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Journal articles on the topic 'Solnit, rebecca'

Author: Grafiati

Published: 28 July 2024

Last updated: 31 July 2025

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1

Matusevich, Daniel. "Una guía sobre el arte de perderse." Vertex Revista Argentina de Psiquiatría 32, no. 151 (2021): 89–90. http://dx.doi.org/10.53680/vertex.v32i151.32.

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Stansky, Peter. "Orwell’s Roses by Rebecca Solnit." Journal of Interdisciplinary History 53, no. 1 (2022): 154–56. http://dx.doi.org/10.1162/jinh_r_01808.

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APARICIO GARCÍA, ISABEL. "Solnit, R. (2021). "Cenicienta liberada", ilustrado por Arthur Rackham y traducido por Antonia Martín. Madrid: Lumen, Penguin Random House, 69 páginas." Ondina - Ondine, no. 9 (December 29, 2023): 285–89. http://dx.doi.org/10.26754/ojs_ondina/ond.202399982.

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La historiadora y pensadora feminista Rebecca Solnit reinventa “La Cenicienta”, uno de los cuentos de hadas más presentes en el imaginario cultural que goza de una rica variedad literaria, musical y cinematográfica. En esta reescritura actualizada, Solnit preserva numerosos elementos de la versión de Charles Perrault, una elaboración literaria incluida en Cuentos de Mamá Oca (1697), e incorpora interesantes variaciones entre las que destaca, en palabras de la autora, «una salida de ese drama más aceptable que la que todos conocemos» (2021, p. 62).

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Henwood, Daisy. "Ecofeminist ‘lines of convergence’: Remapping the American West in Rebecca Solnit’s Savage Dreams." European Journal of American Culture 39, no. 1 (2020): 105–18. http://dx.doi.org/10.1386/ejac_00013_1.

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This article examines the ways Rebecca Solnit’s Savage Dreams (1994) (re)maps two key locations in the American West. The text centres on Yosemite National Park and the Nevada Test Site, locations emblematic of histories of colonialism, patriarchy, capitalism and the military in the United States. Considering how Solnit constructs a counter-map of these places, this article argues that by tracing ‘lines of convergence’ on a landscape deemed empty by the dominant culture, Solnit both documents and is part of resistance to power structures upheld by traditional cartography. Using an ecofeminist

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5

Henderson, Jason. "Infinite City: A San Francisco Atlas. By Rebecca Solnit." Geographical Review 102, no. 2 (2012): 268–70. http://dx.doi.org/10.1111/j.1931-0846.2012.00150.x.

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Solnit, Rebecca. "The Boom Interview." Boom 4, no. 2 (2014): 7–19. http://dx.doi.org/10.1525/boom.2014.4.2.7.

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An interview with writer Rebecca Solnit, about San Francisco’s ongoing upheaval during the tech boom. Topics covered include tech commuter shuttles (aka Google Buses), Silicon Valley, San Francisco’s history as a place where culture flourishes, and how the city is becoming an expensive bedroom community for tech workers who commute to jobs in Silicon Valley.

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Burgess, Julianne. "A Review of Hope in the Dark: Untold Histories, Wild Possibilities by Rebecca Solnit." Brock Education Journal 29, no. 1 (2020): 67. http://dx.doi.org/10.26522/brocked.v29i1.660.

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Rebecca Solnit's book makes the case for hope as a commitment to social action in an uncertain world. The author draws from her own history of activism and her study of environmental, political and cultural history, to shine a light on long forgotten transformative victories. Solnit argues that we are living in a time of exciting, unprecedented social change.

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Pawlett-Jackson, Sarah. "Hope and Necessity." European Journal for Philosophy of Religion 11, no. 3 (2019): 49. http://dx.doi.org/10.24204/ejpr.v11i3.2881.

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In this paper I offer a comparative evaluation of two types of “fundamental hope”, drawn from the writing of Rebecca Solnit and Rowan Williams respectively. Arguments can be found in both, I argue, for the foundations of a dispositional existential hope. Examining and comparing the differences between these accounts, I focus on the consequences implied for hope’s freedom and stability. I focus specifically on how these two accounts differ in their claims about the relationship between hope and (two types of) necessity. I argue that both Solnit and Williams base their claims for warranted funda

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Chang, Jungyoon. "The Mother of All Questions : Rebecca Solnit. Chicago: Haymarket Books, 2017. 176 pages." Asian Women 33, no. 3 (2017): 141–44. http://dx.doi.org/10.14431/aw.2017.09.33.3.141.

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Cornish, Caroline. "Orwell's Roses, Rebecca Solnit. Viking, New York (2021), 320 pages, US$28 hardcover." Journal of Historical Geography 84 (June 2024): 160–61. http://dx.doi.org/10.1016/j.jhg.2023.06.001.

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Araújo, Nathalia Guedes de, and Maria Teresa Salgado Guimarães da Silva. "O silêncio-voz: as mulheres de Neighbours, De Lília Momplé." outra travessia 2, no. 28 (2021): 113–29. http://dx.doi.org/10.5007/2176-8552.2019.e73657.

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O presente artigo tem como objetivo analisar o romance Neighbours (1995) da escritora moçambicana Lília Momplé. A narrativa se passa em Moçambique, no ano de 1985, em três apartamentos marcados centralmente por mulheres, e tem como pano de fundo a organização de um raid assassino por agentes do Apartheid da África do Sul, junto a moçambicanos, a fim de desestabilizar o governo da época e trazer questionamentos ao povo. Em nossa leitura, pretendemos discutir o papel do silêncio das personagens femininas, amparando-nos nos textos de Chimamanda Ngozi Adichie (2015), bell hooks (2017), Michelle Pe

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De Santana, Wilck Camilo Ferreira. "Pensando o caminhar como experiência estética e método de ficção literária." Tabuleiro de Letras 14, no. 1 (2020): 210. http://dx.doi.org/10.35499/tl.v14i1.8615.

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Caminhar é uma atividade humana universal. Sua história é perpassada por uma espécie de prazer, liberdade e significados que pessoas diferentes procuram em momentos diversos. Pensando nessa direção, a história do caminhar proposta por Rebecca Solnit (2016) trilha percursos que vão desde a origem do bipedalismo até a caminhada na cidade. Para isso, a autora delineia argumentos que giram em torno do fato de que andar ereto é o primeiro marco do que viria a se tornar a humanidade. Entre os muitos caminhos que esse trajeto envolve, um deles está centrado na atividade de leitura do caminhar para de

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Hogue, Lawrence. "Savage Dreams: A Journey Into the Hidden Wars of the American West. By Rebecca Solnit." Environmental History Review 19, no. 3 (1995): 92–94. http://dx.doi.org/10.2307/3984918.

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Ingham, Zita. "Savage Dreams: A Journey Into the Hidden Wars of the American West by Rebecca Solnit." Western American Literature 30, no. 3 (1995): 299–300. http://dx.doi.org/10.1353/wal.1995.0123.

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Beckerman, Sandra. "Je kunt alleen vooruit roeien door achteruit te kijken. Pleidooi voor meer politiek in de archeologie en meer archeologie in de politiek." Paleo-aktueel, no. 31 (June 1, 2021): 37–44. http://dx.doi.org/10.21827/pa.31.37-44.

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You can only row forward by looking back. Our past is a complex story. It comprises the best and the worst, atrocities and liberations, grief and jubilation. Archaeology is indispensable for making reconstructions of that past, and knowing the past is vital for understanding the present and the future. “You row forward by looking back, and telling this history is part of helping people navigate toward the future,” Rebecca Solnit (2016) argues. Therefore, archaeology should play an important role in society. Although the role archaeology plays and can play is shaped by political decisions, arch

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Panek, Bernadette Maria. "Longos percursos – construção de um propósito." Art&Sensorium 11 (December 4, 2024): 1–11. https://doi.org/10.33871/sensorium.2024.11.9637.

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Resumo: Este artigo trata da relação entre o processo criativo e o caminhar na natureza. Utiliza em primeira instância como referência a obra de Francesco Careri uma vez que seus livros tratam o ato de caminhar como uma prática estética. Aplica o livro A história do caminhar de Rebecca Solnit no qual a autora constrói um relato histórico sobre o andar a pé. Na relação entre o caminhar e criar, toma a princípio o exemplo paradigmático das propostas do escultor Richard Long. Para enfim tratar da poética do processo criativo desenvolvido a partir da linguagem da gravura em diálogo com a prática e

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Amato, J. "Wanderlust: A History of Walking. By Rebecca Solnit. (Chicago: University of Chicago Press, 2000, viii, 326pp.)." Journal of Social History 35, no. 1 (2001): 209–10. http://dx.doi.org/10.1353/jsh.2001.0074.

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Choi, Bae-eun. "Thinking With Your Own Body: A Book Review of Wonderlust: A History of Walking by Rebecca Solnit." Korean Association for Literacy 14, no. 1 (2023): 461–71. http://dx.doi.org/10.37736/kjlr.2023.02.14.1.461.

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In order to awaken the spiritual value of walking, conscious of the problem in our society we walk only when there is some material reward, this article reviews Wonderlust: A History of Walking written by Rebecca Solnit. The book is a liberal arts book that describes a vast knowledge of philosophy, literature, culture, space, etc and deep thoughts about walking in a unique style. It is of unrivaled value in that she reflected on the history of mankind by paying attention to walking itself, based on the author’s walking experience. In addition, it is meaningful to argue that walking is a cultur

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Sales, Cristiano de. "Uma poética da permanência em Chinês com sono, de Leonardo Fróes." Aletria: Revista de Estudos de Literatura 33, no. 3 (2023): 99–119. https://doi.org/10.35699/2317-2096.2023.41824.

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Abstract: The present essay assumes a reading of the book Chinês com sono (Sleepy Chinese), by Leonardo Fróes (2005), pointing to a poetics of permanence. This is related to the studies we have been doing about deceleration experienced in literature. Critics like Jonathan Crary (2016) and Rodrigo Turin (2019) discuss the acceleration and monetization of the experience of time in the modern capitalist world. The philosopher Franco Berardi (2020) and critic Rebecca Solnit (2002) point out possible ways of resisting the constant imposition of this accelerated dynamic. The American author tells us

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Jun, Sung Kon. "The Emergence of a "Risk Society" and the Paradigm of "Altruism"." Crisis and Emergency Management: Theory and Praxis 12, no. 7 (2022): 41–52. http://dx.doi.org/10.14251/jscm.2022.7.41.

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This paper aims to look into the historical process where the theory of risk society was born, examine how altruism disappeared in the course of development of risk society, and reconsider the importance of disaster society and altruism. To this end, this paper will first focus on Ulrich Beck, Klein Naomi, and Rebecca Solnit, who are representative advocates of the risk social theory. The three people shared a common view on reconsidering the concept of "society" created in the course of historical development and explaining how risks were conceived in the process, and emphasized reflection an

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LeMenager, Stephanie. "Occupy Climate: Social Movement-Building in Literature, Politics, and the Arts." American Literary History 31, no. 1 (2018): 96–103. http://dx.doi.org/10.1093/alh/ajy043.

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Abstract New books by Shelley Streeby, Robert Marzec, and Ashley Dawson point the way toward a cultural criticism for the climate change era. In its own way, each seeks to change the methods of literary and cultural studies, to change the form of the academic monograph, and to encourage a just transition from the radically unequal and ecologically injured world of the now. All three can be seen as contributing to the social and academic movement known as Environmental Justice or Critical Environmental Justice. All three evoke, to some extent, earlier, experimental scholarly works influenced by

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Santos, Girlandia Gesteira, Yuri Andrei Batista Santos, and Vânia Lúcia Menezes Torga. "The ethos of non-existence." Linha D'Água 37, no. 1 (2024): 228–44. http://dx.doi.org/10.11606/issn.2236-4242.v37i1p228-244.

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In the line of dialogue between discourse studies and argumentation studies, we analyze the construction of ethos in the paratext of the book Recordações da minha inexistência - memórias (Recollections of my non-existence – memoir) by Rebecca Solnit (2021). In view of a writing that traces a counter-hegemonic discourse in the underlying social context in the argumentative dimension, an important point to observe is how the discursive project of this autobiographical writing articulates itself in the construction of the narrative ethos of the author-narrator-personage. To this end, we will anal

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Henwood, Daisy. "Flow, form, and feeling: reading Rebecca Solnit and Kathleen Dean Moore’s Riverine writing in an era of ecological crisis." Comparative American Studies An International Journal 18, no. 1 (2021): 75–91. http://dx.doi.org/10.1080/14775700.2021.1875726.

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Lousa, Pilar Lago e., and Flávio Pereira Camargo. "O corpo da mulher como acumulação de sabedoria e resistência no poema “Virgem ”, de Luiza Romão." Raído 12, no. 31 (2018): 24–40. http://dx.doi.org/10.30612/raido.v12i31.8304.

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A obra poética de Luiza Romão desvela a figura feminina sob a ótica da desconstrução da representação clássica, permeada de mitos e tabus que através dos séculos foram utilizados para educar e controlar opressivamente os corpos das mulheres. Sabendo que a disciplinarização do corpo feminino obedece a um estereótipo que serve a grupos que controlam e detém posições privilegiadas nas relações de poder, propomos não rechaçar o corpo, mas partir dele para desconstruir e dessacralizar sua representação, que atualmente está alinhada às instituições patriarcais vigentes. Neste sentido, este artigo te

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Góis da Silva, Eduarda Rocha, and Susana Souto Silva. "Monstro e bruxa: feminismos na canção brasileira contemporânea." Revista Leitura, no. 66 (December 12, 2020): 381–97. http://dx.doi.org/10.28998/2317-9945.202066.381-397.

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A canção e o poema têm uma longa e amorosa relação. No Brasil, muitos poemas foram musicados e muitas composições dialogam com a nossa vasta produção poética. A circulação do poema pode dar-se em diversos meios e suportes. Ela pode chegar até o/a seu/sua receptor/a em um livro impresso, modo privilegiado pelas pesquisas acadêmicas, ou sustentada pela voz de um/a cantor/a. Este texto não estabelece distinções hierárquicas entre canção e poema, tratando-os igualmente como produtos simbólicos pertencentes ao universo da palavra em sua dimensão estética e, em meio a mudanças significativas na cena

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Castillo Cadenas, Mildred. "Una caminata por el libro-galería: Nueve pintores mexicanos de Juan García Ponce. Imagen autoral y trabajo colaborativo." Nuevas Poligrafías. Revista de Teoría Literaria y Literatura Comparada, no. 6 (August 25, 2022): 117–37. http://dx.doi.org/10.22201/ffyl.nuevaspoligrafias.2022.6.1760.

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A partir de la metáfora del libro como galería, el presente texto hace un recorrido por Nueve pintores mexicanos (1968) de Juan García Ponce. Mediante la noción de caminata de Rebecca Solnit (2000), la propuesta es entrar y salir del ejemplar con base en la experiencia de leer y ver al mismo tiempo. Esto da pie a observar cómo, al reunir textos de crítica de arte y una colección de pintura y fotografía, los implicados produjeron una imagen de autor individual y de grupo a través de la publicación. Dicha cuestión se vincula al análisis de su trabajo colaborativo, como parte de un momento sugere

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Barton, Allen H., and Visiting Scholar. "Book Review: A Paradise Built in Hell – The Extraordinary Communities That Arise in Disaster by Rebecca Solnit, New York: Viking." International Journal of Mass Emergencies & Disasters 27, no. 3 (2009): 297–300. http://dx.doi.org/10.1177/028072700902700305.

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Manwaring, Kevan. "The Herepath Project: Deep mapping and hedge-springing during lockdown." Writing in Practice 08 (January 29, 2022): 74–87. https://doi.org/10.62959/wip-08-2022-08.

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Moving to the Marlborough Downs on the edge of the UNESCO World Heritage Site of Avebury in late 2019 (an area I have been exploring since the late `80s), I decided to map my new locality through poetry and art – connecting nodes of significance to create a personal Wiltshire ‘songline’: The Herepath Project. As the 2020 lockdown kicked in, the concept of ‘deep mapping’ (Nan Shepherd) my local universe gained increasing poignancy. In the form of a literary de´rive – charting zones of ambience and influence as I range metaphorically across the Downs – this article will consider different forms

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Nakajima, Takako. "Disaster Relief Funding by Private Grants and POs: Actors Supporting “Paradise” After Disaster." Journal of Disaster Research 16, no. 6 (2021): 953–56. http://dx.doi.org/10.20965/jdr.2021.p0953.

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Following various tragic accidents, a civil society utopia has emerged to overcome the terrible situations through altruistic behaviors and mutual aid. Rebecca Solnit describes it as “a paradise built in hell.” As a means for civil society to support large-scale disasters, assistance is provided directly or indirectly through financial donations, relief supplies, or sending volunteers to disaster-affected areas. Such disaster relief assistance emerged post the Great East Japan Earthquake (GEJE). Indirect disaster relief takes the form of making contributions to nonprofit organizations (NPOs) t

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Mirzoeff, Nicholas. "Walter Johnson. River of Dark Dreams: Slavery and Empire in the Cotton Kingdom. Cambridge, Mass.: Belknap Press, 2013. 526 pp.Rebecca Solnit and Rebecca Snedeker. Unfathomable City: A New Orleans Atlas. Berkeley: University of California Press, 2013. 166 pp." Critical Inquiry 43, no. 1 (2016): 218. http://dx.doi.org/10.1086/688300.

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Petersen, Frederik. "TRIANGULATION AND REPRESENTATION." JOURNAL OF ARCHITECTURE AND URBANISM 35, no. 1 (2011): 67–72. http://dx.doi.org/10.3846/tpa.2011.08.

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The erotic triangulation consisting of lover, beloved, lover’s image of beloved is a mechanism that automates a projection of self into a desired subject. The projection is provoked by the partly imaginary but reality inspired reconstruction of the beloved that takes place in the lover. The geometric construction is an attempt to categorize and name the elements we experience as seduction. One thing we can learn from the erotic geometry is that seduction is not exterior to the lover; it is instigated by him and takes place in him. This change in vantage point can be considered a sleight of han

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Mehine, Miika, Rebecca Caeser, Yelena Kemel, et al. "Abstract 5214: Expanding the spectrum of germline-driven cancers by leveraging population-scale targeted tumor and normal sequencing." Cancer Research 83, no. 7_Supplement (2023): 5214. http://dx.doi.org/10.1158/1538-7445.am2023-5214.

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Abstract Large case-control and familial studies have established clear cancer-specific risk profiles for several key cancer predisposition genes (CPGs). For example, germline pathogenic variants (PVs) in BRCA1/2 (gBRCA) are associated with increased risk for developing breast, ovarian, pancreatic, and prostate cancers. However, the extent to which gBRCA mutations are involved in mediating the tumorigenesis of other cancer types remains challenging to characterize. We hypothesized that integrating orthogonal features such as selection for biallelic inactivation of the PVs and depletion of cano

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Furtado, Maria. "Rebecca Solnit, The Faraway Nearby." Forma de Vida, 2015. http://dx.doi.org/10.51427/ptl.fdv.2015.0060.

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Hormazábal, Constanza. "Prefacio." Cuadernos del Centro de Estudios de Diseño y Comunicación, no. 202 (July 31, 2023). http://dx.doi.org/10.18682/cdc.vi202.9821.

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Para retratar cómo las mujeres han avanzado en sus derechos y principalmente dar cuenta de una serie de episodios de silenciamiento, Rebecca Solnit en su libro “Los hombres me explican cosas” grafica en un pensamiento ese camino: “una ruta es una imagen clara, fácil de visualizar, pero es engañosa porque sugiere que la historia del cambio y la transformación es un sendero lineal”.

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Dicinoski, Michelle. "Wild associations: Rebecca Solnit, Maggie Nelson and the lyric essay." TEXT, April 30, 2017. http://dx.doi.org/10.52086/001c.26090.

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Artigas Albarelli, Irene María. "La textura del lugar: los atlas imposibles, insondables e inagotables de Rebecca Solnit." Investigaciones Geográficas, no. 102 (July 31, 2020). http://dx.doi.org/10.14350/rig.59913.

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Entre 2010 y 2016, Rebecca Solnit publicó tres atlas sobre tres ciudades diferentes: San Francisco, Nueva Orleans y Nueva York, respectivamente. Además de ser ejemplos interesantes de la riqueza de las relaciones entre la cartografía, los estudios literarios y otras disciplinas, estos libros plantean una aparente paradoja vinculada a la decisión de hacer mapas desde la creencia de que se trata de una tarea imposible por infinita, insondable e inagotable. Este ensayo muestra cómo estos atlas son iconotextos que responden a dicha contradicción a partir de considerar que un lugar es un tejido que

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Brunet, François. "Rebecca Solnit. River of Shadows : Eadweard Muybridge and the Technological Wild West." Transatlantica, no. 1 (October 1, 2005). http://dx.doi.org/10.4000/transatlantica.848.

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De Sales, Cristiano. "Elogio da demora: Bill Viola e a estética da desaceleração." H2D|Revista de Humanidades Digitais 3, no. 2 (2021). http://dx.doi.org/10.21814/h2d.3535.

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Este ensaio apresenta partes de um estudo que tem sido feito acerca das possibilidades de se vivenciar, por meio da arte, instantes de fissura no tempo acelerado da vida contemporânea. O artista norte americano Bill Viola tem se dedicado à videoarte desde a década de 1970 e um dos temas que aparece poetizado em suas instalações, sobretudo a partir do século XXI, é a desaceleração do tempo. O repertório teórico com o qual olhamos para esse fenômeno vem da crítica cultural e filosofia contemporâneas, tais como Rebecca Solnit (2016), Jonathan Crary (2016), Jacques Rancière (2012), entre outros. T

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Wurmann, Kirsten. "Take a Walk! Innovative Programming from Winnipeg Public Library." Partnership: The Canadian Journal of Library and Information Practice and Research 11, no. 1 (2016). http://dx.doi.org/10.21083/partnership.v11i1.3631.

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Historical walks, literary walks, and walking book clubs – learn how Winnipeg Public Library is taking it outside. Rebecca Solnit in her book Wanderlust: A History of Walking writes: “Walking shares with making and working that crucial element of engagement of the body and the mind with the world, of knowing the world through the body and the body through the world.” As libraries work hard to share knowledge with their communities and to engage patrons in new ways, this presentation addresses the practicalities of creating a program that speaks uniquely to your own neighbourhood and patrons: L

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Cardoso D’Abreu, Patrícia, and Flavia Leiroz. "Mulheres e narrativa audiovisual brasileira: reconfigurações a partir de marcos temporais." AVANCA | CINEMA, October 25, 2021, 839–47. http://dx.doi.org/10.37390/avancacinema.2021.a315.

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In 2020, we celebrate 25 years of the Beijing Action Platform. In Brazil, we now have 14 years of the Maria da Penha Law and 5 years of the Feminicide Law. Based on these three time frames, we made a quantitative survey of Brazilian cinematographic and audiovisual documentary productions on feminicide. These works are analyzed qualitatively, based on Paul Ricouer’s triple mimesis and the relationships he established between time and narrative. The social and cultural context of insertion of the narrated cases, the possible mediations and the voices of the narrator are also problematized by thr

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"Book Reviews." City & Community 4, no. 2 (2005): 217–25. http://dx.doi.org/10.1111/j.1540-6040.2005.00112.x.

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Manufacturing Suburbs , by Robert Lewis ( ed. ). Philadelphia : Temple University Press , 2004 . 304 pp . ISBN 1‐59213‐085‐2 ( cloth ) $68.50. ISBN 1‐59213‐086‐0 ( paper ) $24.95. Hollow City: The Siege of San Francisco and the Crisis of American Urbanism , by Rebecca Solnit and Susan Schwartzenberg . New York , NY : Verso , 2002 . 182 pp . ISBN 1‐85984‐363‐8 ( cloth ) $20.00 . Popular Culture in the Age of White Flight: Fear and Fantasy in Suburban Los Angeles , by Eric Avila . Berkeley : University of California Press , 2004 . Volume 13 in the American Crossroads Series , edited by Earl Lewi

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Laura Botelho Rodrigues, Ana, Marcella Kehl do Nascimento, and Maria Emília Bastos Stenzel. "BRASÍLIA SITUACIONISTA. EXPLORANDO UM REFERENCIAL TEÓRICO PARA O MAPEAMENTO CRÍTICO DO GÊNERO." Programa de Iniciação Científica - PIC/UniCEUB - Relatórios de Pesquisa, no. 3 (December 7, 2018). http://dx.doi.org/10.5102/pic.n3.2017.5795.

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A pesquisa Brasília Situacionista propõe o mapeamento da apropriação por gênero dosespaços do Plano Piloto, com foco na evolução histórica dessa apropriação e na análise desuas características. O método é cruzar as estratégias de mapeamento inauguradas por GuyDebord, no quadro da Internacional Situacionista, com as perspectivas teóricas feministasdesenvolvidas na Arquitetura, em especial na perspectiva de Diana Agrest, Paola Berenstein,Beatriz Colomina, Joan Scott, Judith Butler e Rebecca Solnit. Desta forma, se revela atravésdas camadas cartográficas que são desenvolvidas a partir do estudo d

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Leal-González, Daniel Antonio. "Reseña de: Rebecca Solnit. Los hombres me explican cosas. Madrid, Capitán Swing, 2016. 143 pp. Título original: Men explain things to me, 2015. Traducción de Paula Martín Ponz. ISBN: 978-84-945481-4-7." Feminismo/s, no. 34 (2019). http://dx.doi.org/10.14198/fem.2019.34.17.

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Juckes, Daniel. "Walking as Practice and Prose as Path Making: How Life Writing and Journey Can Intersect." M/C Journal 21, no. 4 (2018). http://dx.doi.org/10.5204/mcj.1455.

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Through my last lengthy writing project, it did not take long to I realise I had become obsessed with paths. The proof of it was there in my notebooks, and, most prominently, in the backlog of photographs cluttering the inner workings of my mobile phone. Most of the photographs I took had a couple of things in common: first, the astonishing greenness of the world they were describing; second, the way a road or path or corridor or pavement or trail led off into distance. The greenness was because I was in England, in summer, and mostly in a part of the country where green seems at times the onl

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Pryor, Melanie, and Amy Mead. "Let Me Walk." M/C Journal 21, no. 4 (2018). http://dx.doi.org/10.5204/mcj.1482.

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Let me walk. Let me go at my own pace. Let me feel life as it moves through me and around me. Give me drama. Give me unexpected curvilinear corners. Give me unsettling churches and beautiful storefronts and parks I can lie down in. The city turns you on, gets you going, moving, thinking, wanting, engaging (Elkin 37, emphasis our own). Walking Is ThinkingAs feet pound the pavement, synaptic movement follows. To clear the head, one must get up and walk.In her 2016 book Flaneuse: Women Walk the City in Paris, New York, Tokyo, Venice and London, Lauren Elkin traces the figure of the walking woman—

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Gibbons, Liam. "Looking Down Not Up." M/C Journal 27, no. 6 (2024). http://dx.doi.org/10.5204/mcj.3109.

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Virtual Environments and Colonial Spatial Practices The history of artificial and virtual environments, particularly those found in digital games, is rife with destructive colonial ideologies. Themes of conquest, domination, and Othering permeate many kinds of game design, for instance, including board games where mechanics such as seizing large tracts of ‘uninhabited’ land, stripping it of resources, and dominating those that live there are considered part and parcel even today (Flanagan and Jakobsson 9). In Games of Empire: Global Capitalism and Video Games, Dyer-Witheford and de Pauter draw

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Mudie, Ella. "Disaster and Renewal: The Praxis of Shock in the Surrealist City Novel." M/C Journal 16, no. 1 (2013). http://dx.doi.org/10.5204/mcj.587.

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Introduction In the wake of the disaster of World War I, the Surrealists formulated a hostile critique of the novel that identified its limitations in expressing the depth of the mind's faculties and the fragmentation of the psyche after catastrophic events. From this position of crisis, the Surrealists undertook a series of experimental innovations in form, structure, and style in an attempt to renew the genre. This article examines how the praxis of shock is deployed in a number of Surrealist city novels as a conduit for revolt against a society that grew increasingly mechanised in the clima

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Lyons, Craig, Alexandra Crosby, and H. Morgan-Harris. "Going on a Field Trip: Critical Geographical Walking Tours and Tactical Media as Urban Praxis in Sydney, Australia." M/C Journal 21, no. 4 (2018). http://dx.doi.org/10.5204/mcj.1446.

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IntroductionThe walking tour is an enduring feature of cities. Fuelled by a desire to learn more about the hidden and unknown spaces of the city, the walking tour has moved beyond its historical role as tourist attraction to play a key role in the transformation of urban space through gentrification. Conversely, the walking tour has a counter-history as part of a critical urban praxis. This article reflects on historical examples, as well as our own experience of conducting Field Trip, a critical geographical walking tour through an industrial precinct in Marrickville, a suburb of Sydney that

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Haliliuc, Alina. "Walking into Democratic Citizenship: Anti-Corruption Protests in Romania’s Capital." M/C Journal 21, no. 4 (2018). http://dx.doi.org/10.5204/mcj.1448.

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IntroductionFor over five years, Romanians have been using their bodies in public spaces to challenge politicians’ disregard for the average citizen. In a region low in standards of civic engagement, such as voter turnout and petition signing, Romanian people’s “citizenship of the streets” has stopped environmentally destructive mining in 2013, ousted a corrupt cabinet in 2015, and blocked legislation legalising abuse of public office in 2017 (Solnit 214). This article explores the democratic affordances of collective resistive walking, by focusing on Romania’s capital, Bucharest. I illustrate

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Gao, Xiang. "‘Staying in the Nationalist Bubble’." M/C Journal 24, no. 1 (2021). http://dx.doi.org/10.5204/mcj.2745.

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Introduction The highly contagious COVID-19 virus has presented particularly difficult public policy challenges. The relatively late emergence of an effective treatments and vaccines, the structural stresses on health care systems, the lockdowns and the economic dislocations, the evident structural inequalities in effected societies, as well as the difficulty of prevention have tested social and political cohesion. Moreover, the intrusive nature of many prophylactic measures have led to individual liberty and human rights concerns. As noted by the Victorian (Australia) Ombudsman Report on the

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