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Relevant bibliographies by topics / Sonette an Orpheus (Rilke, Rainer Maria)

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Academic literature on the topic 'Sonette an Orpheus (Rilke, Rainer Maria)'

Author: Grafiati

Published: 28 July 2024

Last updated: 31 July 2025

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Journal articles on the topic "Sonette an Orpheus (Rilke, Rainer Maria)"

1

Raizis, Marios-Byron. "Σονέτα στον Ορφέα του R. M. RILKE: ερμηνευτική προσέγγιση". Σύγκριση 11 (31 січня 2017): 122. http://dx.doi.org/10.12681/comparison.10769.

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The collection Sonette an Orpheus, by Rainer Maria Rilke (1923), is discussed and interpreted as having two functions. First, it constitutes an elegiac composition honoring the memory of a prematurely deceased young lady, and second -and most important- it obliquely suggests and illustrates his personal poetics. His sonnets A-l, B-5, B-6, B-28 and the last one B-29, are presented in a precise rhyming translation into Greek, and their individual symbolic or structural features (e.g., tree, woods, hearing, ear, melody, rose, anemone etc.) are explained as personal signs signifying beauty, transi

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2

Wójcik, Tomasz. "Apis mellifera (Rilke, Leśmian, Valéry, Miłosz)." Tekstualia 1, no. 52 (2018): 101–6. http://dx.doi.org/10.5604/01.3001.0013.3132.

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The article concerns Paul Valéry’s sonet The Bee, a fragment of Rainer Maria Rilke’s letter to Witold Hulewicz, Boleslaw Lesmian’s poem The Bees and a fragment of Czeslaw Milosz’s poem Orpheus and Eurydice. The analysis of the semantic connotations and symbolic meanings of the bee, which appears in these texts, shows them as elements of a larger ontological project: an attempt to answer the question of the relation between being and non-being. In essence, this project denies the division into being and non- -being, proposing the concept of a greater whole instead the entrenched opposition.

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3

Belfiore, P. J. "Rainer Maria Rilke: Orpheus. Eurydice. Hermes." Literary Imagination 9, no. 3 (2007): 351–53. http://dx.doi.org/10.1093/litimag/imm065.

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Wójcik, Tomasz. "Apis mellifera (Rilke, Leśmian, Valéry, Miłosz)." Tekstualia 1, no. 7 (2021): 9–14. http://dx.doi.org/10.5604/01.3001.0015.6679.

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This essay concerns Paul Valéry’s sonnet The Bee, a fragment of Rainer Maria Rilke’s letter to Witold Hulewicz, Boleslaw Lesmian’s poem The Bees, and a fragment of Czeslaw Milosz’s poem Orpheus and Eurydice. Investigating the semantics and symbolism of the bee, a trope common to each text, allows for a reading of a broader ontological project: the relationship between being and non-being. This essay centres on denying the division between being and non-being, proposing the concept of a greater whole instead.

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Wich-Schwarz, Johannes. "From Ahasverus to Orpheus: Transformations of Christ in Rainer Maria Rilke." Christianity & Literature 57, no. 1 (2007): 87–108. http://dx.doi.org/10.1177/014833310705700108.

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6

Unglaub, Erich. "Übersetzen ohne Kenntnis der fremden Sprache. Rainer Maria Rilke und die „portugiesischen“ Sonette von Elizabeth Barrett Browning." Slovo a smysl 17, no. 33 (2020): 199–220. http://dx.doi.org/10.14712/23366680.2020.1.11.

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7

CEMİLOĞLU, Nina. ""Madness is Somewhere Else": A Marcusian Reading of Rainer Maria Rilke s Sonnets to Orpheus." Mediterranean Journal of Humanities 9, no. 1 (2019): 79–92. http://dx.doi.org/10.13114/mjh.2019.448.

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Jasaitytė, Jūratė. "Preserving the Dance: R. M. Rilke’s Concern for the Preservation of Objects and its Reflection in Lithuanian Poetry." Colloquia 51 (July 24, 2023): 87–102. http://dx.doi.org/10.51554/coll.23.51.06.

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The article examines the connection between Rainer Maria Rilke’s concern for the preservation of objects and the poetic-aesthetic concept, which he applied to the phenomenon of dance. The article treats the dance, which receives relatively little attention as a separate art form in Rilke’s work, as a kind of (non-material) object. Overall, Rilke’s conception of the object goes beyond the “ordinary” and direct materiality. However, the desire to preserve objects in texts presupposes a special transformation, which can be identified as a distinctive phenomenological process. In Rilke’s poetry, d

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Vasylyshyn, Igor P. "EXISTENTIAL IMAGES AND NARRATIVES IN RILKE`S POETRY (Bogdan Kravtsiv`s translation experience)." Alfred Nobel University Journal of Philology 2, no. 24 (2022): 63–81. http://dx.doi.org/10.32342/2523-4463-2022-2-24-6.

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In 1947, in the German city of Nuremberg, Bohdan Kravtsiv`s book of translations from Rainer Maria Rilke`s “Things and Images” was published, which became a significant contribution to Ukrainian Rilkeanism. B. Kravtsiv`s translations were highly appreciated by critics and literary experts. The purpose of the article is the study of Rilke images and narratives in Bohdan Kravtsiv’s translations, the analysis of the main concepts related to the ideological and thematic layers of the lyrics that B. Kravtsiv chose for translation, and the highlighting of the existential discourse as a translation p

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Obed, Rana Jabir. "A Poetic Re-Telling of the Orphic Myth: A Political Study of Denise Levertov’s “A Tree Telling of Orpheus”." Journal of Social Sciences Research, SPI 1 (November 15, 2018): 331–35. http://dx.doi.org/10.32861/jssr.spi1.331.335.

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Modern poets, such as William Butler Yeats, Ezra Pound, William Carlos Williams, Edna St. Vincent Millay, and Rainer Maria Rilke, have used classical myths in a modern context to explain modern issues and to feed up from the rich material of Greek and Roman mythology. Denise Levertov takes the right of all authors to knock into the heart of Western and classical traditions and to reinvent them for her time. Though Levertov’s early poetry expresses her appreciation of nature and of the epiphanic moments of daily life, during the late 1960s her work became progressively concerned with political

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Dissertations / Theses on the topic "Sonette an Orpheus (Rilke, Rainer Maria)"

1

Nelson, Erika Martina. "Reading and re-presenting Rilke : Orphic identity and poetic invention /." Full text (PDF) from UMI/Dissertation Abstracts International, 2001. http://wwwlib.umi.com/cr/utexas/fullcit?p3008405.

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2

Gayraud, Irène. "Chants orphiques européens : Valéry, Rilke, Trakl, Apollinaire, Campana et Goll, entre mythe et poétique." Thesis, Paris 4, 2013. http://www.theses.fr/2013PA040213.

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Cette thèse interroge le sens du mythe orphique dans la poésie de six auteurs européens du début du XXe siècle (Valéry, Rilke, Trakl, Apollinaire, Campana, Goll), et le sens de la poésie orphique dans la modernité. En partant du double constat d’une crise de la Weltanschauung signant la désertion de la transcendance et du sens, et d’une crise du langage héritée de Mallarmé, cette thèse définit la poésie orphique comme une tentative de ré-enchantement visant à refonder la place de l’être dans le monde, le sens de la mort et la profondeur ontologique de la poésie. La thèse pose la question de l’

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Lawrence, Faith. "'True receivers': Rilke and the contemporary poetics of listening (Part 1) ; Poems: Small weather (Part 2)." Thesis, University of St Andrews, 2015. http://hdl.handle.net/10023/7418.

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Part 1: ‘True Receivers': Rilke and the Contemporary Poetics of Listening In this part of this thesis I argue that a contemporary ‘poetics of listening' has emerged in the UK, and explore the writing of three of our most significant poets - John Burnside, Kathleen Jamie and Don Paterson - to find out why they have become interested in the idea of the poet as a ‘listener'. I suggest that the appeal of this listening stance accounts for their engagement with the poetry of Rainer Maria Rilke, who thought of himself as a listening ‘receiver'; it is proposed that Rilke's notion of ‘receivership' an

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Books on the topic "Sonette an Orpheus (Rilke, Rainer Maria)"

1

Peter-Szondi-Kolleg, ed. Über "Die Sonette an Orpheus" von Rilke: Lektüren. Wallstein Verlag, 2016.

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2

Gerok-Reiter, Annette. Wink und Wandlung: Komposition und Poetik in Rilkes "Sonette an Orpheus". M. Niemeyer, 1996.

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3

Carmignani, Sabrina Mori. Soglia e metamorfosi: Orfeo ed Euridice nell'opera di Rainer Maria Rilke. Artemide, 2008.

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4

Casey, Timothy Joseph. A reader's guide to Rilke's Sonnets to Orpheus. Arlen House, 2001.

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5

Rilke, Rainer Maria. Rilke's late poetry: Duino elegies, the sonnets to Orpheus, selected last poems. Ronsdale Press, 2005.

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6

Rilke, Rainer Maria. Rilke's late poetry: Duino elegies, the sonnets to Orpheus and selected last poems. Ronsdale Press, 2004.

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7

Rilke, Rainer Maria. Duino elegies: And, The sonnets to Orpheus. Vintage International, 2009.

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8

Gerok-Reiter, Annette. Wink und Wandlung: Komposition und Poetik in Rilkes Sonette an Orpheus. de Gruyter GmbH, Walter, 2013.

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9

Rilkes Sonette an Orpheus: Interpretation, Kommentar, Glossar. G. Narr, 1987.

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10

Browning, Elizabeth Barrett, and Rainer Maria Rilke. Sonette Aus Dem Portugiesischen. Übertragen Durch Rainer Maria Rilke. Creative Media Partners, LLC, 2022.

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Book chapters on the topic "Sonette an Orpheus (Rilke, Rainer Maria)"

1

Engel, Manfred. "Rilke, Rainer Maria: Die Sonette an Orpheus." In Kindlers Literatur Lexikon (KLL). J.B. Metzler, 2020. http://dx.doi.org/10.1007/978-3-476-05728-0_19030-1.

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Eldridge, Hannah Vandegrift. "Rainer Maria Rilke, Sonette an Orpheus (Excerpts)." In Lyric Orientations. Cornell University Press, 2016. http://dx.doi.org/10.7591/cornell/9780801456954.003.0007.

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3

Wilkinson, Ben. "Breath, You Invisible Poem: Orpheus (2006)." In Don Paterson. Liverpool University Press, 2022. http://dx.doi.org/10.3828/liverpool/9781800855373.003.0006.

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This chapter discusses Paterson’s fifth collection, Orpheus, translated versions after the German of Rainer Maria Rilke’s Die Sonette an Orpheus (1923). It argues that the book’s hallmark lies in its attempts to fully uncover the poetic utility of the sonnet – Paterson translates Rilke as a means of evincing his sense of the form as an inevitable necessity. This is discussed in relation to the book’s central themes: the existential concept of ‘the double realm’ of human consciousness, and how this manifests itself in what Paterson views as the ‘uniquely human business’ of song. The chapter arg

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4

"VI. Rainer Maria Rilke. Sonette an Orpheus (1922): kosmogonische Poetik. ‚Poietische‘ Reflexion." In Poetiken. Walter de Gruyter, 2004. http://dx.doi.org/10.1515/9783110201918.333.

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5

RuKeyser, Muriel. "Nearer to the Well-Spring (1943)." In The Muriel Rukeyser Era, edited by Eric Keenaghan and Rowena Kennedy-Epstein. Cornell University Press, 2023. http://dx.doi.org/10.7591/cornell/9781501771743.003.0025.

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This chapter reviews Rainer Maria Rilke's Sonnets to Orpheus. The first sequence, of twenty-six, was written after Rilke's letters had complained continually of his inability to concentrate, because of the effect of the war. In the grip of this crisis, Rilke broke through his isolation. Speaking in the Elegies for angels in their full height and menace, he speaks for the root, the shadow, the transience, for the song which visits death, visits the gleaming earth, can pass only as song, only as Orpheus. For Eurydice, pure and unconscious, is human to the end, even in afterlife. But the poet, th

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6

"Translation (Charles Baudelaire, “Au Lecteur”; Federico García Lorca, “Romance de la luna, luna, luna”; Rainer Maria Rilke, “Sonnets to Orpheus II.13”)." In The Craft of Poetry. Routledge, 2015. http://dx.doi.org/10.4324/9781315724980-15.

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