Dissertations / Theses on the topic 'Sonata in D'
Create a spot-on reference in APA, MLA, Chicago, Harvard, and other styles
Consult the top 50 dissertations / theses for your research on the topic 'Sonata in D.'
Next to every source in the list of references, there is an 'Add to bibliography' button. Press on it, and we will generate automatically the bibliographic reference to the chosen work in the citation style you need: APA, MLA, Harvard, Chicago, Vancouver, etc.
You can also download the full text of the academic publication as pdf and read online its abstract whenever available in the metadata.
Browse dissertations / theses on a wide variety of disciplines and organise your bibliography correctly.
TSAI, I.-HSUAN. "THE APPROACH TO SONATA FORM IN SCHUBERT'S PIANO TRIOS." University of Cincinnati / OhioLINK, 2004. http://rave.ohiolink.edu/etdc/view?acc_num=ucin1085690770.
Full textPedrero-Encabo, Agueda. "La sonata para teclado : su configuración en España /." Valladolid : Universidad, 1997. http://catalogue.bnf.fr/ark:/12148/cb38986300z.
Full textCho, Sujung. "Performance Challenges and Their Possible Solutions: Franz Schubert’s Piano Sonata in B-flat Major, D. 960." University of Cincinnati / OhioLINK, 2011. http://rave.ohiolink.edu/etdc/view?acc_num=ucin1312294162.
Full textFuchs, Sampson Sarah E. "Recasting the eighteenth-century sonata-form narrative : compositional strategies in Robert Schumann's Opp. 105 and 121 violin sonatas." CardinalScholar 1.0, 2010. http://liblink.bsu.edu/uhtbin/catkey/1567411.
Full textSchool of Music
Roggero, Amanda Marie. "Retracing the Journey of Franz Schubert’s Wanderer: Musical Fingerprints in the B-flat Sonata, D. 960." University of Cincinnati / OhioLINK, 2004. http://rave.ohiolink.edu/etdc/view?acc_num=ucin1085535681.
Full textLang, Matthias. "Transcription of Baroque Works for Classical Guitar: J S Bach's Sonata in D Minor (Bwv 964) As Model." Thesis, University of North Texas, 2013. https://digital.library.unt.edu/ark:/67531/metadc271851/.
Full textRosenbaum, George G. (George Gene). "Historical and Analytical Aspects of William Flackton's Sonatas for Viola and Keyboard (OPUS 2. Nos. 2, 4. 6. 8) with Particular Attention to the Sonata in D Maior (OPUS 2. No. 4)." Thesis, University of North Texas, 1991. https://digital.library.unt.edu/ark:/67531/metadc278956/.
Full textSmith, Jay. "An overview and performance guide to Manuel Ponce's Sonata III for guitar solo." Thesis, connect to online resource. Access restricted to the University of North Texas campus, 2006. http://www.unt.edu/etd/all/Aug2006/smith%5Fjay%5Fthomas/index.htm.
Full textSystem requirements: Adobe Acrobat Reader. Accompanied by 4 recitals, recorded Apr. 26, 1999, Apr. 24, 2000, Oct. 27, 2003, and Mar. 27, 2006. Includes bibliographical references (p. 41-44).
Roggero, Amanda. "Retracing the journey of Franz Schubert's wanderer musical fingerprints in the B-flat piano Sonata, D. 960 /." Cincinnati, Ohio : University of Cincinnati, 2004. http://rave.ohiolink.edu/etdc/view?acc%5Fnum=ucin1085535681.
Full textÅhrman, Tove. "Bachs triosonat i d-moll BWV 527 : spelpraxis, analys och instudering." Thesis, Kungl. Musikhögskolan, Institutionen för klassisk musik, 2016. http://urn.kb.se/resolve?urn=urn:nbn:se:kmh:diva-2101.
Full textWebb, Timothy. "Part I The Samson Suite for Chamber Orchestra. Part II The Provocative Prokofiev: Analysis of Moderato Movement Sonata for Flute and Piano in D Major, Opus 94." Youngstown State University / OhioLINK, 2010. http://rave.ohiolink.edu/etdc/view?acc_num=ysu1280337287.
Full textKim, Jung Won. "An analysis of J.S. Bach’s Partita in B flat major, BWV 825; W.A. Mozart’s Piano Sonata in D major, K.576; F. Chopin’s Mazurkas, Opus 17; A. Khachaturian’s Toccata: theoretical, stylistic, and historical background." Kansas State University, 2015. http://hdl.handle.net/2097/20101.
Full textMusic, Theatre, and Dance
Slawomir Dobrzanski
This Master’s report analyzes four piano compositions performed on April 9, 2015 at the author’s Master’s recital. The works under consideration are Johann Sebastian Bach’s Partita in B flat major, BWV 825; Wolfgang Amadeus Mozart’s Piano Sonata in D major, K.576; Fryderyk Chopin’s Four Mazurkas, Opus 17; and Aram Khachaturian’s Toccata. This analysis includes the discussion of the theoretical, stylistic, and historical background of each composition.
Lin, Chia-Hsing. "A Performer’s Guide to Interpretive Issues in Schubert’s Late Piano Sonatas, D. 958, D. 959 and D. 960." University of Cincinnati / OhioLINK, 2012. http://rave.ohiolink.edu/etdc/view?acc_num=ucin1330023742.
Full textHecker, Martin. "Formreflexion und Struktur der 2ème Sonate pour piano von Pierre Boulez : von der Inszenierung eines Übergangs /." Hamburg Kovač, 2008. http://d-nb.info/990746321/04.
Full textEnhamre, Sebastian. "Franz Schubert: Sonat i a-moll, D 845 - En tolkning." Thesis, Kungl. Musikhögskolan, Institutionen för klassisk musik, 2020. http://urn.kb.se/resolve?urn=urn:nbn:se:kmh:diva-3459.
Full textHavlíčková, Lucie. "Franz Schubert a jeho Sonáta "Arpeggione" D.821 v úpravě pro fagot a klavír." Master's thesis, Akademie múzických umění v Praze.Hudební a taneční fakulta. Knihovna, 2018. http://www.nusl.cz/ntk/nusl-391617.
Full textDanet, Bertrand. "Conception et réalisation d'une chaîne modulaire d'acquisition et de traitement du signal, application au sonar large bande." Toulouse 3, 1995. http://www.theses.fr/1995TOU30119.
Full textSood, Nitin. "The Study of Sonar for Imaging of the Solid-Liquid Interface Inside Large Tanks." FIU Digital Commons, 2005. http://digitalcommons.fiu.edu/etd/30.
Full textTurrentine, Herbert Charles. "Johann Schobert and French clavier music from 1700 to the Revolution /." Ann Arbor : UMI, 2000. http://catalogue.bnf.fr/ark:/12148/cb370598509.
Full textContient la musique de 3 sonates pour clavecin op. 7, n °3 (avec acc. de 2 violons et violoncelle), op. 16, n °2 (avec acc. de violon et violoncelle), op. 17, n °4 (avec acc. de violon). Bibliogr. p. 346-364.
Bonnett, Blair Cameron. "A multi-channel front-end for synthetic aperture sonar." Thesis, University of Canterbury. Electrical and Computer Engineering, 2010. http://hdl.handle.net/10092/5756.
Full textBorgstedt, Thomas. "Topik des Sonetts Gattungstheorie und Gattungsgeschichte." Tübingen Niemeyer, 2001. http://d-nb.info/991498631/04.
Full textLe, Gac Jean-Claude. "Deux approches de l'inversion geoacoutisque : inversion par signaux large bande et approche variationnelle." Toulon, 2003. http://www.theses.fr/2003TOUL0002.
Full textSeafloor geoacoustic properties are essential in underwater acoustics. This is particularly true for very low frequencies and shallow water environments. A geoacoustic model that is able to predict the sound propagation in an underwater environment is needed in order to optimize predictions of sonar performances. The methods for elaborating the geoacoustical models we present are based on the inversion of acoustical data. They aim to elaborate models adapted to sonars (through-the-sensor approach) by making use of instrumental configurations that are close to those of sonars. The geoacoustical models thus obtained are acoustically equivalent to ground truth models. The first approach exploits an estimation of the impulse response of the acoustical channel coming from the adapted filtering of broadband signals emitted by a source and received by a single hydrophone. This leads to a two-step method that first refine the knowledge of the geometrical parameters and then compute the seafloor plane wave reflection coefficient. The validity of the model thus obtained is examined and the technique applied to a real data set. The second approach is based on a variational approach coming from control theory. In this case, the acoustical pressure field is controlled by an impedance control function that is the geoacoustic model. The method is based on the formulation of the adjoint model of a parabolic approximation of Helmholtz's equation. The gradient of the cost functions defined in the algorithm is computed exactly. Local and non-local boundary conditions are examined. This method is potentially very promising
Hsu, Wei-Ying, and 許偉瑛. "Brahms Violin Sonata No.3 Op.108 D minor." Thesis, 2003. http://ndltd.ncl.edu.tw/handle/15081789512614413721.
Full textKuo, Tzu-Yin, and 郭姿吟. "Piano Sonata in C Minor, D 958 by Schubert." Thesis, 2016. http://ndltd.ncl.edu.tw/handle/97905111161661361060.
Full textLuo, Fei-Tsuei, and 羅翡翠. "A Study of Honegger’s Cello Sonata in d minor, H. 32." Thesis, 2013. http://ndltd.ncl.edu.tw/handle/g39n24.
Full textChen, Yun-Lan, and 陳韻嵐. "The Performance of Prokofiev''s Flute Sonata in D, Op.94." Thesis, 2000. http://ndltd.ncl.edu.tw/handle/12020442479077038090.
Full text謝佩勳. "Exploring the Collaborative Performances of Prokofiev's Sonata in D major Opus 94." Thesis, 2009. http://ndltd.ncl.edu.tw/handle/33819314022164343203.
Full textHuang, Chien-Ying, and 黃千盈. "The Analysis and Performance Interpretation of Franz Schubert’s piano sonata D.784." Thesis, 2011. http://ndltd.ncl.edu.tw/handle/22894593746044924907.
Full text國立臺北教育大學
音樂學系碩士班
100
Schubert was one of the most important composers in the early Nineteenth century. He wrote 21 piano sonatas that loved by the performers. When Schubert wrote pinao sonata D.784, he met crisis in his life. This work contains different styles in music expression compared to early works. This thesis contains five chapters. The first chapter is the introduction, including the author’s motivation in analyzing the music structure and performance interpretations of Piano Sonata D.784, as well as the scope of this thesis and the methodology used. Chapter 2 states Shuberts biography, music works and an overview of Shuberts piano sonatas. Chapter 3 is an analysis of Piano Sonata D.784 through music phrase structure, harmonic progression and tonality, rhythmic patterns, and melodic lines and textures. Chapter 4 describes the possible performance interpretations of Piano Sonata D.784. It is a collection of techniques found from piano lessons, literature reviews concerning performances, and the author’s personal performance experiences. Chapter 5 concludes authors research and personal performance experiences of this work. It is hoped that this thesis can provides the interpretive reference to people who are interested in Shubert’s piano music.
LIN，XIAO－YUE and 林筱樂. "An Analysis and Interpretation of Schubert’s Piano Sonata in A, D. 664." Thesis, 2017. http://ndltd.ncl.edu.tw/handle/89tjg7.
Full text輔仁大學
音樂學系
105
Franz Peter Schubert, one of the most representative composers of the early romantic period, carried forward the musical forms of the classical period. On this basis, he developed a romantic style characterized by harmonic ingenuity.During his creative period, the Piano Sonata in A Major, D. 664, was considered the most integrated and most beloved of his sonatas. It exhibits rich harmonic traits and graceful melodies that reveal the lyrical element of romanticism. The three short movements perfectly express feelings of elegance, meditation, and enthusiasm, and the sonata is a masterpiece of early romanticism. This thesis consists of five chapters. The first chapter is an introduction describing the research motivations and methods employed. The second briefly discusses Schubert’s life, musical style, and the creative background concerning this sonata. The third chapter is an analysis of the work, and the fourth is a discussion of performance interpretation. The final chapter is a conclusion.
Huang, Yu-ting, and 黃榆庭. "The Analysis and Interpretation of Schubert’s Piano Sonata in A, D.664." Thesis, 2012. http://ndltd.ncl.edu.tw/handle/44660683710197140966.
Full text國立臺灣藝術大學
音樂學系
100
Among the sonatas written by Franz Schubert (1979 -1828) in the early stage, the Piano Sonata in A, D.664 was regarded as the most structurally complete and the most favorable music piece. Although this sonata written by Franz Schubert was created following the classic music structure, but the plentiful emotion, song of tone and the beautiful melody made this piece so romantic. In three short chapters of this song, expression of emotions, elegance and passion were all included. The whole song is so natural, which makes this a valuable and successful music piece. This article is divided into six chapters, first introducing the background of Franz Schubert’s life and his piano music, also with the change of his piano music in different stages as well as the style of his music, in order to reveal the background of the Piano Sonata in A, D.664. After that, this article is going to analyze the structure and the creation of this song. We will compare the different annotations of the four recorded versions of this song and state out the opinion of the writer. Finally, a conclusion of the past five chapters will be made. I hope that by studying the Piano Sonata in A, D.664 of Franz Schubert, we can more understand about his music.
Yu, Ku Pei, and 顧佩育. "The Research and Interpretation of Mozart’s Piano Sonata in D major KV311." Thesis, 2006. http://ndltd.ncl.edu.tw/handle/37517058935297897252.
Full textSiegel, Lawrence Siegel Lawrence. "Schubert's harmonic geometry structural means in the first movement of the B♭ piano sonata (D. 960) ; [Sonata, viola and piano (1982)] /." 1988. http://catalog.hathitrust.org/api/volumes/oclc/23812888.html.
Full textya-ju, Yang, and 楊雅如. "The Analysis and Interpretation of D. Shostakovich's Sonata of Cello and Piano in d minor, Op. 40." Thesis, 2008. http://ndltd.ncl.edu.tw/handle/73142949737562107186.
Full text國立臺北教育大學
音樂學系碩士班
96
Shostakovich composed His “Cello Sonata in d Minor, Op. 40” in 1934.The musical structure is subject to traditional form with unconventional tonality. This sonata has contrastive relationship with tempo and style. The first and the third movement have the character of singing melodies. The second and the fourth movement have styles of Russian folk songs. Four chapters are contained in this study. This first chapter explains the purpose, content, methods, and procedures of this paper. The second chapter includes the introduction of Shostakovich’s life, the musical style and the special compositional materials. The third chapter explores the creation background and analyzes the “Cello Sonata in d Minor, Op. 40”. Chapter IV, the author provides a suggestion of how to interpret this sonata according to this study. The last chapter is the acquaintance and conclusion of the author.
Tsai, TAI-Yen, and 蔡岱晏. "Program Notes on H.Eccles's Violin Sonata in G Minor, L. v. Beethoven's Violin Sonata No. 5 in F Major Op. 24,and J.Brahms's Violin Sonata No. 3 in D Minor Op. 108." Thesis, 2009. http://ndltd.ncl.edu.tw/handle/37601956919686557370.
Full text東海大學
音樂系
97
The program notes include Henry Eccles ： Violin Sonata in G Minor, Ludwig van Beethoven ： Violin Sonata No. 5 in F Major Op. 24, “ Spring ", and Johannes Brahms ： Violin Sonata No. 3 in D Minor Op. 108. The writer tries to study the background and the style of each composer’s work.
Kuang, Yun-Han, and 匡韻涵. "Performance Analysis of Piano Sonata in E-flat Major, Op. 7 by Beethoven and Piano Sonata in D Minor, Op. 14 by Prokofiev." Thesis, 2008. http://ndltd.ncl.edu.tw/handle/16909995399754340380.
Full text中國文化大學
音樂研究所
96
Sonata is the most important form for the composers. The elements of the compositions, such as harmony、rhythm and melody, dictates of the style of each composer from the Baroque to the 20th-century, but the format of the sonata form has been the guideline followed strictly by every composer. Ludwig van Beethoven's Sonata Op.7 and Sergei Proko- fiev's Sonata Op.14 both have their own characters. Beetho- ven's Sonata Op.7 reveals his early classical style. Proko- fiev's Sonata Op.14 expresses the spirit of the music of the 20th-century. The aim of thesis will describe the develop- ment of the sonata form from Beethoven to Prokofiev.
Yang, Teng-kai, and 楊登凱. "An understanding, imagination, and interpretation to Schubert's A major piano sonata, D.959." Thesis, 2006. http://ndltd.ncl.edu.tw/handle/12836859537097409304.
Full text東吳大學
音樂學系
95
This thesis discuss Schubert’s A major piano sonata (D.959) by exploding how Schubert (himself) and Schubert’s music was and is understood. This process reveals the concerns of different ages and the human minds behind the concerns. In Schubert’s time, Vienna lacked for infrastructure and was under autocracy. This was the environment he worked in. People deemed him as a sensitive and loving genius, but didn’t recognize the full value of his works. In the second half of19th century, Schubert was known as a talented but not skillful composer. After th beginning of 20 century, the new realization of Schubert’s character and music came out; then Schubert stood in the roll of Great Composers. Charles Rosen described the harmonic structure that can avoid the contrastive power between chords in cadence in Schubert’s works as “wave form”, and pointed out this structure makes a wondering feeling when the structure is applied to sonata form. By a similar way of understanding, the A major sonata reveals the themes about love, nature, nostalgia, wondering, bleakness, and death. After knowing the views of different ages, I find that the human existing speaks; it determined how Schubert composed and how people see his works.
Chiang, Chia-Hua, and 江佳樺. "The Interpretation and Analysis of Shostakovich’s 《Cello Sonata in D Minor, Op.40》." Thesis, 2012. http://ndltd.ncl.edu.tw/handle/66529195435209185302.
Full text中國文化大學
音樂學系碩士班西洋音樂組
100
This study focuses on Dmitri Shostakovich's Cello Sonata in D minor, composed in 1934. This work is the only cello sonata by Shostakovich, and also his first mature work in chamber music. This thesis consists of five chapters. Chapter one is an introduction, which states the motive, purpose, and researching methodology of this study. Chapter two narrates the composer's life, style, and the background of this sonata. Chapter three focuses on the musical analysis of this work. Chapter four discusses the performance issues and the interpretation of this work. Chapter five concludes with the results of my research.
HUANG, YU-TING, and 黃郁婷. "A Study of "Sonata in a Minor Arppeggione"D.821 by Franz Schubert." Thesis, 2016. http://ndltd.ncl.edu.tw/handle/vp878n.
Full text國立臺南大學
音樂學系音樂科教學碩士班
104
Schubert was a very important romantic music composer in the early nineteenth century. Schubert’s "Sonata in a Minor Arpeggione" D.821, which was composed in 1824, is instrumental music. The arpeggione made by J. G. Staufer, a musical instrument maker in Vienna, was a "guitar-violoncello", shaped like a guitar and combined with the playing way of the cello. However, it disappeared no more than ten years later. To date, it has still been mentioned only because Schubert’s sonata has been widely appreciated by people in the world. The subject of this study is "Sonata in a Minor Arpeggione". First, it introduces sonatas, the characteristics and development of the arpeggione, and the composer Schubert’s biography and investigates the background and style of his producing this composition. Finally, it analyzes the composition and interprets the playing of viola arrangement published by Henle and make conclusion. Furthermore, based on the CDs of three famous music players who play this composition with the viola, the cello and the arpeggione, those are compared by the range of playing tone, speed, dynamics, and timbre, respectively. Listening to the composition played with different musical instruments is fun in each, and all of them are close to the original music of the composer. It helps the interpretation of the composition very much.
Tsao, Li-Wen, and 曹力文. "The Analysis and Interpretation of Prokofiev Flute Sonata in D Major,op.94." Thesis, 2016. http://ndltd.ncl.edu.tw/handle/72185985401838815299.
Full textChien, Li-Fang, and 簡莉方. "The Analysis and Interpretation of Prokofiev's Flute Sonata in D Major ,Op. 94." Thesis, 2013. http://ndltd.ncl.edu.tw/handle/88128054517843504181.
Full text臺北市立教育大學
音樂學系碩士班
101
The one of the most represented composer of 20th century was Prokofiev. In his comprehensive works from symphony, orchestra piece, ballet, opera to chamber music, all of works are full of his dramatic character and ironic style. Prokofiev was influenced by the Neoclassicism, however in his work, we not only can find the conserved song form but also can heard the new harmonic usage, like the sudden transpose and the vigorous rhythm, both of the new and old mixed in his work, that make him outstanding in the musical realm from then to today. The topic of this thesis is: ( The Analysis and Interpretation of Prokofiev's Flute Sonata in D Major ,Op. 94),There are five chapters to approaching the subject; in the first chapter will introduce the author’s motivation and researching background; the second chapter will briefly collect Prokofiev composing background from the aspects of history and culture will also list the different style of composition in his life; The third chapter will start form the composition itself to analyze the form, the harmonic structure, the usage of the motive and also the composing background; the fourth chapter is the author’s own interpretation of this composition, will also discuses about the technical issue to play on this piece; the chapter fifth is the conclusion. From the study of the composer’s background and the aspect of culture influenced, to the detail analyze of this composition, the author will come up with more proper interpretation in the musical way, after the researching of this thesis.
Wu, So-Tzu, and 吳碩慈. "A Study of Prokofiev’s Sonata for Solo Violin in D Major, Op.115." Thesis, 2016. http://ndltd.ncl.edu.tw/handle/25406005395610191935.
Full text國立中山大學
音樂學系研究所
104
Sergey Prokofiev (1891-1953) is one of the most prominent Russian composers and pianists of the 20th century. Among Prokofiev’s seven violin works, Sonata for Solo Violin in D Major, Op. 115, 1947 is the final piece he composed in 1947. This study includes three main chapters. The first chapter discusses Russia’s political influences on music development. The second chapter introduces Prokofiev’s life, compositional style, compositional techniques, and his violin works. The final chapter begins with an introduction of the background of Sonata for Solo Violin, Op. 115, and then analyzes musical forms and motives, and lastly, provides an analytical perspective towards the application and interconnectivity of the five techniques-Classical, Modern, Toccata, Lyrical, and Grotesque (Prokofiev, 1941)-with Prokofiev’s Sonata for Solo Violin, Op. 115.
Kuei-Ling, Liu, and 劉桂伶. "A Study of Prokofiev Violin Sonata No.2 in D Major Op.94." Thesis, 2011. http://ndltd.ncl.edu.tw/handle/79102144332446322166.
Full text臺北市立教育大學
音樂學系教學碩士學位班
99
This paper is a comprehensive study of Prokofiev’s Violin Sonata in D Major Op94. With the aid of this research, the author can perform the sonata in depth and with a more precise interpretation. The paper is divided into six chapters. Chapter One is an introduction. Chapter Two includes Prokofiev’s biography and background by stating the historical background in his era and stages of life. Chapter Three consists of the compositional style and background of Prokofiev. This chapter discusses Prokofiev’s music compositions and music styles in each period. Chapter Four consists of the compositional background of Prokofiev’s D Major Violin sonata. Chapter Five focuses on Forms and Analysis and music interpretation. The author analyzes and studies the compositional styles, structures and the development of motives of all four movements, and discusses the interpretation methods and technical performance point of view. Chapter Six is the conclusion where the author concludes and induces the research and discovery of the previous five chapters.
Lu, Chao-Ying, and 呂昭瑩. "Schubert: Sonata in A minor, D.821("Arpeggione"), arranged for Viola and Piano." Thesis, 2006. http://ndltd.ncl.edu.tw/handle/27240054189796875082.
Full textWan-Hsuan, Lu, and 呂婉瑄. "The Study in Piano Interpretation of Prokofiev’s “Piano Sonata in D minor, Op. 14”." Thesis, 2011. http://ndltd.ncl.edu.tw/handle/71943759643226373422.
Full text台南應用科技大學
音樂研究所
100
Sergei Prokofiev was one of the most important composers in the twentieth century. His works showed an innovative style regardless of rhythm and harmony. Through pitches and textures, Prokofiev embodied the images and characters of different roles. Prokofiev not only inherited the Russian music tradition, but also brought new elements to contemporary music of Russia. The objective of the thesis is to study the Piano Sonata in D minor, Op. 14, by Sergei Prokofiev. The focus of this research was divided into five chapters. Chapter one introduced the study motive , purpose, the study scope and methods. Chapter two briefly described the compositional background and including Piano Sonata of Prokofiev. Chapter three analyzed the compositional techniques of the sonata. Chapter four discussed the interpretation performance practice of the sonata. In the final chapter, concluded the previous discussion , briefly described Prokofiev’s achievements and contributions.
Yi, Huang Ching, and 黃瀞儀. "The Analysis and the Interpretation of Shostakovich’s Cello Sonata in D minor, Opus 40." Thesis, 2014. http://ndltd.ncl.edu.tw/handle/24629605592228445586.
Full textChiang, Chih-I., and 姜智譯. "Musical Analysis On Johannes Brahms Violin Sonata No.3 in d minor Op.108." Thesis, 2005. http://ndltd.ncl.edu.tw/handle/25428723921346479026.
Full textLiu, Pin-Hsuan, and 劉品萱. "The Analysis and Interpretation of Bach's Cello Sonata No. 2 in D Major, BWV1028." Thesis, 2015. http://ndltd.ncl.edu.tw/handle/74033568239001834865.
Full textChih-I, Chiang, and 姜智譯. "Musical Analysis On Johannes Brahms Violin Sonata No.3 in d minor Op.108." Thesis, 2005. http://ndltd.ncl.edu.tw/handle/bz4er8.
Full textChiu, Chiao-Ching, and 邱巧靜. "An analysis and interpretation on Franz Schubert’s Piano Sonata in A Major, D 959." Thesis, 2008. http://ndltd.ncl.edu.tw/handle/psh467.
Full textChen, Wan-Chun, and 陳宛君. "The Interpretation of Dmitri Shostakovich's “Cello Sonata in d Minor, Op. 40” and “Moderato”." Thesis, 2009. http://ndltd.ncl.edu.tw/handle/91058138565393700441.
Full text中國文化大學
音樂研究所
97
Dmitri Shostakovich is one of the greatest composers, the Russian son of the revolution in the 20th Century music. Many people think he is the great hero, who brings Russian music into a new era. Someone even said that he took politics into his music. He was actively involved in Russia's socialist movement, in the music refuses to budge on, as far as possible to try all kinds of music, boldly into the new wave of modernism. His works show many humorous and experimental character, and often used free and easy musical style to imply serious social issues. In Dmitri Shostakovich's life, he had not created many cello pieces. In terms of his cello works, this paper trys to discuss the techniques and possible interpretations of “Cello Sonata in d Minor, Op. 40” and “Moderato”. Each section will give an analysis on the life experiences, musical characteristics, political environment, and the creative integration of the background. Finding out Shostakovich's special creative tactics and motives of material arrangements, and exploring the correlation between the works. Allowing the performance annotation of the music and the skill to come in sync and support one another.