Understanding Online Piracy. ABC-CLIO, LLC, 2009. http://dx.doi.org/10.5040/9798216029663.

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The complex world of online piracy and peer-to-peer file sharing is skillfully condensed into an easy-to-understand guide that provides insight into the criminal justice approach to illegal file sharing, while offering guidance to parents and students who have concerns about potential legal action in response to file-sharing activities. While the actual impact of digital piracy is nearly impossible to precisely calculate, the threat of financial damage from illegal peer-to-peer (P2P) file sharing to the world's highest-grossing entertainment firms (and even entire industries!) has garnered attention from government, industry, and academic leaders and criminal justice professionals. Oftentimes, those providing access to computers and file sharing capabilities-parents, schools, libraries-don't know about or understand these activities and, therefore, put themselves and their families at risk for criminal and civil prosecution. This work describes the technological, legal, social, and ethical facets of illegal peer-to-peer file sharing. Geared toward parents, teachers, librarians, students, and any other computer user engaged in file sharing, this book will help readers to understand all forms of traditional and digital copyright violations of protected music, movies, and software. To date over 18,000 P2P users have been sued by the Recording Industry Association of America (RIAA). Most of these users have been college students and parents of high-school students. While word of these law suits are spreading, and many parents fear that their children may be using a family computer to illegally download and share copyrighted works, few supervising adults have the technical knowledge needed to determine whether and to what extent pirating may be occurring via a computer and Internet connection they are legally responsible for. Additionally, while P2P networks are filled with millions of users with billions of copyrighted files, few users understand the ways in which they are illegally using computers and other mobile electronic devices to download protected content. While describing both technical and social issues, this book primarily focuses on the social aspects of illegal file sharing, and provides technical concepts at a general level. Fisk skillfully condenses the complex nature of file sharing systems into an easy-to-understand guide, provides insight into the criminal justice approach to illegal file sharing, and offers guidance to parents and students who have concerns about potential legal action in response to file sharing activities.

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28

Johns, Adrian. Piracy: The Intellectual Property Wars from Gutenberg to Gates. University of Chicago Press, 2010.

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29

106-2 Hearing: Costs of Internet Piracy For The Music and Software Industries, July 19, 2000. [S.l: s.n., 2001.

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30

Cole, Eric, Paul Craig, and Lance James. Cyber Crime Investigator's Professional CD: Spam Cartel, Phishing, Cyber Spying, Stealing the Network, and Software Piracy. Syngress Publishing, 2006.

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31

Coleman, E. Gabriella. Coding Freedom: The Ethics and Aesthetics of Hacking. Princeton University Press, 2012.

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32

Coleman, E. Gabriella. Coding Freedom: The Ethics and Aesthetics of Hacking. Princeton University Press, 2012.

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33

May, Christopher. Digital Rights Management: The Problem of Expanding Ownership Rights. Chandos Publishing (Oxford) Ltd, 2006.

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34

May, Christopher. Digital Rights Management: The Problem of Expanding Ownership Rights (Chandos Information Professional). Chandos Publishing (Oxford) Ltd, 2006.

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35

US GOVERNMENT. Costs of Internet piracy for the music and software industries: Hearing before the Subcommittee on International Economic Policy and Trade of the Committee ... Congress, second session, July 19, 2000. [U.S. G.P.O., Supt. of Docs., Congressional Sales Office, distributor], 2000.

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36

Coding Freedom: The Ethics and Aesthetics of Hacking: The Ethics and Aesthetics of Hacking. Princeton, NJ, USA: Princeton University Press, 2012.

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37

Coding Freedom: The Ethics and Aesthetics of Hacking. Princeton University Press, 2012.

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38

Dakan, Rick. Geek Mafia - Black Hat Blues. PM Press, 2010.

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39

Geek mafia: Black hat blues. Oakland, CA: PM Press, 2009.

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40

Dakan, Rick. Geek Mafia. Blue King Studios, 2006.

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41

CRACK99: The takedown of a $100 million Chinese software pirate. W.W. Norton & Company, 2015.

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42

Crack99: The Takedown of a $100 Million Chinese Software Pirate. Norton & Company, Incorporated, W. W., 2017.

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43

Critical Factors Contributing to a Student's Decision to Pirate Software. GRIN Verlag GmbH, 2012.

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