Journal articles on the topic 'Sonata'
Create a spot-on reference in APA, MLA, Chicago, Harvard, and other styles
Consult the top 50 journal articles for your research on the topic 'Sonata.'
Next to every source in the list of references, there is an 'Add to bibliography' button. Press on it, and we will generate automatically the bibliographic reference to the chosen work in the citation style you need: APA, MLA, Harvard, Chicago, Vancouver, etc.
You can also download the full text of the academic publication as pdf and read online its abstract whenever available in the metadata.
Browse journal articles on a wide variety of disciplines and organise your bibliography correctly.
ÇAĞLAK EKER, Tuğba, and Prof dr nezihe ŞENTÜRK. "SONAT FORMUNUN TARİHİ SÜREÇ İÇİNDEKİ GELİŞİMİ: JOAQUIN RODRIGO PİYANO SONATI ANALİZİ." Turkish Online Journal of Design Art and Communication 13, no. 1 (January 1, 2023): 240–55. http://dx.doi.org/10.7456//11301100/016.
Full textSolecka, Joanna. "Sonate per uno o due Cembali con il basso cifrato Bernarda Pasquiniego – błaha rozrywka czy kunsztowna szarada?" Kwartalnik Młodych Muzykologów UJ, no. 47 (4) (2020): 27–69. http://dx.doi.org/10.4467/23537094kmmuj.20.017.13203.
Full textSolecka, Joanna. "Bernardo Pasquini’s Sonate per uno o due Cembali con il basso cifrato: Simple Entertainment or an Elaborate Charade?" Kwartalnik Młodych Muzykologów UJ, no. 47 (4) (2020): 25–68. http://dx.doi.org/10.4467/23537094kmmuj.20.042.13915.
Full textVon Mayer Chaves, Peggy. "Reivindicación del modernismo en las Sonatas de Valle-Inclán." Revista de Filología y Lingüística de la Universidad de Costa Rica 21 (August 30, 2015): 165. http://dx.doi.org/10.15517/rfl.v21i0.20284.
Full textFRĂȚILĂ, Lioara. "Development of the Sonata genre in Frederic Chopin’s creation." Bulletin of the Transilvania University of Braşov. Series VIII:Performing Arts 13(62), no. 1 (June 20, 2020): 65–74. http://dx.doi.org/10.31926/but.pa.2020.13.62.1.7.
Full textRenat, Maryla. "The synthesis of tradition and avant-garde techniques in selected polish violin sonatas from the second half of the 20th century." Notes Muzyczny 2, no. 12 (December 13, 2019): 199–216. http://dx.doi.org/10.5604/01.3001.0013.7175.
Full textSwack, Jeanne R. "On the Origins of the Sonate auf Concertenart." Journal of the American Musicological Society 46, no. 3 (1993): 369–414. http://dx.doi.org/10.2307/831926.
Full textToma, Iulia, Elena Amaricai, Roxana Ramona Onofrei, and Mihai Popean. "The Impact of Piano Styles on Muscle Force in Pianist Students." Symmetry 14, no. 9 (September 15, 2022): 1927. http://dx.doi.org/10.3390/sym14091927.
Full textLebedeva, N. S. "Sonatas № 2 end № 9 as Milestones in the Evolution of the Piano Style of A. Scriabin." Culture of Ukraine, no. 71 (April 2, 2021): 86–93. http://dx.doi.org/10.31516/2410-5325.071.11.
Full textKuźniar, Marcin. "The Development of the Modern Guitar Sonata." Edukacja Muzyczna 17 (2022): 175–91. http://dx.doi.org/10.16926/em.2022.17.06.
Full textDubka, O. S. "Sonata for the trombone of the second half of the 16th – the beginning of the 19th centuries in the context of historical and national traditions of development of the genre." Problems of Interaction Between Arts, Pedagogy and the Theory and Practice of Education 54, no. 54 (December 10, 2019): 55–70. http://dx.doi.org/10.34064/khnum1-54.04.
Full textNiemöller, Klaus. "Sonate und Sonatina für Violoncello und Klavier von Kodály im gattungsgeschichtlichen Zusammenhang." Studia Musicologica 50, no. 1-2 (March 1, 2009): 49–74. http://dx.doi.org/10.1556/smus.50.2009.1-2.3.
Full textSilva, William Teixeira da, and André Micheletti. "A resolução de appoggiaturas e acciaccaturas na "Sonata para Violoncelo" RV 44, de Antonio Vivaldi." Revista Música 14, no. 1 (May 10, 2014): 273. http://dx.doi.org/10.11606/rm.v14i1.115259.
Full textHartmann, Ernesto. "Modelagem, Simulação e Compressão na Sonata nº 10 para piano (das Rosas) de Almeida Prado: diálogos intertextuais com a Sonata op. 109 para piano de L. van Beethoven." OPUS 25, no. 3 (November 28, 2019): 415. http://dx.doi.org/10.20504/opus2019c2519.
Full textPorizko, Ekaterina I. "The Infl uence of the Polyphonic Technique of the Organ Sonatas, Opus 65, on the Oratorio “Elijah” by F. Mendelssohn-Bartholdy." Университетский научный журнал, no. 77 (December 25, 2023): 128–40. http://dx.doi.org/10.25807/22225064_2023_77_128.
Full textGreenberg, Yoel. "Tinkering with Form: On W. F. Bach's Revisions to Two Keyboard Sonatas." Music Theory and Analysis (MTA) 6, no. 2 (October 30, 2019): 200–223. http://dx.doi.org/10.11116/mta.6.2.2.
Full textMacDonald, Calum. "Further reviews." Tempo 60, no. 238 (October 2006): 49–50. http://dx.doi.org/10.1017/s0040298206330318.
Full textErgasheva, Yu Yu, and N. T. Mukhsinov. "Characteristics Of The Clinic And The Course Of Sonata Addiction Preceding The Formation Of Complicated Alcoholism." American Journal of Medical Sciences and Pharmaceutical Research 02, no. 12 (December 31, 2020): 92–96. http://dx.doi.org/10.37547/tajmspr/volume02issue12-15.
Full textVARVARICHI, Leona, and Alina-Maria NAUNCEF. "Wilhelm Georg Berger’s Music: Elements of compositional style and instrumental techniques necessary for the public performance." BULLETIN OF THE TRANSYLVANIA UNIVERSITY OF BRASOV SERIES VIII - PERFORMING ARTS 14 (63), no. 1 (2021): 97–108. http://dx.doi.org/10.31926/but.pa.2021.14.63.1.11.
Full textQuinn, Iain. "The Genesis of the Victorian Organ Sonata." Nineteenth-Century Music Review 12, no. 1 (June 2015): 53–70. http://dx.doi.org/10.1017/s147940981500004x.
Full textBorshuliak, Alona. "Interpretation of Musical Topos in W. A. Mozart’s Sonata Cycles." Studia Universitatis Babeş-Bolyai Musica 69, no. 1 (June 10, 2024): 135–48. http://dx.doi.org/10.24193/subbmusica.2024.1.10.
Full textHorbal, Yaroslav. "Sonata for saxophone by P. Craston in the aspect of universals for the instrumental sonata genre in the XX century." Музикознавча думка Дніпропетровщини, no. 19 (December 30, 2020): 181–92. http://dx.doi.org/10.33287/222045.
Full textSalinas, Edgardo. "The Form of Paradox as the Paradox of Form." Journal of Musicology 33, no. 4 (2016): 483–521. http://dx.doi.org/10.1525/jm.2016.33.4.483.
Full textIvanova, I. L. "“3 Piano Sonatas for the Young” op. 118 in a context of last works by Robert Schumann." Aspects of Historical Musicology 13, no. 13 (September 15, 2018): 26–45. http://dx.doi.org/10.34064/khnum2-13.03.
Full textVenn, Edward. "ADÈS AND SONATA FORMS." Tempo 75, no. 298 (October 2021): 20–40. http://dx.doi.org/10.1017/s0040298221000371.
Full textMead, Philip. "TIPPETT'S FOURTH PIANO SONATA." Tempo 71, no. 279 (December 20, 2016): 8–17. http://dx.doi.org/10.1017/s004029821600067x.
Full textHarbinson, William G. "Performer Indeterminacy and Boulez's Third Sonata." Tempo, no. 169 (June 1989): 16–20. http://dx.doi.org/10.1017/s0040298200025110.
Full textLambert, Sterling. "Beethoven in B♭♭: Op. 130 and the Hammerklavier." Journal of Musicology 25, no. 4 (2008): 434–72. http://dx.doi.org/10.1525/jm.2008.25.4.434.
Full textSerhiі, Dikarev. "Genre and style specifics of Sonata for Double Bass and Piano by Paul Hindemith." Aspects of Historical Musicology 24, no. 24 (October 13, 2021): 127–47. http://dx.doi.org/10.34064/khnum2-24.07.
Full textWHEELDON, MARIANNE. "Debussy and La Sonate cyclique." Journal of Musicology 22, no. 4 (2005): 644–79. http://dx.doi.org/10.1525/jm.2005.22.4.644.
Full textBieńkowska, Irena. "Previously Unknown Sources for Johann Philipp Kirnberger’s Flute Sonatas Found in the Former Rzewuski Music Collection from Podhorce (Pidhirtsi)." Muzyka 66, no. 3 (October 19, 2021): 92–116. http://dx.doi.org/10.36744/m.974.
Full textAnatolii, Tarabanov. "Performance and existential chronotope of clavier sonatas of the late Baroque and Classicism." Problems of Interaction Between Arts, Pedagogy and the Theory and Practice of Education 61, no. 61 (December 31, 2021): 50–75. http://dx.doi.org/10.34064/khnum1-61.03.
Full textCuervo Calvo, Laura. "El avance hacia la idiomatización del lenguaje pianístico a través de la edición de Clementi de las sonatas de D. Scarlatti (1791)." Anuario Musical, no. 72 (January 22, 2018): 123. http://dx.doi.org/10.3989/anuariomusical.2017.72.04.
Full textKantarci, Burak, Kevin G. Carr, and Connor D. Pearsall. "SONATA." International Journal of Distributed Systems and Technologies 7, no. 1 (January 2016): 59–78. http://dx.doi.org/10.4018/ijdst.2016010104.
Full textWeirich, Robert, Leon Kirchner, Seymour Shifrin, Milton Babbitt, Bela Bartok, Roger Sessions, Miriam Gideon, and Ben Weber. "Sonata." American Music 3, no. 2 (1985): 242. http://dx.doi.org/10.2307/3051646.
Full textMutis, Álvaro, and Alastair Reid. "Sonata." World Literature Today 77, no. 2 (2003): 13. http://dx.doi.org/10.2307/40157963.
Full textAichinger, Erhard, and Rika Yatchak. "Sonata." ACM Communications in Computer Algebra 50, no. 3 (November 4, 2016): 89–92. http://dx.doi.org/10.1145/3015306.3015310.
Full textMonge Mata, Manuel. "Sonata." ESCENA. Revista de las artes 82, no. 2 (December 27, 2022): 298–320. http://dx.doi.org/10.15517/es.v82i2.53041.
Full textDexin, Xu. "The Principles and Techniques of Artur Schnabel’s Performance of the Piano Sonatas by Ludwig van Beethoven." ARTISTIC CULTURE. TOPICAL ISSUES, no. 19(2) (November 29, 2023): 133–38. http://dx.doi.org/10.31500/1992-5514.19(2).2023.294642.
Full textMedvednikova, Tatiana. "THE DRAMATURGY OF THE SONATA CYCLE BY L. VAN BEETHOVEN (on the example Sonata № 3 С-dur оp. 2)." Музикознавча думка Дніпропетровщини, no. 18 (November 13, 2020): 84–92. http://dx.doi.org/10.33287/222019.
Full textSchicker, Wolfgang. "Mischdrucke aus 'Sinfonie/Sonate e Concerti'." Die Musikforschung 65, no. 1 (September 22, 2021): 25–41. http://dx.doi.org/10.52412/mf.2012.h1.142.
Full textDobre Ioniță, Raluca. "GEORG FRIEDRICH HAENDEL - SONATA FOR VIOLIN AND FIGURED BASS OP. 1, NO. 13." Review of Artistic Education 27 (April 1, 2024): 122–29. http://dx.doi.org/10.35218/rae-2024-0014.
Full textFulias, Ioannis. "A peculiarity in Haydn’s early symphonic work: Form and possible sources of the first movement of Symphony Hob. I:21." Studia Musicologica 51, no. 3-4 (September 1, 2010): 419–28. http://dx.doi.org/10.1556/smus.51.2010.3-4.12.
Full textBandy, Dorian. "Beethoven's Rhetoric of Embellishment." 19th-Century Music 46, no. 2 (2022): 125–62. http://dx.doi.org/10.1525/ncm.2022.46.2.125.
Full textКаrachevtseva, Inna. "Stylistic phenomenon of Violin sonatas by Franz Schubert." Aspects of Historical Musicology 16, no. 16 (September 15, 2019): 106–25. http://dx.doi.org/10.34064/khnum2-16.06.
Full textCapdepón Verdú, Paulino. "Música de tecla en la España del siglo XVIII: Domenico Scarlatti y el padre Antonio Soler." Cuadernos de Estudios del Siglo XVIII, no. 21 (October 5, 2017): 7–34. http://dx.doi.org/10.17811/cesxviii.21.2011.7-34.
Full textIoniță, Raluca Dobre. "18. Technical and Interpretive Considerations in the Third Sonata for Violin and Piano, OP. 45 by Edvard Grieg." Review of Artistic Education 19, no. 1 (April 1, 2020): 149–54. http://dx.doi.org/10.2478/rae-2020-0018.
Full textByčko, Ada. "Filosofinė sonata." Problemos 30 (September 29, 2014): 58–64. http://dx.doi.org/10.15388/problemos.1983.30.6434.
Full textMacAdam, Laurel, Charles Wuorinen, and Pierre Boulez. "Second Sonata." American Music 12, no. 3 (1994): 341. http://dx.doi.org/10.2307/3052283.
Full textGrosholz, Emily. "Autumn Sonata." Hudson Review 44, no. 4 (1992): 611. http://dx.doi.org/10.2307/3852027.
Full text