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Journal articles on the topic 'Sonette an Orpheus (Rilke, Rainer Maria)'

Author: Grafiati

Published: 28 July 2024

Last updated: 31 July 2025

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1

Raizis, Marios-Byron. "Σονέτα στον Ορφέα του R. M. RILKE: ερμηνευτική προσέγγιση". Σύγκριση 11 (31 січня 2017): 122. http://dx.doi.org/10.12681/comparison.10769.

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The collection Sonette an Orpheus, by Rainer Maria Rilke (1923), is discussed and interpreted as having two functions. First, it constitutes an elegiac composition honoring the memory of a prematurely deceased young lady, and second -and most important- it obliquely suggests and illustrates his personal poetics. His sonnets A-l, B-5, B-6, B-28 and the last one B-29, are presented in a precise rhyming translation into Greek, and their individual symbolic or structural features (e.g., tree, woods, hearing, ear, melody, rose, anemone etc.) are explained as personal signs signifying beauty, transi

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2

Wójcik, Tomasz. "Apis mellifera (Rilke, Leśmian, Valéry, Miłosz)." Tekstualia 1, no. 52 (2018): 101–6. http://dx.doi.org/10.5604/01.3001.0013.3132.

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The article concerns Paul Valéry’s sonet The Bee, a fragment of Rainer Maria Rilke’s letter to Witold Hulewicz, Boleslaw Lesmian’s poem The Bees and a fragment of Czeslaw Milosz’s poem Orpheus and Eurydice. The analysis of the semantic connotations and symbolic meanings of the bee, which appears in these texts, shows them as elements of a larger ontological project: an attempt to answer the question of the relation between being and non-being. In essence, this project denies the division into being and non- -being, proposing the concept of a greater whole instead the entrenched opposition.

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3

Belfiore, P. J. "Rainer Maria Rilke: Orpheus. Eurydice. Hermes." Literary Imagination 9, no. 3 (2007): 351–53. http://dx.doi.org/10.1093/litimag/imm065.

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4

Wójcik, Tomasz. "Apis mellifera (Rilke, Leśmian, Valéry, Miłosz)." Tekstualia 1, no. 7 (2021): 9–14. http://dx.doi.org/10.5604/01.3001.0015.6679.

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This essay concerns Paul Valéry’s sonnet The Bee, a fragment of Rainer Maria Rilke’s letter to Witold Hulewicz, Boleslaw Lesmian’s poem The Bees, and a fragment of Czeslaw Milosz’s poem Orpheus and Eurydice. Investigating the semantics and symbolism of the bee, a trope common to each text, allows for a reading of a broader ontological project: the relationship between being and non-being. This essay centres on denying the division between being and non-being, proposing the concept of a greater whole instead.

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5

Wich-Schwarz, Johannes. "From Ahasverus to Orpheus: Transformations of Christ in Rainer Maria Rilke." Christianity & Literature 57, no. 1 (2007): 87–108. http://dx.doi.org/10.1177/014833310705700108.

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6

Unglaub, Erich. "Übersetzen ohne Kenntnis der fremden Sprache. Rainer Maria Rilke und die „portugiesischen“ Sonette von Elizabeth Barrett Browning." Slovo a smysl 17, no. 33 (2020): 199–220. http://dx.doi.org/10.14712/23366680.2020.1.11.

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7

CEMİLOĞLU, Nina. ""Madness is Somewhere Else": A Marcusian Reading of Rainer Maria Rilke s Sonnets to Orpheus." Mediterranean Journal of Humanities 9, no. 1 (2019): 79–92. http://dx.doi.org/10.13114/mjh.2019.448.

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8

Jasaitytė, Jūratė. "Preserving the Dance: R. M. Rilke’s Concern for the Preservation of Objects and its Reflection in Lithuanian Poetry." Colloquia 51 (July 24, 2023): 87–102. http://dx.doi.org/10.51554/coll.23.51.06.

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The article examines the connection between Rainer Maria Rilke’s concern for the preservation of objects and the poetic-aesthetic concept, which he applied to the phenomenon of dance. The article treats the dance, which receives relatively little attention as a separate art form in Rilke’s work, as a kind of (non-material) object. Overall, Rilke’s conception of the object goes beyond the “ordinary” and direct materiality. However, the desire to preserve objects in texts presupposes a special transformation, which can be identified as a distinctive phenomenological process. In Rilke’s poetry, d

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9

Vasylyshyn, Igor P. "EXISTENTIAL IMAGES AND NARRATIVES IN RILKE`S POETRY (Bogdan Kravtsiv`s translation experience)." Alfred Nobel University Journal of Philology 2, no. 24 (2022): 63–81. http://dx.doi.org/10.32342/2523-4463-2022-2-24-6.

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In 1947, in the German city of Nuremberg, Bohdan Kravtsiv`s book of translations from Rainer Maria Rilke`s “Things and Images” was published, which became a significant contribution to Ukrainian Rilkeanism. B. Kravtsiv`s translations were highly appreciated by critics and literary experts. The purpose of the article is the study of Rilke images and narratives in Bohdan Kravtsiv’s translations, the analysis of the main concepts related to the ideological and thematic layers of the lyrics that B. Kravtsiv chose for translation, and the highlighting of the existential discourse as a translation p

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10

Obed, Rana Jabir. "A Poetic Re-Telling of the Orphic Myth: A Political Study of Denise Levertov’s “A Tree Telling of Orpheus”." Journal of Social Sciences Research, SPI 1 (November 15, 2018): 331–35. http://dx.doi.org/10.32861/jssr.spi1.331.335.

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Modern poets, such as William Butler Yeats, Ezra Pound, William Carlos Williams, Edna St. Vincent Millay, and Rainer Maria Rilke, have used classical myths in a modern context to explain modern issues and to feed up from the rich material of Greek and Roman mythology. Denise Levertov takes the right of all authors to knock into the heart of Western and classical traditions and to reinvent them for her time. Though Levertov’s early poetry expresses her appreciation of nature and of the epiphanic moments of daily life, during the late 1960s her work became progressively concerned with political

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11

Bagdonė, Karolina. "Jonas Aistis’ and Sigitas Geda’s Notion of Open Cultural Identity: Between Universality and National Self-Preservation." Colloquia 49 (July 19, 2022): 118–37. http://dx.doi.org/10.51554/coll.22.49.07.

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In this article, author uses the theory of intertextuality to examine how the works of two Lithuanian poets, Jonas Aistis and Sigitas Geda, revised Western literary works during the Soviet era and what kind of European identity they conveyed by creating intertextual connections. Both poets during the Cold War looked for the ways to make vital links with Western literature and to continue to reflect on the relationship between Europeanness and Lithuanianness that had taken place in Lithuania before World War II. Aistis turned to the classical era that was popular in the interwar period, especia

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12

Vivas Hurtado, Selnich. "Die Sonette an Orpheus de Rainer Maria Rilke desde la perspectiva mɨnɨka del rafue". Mundo Amazónico 9, № 1 (2018). http://dx.doi.org/10.15446/ma.v9n1.66849.

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Aquí se analizan Die Sonette an Orpheus (1922) de Rainer Maria Rilke desde un marco teórico indígena con dos propósitos: 1. Explorar las posibilidades interculturales de los estudios literarios. 2. Resaltar la modernidad estética de la poesía oral. La concepción ancestral de los mɨnɨka en torno a la ceremonia del rafue, durante la cual se danza, se canta y se comparten alimentos y medicinas, es una fuente valiosa para estudiar la poesía moderna. Este artículo permite rastrear las semejanzas entre la poesía moderna en lengua alemana y la poesía oral mɨnɨka. En ambos casos se considera la poesía

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13

ZENGİN, Erkan. "Rainer Maria Rilke’s Biography between 1910 and 1922 in the context of his Duino Elegies and His Sonnets to Orpheus." Hacettepe Üniversitesi Edebiyat Fakültesi Dergisi, October 22, 2022. http://dx.doi.org/10.32600/huefd.1172106.

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representatives of modern German literature. In particular, Duino Laments and Sonnets to Orpheus are characterized as his masterpieces in the field of poetry. However, the writing of these two works took place under very difficult conditions. Rilke was plunged into a deep crisis in 1910, but was able to find peace when he completed Laments and Sonnets in 1922. The intervening years (1910-1922) are the subject of this study. Our aim is to examine how and under what conditions these two masterpieces were written. In these twelve years, Rilke had experiences that left deep traces in his art and w

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14

Bauschinger, Sigrid. "Erika A. Metzger / Michael M. Metzger (Hgg.), A Companion to the Works of Rainer Maria Rilke. 2001 – Timothy J. Casey, A Reader's Guide to Rilke's “Sonnets to Orpheus”. 2001." Arbitrium 20, no. 1 (2002). http://dx.doi.org/10.1515/arbi.2002.97.

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15

Neilsen Glenn, Lorri. "The Loseable World: Resonance, Creativity, and Resilience." M/C Journal 16, no. 1 (2013). http://dx.doi.org/10.5204/mcj.600.

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[Editors’ note: this lyric essay was presented as the keynote address at Edith Cowan University’s CREATEC symposium on the theme Catastrophe and Creativity in November 2012, and represents excerpts from the author’s publication Threading Light: Explorations in Loss and Poetry. Regina, SK: Hagios Press, 2011. Reproduced with the author’s permission].Essay and verse and anecdote are the ways I have chosen to apprentice myself to loss, grief, faith, memory, and the stories we use to tie and untie them. Cat’s cradle, Celtic lines, bends and hitches are familiar: however, when I write about loss, I

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