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Journal articles on the topic 'Solisti'

Author: Grafiati

Published: 4 June 2021

Last updated: 1 February 2022

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1

Železnik, Sara. "Solisti na koncertih Filharmonične družbe do leta 1872." Musicological Annual 49, no. 1 (June 1, 2013): 25–55. http://dx.doi.org/10.4312/mz.49.1.25-55.

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Na koncertih Filharmonične družbe v Ljubljani do leta 1872 so bili solistični nastopi zelo pogosti. Delež domačih glasbenikov je bil v razmerju do tujih solistov mnogo večji. Najpogostejši so bili pevski solisti, tem so sledili pianisti in violinisti. Navajanje solistov je bilo na koncertnih sporedih nedosledno, zato je nastopajoče nemogoče natančno identificirati.

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2

Raizis, M. Byron, Costúla Mitropúlu, and Brigida Artiaco. "Sei ruoli per solisti." World Literature Today 70, no. 4 (1996): 1004. http://dx.doi.org/10.2307/40152488.

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3

Zwally, Randall. "Pepe Romero & I Solisti di Zagreb: Concierto Festivo (review)." Notes 69, no. 1 (2012): 148–49. http://dx.doi.org/10.1353/not.2012.0098.

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4

Dąbek, Tomasz Maria. "Refleksje na temat współczesnych kierunków interpretacji chorału gregoriańskiego." Ruch Biblijny i Liturgiczny 57, no. 3 (September 30, 2004): 185. http://dx.doi.org/10.21906/rbl.514.

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Nei nostri tempi si sviluppa un nuovo metodo di eseguire il canto gregoriano, ispirato al lavoro di E. Cardine, Semiologie Grégorienne (Extrait des Etudes Grégoriennes, Tome XI), Solesmes 1970, ma anche alla pratica di canto da parte dei monaci orientali e dei cantori dalle isole del Mar Mediterraneo. Le spiegazioni della ricca tradizione di Solesmes vengono messe in discussione. Nel pressus i cantori fanno la ripercussione delle note colla stessa altezza, spesso in modo nervoso. Si cerca di badare tutti i dati degli antichi manoscritti e di eseguire esattamente i più piccoli segmenti, a scapito di frasi più grandi e d’insieme di un canto. Interessanti sono gli studi sul trattato di Girolamo di Moravia, ma bisogna sapere che questo è una fonte del canto del XIII secolo, autentico solo per l’Ordine dei Predicatori. Dal IX secolo molti musicisti s’interessavano più alla primitiva musica polifonica che al monodico canto gregoriano. Sarebbe bene studiare gl’influssi orientali sul canto della Chiesa latina e i costumi dei monaci e dei cantori diocesani dei duomi e delle collegiate nel medioevo per conoscere meglio le autentiche tradizioni, ma è una cosa per gli specialisti; gli elementi orientali interessano solo i giovani musicisti e quelli più maturi. Invece nella pratica quotidiana del canto gregoriano importante è che ciascuno brano venga eseguito con i suoi dati specifici senza mescolanza e sincretismo e poi le cose concrete come: la conoscenza del senso dei testi liturgici latini, l’altezza commoda per i cantori, il tempo moderato, non troppo lento e non troppo veloce, il modo normale di cantare dei solisti e dei gruppi.

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5

Alvarado Laurín, Oscar Julián, and Oscar Alejandro Beltrán Sánchez. "Aportes de la guitarra clásica a la interpretación del bolero." Epistemus. Revista de Estudios en Música, Cognición y Cultura 8, no. 1 (July 8, 2020): 017. http://dx.doi.org/10.24215/18530494e017.

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Uno de los objetivos del estudio de un instrumento musical en instituciones académicas es la formación de instrumentistas solistas. La incorporación de géneros tradicionales en dicha formación conlleva la dificultad de adaptar música originalmente ejecutada en conjuntos instrumentales a un instrumento solista. En este artículo se analizan los roles complementarios de las dos guitarras que conforman tradicionalmente el conjunto del bolero y se proponen técnicas instrumentales para que ambas partes puedan ser ejecutadas por una guitarra solista. Las técnicas propuestas son el toque apoyado, el toque tirado, el pizzicato, los armónicos naturales, la ejecución de melodía a dos notas, ligados y apoyaturas, arrastres y uso de barra o ceja. Estas técnicas son aplicadas a seis temas, evaluando en cada caso cuál de ellas se adapta mejor a sus características musicales. El aporte de esta investigación consiste en la aplicación de técnicas instrumentales de la guitarra clásica solista para la ejecución de boleros, fundamental para la incorporación de dicho género en entornos académicos

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6

Marteau, Robert. "La fauvette soliste." Po&sie N°167-168, no. 1 (2019): 207. http://dx.doi.org/10.3917/poesi.167.0207.

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7

Fiori, Angelo. "La giustizia, i soliti ignoti e i soliti noti." Medicina e Morale 46, no. 3 (June 30, 1997): 439–41. http://dx.doi.org/10.4081/mem.1997.876.

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8

Lamp, R. "Solisten." Tandartspraktijk 26, no. 10 (October 2005): 797–98. http://dx.doi.org/10.1007/bf03072654.

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9

B, Enkhbold, Ninjmaa O, and Nyamgerel Kh. "Results of potato varietieis for drought tolerance in vitro conditoin." Mongolian Journal of Agricultural Sciences 22, no. 03 (May 9, 2018): 72–76. http://dx.doi.org/10.5564/mjas.v22i03.955.

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The laboratory’s experiment conducted at IPAS in 2017. The goal of this study was to evaluate drought stress tolerance of released potato varieties using PEG-6000 in-vitro condition. Middle maturing variety Gala, early maturing Solist and Quarta were used experiment. The objectives were to determine how osmosis pressure affected potato plantlet height, root length, total weight of biomass, and stem diameter using their index comparing to normal condition. The screening experiment used three different treatments. The water stress treatments 0 MPa (control), -0.05 MPa and -0,15 MPa were created by PEG-6000. 6 weeks’ year’s old plantlets were measured by 5 features. The variety Gala showed significant high index by 5 performances among the stressed condition compared to Quarta and Solist. The variety Quarta also showed high performance compared Solist. As a result of this study found out that cultivar Gala more tolerant to drought than Quarta and Solist.

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10

Quillet, Jean-Marc. "O ator é o solista." Dramaturgias, no. 14 (September 28, 2020): 16–29. http://dx.doi.org/10.26512/dramaturgias14.34351.

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Este artigo apresenta trechos de uma entrevista de Jean-Jacques Lemêtre concedida à Jean-Marc Quillet, publicada no livro La musique de Jean-Jacques Lemêtre au Théâtre du Soleil (Paris: Editora L’Harmattan, 2013). Neles o compositor fala sobre alguns aspectos de sua atuação na companhia, detalhando a origem de certos procedimentos e fornecendo detalhes sobre ideias como “o segundo pulmão do ator”, o “ator como solista do espetáculo”, o “afinar os instrumentos de acordo com a voz dos atores”.

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11

. "Continuïteit: van solist naar samenwerking." Huisarts en Wetenschap 49, no. 1 (January 2006): 58–59. http://dx.doi.org/10.1007/bf03084602.

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12

Smit, Dineke, and Frits Bosch. "Het einde van de solist?" Psychopraktijk 5, no. 6 (December 2013): 32–34. http://dx.doi.org/10.1007/s13170-013-0091-y.

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13

Parayre, Catherine. "Savoie, Paul. 24 mouvements pour un soliste." Voix Plurielles 12, no. 1 (May 6, 2015): 426–27. http://dx.doi.org/10.26522/vp.v12i1.1216.

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14

Ceccolini, Filippo, and Fabio Terzani. "Parmena solieri lanzai Sama, 1985, new synonym of Parmena solieri Mulsant, 1839 (Coleoptera: Cerambycidae)." Fragmenta Entomologica 49, no. 1 (June 30, 2017): 25. http://dx.doi.org/10.4081/fe.2017.227.

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An analysis of the morphology of <em>Parmena solieri</em> Mulsant, 1839, based on specimens from Provence (including the lectotype), Liguria, Sardinia, the Tuscan Archipelago (including the type series of<em> P. solieri lanzai</em> Sama, 1985) and Corsica, establishes the new synonymy <em>Parmena</em> <em>solieri</em> <em>lanzai</em> Sama, 1985 = <em>Parmena</em> <em>solieri</em> Mulsant, 1839, syn. n.

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15

Kawakami, Chiaki, Bertil Stromberg, and Eric Wiley. "Lo-SolidsTM Cooking Update." JAPAN TAPPI JOURNAL 54, no. 9 (2000): 1203–13. http://dx.doi.org/10.2524/jtappij.54.1203.

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16

Hodson, Alicia M., Sarah E. Cook, Janice S. Edgerly, and Kelly B. Miller. "Parthenogenetic and sexual species within the Haploembia solieri species complex (Embioptera: Oligotomidae) found in California." Insect Systematics & Evolution 45, no. 1 (2014): 93–113. http://dx.doi.org/10.1163/1876312x-44032095.

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Webspinners in the genus Haploembia Verhoeff (Embioptera: Oligotomidae) were introduced into California from their native range in the Mediterranean region. In that region the genus has long been thought to comprise a single widespread species Haploembia solieri (Rambur) with both sexual and asexual populations and two additional sexual species with restricted ranges in the Mediterranean. For most of its known history in California, only asexual populations of Haploembia solieri were collected. However, within the last couple of decades, sexual populations have been discovered. The purpose of this project is to determine whether a single species of Haploembia solieri exists in California, which may imply reacquisition of sex, or whether these populations represent two or more species. To resolve this question DNA sequence data were acquired from multiple populations (sexual and asexual) of Californian, New Mexican, and Mediterranean Haploembia solieri, including both nuclear (histone 3) and mitochondrial (cytochrome oxidase I) genes. These data were included in a phylogenetic analysis to resolve relationships between these individuals. Our analysis shows asexual California specimens grouping with the asexual specimens from Sardinia; whereas the sexual California specimens group separately from both asexual specimens, and sexual Mediterranean specimens. Therefore, we conclude that there are two species of Haploembia introduced into California and at least three species involved in what was historically considered H. solieri.

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17

Correale, Antonello. "La psicoanalisi al di lŕ dei soliti confini." RICERCA PSICOANALITICA, no. 2 (August 2010): 31–41. http://dx.doi.org/10.3280/rpr2010-002004.

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L'autore individua alcuni punti chiave della visione psicoanalitica dell'essere umano e li applica al sociale. L'attenzione liberamente fluttuante, come capacitŕ di vedere ciň che si nasconde fra le pieghe, per la particolare utilitŕ di restituire un senso di apertura nelle situazioni che appaiono come prive di una via d'uscita. Il concetto di libido intesa come eros, cioč come dimensione del desiderio che si contrappone a quella del bisogno: la spinta che porta l'essere umano verso l'apertura e non verso la ripetizione degli schemi relazionali ed emotivi dai quali sarebbe altrimenti completamente condizionato. Il conflitto come umana impossibilitŕ di conciliare tutte le cose, la cui consapevolezza ci rende piů saggi e delicati nelle relazioni d'aiuto. Il transfert come coinvolgimento appassionato, difficile da reggere, fonte del rischio di trincerarsi nei ruoli. Infine l'autore si sofferma sulla differenza fra istituzione e comunitŕ. Comunitŕ deriva da munus che significa contemporaneamente impegno e dono. Nella dimensione del dono trova spazio l'unicitŕ della persona.

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18

Conord, Fabien. "Paul-Henri Spaak, héraut ou soliste du socialisme belge ?" Canadian Journal of History 49, no. 1 (April 2014): 1–30. http://dx.doi.org/10.3138/cjh.49.1.1.

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19

Reuscher, Michael, and Dieter Fiege. "Sphaerodoridae (Annelida: Polychaeta) from the deep south-west Pacific, with the description of a new species ofSphaerodoropsis." Journal of the Marine Biological Association of the United Kingdom 91, no. 2 (June 2, 2010): 439–45. http://dx.doi.org/10.1017/s0025315410000469.

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A new species of Sphaerodoridae (Annelida: Polychaeta),Sphaerodoropsis solissp. nov., is described from the Challenger Plateau in the Tasman Sea, south-west Pacific. It is the third species of the genus with ventral macrotubercles and is further characterized by the lack of dorsal papillae and the specific arrangement pattern of ventral papillae. A character indicating sexual dimorphism, that has been observed in three morphologically similar species,S. arctowskyensisHartmann-Schröder & Rosenfeldt, 1988,S. bisphaeroserialis(Hartmann-Schröder, 1974c), andS. garciaalvareziMoreira, Cacabelos & Troncoso, 2004, is confirmed forS. solissp. nov. BesidesS. solissp. nov.,S. arctowskyensisandS. parva(Ehlers, 1913) are newly recorded from the Challenger Plateau and the East Campbell Plateau in the south-west Pacific. An updated key for the genusSphaerodoropsisis provided.

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20

Ehlert, Rüdiger. "Große Oper, dank großartiger Solisten." Der Deutsche Dermatologe 66, no. 11 (November 2018): 866–67. http://dx.doi.org/10.1007/s15011-018-2207-5.

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21

Ershov, Yu L. "Solimit Points and u-Extensions." Algebra and Logic 56, no. 4 (September 2017): 295–301. http://dx.doi.org/10.1007/s10469-017-9450-9.

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22

Musayev, Ozodjon, and Doston Fayzullayev. "DESCRIPTION OF CUSTOMS AUTHORITIES AND THE BASIS OF LEGAL REGULATION OF THEIR ACTIVITIES." INNOVATIONS IN ECONOMY 4, no. 7 (July 30, 2021): 59–65. http://dx.doi.org/10.26739/2181-9491-2021-7-7.

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This article describes the customs control authorities in Uzbekistan, as well as comments on the development and legal regulation of their activities, the possibility of using innovative technologies to improve customs control.

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23

Miyata, Yuji. "Operating Experience of Lo-SolidsTM Cooking." JAPAN TAPPI JOURNAL 57, no. 2 (2003): 215–19. http://dx.doi.org/10.2524/jtappij.57.215.

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24

Beltrame, Valmor. "Transformações na poética da linguagem no teatro de animação." DAPesquisa 2, no. 4 (November 26, 2019): 118–22. http://dx.doi.org/10.5965/10.5965/1808312902042007118.

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Este estudo é resultado parcial da pesquisa em andamento que estabelece como objetivo conhecer as principais transformações ocorridas no modo de criar os espetáculos de teatro de animação no sul do Brasil nos últimos anos. A pesquisa concentrou as análises nas formas predominantes com que se praticava esta arte na região na primeira metade do século XX, identificando os procedimentos que perduram e os que foram abandonados, com ênfase no trabalho do titeriteiro solista.

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25

Ydebo, Mette. "En begavet solist er trådt af (Judith Winther 1933-2018)." Nordisk Judaistik/Scandinavian Jewish Studies 29, no. 2 (November 3, 2018): 61–63. http://dx.doi.org/10.30752/nj.74525.

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26

PEIXOTO, ANTÔNIO JOÃO MALAFAIA, and PAULO CESAR DE PAIVA. "New Prionospio and Laubieriellus (Annelida: Spionidae) species from Southeastern Brazil." Zootaxa 4577, no. 3 (April 8, 2019): 529. http://dx.doi.org/10.11646/zootaxa.4577.3.7.

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Two new Prionospio species—Prionospio solisi sp. nov. and Prionospio nonatoi sp. nov. and a new Laubieriellus species—Laubieriellus decapitata sp. nov. are described from Espírito Santo Basin, Southeast Brazil. For both Prionospio species, branchial pattern differed from the genus diagnosis, which is therefore emended. For Laubieriellus, a new species is described, and attention is drawn to the notch in the ventral crests, a structure that holds taxonomic value.

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27

Tekin, Oğuz, and Yaşar Ünlü. "Küstüllü hoard of Byzantine solidi." Anatolia Antiqua 6, no. 1 (1998): 279–85. http://dx.doi.org/10.3406/anata.1998.903.

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28

Psimaras, D., D. Ricard, and J. Y. Delattre. "Neuropatie periferiche e cancri solidi." EMC - Neurologia 12, no. 4 (November 2012): 1–10. http://dx.doi.org/10.1016/s1634-7072(12)63279-6.

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29

Gökalp, Zeliha Demirel, and Andrei Gândilă. "A Hoard of Sixth-Century Solidi, Light-Weight Solidi and Fractions from Gökler (Phrygia)." Revue numismatique 6, no. 172 (2015): 317–35. http://dx.doi.org/10.3406/numi.2015.3294.

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30

Egamova, Dilrabo. "CIVIL LEGAL REGULATION OF THE COMMERCIALIZATION OF PATENTED INVENTIONS: THE CREATION OF INVENTIONS, THE LICENSING OF PATENT RIGHTS, THE SALE OF PATENT RIGHTS." JOURNAL OF LAW RESEARCH 6, no. 4 (April 30, 2021): 26–32. http://dx.doi.org/10.26739/2181-9130-2021-4-3.

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In this article, issues of commercialization of intellectual property objects, which are one of the topical issues in the field of intellectual property, including the commercialization of patented inventions, their legal status, creation of inventions, licensing of patent rights,sale of patent rights, copyright rights, restoration of violated rights are considered. At the same time, the opinions of anumber of scientists on the commercialization of intellectual property objects in foreign countries and the Republic of Uzbekistan have been studied

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31

.Ismoilov, Bekjon S. "LEGAL STATUS OF DISABLED IN THE FIELD OF EDUCATION AND ISSUES OF LEGAL REGULATION." JOURNAL OF LOOK TO THE PAST 4, no. 7 (July 30, 2021): 48–54. http://dx.doi.org/10.26739/2181-9599-2021-7-8.

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The article presents a detailed analysis of the organizational and legal aspects of educating people with disabilities. We know that the right of students with additional needs to education is guaranteed in accordance with applicable law. In this sense, their right to choose their own form ofeducation was legally analyzed as a priority. The article also compares several types of education for people with disabilities. In particular,attempts have been made to identify similarities and differences between special education and inclusive education in boarding schools. The article also discusses the role of special education in the lives of people with disabilities.Index Terms:disabled people, people with additional needs, education, special education, inclusive education, special boarding schools

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32

Nenn, Kerry. "Solicit Young Alums With a Targeted Campaign." Successful Fundraising 23, no. 4 (March 16, 2015): 3. http://dx.doi.org/10.1002/sfr.30070.

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33

Bolden, Galina B., Beth Angell, and Alexa Hepburn. "How clients solicit medication changes in psychiatry." Sociology of Health & Illness 41, no. 2 (January 22, 2019): 411–26. http://dx.doi.org/10.1111/1467-9566.12843.

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34

Wiedenhöfer, B., M. Akbar, and B. Lehner. "Tumormanagement der Wirbelsäule – kein Platz für Solisten." Der Orthopäde 41, no. 8 (July 25, 2012): 593–94. http://dx.doi.org/10.1007/s00132-012-1905-z.

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35

A, Witch. "Presubmission enquiries - taking fashion to its extreme." Journal of Cell Science 113, no. 11 (June 1, 2000): 1839–40. http://dx.doi.org/10.1242/jcs.113.11.1839.

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36

ERSOY ÇAK, Şeyma. "MODERNLEŞME SÜRECİNDE TÜRK MAKAM MÜZİĞİ SOLİST İCRACILARI VE MÜNİR NURETTİN SELÇUK." Journal of International Scientific Researches 2, Bahar 2017 (January 1, 2017): 224–31. http://dx.doi.org/10.21733/ibad.2142.

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37

Lima, Marlon Barros de. "Aspectos e sugestões interpretativas em obras para trombone solista do Maestro Duda." Revista Principia - Divulgação Científica e Tecnológica do IFPB 1, no. 42 (August 18, 2018): 111. http://dx.doi.org/10.18265/1517-03062015v1n42p111-119.

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The present article is the final result of the research on the interpretation of musical works for trombone soloist composed by the famous conductor, Maestro Duda, developed in the Postgraduate Program in Music of the Music School of the Federal University of Rio Grande do Norte (PPGMUS-UFRN). With this research, we could make interpretative suggestions that would help the trombonist in the preparation and execution procedures of the studied works: Two Dances (Gizelle and Marquinho in Frevo), Fantasia for Trumpet and Trombone and Suíte Monette. Therefore, we will present some questions which result from the research related to Maestro Duda, about the musical interpretation, and the main results regarding aspects and interpretative suggestions in the works studied

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38

Martínez, Esther González, and Esther Gonzalez Martinez. "Postures lyriques: L'ajustement voix-rôle dans le travail interprétatif du chanteur soliste." Revue Française de Sociologie 41, no. 2 (April 2000): 277. http://dx.doi.org/10.2307/3322568.

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39

Spólna, Anna. "Women and the Kingdom of Ambiguity: Black Comedy in "Solistki" ("Female Soloists")." Tekstualia 4, no. 39 (September 1, 2014): 55–66. http://dx.doi.org/10.5604/01.3001.0013.4490.

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The paper discusses the uses of black humour in women’s poetry after 1989, collected in the anthology Solistki (2009). The humour underlying these poems is subversive. A cruel joke may serve the purpose of individuation, provocation, or protection from suffering. Poetic narratives highlight the grotesque aspects of the world in order to uncover the stigmatising stereotypes of gender or the pressure of social norms grounded in lies. They become axiological gestures, stressing the independence of heroines. Tragicomic laughter is occasionally a form of casting a spell on reality, playing with the macabre – a protest against illness and death. A clownish mix of humour and terror consciously disrupts the logic of communication, showing the blurred limits of frank confession in postmodern poetry. Poetic works by the ‘female soloists’ are intertextual, autotelic, polystyle. They are characterised by an exaggerated creativity of imagery that refl ects a paradoxical, fl uid reality. Poetry by women moves from a poetic joke to a serious existential and philosophical statement.

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40

Fischer, Svante, and Fernando López Sánchez. "Subsidies for the Roman West? The flow of Constantinopolitan solidi to the Western Empire and Barbaricum." Opuscula. Annual of the Swedish Institutes at Athens and Rome 9 (November 2016): 249–69. http://dx.doi.org/10.30549/opathrom-09-09.

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This paper discusses the presence of solidi struck in Constantinople found in 5th and early to mid-6th century solidus hoards in the Western Empire, Italy in particular. Some 112 different solidus hoards in eleven regions are compared and evaluated. It is suggested that solidi from Constantinople in most of these hoards may be interpreted as the evidence of subsidies for the Western Empire. A possible cause for the uneven but lengthy supply of gold from Constantinople to the Western emperor could have been the fear of Western insolvency and ultimately a state bankruptcy.

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41

Cortada i Noguero, Maria Lluïssa. "Anselmo Viola (*1738; †1798) y su contexto. La obra para teclado (sonatas) y sus instrumentos (órgano, clavicordio y clave) en la península ibérica." Anuario Musical, no. 73 (December 18, 2018): 187. http://dx.doi.org/10.3989/anuariomusical.2018.73.12.

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El compositor Anselmo Viola (*1738; †1798) vivió el momento en el que se introdujo en España, con intensidad moderada, el gran ideal de la Ilustración. Compositor, pedagogo y monje del Monasterio de Montserrat en Cataluña (España), su obra incluye: sonatas y música específica para órgano; estudios para fagot; y misas y Magnificats para coro y orquesta. Me gustaría llamar la atención sobre el Concierto para bajón y orquesta, probablemente, la única obra para solista y orquesta en la Península Ibérica después de las guerras y de la falta de interés intelectual en el patrimonio musical de España.

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42

Castagna, Paulo, and Werner Schwarz. "Uma Bibliografia do Violão Brasileiro (1916-1990)." Revista Música 4, no. 2 (November 1, 1993): 190. http://dx.doi.org/10.11606/rm.v4i2.55063.

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Este artigo é a primeira tentativa de reunir as publicações feitas entre 1916 e 1990, sobre a música "erudita" e "popular" para violão e instrumentos similares (viola, cavaquinho, guitarra, etc.), violonistas, professores e construtores brasileiros, sem as quais seria impossível iniciar estudos de maiores proporções sobre o assunto. 1916 é, ao mesmo tempo, a data dos textos mais antigos que encontramos e o ano em que o violão começa a ser aceito, no país, como instrumento solista e de concerto. As 490 referências bibliográficas que apresentamos foram colecionadas durante 5 anos e encontradas em bibliografias e/ou nos acervos pesquisados.

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Fischer, Svante, and Ian N. Wood. "Vidracco, Braone, and San Lorenzo. Recruitment or dilectio?" Opuscula. Annual of the Swedish Institutes at Athens and Rome 13 (November 2, 2020): 165–86. http://dx.doi.org/10.30549/opathrom-13-07.

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This paper is a study of three solidus hoards located at strategic passages through the Italian Alps. It is argued that the hoards are connected to barbarian mercenaries in Roman service. The hoards are analysed and compared to historical sources and solidus hoards from Scandinavia. It is argued that it may be possible to distinguish between hoards that contain solidi used to pay for barbarian recruits and hoards that are proof of dilectio, bonus payments. In the latter case, it is argued that freshly minted solidi from northern Italy are more likely to represent dilectio than older and imported coins.

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Lara. "INTRODUCCIÓN AL REPERTORIO PARA VIOLONCHELO SOLISTA EN ESPAÑA (SIGLOS XVIII - PRINCIPIOS DEL XIX)." Revista de Musicología 20, no. 1 (1997): 439. http://dx.doi.org/10.2307/20797430.

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"Die Solistin." Bulletin des Médecins Suisses 95, no. 36 (September 2, 2014). http://dx.doi.org/10.4414/bms.2014.02816.

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"Die Solistin." Schweizerische Ärztezeitung 95, no. 36 (September 2, 2014). http://dx.doi.org/10.4414/saez.2014.02816.

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Ramjoué, Wolfgang. "Der Solist wird zum Tuttistreicher." Österreichische Musikzeitschrift 45, no. 3-4 (January 1990). http://dx.doi.org/10.7767/omz.1990.45.34.159.

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"Solist in een antroposofisch gezondheidscentrum." SynthesHis 10, no. 2 (June 2011): 31–32. http://dx.doi.org/10.1007/s12494-011-0029-2.

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Oliveira Lira, Ezequias. "Num Pagode em Planaltina del compositor Marco Pereira: aportes técnicos para la guitarra instrumental popular brasileña." MAGOTZI Boletín Científico de Artes del IA 3, no. 6 (July 5, 2015). http://dx.doi.org/10.29057/ia.v3i6.667.

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Este artículo forma parte de la línea de investigación sobre procesos y dimensiones de la producción artística de los siglos XX y XXI de la Maestría en Música de la UFRN, y trata de la pieza para guitarra solista Num Pagode em Planaltina, del guitarrista y compositor Marco Pereira (1950). Abordaremos algunos recursos técnicos aplicados al estilo de la guitarra solista popular instrumental brasileña presentes en dicha pieza. Concluimos que las técnicas que se presentan aquí, en la forma en que se han aplicado en esa pieza, constituyen aportes relevantes para la guitarra instrumental popular brasileña.

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Imran, Muhammad. "Solicit, Standard, Quality." European Journal of Medical Case Reports, 2017, 4. http://dx.doi.org/10.24911/ejmcr/1/1.

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