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Dissertations / Theses on the topic 'Sonatas (Oboe)'

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1

Polk, Kristin Marie. "An analysis of form and tonality in Arnold Cooke's Sonata for oboe and piano (1957)." Thesis, connect to online resource, 2008. http://digital.library.unt.edu/permalink/meta-dc-6061.

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Thesis (D.M.A.)--University of North Texas, 2008.<br>System requirements: Adobe Acrobat Reader. Accompanied by 4 recitals, recorded Mar. 7, 2005, Oct. 10, 2005, Mar. 6, 2006, and Feb. 4, 2008. Includes bibliographical references (p. 29-30).
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2

Schindler, Angela N. "Unique Contributions for Oboe in the Classical Period: Jacques Christian Michel Widerkehr's Duos for Oboe and Piano and François Devienne's Six Sonatas for Oboe and Basso Continuo." Thesis, University of North Texas, 2006. https://digital.library.unt.edu/ark:/67531/metadc5435/.

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Sonatas for oboe in the classical period are classified as 'solo sonatas.' These 'solo sonatas,' which originated in the baroque period, consist of a melody instrument and basso continuo. Solo sonatas for oboe, which account for a sizeable repertory in the baroque period, continued to be composed in the classical period but in the baroque style. The basso continuo setting for sonatas gradually disappeared toward the end of the period, developing into the duo sonata in which a solo instrument and piano played an equal role in presenting melodic material. While the fully developed classical sona
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3

Combs, Julia C. (Julia Carolyn). "Six Oboe Sonatas by Giuseppe Sammartini (Sibley Manuscript S. 189): With Critical Commentary and a Performing Edition of Sonata Five, a Lecture Recital, Together with Three Other Recitals." Thesis, North Texas State University, 1985. https://digital.library.unt.edu/ark:/67531/metadc330905/.

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The lecture was given on October 7, 1985. The discussion dealt with the stylistic characteristics of six oboe sonatas and preparation of a performing edition of the fifth sonata by the eighteenth-century oboist and composer Giuseppe Sammartini. After Sammartini emigrated from Milan to London in the 1720s, he became the leading oboist in England. Both his playing and his compositions were praised by contemporaneous writers including Burney and Hawkins. Sammartini's oboe sonatas share stylistic traits with the work of his baroque contemporaries while looking forward to the emergence of the class
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4

Ti, Yu-ju. "Duo Sonatas and Sonatinas for Two Clarinets, or Clarinet and Another Woodwind Instrument: An Annotated Catalog." The Ohio State University, 2009. http://rave.ohiolink.edu/etdc/view?acc_num=osu1243880660.

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5

Schindler, Angela N. "Unique contributions for oboe in the classical period Jacques Christian Michel Widerkehr's Duos for oboe and piano and François Devienne's Six sonatas for oboe and basso continuo /." connect to online resource, 2006. http://www.unt.edu/etd/all/Dec2006/Open/schindler_angela/index.htm.

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Thesis (D.M.A.)--University of North Texas, 2006.<br>System requirements: Adobe Acrobat Reader. Accompanied by 4 recitals, recorded Apr. 3, 2000, Nov. 13, 2000, Mar. 11, 2002, and Sept. 25, 2006. Includes bibliographical references (p. 50-51).
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Ti, Yu-Ju. "Duo sonatas and sonatinas for two clarinets, or clarinet and another woodwind instrument an annotated catalog /." Columbus, Ohio : Ohio State University, 2009. http://rave.ohiolink.edu/etdc/view.cgi?acc%5Fnum=osu1243880660.

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7

Grant, Margaret Jean. "A feminist analysis of Francis Poulenc's sonata for oboe and piano." Cincinnati, Ohio : University of Cincinnati, 2006. http://www.ohiolink.edu/etd/view.cgi?acc%5Fnum=ucin1148187368.

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Thesis (Dr. of Musical Arts)--University of Cincinnati, 2006.<br>Title from electronic thesis title page (viewed Sept. 13, 2006). Includes abstract. Keywords: oboe sonata, Poulenc, feminism, music theory. Includes bibliographical references.
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8

GRANT, MARGARET JEAN. "A FEMINIST ANALYSIS OF FRANCIS POULENC'S SONATA FOR OBOE AND PIANO." University of Cincinnati / OhioLINK, 2006. http://rave.ohiolink.edu/etdc/view?acc_num=ucin1148187368.

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9

Campbell, Bailey Mary L. "Léon Goossens’s Impact on Twentieth-Century English Oboe Repertoire: Phantasy Quartet of Benjamin Britten, Concerto for Oboe and Strings of Ralph Vaughan Williams, and Sonata for Oboe of York Bowen." University of Cincinnati / OhioLINK, 2010. http://rave.ohiolink.edu/etdc/view?acc_num=ucin1275918439.

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10

Pak, Moon-Chung. "Sonata form in the six quintets, opus 11, by Johann Christian Bach." Virtual Press, 1996. http://liblink.bsu.edu/uhtbin/catkey/1026704.

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This study is about Johann Christian Bach's Opus 11 Quintets for flute, oboe, violin, viola, cello and continuo. The main focus of the research concerns the use of sonata form in these pieces. All the first movements are in sonata form, which was a common practice of his time. The two slow second movements are in sonata form also. In addition, one of the slow movements is sonata form without a development section.This period of time was rich in experimentation. Within Bach's work the variety within these eight sonata-form movements is explored. Essential features of the sonata form as well as
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11

Swart, Bernarda. "Proust se geheuekonsep in Dutilleux se sonate vir hobo en klavier (1947) / Bernarda Swart." Thesis, North-West University, 2006. http://hdl.handle.net/10394/920.

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The French composer Henri Dutilleux (born 1916) was largely influenced by the French writer Marcel Proust's (1871-1922) novel A la recherche du temps perdu. This monumental work is regarded by many critics as one of the most important novels of all times. The narrator, a parallel figure of Proust himself, experiences an involuntary memory of his childhood. An involuntary memory which is aroused in the narrator runs like a thread through the novel. This study traces how Dutilleux's style of writing was influenced by the concept of memory. Proust's concept of involuntary memory is realised in th
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12

Kwak, Na-Young. "Selected repertoire from the Gillet International Oboe Competition & the International Oboe Competition of Tokyo, 1995-2005." 2006. http://hdl.handle.net/1903/9714.

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13

Youn, Hyo Joung. "Doctoral thesis recital (collaborative piano)." Thesis, 2012. http://hdl.handle.net/2152/23781.

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14

Kim, Yeong Su Ko Eunae. "20th century French oboe repertoire from two groups of composers "Le triton" and "Le jeune France"." 2006. http://hdl.handle.net/1903/9756.

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15

Yu-Wen, Huang, and 黃郁雯. "Francis Poulenc: A Study of Sonata for Oboe and Piano/ Yu-Wen Huang Oboe Graduation Recital." Thesis, 2004. http://ndltd.ncl.edu.tw/handle/29148393725072504673.

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碩士<br>東吳大學<br>音樂學系<br>92<br>Fancis Poulenc( 1899-1963) is an outstanding French composer and pianist in 20th century. Deeply impressed by Erik Satie( 1866-1925) fruitful eccentricities, Poulenc joined an ostentatiously self-descriptive musical group called the Nouveaux Jeunes. It was in January of 1920 that Henri Collet, in an article in Comoedia, dubbed the six young composers of this group Les Six- implying their relationship as young French nationalists to the Russian Five. The group comprised Poulenc, Darius Milhaud( 1892-1974), Authur Honegger( 1892-1955), Georges Auric( 1899-1983), Louis
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16

Liu, Sung-Lin, and 劉崧琳. "An Analysis and Interpretation of “Oboe Sonata” by Paul Hindemith." Thesis, 2016. http://ndltd.ncl.edu.tw/handle/49124031791601531956.

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碩士<br>臺北市立大學<br>音樂學系碩士在職專班<br>104<br>Paul Hindemith was a representative German composer in the twentieth century, and an outstanding music performer and educator of the time. His composition mixed by Baroque characteristics and his unique techniques which reveals New Objectivity style. Besides he used his theories which Unterweisung im Tonsatz ( The Craft of Musical Composition) mentioned of, “Oboe Sonata” is a piece combines these ideas. For players who perform “Oboe Sonata” could correspond the conception of composer, this dissertation has five chapters include an overview of composer’s lif
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17

Yang, Chia-Cheng, and 楊佳珍. "CHIA-CHENG YANG OBOE RECITAL WITH A SUPPORTING PAPER THE ANALYSIS AND INTERPRETATION OF BOZZA'S SONATA FOR OBOE AND PIANO." Thesis, 2012. http://ndltd.ncl.edu.tw/handle/85652340528516717811.

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碩士<br>國立交通大學<br>音樂研究所<br>100<br>Abstract Eugène Bozza(1905-1991)is an outstanding French composer, conductor and educator in 20th century. His music is inheritance of the colorful French music, as from Italy's family background his music also include some gorgeous opera elements. And Bozza had large number of works, especially for woodwinds. The Oboe Sonata Composed in 1971. To confront the crash of New Music in the middle 20th century, Bozza insisted on his style that mainly paid much attention to the melody. And his composing style mixed the classical forms and modern elements. The
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18

Hsu, Chiu-Ping, and 許湫萍. "An Analysis and Interpretation of Sonata for Oboe and Piano by Henri Dutilleux." Thesis, 2010. http://ndltd.ncl.edu.tw/handle/82152222595470535312.

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碩士<br>國立嘉義大學<br>音樂與表演藝術研究所<br>98<br>Henri Dutilleux is one of the most important French composers of the late twentieth century. His style and compositional techniques had followed Ravel, Debussy, and Roussel. However, he still built up his own distinctly musical style. Even though his outputs were relatively small, the high quality and originality had won numbers of international praise. The title of this thesis is An Analysis and Interpretation of Henry Dutilleux’s Oboe Sonata. The thesis is divided into five chapters. The first chapter is the introduction, which includes the motivation,
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19

Liao, Yu-Jou, and 廖羽柔. "An Analysis and Interpretation of Francis Poulenc''s Sonata for Oboe and Piano." Thesis, 2018. http://ndltd.ncl.edu.tw/handle/x343xe.

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碩士<br>台南應用科技大學<br>音樂系碩士班<br>106<br>This is a descriptive thesis about Sonata for Oboe and Piano of the French modern composer Francis Poulenc (1899-1963). During the early part of the twentieth century, several composer groups banded together for French music, of which “Les Six” influenced Francis Poulenc’s musical works. In addition, musicians shared their compositional traits, while developing a particular style of French music. This thesis focuses on the motivation and historical background of this composition and technique issues in order to explore and analyze the interpretation of Poule
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20

羅苑玲. "Camille Saint-Saens(1835-1921):Sonata in D Major for oboe and piano, Op.166." Thesis, 2005. http://ndltd.ncl.edu.tw/handle/54743301857834317691.

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21

Ya-Yun, Huang, and 黃雅筠. "The Interpretation in Performance of the Sonata for oboe and basso continuo in C minor, RV 53 by Antonio Vivaldi." Thesis, 2014. http://ndltd.ncl.edu.tw/handle/35929722793426041973.

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碩士<br>東吳大學<br>音樂學系<br>103<br>Antonio Vivaldi (1678-1741) was an Italian Baroque composer, violinist and teacher. He has a huge impact on the music history and his influence was widespread. He is well known mainly for composing more than 500 instrumental concertos, especially the concertos for the violin. This sonata for oboe and basso continuo in C minor, RV 53 was composed in 1716. This piece was the only sonata that Vivaldi composed purely as a solo work for the oboe among Vivaldi’s works, which also reveals its indispensability in the history. I analyze how Vivaldi used the ornaments, whic
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22

Vigneau, Michelle. "Sonata V of Jan Dismas Zelenka : a study in style and genre." Thesis, 2003. http://hdl.handle.net/2152/29853.

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The music of the late baroque composer Jan Dismas Zelenka (1679- 1745) was not widely circulated during his lifetime. In the late twentieth century, Zelenka's music experienced a revival due to the rediscovery of his sonatas for double reed ensemble. The thesis examines the stylistic, generic, and historical context for Zelenka's Sonata V (ZWV 181, no. 5), tracing the development of the ensemble sonata for double reeds at the Augustan court. Chapter One focuses on Zelenka's life, as well as the purpose and dating of the six ensemble sonatas for obbligato double reeds (ZWV 181). The subsequent
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23

Peng, Chao-Hsiang, and 彭炤翔. "Analysis and Performance practice of Sonate op.58 pour Hautbois et Piano by Charles Koechlin(1867∼1950)/Chao-Hsiang Peng Oboe Rectial." Thesis, 2008. http://ndltd.ncl.edu.tw/handle/24w337.

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碩士<br>東吳大學<br>音樂學系<br>96<br>Charles Koechlin was born November 27, 1867 in Paris; he died on December 31, 1950 in the south of France in Rayol-Canadel-sur-Mer. He was a French composer, theorist, and musicologist. His achievements are well known; however, his most famous works are "The Jungle Book" (La loi de la Jungle) and The Seven Stars' Symphony(film music). This dissertation is an analysis of his oboe sonata, which contains three parts: Koechlin's biography and his musical periods, a theoretical analysis, and a performance practice. Using these three approaches, we can understand the
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