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Books on the topic 'Solo Percussion'

Author: Grafiati

Published: 4 June 2021

Last updated: 26 January 2023

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1

Siwe, Thomas. Percussion solo literature. Champaign, Ill: Media Press, 1995.

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2

Siwe, Thomas. Percussion ensemble & solo literature. Champaign, Ill: Media Press, 1993.

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3

Percussion discography: An international compilation of solo and chamber percussion music. New York: Greenwood Press, 1990.

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4

Lazarof, Henri. Suite for solo percussion and five instrumentalists. Bryn Mawr, Pa: Merion Music, 1991.

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5

She who sleeps with a small blanket: Percussion solo. London: Chester Music, 1996.

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6

Paulus, Stephen. Organ concerto for solo organ, timpani, percussion and strings. Valley Forge, Pa: European American Music, 1992.

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7

Ptaszyńska, Marta. Dream lands, magic spaces: For violin solo, piano, and percussion instruments. 2nd ed. [U.S.]: Piedmont Music Co., 1993.

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8

Albright, William. Symphony for organ: Organ solo with percussion (or pre-recorded tape). New York: Henmar Press, 1993.

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9

Bernstein, Leonard. Missa brevis: (1988) for a cappella mixed chorus (or octet of solo voices) and countertenor solo with incidental percussion. [New York]: Jalni Publications, 1990.

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10

Música contemporánea argentina para percusión solo: Incluye CD con obras de Gerardo Gandini, Alcides Lanza, Alicia Terzián y Julio Viera. Buenos Aires: Fondo Nacional de las Artes, 2010.

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11

Stubley, Eleanor Victoria. A guide to solo french horn music by Canadian composers. Toronto: Canadian Music Centre, 1990.

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12

Chihara, Paul. The beauty of the rose is in its passing: Solo bassoon, 2 horns, harp and percussion. [United States?]: Henmar Press, 1987.

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13

Werle, Floyd E., and Randall Eyles. The golden age of the xylophone: Ragtime-novelty xylophone solo with marimba quartet or piano. Ft. Lauderdale, FL: Meredith Music, 1990.

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14

Cage, John. Fourteen: For piano solo with flute/piccolo, bass flute, clarinet, bass clarinet, horn, trumpet, two percussion, two violins, viola, 'cello, and contrabass. New York, NY: Henmar Press, 1990.

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15

The everything drums book: From tuning and timing to fills and solos--all you need to keep the beat. Avon, Mass: Adams Media, 2003.

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16

Studies in Solo Percussion. Warner Bros Pubns, 2000.

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17

Volans, Kevin. Asanga: For Solo Percussion. Chester Music, 2004.

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18

Mallet Percussion Solo Book (Classic Festival Solos). Alfred Publishing Company, 1992.

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19

(EDT), Alfred Publishing. Mallet Percussion Solo Book (Classic Festival Solos). Alfred Publishing Company, 1994.

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20

Schwantner, Joseph. Concerto for Percussion and Orchestra: Percussion Solo Part. Leonard Corporation, Hal, 2011.

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21

Gray of Gray: For Percussion Solo. Zen-On, 2005.

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22

Kitazume, Michio. Side by Side for Percussion Solo. Leonard Corporation, Hal, 2009.

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23

Stock, David. Sizzle: Solo Percussion and 8 Winds. Leonard Corporation, Hal, 2013.

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24

Smith, Ronald Bruce. Strata for percussion solo and orchestra. 1986.

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25

Sculthorpe, Peter. Nourlangie: For Solo Guitar, Strings and Percussion. Faber & Faber, 2003.

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26

Stock, David. Oborama: Oboe Family Solo, Strings, Harp, and Percussion. Keiser Music Publishing, Lauren, 2008.

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27

Rubank treasures for percussion: With piano accompaniment. 2018.

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28

Cirone, Anthony J. Command Performances for Percussion: Competition Solos for Snare Drum, Marimba and Timpani (New in the Percussion Solo Series). Alfred Publishing Company, 1999.

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29

Hunsberger, Donald. Carmen Fantasia: 2 Solo Trumpets With Piano & Percussion (Donald Hunsberger Wind Library). Alfred Publishing Company, 2004.

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30

Siwe, Thomas. Artful Noise. University of Illinois Press, 2020. http://dx.doi.org/10.5622/illinois/9780252043130.001.0001.

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A substantial body of musical literature for solo and ensemble percussion was created in the twentieth century. This book examines percussion literature’s evolution: how it came to be and the styles that composers embraced as they produced a large body of music for percussion instruments alone. The focus is on the music that was created, the various genres that arose, and the composers who contributed seminal works. The question is posed: What world and cultural events brought composers to reject the past and embrace modernism? The twentieth century is notable for its many technological advances as well as for the global conflicts that disrupted the lives of millions. Both had significant impact on the arts. Tape recorders, synthesizers, and computers became useful tools for the avant-garde composer. Artists, exiled from their homelands by the war’s devastation, arrived in the Americas with new ideas to share. On the West Coast of the United States, composers found that percussion music was an ideal accompaniment for a nascent modern dance movement. The end of World War II brought monumental change to higher education and to music education in the States. College-trained percussionists became an important resource for the modern composer, who contributed new solo and ensemble works to the percussion canon. The twentieth century witnessed the rise of the percussive arts to a status equal to that of other instrumental groups.

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31

Lopez, Victor. Flex-ability Pops for Percussion: Solo-duet-trio-quartet With Optional Accompaniment (Flex-Ability Series). Alfred Publishing Company, 2002.

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32

Morgade, Daniel. Daniel Morgade's Pitched Percussion Instruments Works: Solo Works and Trios for Marimba, Xylophone and Vibraphone. Lulu Press, Inc., 2021.

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33

Larsen, Libby. Seven Ghosts: For Mixed Chorus, Solo Voice, Piano, and Percussion (Oxford Music for Mixed Chorus). Oxford University Press, 1998.

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34

Beal, Amy C. Horizons. University of Illinois Press, 2017. http://dx.doi.org/10.5406/illinois/9780252039157.003.0005.

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This chapter discusses Beyer's percussion ensemble compositions. Between 1933 and 1942, Beyer composed eight works for percussion ensemble—a total of nineteen movements and about seventy-five minutes' worth of music. She composed her first work for percussion ensemble—the three-movement, thirteen-minute-long Percussion Suite—in 1933. The Percussion Suite is scored for Chinese blocks, triangle, tambourine, cymbal, bass drum, xylophone, rattle, castanets, and tam-tam. The first movement is characterized by the austere, quiet plodding of the bass drum, which begins and ends the piece, and is constant throughout. The second movement of the suite features an oft-repeated solo xylophone melody, with ever expanding intervals and frequent rhythmic variation, as well as regular use of both slow and fast glissandi, revealing Beyer's growing interest in sliding tones. Beyer's next percussion ensemble piece was a five-movement, approximately twelve-minute nonet titled Percussion (1935).

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35

Esanu, Corneliu. Spring, summer, autumn: Concerto for a solo group of wind instruments, piano, harp, percussion, and string orchestra (Original composition). 2006.

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36

Hal Leonard Publishing Corporation (COR). Disney Solos for Mallet Percussion. Hal Leonard Corporation, 2001.

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37

(Compiler), Roy Burns, and Sandy Feldstein (Compiler), eds. Adler's Multiple Percussion Solos / Advanced. Alfred Publishing Company, 1985.

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38

Staff, Hal Leonard Corp. Disney Solos for Mallet Percussion. Leonard Corporation, Hal, 2001.

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39

Staff, Hal Leonard Corp. Disney Solos for Mallet Percussion. Leonard Corporation, Hal, 2001.

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40

Adler's Multiple Percussion Solos / Intermediate. Alfred Publishing Company, 1985.

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41

Hal Leonard Publishing Corporation (COR). Master Solos - Percussion - Intermediate Level. Hal Leonard Corporation, 2000.

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42

Staff, Hal Leonard Corp. Disney Solos for Mallet Percussion. Leonard Corporation, Hal, 2001.

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43

(Creator), Hal Leonard Corp, and John O'Reilly (Editor), eds. Solos for the Percussion Player. G. Schirmer, Inc., 1986.

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44

Fundamental Solos for Mallets. Alfred Publishing, 2006.

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45

Wanamaker, Jay, Dave Black, and Sandy Feldstein. Alfred's Complete Snare Drum Solos: 45 Beginning- to Intermediate-Level Contest Solos. Alfred Publishing Company, Incorporated, 2012.

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46

Pratt, John. Rudimental Solos for Accomplished Drummers. Meredith Music, 2000.

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47

Whaley, Garwood. Recital Solos for Snare Drum. Hal Leonard Corporation, 2000.

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48

Bailey, Colin. Drum Solos: The Art of Phrasing. Hal Leonard Corporation, 1998.

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49

Whaley, Garwood. Solos and Duets for Snare Drum. Hal Leonard Corporation, 2000.

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50

Solos and Duets for Snare Drum. Alfred Publishing Company, Incorporated, 2010.

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