Relevant bibliographies by topics / Solisti

Contents

  1. Journal articles
  2. Dissertations / Theses
  3. Books
  4. Book chapters
  5. Conference papers

Academic literature on the topic 'Solisti'

Author: Grafiati
Published: 4 June 2021
Last updated: 1 February 2022

Create a spot-on reference in APA, MLA, Chicago, Harvard, and other styles

Select a source type:

Consult the lists of relevant articles, books, theses, conference reports, and other scholarly sources on the topic 'Solisti.'

Next to every source in the list of references, there is an 'Add to bibliography' button. Press on it, and we will generate automatically the bibliographic reference to the chosen work in the citation style you need: APA, MLA, Harvard, Chicago, Vancouver, etc.

You can also download the full text of the academic publication as pdf and read online its abstract whenever available in the metadata.

Journal articles on the topic "Solisti"

1

Železnik, Sara. "Solisti na koncertih Filharmonične družbe do leta 1872." Musicological Annual 49, no. 1 (June 1, 2013): 25–55. http://dx.doi.org/10.4312/mz.49.1.25-55.

Full text
Abstract:
Na koncertih Filharmonične družbe v Ljubljani do leta 1872 so bili solistični nastopi zelo pogosti. Delež domačih glasbenikov je bil v razmerju do tujih solistov mnogo večji. Najpogostejši so bili pevski solisti, tem so sledili pianisti in violinisti. Navajanje solistov je bilo na koncertnih sporedih nedosledno, zato je nastopajoče nemogoče natančno identificirati.
APA, Harvard, Vancouver, ISO, and other styles
2

Raizis, M. Byron, Costúla Mitropúlu, and Brigida Artiaco. "Sei ruoli per solisti." World Literature Today 70, no. 4 (1996): 1004. http://dx.doi.org/10.2307/40152488.

Full text
APA, Harvard, Vancouver, ISO, and other styles
3

Zwally, Randall. "Pepe Romero & I Solisti di Zagreb: Concierto Festivo (review)." Notes 69, no. 1 (2012): 148–49. http://dx.doi.org/10.1353/not.2012.0098.

Full text
APA, Harvard, Vancouver, ISO, and other styles
4

Dąbek, Tomasz Maria. "Refleksje na temat współczesnych kierunków interpretacji chorału gregoriańskiego." Ruch Biblijny i Liturgiczny 57, no. 3 (September 30, 2004): 185. http://dx.doi.org/10.21906/rbl.514.

Full text
Abstract:
Nei nostri tempi si sviluppa un nuovo metodo di eseguire il canto gregoriano, ispirato al lavoro di E. Cardine, Semiologie Grégorienne (Extrait des Etudes Grégoriennes, Tome XI), Solesmes 1970, ma anche alla pratica di canto da parte dei monaci orientali e dei cantori dalle isole del Mar Mediterraneo. Le spiegazioni della ricca tradizione di Solesmes vengono messe in discussione. Nel pressus i cantori fanno la ripercussione delle note colla stessa altezza, spesso in modo nervoso. Si cerca di badare tutti i dati degli antichi manoscritti e di eseguire esattamente i più piccoli segmenti, a scapito di frasi più grandi e d’insieme di un canto. Interessanti sono gli studi sul trattato di Girolamo di Moravia, ma bisogna sapere che questo è una fonte del canto del XIII secolo, autentico solo per l’Ordine dei Predicatori. Dal IX secolo molti musicisti s’interessavano più alla primitiva musica polifonica che al monodico canto gregoriano. Sarebbe bene studiare gl’influssi orientali sul canto della Chiesa latina e i costumi dei monaci e dei cantori diocesani dei duomi e delle collegiate nel medioevo per conoscere meglio le autentiche tradizioni, ma è una cosa per gli specialisti; gli elementi orientali interessano solo i giovani musicisti e quelli più maturi. Invece nella pratica quotidiana del canto gregoriano importante è che ciascuno brano venga eseguito con i suoi dati specifici senza mescolanza e sincretismo e poi le cose concrete come: la conoscenza del senso dei testi liturgici latini, l’altezza commoda per i cantori, il tempo moderato, non troppo lento e non troppo veloce, il modo normale di cantare dei solisti e dei gruppi.
APA, Harvard, Vancouver, ISO, and other styles
5

Alvarado Laurín, Oscar Julián, and Oscar Alejandro Beltrán Sánchez. "Aportes de la guitarra clásica a la interpretación del bolero." Epistemus. Revista de Estudios en Música, Cognición y Cultura 8, no. 1 (July 8, 2020): 017. http://dx.doi.org/10.24215/18530494e017.

Full text
Abstract:
Uno de los objetivos del estudio de un instrumento musical en instituciones académicas es la formación de instrumentistas solistas. La incorporación de géneros tradicionales en dicha formación conlleva la dificultad de adaptar música originalmente ejecutada en conjuntos instrumentales a un instrumento solista. En este artículo se analizan los roles complementarios de las dos guitarras que conforman tradicionalmente el conjunto del bolero y se proponen técnicas instrumentales para que ambas partes puedan ser ejecutadas por una guitarra solista. Las técnicas propuestas son el toque apoyado, el toque tirado, el pizzicato, los armónicos naturales, la ejecución de melodía a dos notas, ligados y apoyaturas, arrastres y uso de barra o ceja. Estas técnicas son aplicadas a seis temas, evaluando en cada caso cuál de ellas se adapta mejor a sus características musicales. El aporte de esta investigación consiste en la aplicación de técnicas instrumentales de la guitarra clásica solista para la ejecución de boleros, fundamental para la incorporación de dicho género en entornos académicos
APA, Harvard, Vancouver, ISO, and other styles
6

Marteau, Robert. "La fauvette soliste." Po&sie N°167-168, no. 1 (2019): 207. http://dx.doi.org/10.3917/poesi.167.0207.

Full text
APA, Harvard, Vancouver, ISO, and other styles
7

Fiori, Angelo. "La giustizia, i soliti ignoti e i soliti noti." Medicina e Morale 46, no. 3 (June 30, 1997): 439–41. http://dx.doi.org/10.4081/mem.1997.876.

Full text
APA, Harvard, Vancouver, ISO, and other styles
8

Lamp, R. "Solisten." Tandartspraktijk 26, no. 10 (October 2005): 797–98. http://dx.doi.org/10.1007/bf03072654.

Full text
APA, Harvard, Vancouver, ISO, and other styles
9

B, Enkhbold, Ninjmaa O, and Nyamgerel Kh. "Results of potato varietieis for drought tolerance in vitro conditoin." Mongolian Journal of Agricultural Sciences 22, no. 03 (May 9, 2018): 72–76. http://dx.doi.org/10.5564/mjas.v22i03.955.

Full text
Abstract:
The laboratory’s experiment conducted at IPAS in 2017. The goal of this study was to evaluate drought stress tolerance of released potato varieties using PEG-6000 in-vitro condition. Middle maturing variety Gala, early maturing Solist and Quarta were used experiment. The objectives were to determine how osmosis pressure affected potato plantlet height, root length, total weight of biomass, and stem diameter using their index comparing to normal condition. The screening experiment used three different treatments. The water stress treatments 0 MPa (control), -0.05 MPa and -0,15 MPa were created by PEG-6000. 6 weeks’ year’s old plantlets were measured by 5 features. The variety Gala showed significant high index by 5 performances among the stressed condition compared to Quarta and Solist. The variety Quarta also showed high performance compared Solist. As a result of this study found out that cultivar Gala more tolerant to drought than Quarta and Solist.
APA, Harvard, Vancouver, ISO, and other styles
10

Quillet, Jean-Marc. "O ator é o solista." Dramaturgias, no. 14 (September 28, 2020): 16–29. http://dx.doi.org/10.26512/dramaturgias14.34351.

Full text
Abstract:
Este artigo apresenta trechos de uma entrevista de Jean-Jacques Lemêtre concedida à Jean-Marc Quillet, publicada no livro La musique de Jean-Jacques Lemêtre au Théâtre du Soleil (Paris: Editora L’Harmattan, 2013). Neles o compositor fala sobre alguns aspectos de sua atuação na companhia, detalhando a origem de certos procedimentos e fornecendo detalhes sobre ideias como “o segundo pulmão do ator”, o “ator como solista do espetáculo”, o “afinar os instrumentos de acordo com a voz dos atores”.
APA, Harvard, Vancouver, ISO, and other styles
More sources

Dissertations / Theses on the topic "Solisti"

1

Silva, Flavio Gabriel Parro da. "A construção de um solista : um estudo multicasos com trompetistas solistas internacionais /." São Paulo, 2019. http://hdl.handle.net/11449/191275.

Full text
Abstract:
Orientador: Sonia Regina Albano de Lima
Resumo: O estudo de multicasos que se segue teve como objetivo investigar os processos de formação de um solista internacional de trompete mediante a análise da trajetória de vida de nove trompetistas com reconhecida carreira internacional, utilizando como parâmetros de análise os estágios de desenvolvimento propostos pela ciência da expertise. Para tanto realizou-se uma pesquisa qualitativa fundamentando-se em revisão de literatura. A revisão de literatura concentrou-se em textos relacionados ao desenvolvimento da expertise em todas as áreas de conhecimento e principalmente, no desenvolvimento da expertise em música. Os trompetistas solistas escolhidos foram: Rafael Méndez, Timofei Dokshizer, Maurice André, Wynton Marsalis, Håkan Hardenberger, Ole Antonsen, Sergei Nakariakov, Alison Balsom e Pacho Flores. Para a análise do material coletado foram utilizados os estágios de desenvolvimento da expertise propostos pelos pesquisadores Anders Ericsson (2016), Isabela Wagner (2015), Rena Subotnik e Linda Jarvin (2005) os quais compõem o referencial teórico de presente pesquisa. A partir dos dados coletados e das análises efetuadas, foi possível identificar similaridades entre a trajetória de vida dos solistas escolhidos e os estágios propostos pelos autores de referência e, assim, apontar aspectos inerentes à formação do trompetista-solista. Os resultados dos estudos desenvolvidos permitiram a elaboração de um quadro com quatro estágios do desenvolvimento trilhados pelos trompetistas solis... (Resumo completo, clicar acesso eletrônico abaixo)
Abstract: The following multicase study aimed to investigate the processes of formation of an international trumpet soloist by analyzing the life trajectory of nine trumpeters with recognized international careers, using as parameters of analysis the stages of development proposed by the science of expertise. Therefore, a qualitative research was conducted based on literature review. The literature review focused on texts related to the development of expertise in all areas of knowledge and especially the development of expertise in music. The soloist trumpeters chosen were: Rafael Méndez, Timofei Dokshizer, Maurice André, Wynton Marsalis, Håkan Hardenberger, Ole Antonsen, Sergei Nakariakov, Alison Balsom and Pacho Flores. For the analysis of the collected material were used the stages of development of expertise proposed by the researchers Anders Ericsson (2016), Isabela Wagner (2015), Rena Subotnik and Linda Jarvin (2005) which make up the theoretical framework of this research. From the collected data and the analyzes performed, it was possible to identify similarities between the life path of the chosen soloists and the stages proposed by the reference authors and, thus, to point out aspects inherent to the formation of the soloist trumpeter. The results of the developed studies allowed the elaboration of a four-stage framework of development followed by the soloist trumpeters surveyed as a conclusion of the research. It is hoped that this framework and the reasoning that justifies... (Complete abstract click electronic access below)
Résumé: L’étude multicase suivante visait à étudier les processus de formation d’un soliste de trompette international en analysant la trajectoire de vie de neuf trompettes ayant des carrières internationales reconnues, en utilisant comme paramètres d’analyse les stades de développement proposés par la science de l’expertise. Par conséquent, une recherche qualitative a été menée sur la base d’une revue de la littérature. La revue de la littérature s'est concentrée sur les textes relatifs au développement de l'expertise dans tous les domaines de la connaissance et en particulier au développement de l'expertise en musique. Les trompettistes solistes choisis étaient: Rafael Méndez, Timofei Dokshizer, Maurice André, Wynton Marsalis, Håkan Hardenberger, Ole Antonsen, Sergei Nakariakov, Alison Balsom et Pacho Flores. Pour l'analyse du matériel collecté, nous avons utilisé les étapes de développement de l'expertise proposée par les chercheurs Anders Ericsson (2016), Isabela Wagner (2015), Rena Subotnik et Linda Jarvin (2005) qui composent le cadre théorique de cette recherche. À partir des données collectées et des analyses effectuées, il a été possible d'identifier des similitudes entre le chemin de vie des solistes choisis et les étapes proposées par les auteurs de référence et, ainsi, de souligner les aspects inhérents à la formation du trompettiste soliste. Les résultats des études développées ont permis d'élaborer un cadre de développement en quatre étapes suivi par les trompettistes s... (Résumé complet accès életronique ci-dessous)
Doutor
APA, Harvard, Vancouver, ISO, and other styles
2

Tengholm, Erik. "Solist med storband." Thesis, Kungl. Musikhögskolan, Institutionen för jazz, 2019. http://urn.kb.se/resolve?urn=urn:nbn:se:kmh:diva-3106.

Full text
Abstract:
This project deals with the different aspects and problems that I associate with being a soloist with a big band, playing my own music. I put together a big band with some of my favorite musicians, wrote four arrangements on original tunes and played them on a concert at The Royal College of Music on the 7th of March 2019. In the arranging process, I tried to focus on making my trumpet playing sound as natural as possible. The goal throughout the whole project has been to make the music match my trumpet playing and improvisational sound.

Medverkande: Sebastian Jonsson, Leonard Werme, Björn Bäckström , Samuel Muntlin, Emma Josefsson (träblås), Erik Tengholm, Isac Åberg, Max Stark, Linnea Jonsson, Emma Granstam (trumpet), Lars Ullberg, Agnes Darelid, Hampus Adami, Simon Skogh (trombon), Mattias Olofsson (gitarr), Anna Gréta Sigurdardóttir (piano), Johan Tengholm (kontrabas), Oscar Johansson Werre (trummor).

Till uppsatsen bifogas inspelningar av mina egna kompositioner som är kopplade till arbetet: Complexity of Love, Motljus, Livejazzbaren och Island.

APA, Harvard, Vancouver, ISO, and other styles
3

Silveira, Ricardo Jorge Castro Tavares Moreira da. "Keiko Abe e a Marimba Solista." Master's thesis, Universidade de Évora, 2012. http://hdl.handle.net/10174/18246.

Full text
Abstract:
A percussionista japonesa Keiko Abe desempenhou um papel fundamental no desenvolvimento da marimba tal como a conhecemos hoje. A sua influência foi de tal maneira importante que podemos falar, claramente, de um pré- e de um pós- Keiko Abe. Para isso foi determinante a sua actividade em todas as áreas relativas ao instrumento, nomeadamente a criação de um reportório escrito especificamente para a marimba, a evolução e consolidação do instrumento físico enquanto veículo de transmissão musical e expressiva e, por fim, o desenvolvimento do recital de marimba solista. O objectivo último de todos estes processos foi o de permitir à marimba tornar-se num instrumento de concerto, ao nível de outros já instituídos na tradição musical europeia; ABSTRACT: Japanese percussionist Keiko Abe played a fundamental role in the development of the marimba as we know it today. This musician´s influence had such a degree of importance that we can clearly divide the history of the instrument in two parts: one before, and another after Keiko Abe. Abe´s activities in all areas concerning the instrument were crucial for this outcome. We speak, mainly, of the following: the creation of a body of repertoire written specifically for the marimba; the evolution and consolidation of physical aspects of the instrument in order to allow it to become a suitable vehicle of musical expression; and, last but not least, the development of the solo marimba recital. The goal of all these processes was to transform the marimba into a concert instrument, and one at the same level of other already established instruments in the concert world. NOTA: Esta tese tem um recital que não é possível colocar no repositório, deve consultar o documento presencialmente na biblioteca.
APA, Harvard, Vancouver, ISO, and other styles
4

Silva, Vinicius Maurício Queiróz Hipólito da. "Três momentos do violão solista em Goiânia." Universidade Federal de Goiás, 2018. http://repositorio.bc.ufg.br/tede/handle/tede/8994.

Full text
Abstract:
Submitted by Luciana Ferreira (lucgeral@gmail.com) on 2018-10-23T15:13:26Z No. of bitstreams: 2 Dissertação - Vinicius Maurício Queiróz Hipólito da Silva - 2018.pdf: 12569716 bytes, checksum: 2822ab561698f1cf50cee304b21410c6 (MD5) license_rdf: 0 bytes, checksum: d41d8cd98f00b204e9800998ecf8427e (MD5)
Approved for entry into archive by Luciana Ferreira (lucgeral@gmail.com) on 2018-10-23T15:19:35Z (GMT) No. of bitstreams: 2 Dissertação - Vinicius Maurício Queiróz Hipólito da Silva - 2018.pdf: 12569716 bytes, checksum: 2822ab561698f1cf50cee304b21410c6 (MD5) license_rdf: 0 bytes, checksum: d41d8cd98f00b204e9800998ecf8427e (MD5)
Made available in DSpace on 2018-10-23T15:19:35Z (GMT). No. of bitstreams: 2 Dissertação - Vinicius Maurício Queiróz Hipólito da Silva - 2018.pdf: 12569716 bytes, checksum: 2822ab561698f1cf50cee304b21410c6 (MD5) license_rdf: 0 bytes, checksum: d41d8cd98f00b204e9800998ecf8427e (MD5) Previous issue date: 2018-07-10
Coordenação de Aperfeiçoamento de Pessoal de Nível Superior - CAPES
In preliminary researches we have noticed the existence of a significant tradition of guitar solo in the city of Goiânia still rarely addressed in scientific papers. Thus, the present study presents a historical narrative of this musical practice during the period that covers the end of the 19th century until nowadays. This time frame was split into three stages, defined according to the acute transformations of the guitar solo activity in the city. It was elected for each of these stages one representative composer, Odilon Kneipp Fleury Curado (1898-1980), Sebastião Martins de Oliveira (1911-1977) and Estércio Marquez Cunha (1941-), whose compositions was examined in the last part this research. This research has been divided into four chapters: I – The guitar consolidation process in concert music in Brasil; II – The guitar solo in the city of Goiânia; III – Evaluation and analysis of works and Final considerations. As background of our historical approach we have used the concepts of some authors of Cultural History, such as Bakhtin, Pesavento, Freire and Burke. For the musical analysis, addressed in chapter 3, we have used Nattiez’s theory.
Em pesquisas preliminares notamos a existência de uma relevante tradição do violão solista na cidade de Goiânia ainda muito pouco discutida em trabalhos científicos. Desta forma, esta pesquisa apresenta uma narrativa histórica da trajetória desta prática em um recorte temporal que abrange o período final do séc. XIX até a atualidade. Todo este intervalo de tempo foi dividido em três momentos, definidos a partir das transformações mais agudas identificadas com relação ao violão solista nesta cidade. Foi eleito para cada um destes momentos um compositor representante, a saber, Odilon Kneipp Fleury Curado (1898-1980), Sebastião Martins de Oliveira (1911-1977) e Estércio Marquez Cunha (1941-), cujas obras foram analisadas na última etapa deste trabalho. A pesquisa foi dividida em quatro capítulos: I – O processo de consolidação do violão na música de concerto no Brasil, II – O violão solista na cidade de Goiânia, III – Apreciação e análise das obras e Considerações Finais. Como pano de fundo de nossa abordagem histórica fizemos uso de alguns dos conceitos de teóricos da História Cultural, como Bakhtin, Pesavento, Freire e Burke. A análise musical teve como arcabouçou teórico a abordagem de Nattiez.
APA, Harvard, Vancouver, ISO, and other styles
5

Theodore, Michael. "Nam-shub : (for two percussion solists, ensemble, and tape) /." Diss., Connect to a 24 p. preview or request complete full text in PDF format. Access restricted to UC campuses, 1998. http://wwwlib.umi.com/cr/ucsd/fullcit?p9906484.

Full text
Abstract:
Thesis (Ph. D.--Music)--University of California, San Diego, 1998.
Vita. For 2 percussion soloists, 4 auxiliary percussionists, 3 bass clarinets, 3 trombones (2 tenor, 1 bass), tuba, and digital audio tape.
APA, Harvard, Vancouver, ISO, and other styles
6

Brandenburg, Gottfried Daniel. "Zur Geschichte der weltlichen Solokantate in Neapel im frühen Settecento : die Solokantaten von Domenico Sarro : 1679-1744 /." Frankfurt am Main ; Bern ; Paris : P. Lang, 1991. http://catalogue.bnf.fr/ark:/12148/cb36650563j.

Full text
APA, Harvard, Vancouver, ISO, and other styles
7

Bengtsson, Jesper. "Utveckling av regelkontroll i Solibri." Thesis, Uppsala universitet, Byggteknik och byggd miljö, 2020. http://urn.kb.se/resolve?urn=urn:nbn:se:uu:diva-414201.

Full text
Abstract:
Hos Veidekke Entreprenad AB har det i tidigare projekt visat sig att placeringar av objekt i en 3D-modell inte stämmer överens med dess tänkta placeringar. Enligt en förfrågan av Veidekke undersöks i denna studie felaktiga placeringar av objekt i 3D-modeller för prefabricerade stomelement och el. Specifika objekt som undersöks är eldosor i prefabricerade väggar och eluttag från elprojektör. Syftet med studien är att med hjälp av en regelkontroll i mjukvara för 3D- modellering upptäcka och eliminera fel redan i ett projekts projekteringsstadie. Målet är att utveckla en regelkontroll som efterfrågas av Veidekke att applicera i ett aktuellt projekt, likväl att använda i framtida projekt. Studien har genomförts under tio veckor. Enligt tidigare forskning ligger kostnader för felaktigheter i byggprojekt i spannet 2–6,5 procent av produktionskostnaden. De största möjligheterna att påverka och förebygga kostnader för felaktigheter finns i projekteringsskedet. De mest frekventa orsakerna till fel är misstag, slarv, nonchalans, okunskap och otydliga beställningar. Detta tillsammans med allt mer komplexa tekniska system och högre krav på funktionalitet, miljö, energi och estetik. Från år 1950 fram till millennieskiftet steg installationskostnader från 10 till 50 procent av entreprenadkostnaden. Undersökningar visar att 32 procent av kostnader på grund av felaktigheter uppkommer i projekts tidiga stadie, vid beställning och projektering. Kunskap och motivation är de orsaker till fel som sticker ut mest. Andra betydande orsaker är tidsbrist, ansvarsförskjutning, kostnadsbesparingar och brist i samordning. Användandet av BIM pekas i studien ut som en väsentligt bidragande lösning på att reducera mängden fel i projekteringsskedet som leder till extra kostnader. Kollisioner mellan objekt i handlingar från olika projektörer betraktas som en av de största faktorerna till extrakostnader. Detta kan motverkas genom visualisering i BIM och 3D-modellering, där modell- och kollisionskontroller används för att upptäcka fel. I studiens nulägesbeskrivning redogörs den regelkontroll som utgör mål att utveckla åt Veidekke. Regelkontrollen ska varna BIM-samordnaren då ett eluttag är beläget på ett icke-acceptabelt avstånd från dess tillhörande eldosa inuti en prefabricerad vägg. Regelkontrollen utvecklas och ämnas användas tillsammans med aktörer inom ett av Veidekkes projekt. Regelkontrollen utvecklas i mjukvaran Solibri Model Checker och testas framgångsrikt i en mindre 3D-modell. Information i IFC-filer från en projektör visar sig dock inte vara tillräcklig. Detta åtgärdas genom en beskrivning hur en korrekt export av IFC-filer görs. Regelkontrollen valideras därefter i ett verkligt projekt där faktiska felaktigheter hittas. Enligt intervjustudien ställer sig alla respondenter positiva till BIM-projektering och användandet av modell- och kollisionskontroller, samt att de implementeras och används tidigare i projekt än vad som nu är vanligt. Installationer anses som ett av de områden där flest fel upptäcks och beror enligt respondenterna på ansvarsförskjutning och bristande samordning. Efter genomförande och resultat leder studien till slutsatsen att kostnader kan reduceras om projektering och samordning ägnas mer resurser och tid samtidigt som modell- och kollisionskontroller bör utvecklas och implementeras tidigt i projekt. Regelkontrollen visar sig möjlig att ta fram enligt förfrågan och valideras i ett verkligt projekt. Studien mynnar ut i ett antal rekommendationer åt Veidekke: Mjukvaran BricsCAD rekommenderas framför AutoCAD Architecture för export av IFC-filer från IMPACT Ställa högre krav på metadata i IFC-filer Införa samordning tidigare Tillägna projektering och samordning mer tid och resurser
At Veidekke Entreprenad AB it has in earlier projects shown the positionof objects in a 3D-model do not represent the intended positions. According to an enquiry from Veidekke this study researches incorrect placements of objects in 3D-models for prefabricated structural walls and electrical systems. The study specifically covers electrical conduit boxes inside the prefabricated structural walls and electrical sockets from an electrical design engineer. The purpose of the study is to use a ruleset in 3D-modeling software to detect and eliminate inaccuracies in the design phase of a project. The goal is to elaborate a ruleset that is requested by Veidekke and apply in a current project. According to previous research, cost for errors and inaccuracies in construction projects range from 2 to 6,5 percent of the production cost. The greatest opportunities for influencing and preventing costs for errors and inaccuracies are in the design phase. The use of BIM in the study is identified as a significant contributing solutionto reducing the number of errors in the design phase leading to extra costs. Collisions between objects in drawings from different engineers are considered one of the major factors of extra cost and can be countered by model- and collision checks. The study's current state description describes the ruleset which is the goal of developing for Veidekke. By using the ruleset, it should alert the BIM-coordinator when an electrical outlet is located at an unacceptable distance from its associated electrical conduit box inside a prefabricated wall. The ruleset is developed and intended to be used together with 3D-models from different engineers in one of Veidekke's projects. The ruleset is developed in Solibri Model Checker software and successfully tested in a smaller 3D-model. However, information in IFC files from an engineer does not prove to be sufficient. This is addressed by describing how toproperly export IFC-files. The ruleset is then validated in a real projectwhere actual errors are found. After implementation and results, the study concludes that costs can be reduced if design and coordination are given more resources and time, while model- and collision checks should be developed and implemented early in projects. The rule check proves possible to develop according to the request and also validated in a real project.
APA, Harvard, Vancouver, ISO, and other styles
8

Savini, Valeria. "Solidi platonici e archimedei." Bachelor's thesis, Alma Mater Studiorum - Università di Bologna, 2011. http://amslaurea.unibo.it/2822/.

Full text
APA, Harvard, Vancouver, ISO, and other styles
9

Lachat, Sarrete Priscille. "L’entrée du soliste dans les concertos de 1750 à 1810, à travers les œuvres de Johann Christian Bach, Haydn, Mozart, Viotti et Beethoven." Thesis, Paris 4, 2010. http://www.theses.fr/2010PA040052/document.

Full text
Abstract:
Entre 1750 et 1810, l’entrée du soliste dans les premiers mouvements de concerto est un événement théâtral et musical. Examinant le corpus de Johann Christian Bach, Haydn, Mozart, Viotti et Beethoven, cette thèse distingue les stratégies compositionnelles récurrentes, constituant la norme de l’époque étudiée. Elle analyse les procédés rhétoriques à l’œuvre en évaluant l’effet produit par chacun par rapport à la norme attendue.La première partie concerne la construction de l’attente du soliste. Elle évalue la fonction introductive du premier tutti, distinguant les « tuttis-cadre » des « tuttis-narratifs » et examinant l’impact de la présence d’une modulation. La deuxième partie étudie les stratégies de clôture de l’exposition orchestrale et l’existence d’une rupture lors de l’entrée du soliste. La troisième partie montre la manière de donner la parole au soliste par le choix de son thème d’entrée, d’une ornementation éventuelle ou l’ajout d’une section introductive virtuose autonome
Between 1750 and 1810, the entry of the soloist in the first movement of a concerto is a musical and theatrical event. Going through the corpus of Johann Christian Bach, Haydn, Mozart, Beethoven, and Viotti, this thesis distinguishes personal strategies from recurring compositional techniques that are standard in the period under review. It analyzes the rhetorical techniques used through assessing the effect of each technique compared to that of the expected standard.The first part concerns the construction of the expectation of the soloist. It evaluates the introductive function of the first tutti, creating a disctinction between “frame-tuttis” and “narrative tuttis”, and examinating the impact of the presence of a modulation. The second part focusses on the closing strategies of the orchestral exposition and the existence of a break for the soloist’s entry. The third part shows the hand over to the soloist through the choice of the entry theme, the eventual ornementation, and the adding of an autonomous virtuoso introductive section
APA, Harvard, Vancouver, ISO, and other styles
10

Erlandsson, Fredrik. "Fredrik Erlandsson & his Orchestra. En konsert för storband och solist." Thesis, Kungl. Musikhögskolan, Institutionen för jazz, 2008. http://urn.kb.se/resolve?urn=urn:nbn:se:kmh:diva-906.

Full text
APA, Harvard, Vancouver, ISO, and other styles
More sources

Books on the topic "Solisti"

1

Gindro, Sandro. Teatro: Opere per attori, solisti e burattini. Torino: SEB 27, 2002.

Find full text
APA, Harvard, Vancouver, ISO, and other styles
2

Solisti ed esecutori nella cultura musicale romana. Galatina (Le) [i.e. Lecce, Italy]: Congedo, 2009.

Find full text
APA, Harvard, Vancouver, ISO, and other styles
3

Krpan, Erika. Zagrebački solisti: 50 zlatnih godina : 1954-2004 = Zagreb Soloists : 50 golden years. Zagreb]: Cantus, 2003.

Find full text
APA, Harvard, Vancouver, ISO, and other styles
4

Pozzi, Giuseppe Oreste. Gruppo di solisti in un ensemble: Lo psicologo clinico e le organizzazioni sanitarie. Milano: F. Angeli, 2003.

Find full text
APA, Harvard, Vancouver, ISO, and other styles
5

Degen, A. Leningradskiĭ balet: 1917-1987 : slovarʹ-spravochnik : solistki, solisty, baletmeĭstery, pedagogi, dirizhery. Leningrad: Vses. izd-vo "Sov. kompozitor," Leningradskoe otd-nie, 1988.

Find full text
APA, Harvard, Vancouver, ISO, and other styles
6

Stockhausen, Karlheinz. Montag aus Licht: Opera in tre atti, un saluto e un congedo, per 21 interpreti musicali (14 voci soliste, 6 strumentisti solisti, 1 attore), Coro, coro di bambini, orchestra moderna. [Milano]: Teatro alla Scala, 1988.

Find full text
APA, Harvard, Vancouver, ISO, and other styles
7

Limongi, Laure. Soliste. Paris: Éditions Inculte, 2013.

Find full text
APA, Harvard, Vancouver, ISO, and other styles
8

L'épreuve du soliste. Paris: Belfond, 2000.

Find full text
APA, Harvard, Vancouver, ISO, and other styles
9

Salzman, Mark. El solista: Novela. Buenos Aires: Editorial Atlántida, 1995.

Find full text
APA, Harvard, Vancouver, ISO, and other styles
10

Chennevière, Yves Mabin. Le soliste: Nouvelles. Paris: Différence, 1993.

Find full text
APA, Harvard, Vancouver, ISO, and other styles
More sources

Book chapters on the topic "Solisti"

1

Peethamparam, Janciga. "Soliser-Viadukt." In Kleiner Brückenführer Schweiz, 103–8. Wiesbaden: Springer Fachmedien Wiesbaden, 2021. http://dx.doi.org/10.1007/978-3-658-32229-8_12.

Full text
APA, Harvard, Vancouver, ISO, and other styles
2

Forte, Sandra, Luigi Preziosi, and Maurizio Vianello. "Solidi elastici." In Meccanica dei Continui, 211–74. Milano: Springer Milan, 2019. http://dx.doi.org/10.1007/978-88-470-3985-8_5.

Full text
APA, Harvard, Vancouver, ISO, and other styles
3

Elliott, Denielle. "Soliat Primary School." In Reimagining Science and Statecraft in Postcolonial Kenya, 39–41. New York : Routledge, 2018. | Series: Routledge contemporary Africa series: Routledge, 2018. http://dx.doi.org/10.4324/9781315163840-4.

Full text
APA, Harvard, Vancouver, ISO, and other styles
4

Balzarotti, Adalberto, Michele Cini, and Massimo Fanfoni. "Fisica dei solidi." In Atomi, Molecole e Solidi, 245–305. Milano: Springer Milan, 2015. http://dx.doi.org/10.1007/978-88-470-5702-9_3.

Full text
APA, Harvard, Vancouver, ISO, and other styles
5

Balzarotti, Adalberto, Michele Cini, and Massimo Fanfoni. "Fisica atomica." In Atomi, Molecole e Solidi, 1–137. Milano: Springer Milan, 2015. http://dx.doi.org/10.1007/978-88-470-5702-9_1.

Full text
APA, Harvard, Vancouver, ISO, and other styles
6

Balzarotti, Adalberto, Michele Cini, and Massimo Fanfoni. "Fisica Molecolare." In Atomi, Molecole e Solidi, 138–244. Milano: Springer Milan, 2015. http://dx.doi.org/10.1007/978-88-470-5702-9_2.

Full text
APA, Harvard, Vancouver, ISO, and other styles
7

Balzarotti, Adalberto, Michele Cini, and Massimo Fanfoni. "Appendice." In Atomi, Molecole e Solidi, 306–49. Milano: Springer Milan, 2015. http://dx.doi.org/10.1007/978-88-470-5702-9_4.

Full text
APA, Harvard, Vancouver, ISO, and other styles
8

Balzarotti, Adalberto, Michele Cini, and Massimo Fanfoni. "Testi consigliati." In Atomi, Molecole e Solidi, 350. Milano: Springer Milan, 2015. http://dx.doi.org/10.1007/978-88-470-5702-9_5.

Full text
APA, Harvard, Vancouver, ISO, and other styles
9

Hirshberg, Asher, and Kenneth L. Mattox. "Gli organi solidi “asportabili”." In Top Knife, 89–102. Milano: Springer Milan, 2011. http://dx.doi.org/10.1007/978-88-470-1741-2_8.

Full text
APA, Harvard, Vancouver, ISO, and other styles
10

Lehner, Thomas. "Die Solistin – eine literarische Parodie und das Parodieverfahren der Musik." In Gattungsreflexion und Erzählverfahren in Moritz Heimanns Künstlernovellen, 171–81. Berlin, Heidelberg: Springer Berlin Heidelberg, 2021. http://dx.doi.org/10.1007/978-3-662-63578-0_5.

Full text
APA, Harvard, Vancouver, ISO, and other styles

Conference papers on the topic "Solisti"

1

TopoJers, La Ode, La Ode Basri, Erens Koodoh, La Ode RuspanTakas, La Aso, Nasruddin Suyuti, and Enis Ningsi. "Soliti in Etnomedicine of Muna People." In Proceedings of the First International Seminar on Languare, Literature, Culture and Education, ISLLCE, 15-16 November 2019, Kendari, Indonesia. EAI, 2020. http://dx.doi.org/10.4108/eai.15-11-2019.2296305.

Full text
APA, Harvard, Vancouver, ISO, and other styles
2

Kong, Christine, and David Westerfeld. "Solis Flores." In 2017 IEEE Long Island Systems, Applications and Technology Conference (LISAT). IEEE, 2017. http://dx.doi.org/10.1109/lisat.2017.8001987.

Full text
APA, Harvard, Vancouver, ISO, and other styles
3

Goodrich, Bret D. "SOLIS instrument control system." In Astronomical Telescopes and Instrumentation, edited by Hilton Lewis. SPIE, 2000. http://dx.doi.org/10.1117/12.388386.

Full text
APA, Harvard, Vancouver, ISO, and other styles
4

Wampler, Stephen. "SOLIS observation control system." In Astronomical Telescopes and Instrumentation, edited by Hilton Lewis. SPIE, 2000. http://dx.doi.org/10.1117/12.388390.

Full text
APA, Harvard, Vancouver, ISO, and other styles
5

Barahmand, Sumita, and Shahram Ghandeharizadeh. "Chase display of social live streams (SOLISs)." In the 3rd ACM SIGMM international workshop. New York, New York, USA: ACM Press, 2011. http://dx.doi.org/10.1145/2072609.2072626.

Full text
APA, Harvard, Vancouver, ISO, and other styles
6

Babanov, Alexander, John Collins, and Maria Gini. "Scheduling tasks with precedence constraints to solicit desirable bid combinations." In the second international joint conference. New York, New York, USA: ACM Press, 2003. http://dx.doi.org/10.1145/860575.860631.

Full text
APA, Harvard, Vancouver, ISO, and other styles
7

Iwamoto, Kyohei, Hiromitsu Komatsu, Shinji Ohta, Yasushi Kubo, Takashi Nakao, Hiroaki Yamazoe, Toshiaki Kamata, et al. "Experimental results on in-orbit technology demonstration of SOLISS." In Free-Space Laser Communications XXXIII, edited by Hamid Hemmati and Don M. Boroson. SPIE, 2021. http://dx.doi.org/10.1117/12.2578089.

Full text
APA, Harvard, Vancouver, ISO, and other styles
8

Mahmud, Jalal, Michelle X. Zhou, Nimrod Megiddo, Jeffrey Nichols, and Clemens Drews. "Recommending targeted strangers from whom to solicit information on social media." In the 2013 international conference. New York, New York, USA: ACM Press, 2013. http://dx.doi.org/10.1145/2449396.2449403.

Full text
APA, Harvard, Vancouver, ISO, and other styles
9

Streander, K. V., M. S. Giampapa, J. W. Harvey, C. J. Henney, and A. A. Norton. "A global SOLIS vector spectromagnetograph (VSM) network." In SPIE Astronomical Telescopes + Instrumentation, edited by Ian S. McLean and Mark M. Casali. SPIE, 2008. http://dx.doi.org/10.1117/12.802348.

Full text
APA, Harvard, Vancouver, ISO, and other styles
10

Keller, Christoph U., John W. Harvey, and Mark S. Giampapa. "SOLIS: an innovative suite of synoptic instruments." In Astronomical Telescopes and Instrumentation, edited by Stephen L. Keil and Sergey V. Avakyan. SPIE, 2003. http://dx.doi.org/10.1117/12.460373.

Full text
APA, Harvard, Vancouver, ISO, and other styles
You might also be interested in the extended bibliographies on the topic 'Solisti' for particular source types:
Journal articles Dissertations / Theses Books
We offer discounts on all premium plans for authors whose works are included in thematic literature selections. Contact us to get a unique promo code!

To the bibliography