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Dissertations / Theses on the topic 'Solo trombone'

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Published: 4 June 2021

Last updated: 16 February 2022

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1

Schlomowitz, Matthew. "False relation : for solo trombone, solo guitar, ensemble and CD /." May be available electronically:, 2003. http://proquest.umi.com/login?COPT=REJTPTU1MTUmSU5UPTAmVkVSPTI=&clientId=12498.

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D.M.A. final project--Department of Music, Stanford University, May 2003.<br>For solo trombone, solo guitar, flute, clarinet, percussion, viola, cello, double bass, and CD. Duration: 21:00. Includes performance instructions.

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2

Samball, Michael L. (Michael Loran). "The Influence of Jazz on French Solo Trombone Repertory." Thesis, North Texas State University, 1987. https://digital.library.unt.edu/ark:/67531/metadc331843/.

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This lecture-recital investigated the lineage of French composers who were influenced by jazz during the first half of the twentieth century, with a focus on compositions from the solo trombone repertory. Historically, French composers, more than those of other European countries, showed an early affinity for the artistic merits of America's jazz. This predilection for the elements of jazz could be seen in the selected orchestral works of Les Six and the solo compositions of the Paris Conservatory composers. An examination of the skills of major jazz trombonists early in the twentieth century

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3

Moore, Donald Scott. "The Concerto for Bass Trombone by Thom Ritter George and the Beginning of Modern Bass Trombone Solo Performance." University of Cincinnati / OhioLINK, 2009. http://rave.ohiolink.edu/etdc/view?acc_num=ucin1258476563.

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4

Pinson, Donald Lynn. "History and current state of performance of the literature for solo trombone and organ." connect to online resource, 2008. http://digital.library.unt.edu/permalink/meta-dc-9050.

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Thesis (D.M.A.)--University of North Texas, 2008.<br>System requirements: Adobe Acrobat Reader. Accompanied by 4 recitals, recorded Mar. 1, 2004, Jan. 31, 2005, Jan. 30, 2006, and Apr. 21, 2008. Includes bibliographical references (p. 50-64), and discography (p. 41-49).

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5

Chilton, James Gregory. "Non-intentional performance practice in John Cage's Solo for Sliding Trombone." Thesis, University of British Columbia, 2007. http://hdl.handle.net/2429/30761.

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This dissertation provides a study guide to aid trombonists in understanding and appreciating the Solo for Sliding Trombone (1957-58), one of the many solo parts from the Concert for Piano and Orchestra (1957-58) by John Cage (1912-1992). This seldom-performed piece of contemporary music is often misunderstood and is overlooked as an important part of the trombone repertoire. This document aims to help trombonists seeking to perform unaccompanied trombone music to develop an understanding of Cage's aesthetic of non-intentional performance and a greater interest in learning this work. In

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Pinson, Jr Donald Lynn. "History and Current State of Performance of the Literature for Solo Trombone and Organ." Thesis, University of North Texas, 2008. https://digital.library.unt.edu/ark:/67531/metadc9050/.

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More than 200 compositions have been written for solo trombone and organ since the nineteenth century, including contributions from notable composers such as Franz Liszt, Gustav Holst, Gardner Read, Petr Eben, and Jan Koetsier. This repertoire represents a significant part of the solo literature for the trombone, but it is largely unknown to both trombonists and organists. The purpose of this document is to provide a historical perspective of this literature from the nineteenth century to the present, to compile a complete bibliography of compositions for trombone and organ, and to determine

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7

Silva, Gilvando Pereira da. "Inventiva nº1 para trombone solo Francisco Fernandes Filho (Chiquito): estudo estilístico e interpretativo." Universidade Federal da Paraíba, 2012. http://tede.biblioteca.ufpb.br:8080/handle/tede/6604.

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Made available in DSpace on 2015-05-14T12:52:31Z (GMT). No. of bitstreams: 1 arquivototal.pdf: 1474085 bytes, checksum: 53eebfe63eaaa4517135ec0d8600346b (MD5) Previous issue date: 2012-07-10<br>Coordenação de Aperfeiçoamento de Pessoal de Nível Superior - CAPES<br>This paper discusses the challenge of the trombone performance in interpreting the work Inventiva No. 1 for solo trombone Francisco Fernandes Filho, known as Maestro Chiquito. The first stage of this research deals with the history of the composer's life, contemplating with his characters and events the importance of Maestro Ch

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8

Aldag, Daniel J. "The influence of jazz on timbre in selected compositions for solo trombone." Thesis, connect to online resource, 2002. http://www.library.unt.edu/theses/open/20023/aldag%5Fdaniel/index.htm.

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9

Keene, Joel Andrew. "The Influence of Jazz Harmony and Jazz Style on Selected Bass Trombone Solo Literature." Scholarly Repository, 2009. http://scholarlyrepository.miami.edu/oa_dissertations/351.

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The development of solo literature for the bass trombone came relatively late in the history of instruments. Though the development of solo literature for this instrument and the birth and development of jazz occurring at the same time in history may be coincidental, the influence of one on the other is undeniable. Because of the large percentage of solo bass trombone literature that is influenced by jazz due to this coincidence, it is necessary that even a classically trained bass trombonist include jazz as a part of the study curriculum. In order to exemplify the influences of jazz harmon

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10

Saint-Saëns, Camille Woods Christopher P. "A transcription of Op. 94, Morceau de concert, by Camille Saint-Saëns for solo bass trombone and brass ensemble." view full-text document. Access restricted to the University of North Texas campus, 2001. http://www.library.unt.edu/theses/open/20011/woods%5Fchristopher%5Fp/index.htm.

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Thesis (D.M.A.)--University of North Texas, 2001.<br>For solo trombone, 4 trumpets (2 doubling flugelhorn), 4 horns, 3 trombones, euphonium and tuba. Includes analysis by composer. Includes bibliographical references.

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11

Flanigan, Sean Gerard. "From Deux Danses to Fluctuations: Compositional components and innovations in two solo trombone works of Jean-Michel Defaye." Thesis, connect to online resource, 2006. http://www.unt.edu/etd/all/Aug2006/flanigan%5Fsean%5Fgerard/index.htm.

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Thesis (D.M.A.)--University of North Texas, 2006.<br>System requirements: Adobe Acrobat Reader. Accompanied by 4 recitals, recorded June 28, 1999, Jan. 24, 2000, Jan. 29, 2001, and Apr. 10, 2006. Includes bibliographical references and discography (p. 66-70).

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12

Woods, Christopher P. "A Transcription of Op. 94 Morceau de Concert, by Camille Saint-Saëns For Solo Bass Trombone and Brass Ensemble." Thesis, University of North Texas, 2001. https://digital.library.unt.edu/ark:/67531/metadc2740/.

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The transcription is an addition to the repertoire for brass ensemble and bass trombone. Consideration is given to the nineteenth-century orchestration treatises of Berlioz and Strauss as well as the twentieth-century texts of Erik Leidzén, Walter Piston, and Samuel Adler. The transcription process is shaped by the principles of these writers. The score is contained in the appendix.

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13

Scott, Deb. "Supplemental studies for mastering extended techniques in three late twentieth-century works for solo trombone Luciano Berio's Sequenza V, Folke Rabe's Basta and Mark Phillips' T. Rex, together with three recitals of selected works by Wagenseil, Grødahl, Gotkovsky, and others /." connect to online resource. Access restricted to the University of North Texas campus, 2004. http://www.unt.edu/theses/open/20041/scott%5Fdeb/index.htm.

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14

Tucker, Wallace E. (Wallace Edward). "The Solo Tenor Trombone Works of Gordon Jacob: A Lecture Recital, Together with Three Recitals of Selected Works by L. Bassett, W. Hartley, B. Blacher, E. Bloch, D. White, F. David, G. Wagenseil, J. Casterede, L. Larson, and Others." Thesis, North Texas State University, 1987. https://digital.library.unt.edu/ark:/67531/metadc330731/.

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The three recitals consisted of performances of original eighteenth, nineteenth and twentieth century solo works for trombone with the exception of Lyric Suite for Euphonium and Piano by Donald White, Divertimento for Trumpet, Trombone and Piano by Boris Blacher, and Dialogue and Dance for Trombone and Tuba by Newel Kay Brown. The premiere performance of Straight As An Arrow for B-flat-F Trombone and Prepared Tape by Ronn Cox and Dean Crocker was also included. After presenting a brief biography and discussing Gordon Jacob's (1895-1984) stylistic influences, the lecture continues with a Tonal,

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15

Lima, Daniel. "Vinte e Cinco Peças de José Ursicino da Silva (Maestro Duda) Transcritas e Adaptadas para Trombone Solo e Piano." Universidade Federal da Bahia, 2017. http://repositorio.ufba.br/ri/handle/ri/25365.

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Submitted by Daniel Lima (danielvictor360@yahoo.com.br) on 2018-02-01T20:23:59Z No. of bitstreams: 1 TRABALHO DE CONCLUSÃO FINAL.pdf: 123383598 bytes, checksum: 02bd5af92184e70bc47e7588d2575347 (MD5)<br>Approved for entry into archive by Nilson Nascimento Souza (nilson@ufba.br) on 2018-02-26T14:15:32Z (GMT) No. of bitstreams: 1 TRABALHO DE CONCLUSÃO FINAL.pdf: 123383598 bytes, checksum: 02bd5af92184e70bc47e7588d2575347 (MD5)<br>Made available in DSpace on 2018-02-26T14:15:32Z (GMT). No. of bitstreams: 1 TRABALHO DE CONCLUSÃO FINAL.pdf: 123383598 bytes, checksum: 02bd5af92184e70bc47e7588d257534

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16

Oliver, Jason L. "The Creation of a Performance Edition of the Georg Christoph Wagenseil Concerto for Trombone with Attention Given to the Surviving Manuscripts and Primary Sources of Performance Practice from the Middle of the Eighteenth Century." Thesis, University of North Texas, 2010. https://digital.library.unt.edu/ark:/67531/metadc30500/.

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The Concerto for Trombone, written in 1763 by Georg Christoph Wagenseil, is a piece in 2 movements for alto trombone and chamber orchestra. The orchestration consists of 2 parts for violin, 1 part for viola, cello and string bass, 2 French horn parts and 2 parts for flute. It is the first concerto form solo work for the alto trombone and was written during a time when wide use of this instrument had been diminished from centuries past. The Concerto for Trombone helped mark the beginning of a time when the musical expressiveness of the trombone began to be noticed in chamber genres where such a

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17

Zugger, Thomas W. "The Influence of Jazz and Popular Music on the American Trombone Concerto, A Selected Study of the Solo Trombone and Large Ensemble Works of Richard Peaslee, James Pugh, Howard Buss, and Dexter Morrill." The Ohio State University, 2000. http://rave.ohiolink.edu/etdc/view?acc_num=osu1393348259.

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18

Zugger, Thomas. "The influence of jazz and popular music on the American trombone concerto, a selected study of the solo trombone and large ensemble works of Richard Peaslee, James Pugh, Howard Buss, and Dexter Morrill /." The Ohio State University, 2000. http://rave.ohiolink.edu/etdc/view?acc_num=osu1488203158827096.

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19

Burnett, William Dayl. "An Exploration of Salient Performance Aspects of Three Selected Works for Solo Trombone by William Goldstein, Nino Rota and Richard Peaslee." Scholarly Repository, 2010. http://scholarlyrepository.miami.edu/oa_dissertations/388.

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This essay will explore the salient performance characteristics of three selected works for solo trombone by major composers of popular media. The works selected for this study are Colloquy for Solo Trombone and Symphonic Band by William Goldstein, Concerto for Trombone in C Major by Nino Rota, and Arrows of Time by Richard Peaslee. These composers have written extensively for television, motion pictures, theater, and dance. In addition to their significant popular media repertoire, these three composers have made a significant contribution to the solo trombonist's repertoire. Although these

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20

Gill, Jonathan B. "A Survey of the Solo and Chamber Works for Trumpet, Horn, Trombone, Euphonium and Tuba By the Hungarian Composer Frigyes Hidas." Thesis, University of North Texas, 2013. https://digital.library.unt.edu/ark:/67531/metadc283827/.

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Hidas composed more than 135 compositions. Of these 135 compositions 67 feature the trumpet, horn, trombone, euphonium, and tuba in a solo setting, a homogenous chamber setting, or a heterogeneous chamber setting. The first section of this project presents the significance of the topic, state of research, and methodology. Chapter one provides a narrative detailing the collaboration of Hidas with Gusztáv Höna and László Szabó, Sr. Chapter two provides a brief description of characteristics found in Hidas' compositions. Appendix A and B provides a survey of the 67 works for brass instruments tha

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21

Lewis, Michael E. (Michael Edward) 1952. "Solo Trombone Performances at the Gewandhaus in the Nineteenth Century: a Lecture Recital, Together with Three Recitals of Selected Works of G. Jacobs, S. Sulek, E. Bloch, C. Wagenseil, W. Ross, G. Pergolesi, T. George, F. Hidas, J. Albrechtsberger and Others." Thesis, University of North Texas, 1989. https://digital.library.unt.edu/ark:/67531/metadc331410/.

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This study investigates and documents tenor/bass trombone solo performances at the Gewandhaus, Leipzig, East Germany, between 1821 and 1876. Included is the discussion of a newly discovered composition, the Concertino fur Bassposaune und Orchester, by Carl Heinrlch Meyer, which is the earliest concerto for the tenor/bass trombone. Its performance at the Gewandhaus in 1821 marked the beginning of the solo tradition for the tenor/bass trombone, and the Leipzig Gewandhaus became one of the leading centers of solo trombone performance for the next fifty years. The study includes background infor

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22

Wolfinbarger, Steve M. "The Nineteenth-Century German Tradition of Solo Trombone Playing: A Lecture Recital, Together with Three Recitals of Selected Works of E. Bozza, W. Hartley, A. Frackenpohl, A. Pryor. G. Frescobaldi. L. Grondahl, P. Bonneau and Others." Thesis, University of North Texas, 1989. https://digital.library.unt.edu/ark:/67531/metadc331705/.

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This study deals with trombone soloists and music of nineteenth-century Germany. Much of the discussion is based on the influence of two trombone virtuosos, Carl Traugott Queisser (1800-1846) and Friedrich August Belcke (1795- 1874) . Finally, a style and form analysis is given of several representative trombone compositions of the period. These include Ferdinand David's Concertino. Op. 4, Friedebald Grafe's Concerto. and Josef Serafin Alschausky's Concerto No. I.

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23

Scott, Deb. "Supplemental Studies for Mastering Extended Techniques in Three Late Twentieth-Century Works for Solo Trombone: Luciano Berio's Sequenza V, Folke Rabe's Basta and Mark Phillips' T. Rex, Together with Three Recitals of Selected Works by Wagenseil, Grøndahl, Gotkovsky, and Others." Thesis, University of North Texas, 2004. https://digital.library.unt.edu/ark:/67531/metadc5544/.

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Many, if not most, student trombonists have perhaps had little or no previous experience with "extended techniques"-novel or unconventional modes of sound production. To address this deficiency of experience, this document sets forth a progressive sequence of descriptive explanations and supplementary studies, which are specifically designed to assist trombonists in mastering the particular extended techniques that will prepare them to perform three of the most popular late Twentieth-Century pieces for trombone that include extended techniques-Luciano Berio's Sequenza V, Folke Rabe's Basta, a

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24

Spivey, Zachary James Rogner. "The Scriabin Mystic Hexachord as a Structural Harmonic and Motivic Device in Three Parables for Solo Instruments by Vincent Persichetti." Ohio University / OhioLINK, 2021. http://rave.ohiolink.edu/etdc/view?acc_num=ohiou1628334738542662.

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25

Haecker, Arthur John IV. "The Tarab trombone: trombone etudes and solos based on Arabic music." Diss., University of Iowa, 2012. https://ir.uiowa.edu/etd/3462.

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26

Lancaster, Rodney Allen. "Transcription and Analysis of Selected Trombone Solos from J. J. Johnson's 1964 Recording Proof Positive." Scholarly Repository, 2009. http://scholarlyrepository.miami.edu/oa_dissertations/332.

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The purposes of the essay are to transcribe and analyze selected solos from the 1964 J. J. Johnson recording, Proof Positive as well as to increase the amount of analytical literature on J. J. Johnson presently obtainable for study by jazz trombonists. J. J. Johnson will further be affirmed as a jazz musician worthy of doctoral level study. Selected solos from the 1964 J. J. Johnson recording Proof Positive will be transcribed and analyzed in depth using a method of analysis incorporating improvisational devices identified by the author. A brief biography of J. J. Johnson is presented along

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27

Schmidt, Johann Christoph. "Motetto Auf Gott hoffe ich: Für Alto-Solo, Coro (Soprano, Alto, Tenore, Basso) und 2 Clarini in D, 2 Trombe in D, Tympani, 2 Flauti allemando, 2 Violini, 2 Viole Fagotto e Basson concertato, Violoncello, Organo, Tiorba: Partitur." Ries & Erler, 2020. https://slub.qucosa.de/id/qucosa%3A74090.

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Die „Denkmäler der Tonkunst in Dresden“ veröffentlichen in sieben Bänden Werke des Dresdner Hofkapellmeisters Johann Christoph Schmidt (1664-1728) aus Hohnstein/Sächsische Schweiz, einem von der Dresdner Musikgeschichtsschreibung vergessenen Komponisten. Als erster Band erscheint unter der Editionsnummer 22 die Partitur des Motetto „Auf Gott hoffe ich“ für Alt-Solo, Chor und Orchester für 14 Stimmen. Die Ausgabe basiert auf einer Übertragung von Kirchenmusikdirektor Ulrich Meier, Auerbach/Vogtland, die im Rahmen einer Diplomarbeit an der Hochschule für Kirchenmusik Dresden 2001 entstand. Das W

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28

"Vaclav Nelhybel: An Introduction to His Works for Trombone Solo and Trombone Ensemble." Doctoral diss., 2019. http://hdl.handle.net/2286/R.I.55551.

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abstract: Vaclav Nelhybel (1919-1996) composed over 600 works, a significant number of which were never published. The trombone is included in more than 200 of Nelhybel’s compositions, some featuring the instrument in a solo role and also as a key contributor in many of his chamber and large ensemble works. The goal of this project is to bring this significant body of trombone literature into the light by examining his seventeen compositions that feature the trombone in solos and trombone ensembles; this paper also includes a select listing of other works by Nelhybel that include the trombone.

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"Introduction of Soviet Trombone Literature to Western Trombone Repertoire." Doctoral diss., 2015. http://hdl.handle.net/2286/R.I.36460.

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abstract: The canon of music performed in recitals by American trombonists contains very few works for trombone by composers from Russia and the Soviet Union. Trombonists in the United States periodically perform trombone solos by Nikolai Rimsky-Korsakov, Alexei Lebedev, Vladislav Blazhevich, Gregory Kalinkovich, Alexander Tcherepnin, and Eugene Reiche. But these works represent a very small percentage of trombone solos performed in recitals in the United States, and compositions written after 1960 by composers in the U.S.S.R. are completely absent from recital programs. The purpose of this pr

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30

Hsiao, Lan-Lan, and 蕭藍嵐. ""Can you listen?!" for Trombone solo with Piano accompaniment(2005)." Thesis, 2005. http://ndltd.ncl.edu.tw/handle/87513684699768141228.

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碩士<br>國立交通大學<br>音樂研究所<br>94<br>“Can you listen” is a three movement trombone concert piece with piano accompaniment . The composer dedicates this piece to her father who has passed away. The music presents the mental situation of the composer from the day of her father’s illness, and she hopes that her father and all the audiences can feel the emotion in this piece. Therefore , she uses “Can you listen” as the title of this piece. This statement is divided into five parts : the foreword states the background of the composition ; the second paragraph states the motive and the thought of the com

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Converse, Andrew H. "The contributions of Axel Jørgensen to the solo trombone repertoire of Denmark in the twentieth century." 2009. http://proquest.umi.com/pqdweb?did=1692381401&sid=2&Fmt=2&clientId=14215&RQT=309&VName=PQD.

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Thesis (D.M.A.)--University of Nebraska-Lincoln, 2009.<br>Title from title screen (site viewed June 26, 2009). PDF text: x, 76 p. : music ; 2 Mb. UMI publication number: AAT 3350252. Includes bibliographical references. Also available in microfilm and microfiche formats.

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"Augmenting Jean Baptiste Arban’s Complete Method for Trombone Based upon the Demands of the Most-Performed Tenor Trombone Solo Literature." Doctoral diss., 2018. http://hdl.handle.net/2286/R.I.49125.

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abstract: This thesis proposes an augmentation of the Complete Method for Trombone by Jean Baptiste Arban. Although it is widely considered one of the leading trombone method books in the world, a thorough consideration of the demands of most performed solo literature today reveals serious shortcomings in the Arban Method for preparing trombonists to encounter such demands as meter and rhythm, keys and tonalities, range and endurance, clefs and F-attachment usage. This thesis thus proposes additions for a new version of the Arban Method that better aligns with the playing demands of the most p

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CHEN, CHUN-YAO, and 陳俊堯. "The Analysis and Interpretation of Bert Appermont’s Colors for Trombone Solo and Piano." Thesis, 2018. http://ndltd.ncl.edu.tw/handle/c9h2w3.

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碩士<br>輔仁大學<br>音樂學系<br>106<br>Bert Appermont was born in Bilzen, Belgium, on the 27th of December, 1973. Is a Belgian young composer who is very active in the world music scene. He received a double master's degree in music education and command in Belgium in 1998. He was more in charge of the UK and joined the world music scene at the Bournemouth Media Academy. He studied television film music design Master's degree. At the age of 25, Abumpon wrote a world-famous work with cutting-edge posture. The work was written in the title "Colors". Instead of talking with the elders of friends, "color tr

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"Arrows of Time: A Transcription of Richard Peaslee's Trombone Solo for Brass Band." Doctoral diss., 2013. http://hdl.handle.net/2286/R.I.17785.

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abstract: This thesis presents a new arrangement of Richard Peaslee's trombone solo "Arrows of Time" for brass band. This arrangement adapts Peaslee's orchestration - and subsequent arrangement by Dr. Joshua Hauser for wind ensemble - for the modern brass band instrumentation and includes a full score. A brief biography of Richard Peaslee and his work accompanies this new arrangement, along with commentary on the orchestration of "Arrows of Time", and discussion of the evolution and adaptation of the work for wind ensemble by Dr. Hauser. The methodology used to adapt these versions for the bra

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35

Wilcher, Marcus. "Real talk." Thesis, 2014. http://hdl.handle.net/2152/25255.

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This dissertation is intended as a supportive document for the five-part suite for ten-piece jazz ensemble entitled Real Talk. It is divided into six chapters, four of which are analytical and cover the following topics: Form, Melody, Harmony, and Other Compositional Techniques. Subcategories are used within these chapters to draw attention to specific compositional components relevant to the construction of the piece; illustrative tables and examples have been provided to assist in describing these components. The ultimate purpose of this document is to describe in detail my technical appr

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36

Sousa, Nuno Xavier Borges de. "Transcrição de solos jazz como ferramenta de aprendizagem para alunos de trombone no domínio da música erudita." Master's thesis, 2019. http://hdl.handle.net/10773/27530.

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O recurso a metodologias de aprendizagem de diferentes domínios musicais é frequentemente utilizado por professores para promover uma formação mais completa e equilibrada. O presente estudo é uma reflexão pessoal acerca da influência do recurso a exercícios utilizados no ensino do jazz, mais concretamente a técnica de transcrição de solos, nas capacidades aurais de alunos de trombone da vertente erudita. Sabendo que este tipo de prática geralmente não é contemplado nos planos de estudo do ensino instrumental erudito, foi implementada num grupo de cinco alunos de trombone uma intervenção educat

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