Academic literature on the topic 'Song Dynasty (China)'

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Journal articles on the topic "Song Dynasty (China)"

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Yue, Teng. "Shi Jing culture of the song dynasty in China - song dynasty Ci in a musical context." OOO "Zhurnal "Voprosy Istorii" 2020, no. 10-4 (2020): 159–65. http://dx.doi.org/10.31166/voprosyistorii202010statyi99.

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The song dynasty (960-1279) in Chinese history is divided into two stages: the Northern and southern song, and includes a total of eighteen emperors who reigned for a total of three hundred and nineteen years. The song dynasty attached great importance to literature and despised force. The song dynasty era is an era of prosperity for China’s commodity economy, culture, education, science. The song dynasty’s “Ci” genre is a kind of musical literature. The full name of the genre is “song dynasty Ci”, abbreviated as “Ci”. The song dynasty Ci are an integral treasure of Chinese culture and are cul
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Chao, Yueqin. "Recognizing the Impact of Daoism on Song Dynastys Landscape Painting." Communications in Humanities Research 4, no. 1 (2023): 663–68. http://dx.doi.org/10.54254/2753-7064/4/20221027.

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Daoism, as one of the major Chinese ideologies in Chinese history, devoted in finding the way to build harmony between society and nature. This paper investigates Daoisms impact to Song Dynasty Landscape paintings. The paper is going to compare two representative Song Dynasty landscape paintings, and combining the Daoisms classic Laozi and other documents to analyze Daoisms ideologys impact to Song Dynasty Landscape paintings and its painting skills. By determining the Taoisms influence to the Song Dynastys landscape paintings, it can help us to understand the influence of religious culture an
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Storozum, Michael J., Qin Zhen, Ren Xiaolin, et al. "The collapse of the North Song dynasty and the AD 1048–1128 Yellow River floods: Geoarchaeological evidence from northern Henan Province, China." Holocene 28, no. 11 (2018): 1759–70. http://dx.doi.org/10.1177/0959683618788682.

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From AD 1048 to 1128, Yellow River flooding killed over a million people, left many more homeless and destitute, and turned parts of the once fertile North China Plain into a silted-up agricultural wasteland. Brought on in part by climate change and the Northern Song dynasty’s (AD 960–1127) mismanagement of the environment, the Yellow River floods likely hastened the collapse of the Northern Song dynasty. Despite the magnitude of this flood event, no sedimentary deposits have yet been linked to these historically recorded floods. In this research paper, we provide archaeological, sedimentary,
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Ying, Wang. "Writings on Patriotic Theme in Chinese Autobiographical Literature of the Song Dynasty China (960-1279." European Journal of English Language and Literature Studies 11, no. 6 (2023): 58–81. http://dx.doi.org/10.37745/ejells.2013/vol11n65881.

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After the Yuan Army invaded the Central Plain at the end of the Song Dynasty, the Song Empire was broken. Faced with the atmosphere and historical background of the national crisis, the Song scholar-official class generally set up a moral standard and value system of "taking the world as their own duty", regarded loyalty to the country and the emperor as the most righteous path, and made a political choice to consciously transform their identity from scholar-officials to military generals who would save the country from being battered. At the same time, patriotic climax and expression of perso
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Lee, Chang Wook. "The Official relations between Song China and Koryo dynasty." Korean Society of Human and Nature 3, no. 1 (2022): 97–119. http://dx.doi.org/10.54913/hn.2022.3.1.97.

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The following paper is trying to examine the restoration of the official diplomatic relations between Song China and Koryo dynasty during the late 11th century. This paper is also trying to investigate the differently written Chinese and Korean primary sources especially in relating to the 1068-1071 historical incidents. The political situation in the 11th century not only formed a new international order in East Asia but also established a balance of power among the Khitans, Song China and Koryo dynasty, such that there was no single power dominated. Peaceful conditions were thus maintained a
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Tang, Dandan, and Yuxuan Wang. "Analysis of aesthetic value of ancient books in Song dynasty——Board design and font illustration system based on Song Dynasty books." Advances in Education, Humanities and Social Science Research 6, no. 1 (2023): 1. http://dx.doi.org/10.56028/aehssr.6.1.1.2023.

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The cultural industry and commodity economy of the Song Dynasty in China were very developed, which gave rise to a very complete book publishing industry. In addition to having high cultural value, the aesthetic value of books in the Song Dynasty cannot be ignored. The books of the Song Dynasty, as a model of ancient Chinese books, had very beautiful board designs and font illustrations, which had a huge impact on the design of later books. Therefore, analyzing the book design system based on the Song Dynasty can fully explore its aesthetic value, which is of great significance for the study o
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Harrington, L. Michael. "The Postulate of Clarification in Cheng Yi’s Commentary on the Book of Changes." Signs and Media 1, no. 1 (2020): 92–107. http://dx.doi.org/10.1163/25900323-12340006.

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Abstract Erwin Panofsky developed the postulate of clarification to explain the mental habit common to Gothic architecture and Western medieval scholasticism, but the postulate is equally applicable to the commentary tradition of Song-dynasty China. The commentary on the Book of Changes authored by Cheng Yi (1033–1107) provides a good example of how the Confucians of the Song dynasty took their concern for clarity to a recognizably medieval extreme. By looking at how Cheng Yi understands and foregrounds the clarity of the Book of Changes, we can begin to see both what was medieval about Song-d
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Canton-Alvarez, Jose A. "A Gift from the Buddhist Monastery: The Role of Buddhist Medical Practices in the Assimilation of the Opium Poppy in Chinese Medicine during the Song Dynasty (960–1279)." Medical History 63, no. 4 (2019): 475–93. http://dx.doi.org/10.1017/mdh.2019.45.

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This paper aims to critically appraise the incorporation of opium poppy into medical practice in Song-dynasty China. By analysing materia medica and formularies, along with non-medical sources from the Song period, this study sheds light on the role of Chinese Buddhist monasteries in the process of incorporation of foreign plants into Chinese medicine. It argues that Buddhist monasteries played a significant role in the evolution of the use of opium poppy in Song dynasty medicine. This is because the consumption practices in Buddhist monasteries inspired substantial changes in the medical appl
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Kim, Young-jae. "Customs Duties of the Song Dynasty China." Institute of History and Culture Hankuk University of Foreign Studies 56 (November 30, 2015): 155–86. http://dx.doi.org/10.18347/hufshis.2015.56.3.155.

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Zeng, Junxiang. "On the performance of conservatism in Song Dynasty and its influence on the Central Plains of later generations." Journal of Education, Humanities and Social Sciences 8 (February 7, 2023): 1472–77. http://dx.doi.org/10.54097/ehss.v8i.4506.

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With reference to Martin Heidegger's concept of "Machination" and Hegel's master-slave dialectic thinking, this paper explores the reasons for the emergence of the Song Dynasty, a dynasty conservative feature with special research value in ancient China, from the perspective of human social history. As a dynasty whose economy developed rapidly but was repeatedly defeated, invaded, and forced to compromise with other nationalities, the Song Dynasty was different from the radicalism and chauvinism that the previous dynasties and even more ancient dynasties had always adhered to. The conservative
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Dissertations / Theses on the topic "Song Dynasty (China)"

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Eddy, Robert Andrew. "Heresy and orthodoxy in Song dynasty China (960-1279 C.E.)." Thesis, McGill University, 2008. http://digitool.Library.McGill.CA:80/R/?func=dbin-jump-full&object_id=18771.

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This thesis considers the question of heresy as it relates to the context of Song dynasty China (960-1279 C.E.). It analyzes the ways in which the Song Imperial authorities constructed a religious orthodoxy and defended it through the legal system. It will deal with how heresy is defined in a multi-religious polity without a unified church, such as the Catholic Church of the medieval West. This thesis will argue that a definition of heresy derived from western heresiology is a valid analytical model and that Song China had a religious orthodoxy constructed around the person of the Emperor.
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Cheung, Suk-yu, and 張淑瑜. "Cultural and educational development in Chaozhou in the Song Dynasty." Thesis, The University of Hong Kong (Pokfulam, Hong Kong), 2005. http://hub.hku.hk/bib/B31928067.

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Cheung, Suk-yu. "Cultural and educational development in Chaozhou in the Song Dynasty Song dai Chaozhou de wen jiao fa zhan /." Click to view the E-thesis via HKUTO, 2005. http://sunzi.lib.hku.hk/hkuto/record/B31928067.

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Wong, Wai-han June, and 黃慧嫻. "Huangchao Dashiji and the imperial examination of the South Song Dynasty." Thesis, The University of Hong Kong (Pokfulam, Hong Kong), 2008. http://hub.hku.hk/bib/B40203402.

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Tang, Chun-pong, and 鄧振邦. "A study of Li Gang (1083-1140)." Thesis, The University of Hong Kong (Pokfulam, Hong Kong), 2003. http://hub.hku.hk/bib/B26828455.

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Ma, Chi-kin Patrick, and 馬志堅. "The death of Yue Fei (1103-1142)." Thesis, The University of Hong Kong (Pokfulam, Hong Kong), 1999. http://hub.hku.hk/bib/B31952239.

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Wong, Wai-han June. "Huangchao dashiji and the imperial examination of the South Song dynasty "Huang chao da shi ji" yu Nan Song ke ju /." Click to view the E-thesis via HKUTO, 2008. http://sunzi.lib.hku.hk/hkuto/record/b40203402.

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傅瑞暾 and Shui-tun Fu. "The formation and development of precincts and alleys in Linan during the Southern Song Period." Thesis, The University of Hong Kong (Pokfulam, Hong Kong), 2002. http://hub.hku.hk/bib/B26826161.

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Chung, Alvin Chin-Wai 1971. "Aspects of the systems of military logistics during the Song dynasty (960-1278 A.D.) : the procurement of horses, military agricultural colonies, and the imperial ordnance industry." Thesis, McGill University, 1999. http://digitool.Library.McGill.CA:80/R/?func=dbin-jump-full&object_id=29821.

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This thesis provides an institutional study of three elements of the systems of military logistics in the Song dynasty (960--1278 A.D.): the procurement of horses, the military agricultural colonies, and the imperial ordnance industry. While one of the main objectives of this thesis is to throw light on the importance of the logistical efforts of the Song army, this thesis also attempts to reveal the connections between the military establishment and the political and socio-economic realities of the Song period. On the basis of an examination of the effects of commercialization on Songs logist
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Feng, Wei Yao. "War and peace :the relations between Liu Song and Northern Wei." Thesis, University of Macau, 2016. http://umaclib3.umac.mo/record=b3537073.

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Books on the topic "Song Dynasty (China)"

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Ingram, Scott. The Song dynasty. Blackbirch Press, 2003.

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Shi, Nan. Tang Song ming pian song du. Jiangsu shao nian er tong, 1999.

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Nanjing Shi (China). Wen hua guang dian xin wen chu ban ju. Tang Song yan pu. Jiangsu mei shu chu ban she, 2013.

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Zhong, Lei. Tang song ba da jia wen chao. Haerbin chu ban she, 2004.

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Guo, Yanhua. Song Xia zhan zheng yu bei Song wen xue. Shang wu yin shu guan, 2020.

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Yao, Jirong. Tang Song li shi bi ji lun cong. Min zu chu ban she, 2016.

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Li, Huishu. Empresses, art, and agency in Song dynasty China. University of Washington Press, 2010.

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Zhao, Yingbo. Tang Song Yuan dong Ya guan xi yan jiu. Shanghai she hui ke xue yuan chu ban she, 2016.

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Zhelun, Jiang, and Yang Wanli, eds. Tang Song ci shu lu. Yue Lu shu she, 2007.

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1974-, Chen Xiaoliang, ed. Song Yuan shi qi Siming Yuan shi zong zu yan jiu. Zhejiang da xue chu ban she, 2012.

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Book chapters on the topic "Song Dynasty (China)"

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Ch’ien, Mu. "The Song Dynasty." In Merits and Demerits of Political Systems in Dynastic China. Springer Berlin Heidelberg, 2019. http://dx.doi.org/10.1007/978-3-662-58514-6_3.

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Fan, C. Simon. "Nationalism in the Song Dynasty." In The Socioeconomics of Nationalism in China. Routledge, 2022. http://dx.doi.org/10.4324/9781003186267-4.

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Shin, Dong Hoon, Chang Seok Oh, and Jong Ha Hong. "Mummies of Song-Ming Dynasty in China." In The Handbook of Mummy Studies. Springer Singapore, 2020. http://dx.doi.org/10.1007/978-981-15-1614-6_32-1.

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Shin, Dong Hoon, Chang Seok Oh, and Jong Ha Hong. "Mummies of Song-Ming Dynasty in China." In The Handbook of Mummy Studies. Springer Singapore, 2021. http://dx.doi.org/10.1007/978-981-15-3354-9_32.

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Shin, Dong Hoon, Chang Seok Oh, and Jong Ha Hong. "Mummies of Song-Ming Dynasty in China." In The Handbook of Mummy Studies. Springer Singapore, 2021. http://dx.doi.org/10.1007/978-981-15-1614-6_32-2.

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Chen, Li. "The Golden Age of Prints: Song Dynasty." In A History of Books in Ancient China. Springer Nature Singapore, 2024. http://dx.doi.org/10.1007/978-981-99-8940-9_5.

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Jiang, Bo. "Song Dynasty Shipwreck Excavated in Quanzhou Bay of Fujian." In Shipwreck Archaeology in China Sea. Springer Nature Singapore, 2022. http://dx.doi.org/10.1007/978-981-16-8675-7_7.

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Jian, Gong. "Evolution of the “Crescent Guard” in Chinese Swords." In Martial Culture and Historical Martial Arts in Europe and Asia. Springer Nature Singapore, 2022. http://dx.doi.org/10.1007/978-981-19-2037-0_5.

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AbstractIron and steel arms appeared in China during the late Warring States while guards on Han dynasty jian (double-edged sword) mainly continued Warring States designs. Single-edged ring-pommel sword (huanshoudao) which appeared during the same period did not have a guard. During the Jin dynasty, a type of V-shape sword guard appeared, which continued into the Southern and Northern dynasties. In the Tang dynasty, on the one hand, arms design continued Northern Zhou and Sui trends; at the same time, it absorbed Turkic and Sassanid influences from the west, which gave rise to a unique Tang sword aesthetic. From then on, V-shape guards started to gain popularity in China. Developments of this style were to have a major influence on sword guard designs during the Song, as well as among the Mongols and Tibetans until it finally attained the familiar form of zoomorphic guard during the Ming and Qing dynasties.
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Ge, Zhaoguang. "Das Dilemma von „China“: Die Beziehungen von „innen“ und „außen“ im Lichte der neuzeitlichen Geschichte Chinas." In Im Spannungsverhältnis zwischen Selbst- und Fremdverstehen. Springer Fachmedien Wiesbaden, 2023. http://dx.doi.org/10.1007/978-3-658-40031-6_3.

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ZusammenfassungDer Beitrag setzt sich mit dem sogenannten „dreifachen Dilemma von China“ auseinander, das sich aus den zentrifugalen Bestrebungen seiner Nachbarn, dem Einfluss der modernen westlichen Strömung und der internen Identität der verschiedenen ethnischen Gruppen und Regionen ergibt. Aus der historischen Perspektive, die im China der Song-Dynastie eine Entwicklung vom Imperium zu einem begrenzten Staat und in den nachfolgenden Dynastien Yuan, Ming und Qing eine Entwicklung zu einem multiethnischen Imperium in einem sich verändernden internationalen Umfeld sieht, wird für eine Bekennung Chinas zur gemeinsamen Zivilisation und Weltordnung argumentiert.
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Luo, Guojie. "The Ethics Thought of the Western Zhou Dynasty with the Duke of Zhou’s “Respecting Morality and Protecting the People” as the Core—Ethical Thoughts in Book of Documents, Book of Changes and Book of Songs." In Traditional Ethics and Contemporary Society of China. Springer Nature Singapore, 2023. http://dx.doi.org/10.1007/978-981-99-0256-9_2.

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Conference papers on the topic "Song Dynasty (China)"

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Gao, Rui, Lingqiang Yang, and Yan Wang. "Structure character of timber frame system building in Tang and Song dynasty of China." In 2018 7th International Conference on Energy, Environment and Sustainable Development (ICEESD 2018). Atlantis Press, 2018. http://dx.doi.org/10.2991/iceesd-18.2018.120.

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Peng, Zhen. "Analysis of the modern significance of the traditional Chinese theater Yuan Zaju (1271–1368)." In 4th International Conference Modern Culture and Communication. Institute for Peace and Conflict Research, 2024. http://dx.doi.org/10.31312/978-5-6048848-7-4-11.

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China is an ancient civilization with a history of 5,000 years, with a long history and many ethnic groups. From the Han Dynasty to the middle of the Tang Dynasty, there were "baixi" (百戏) and "Can Jun xi" (参军)). During the Middle and late Tang Dynasty, opera was gradually formed. During the Song-Jin dynasties, opera developed rapidly and laid the foundation for the Yuan Ming Opera. This article, firstly, examines the historical and cultural background of the Yuan Zaju and analyzes the reasons for their popularity in feudal society; secondly, the plot structure of the Yuan Zaju has a linear cou
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Liu, Ming, and Feng Song. "Urban morphology in China: origins and progress." In 24th ISUF 2017 - City and Territory in the Globalization Age. Universitat Politècnica València, 2017. http://dx.doi.org/10.4995/isuf2017.2017.5654.

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Author name: Ming Liu, Feng Song* Affiliation: College of Urban and Environmental Sciences. Peking UniversityAdress: Room 3463, Building Yifuer, Peking University, Haidian district, Beijing, China 100871 E-mail: liumingpku1992@163.com, songfeng@urban,pku.edu.cn*Telephone nember: +8618810328816, +8613910136101* Keywords: urban morphology, disciplinary history, Conzen, China Abstract: This paper traces the origins and development of indigenous urban morphological research in China. It also considers the adoption of the theories and methods of the Conzenian School. Urban morphological research in
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Yan, Hong-Sen, and Tsung-Yi Lin. "A Systematic Approach to the Reconstruction of Ancient Chinese Escapement Regulators." In ASME 2002 International Design Engineering Technical Conferences and Computers and Information in Engineering Conference. ASMEDC, 2002. http://dx.doi.org/10.1115/detc2002/edc-34382.

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It is generally believed that the first escapement regulator invented is the waterwheel steelyard-clepsydra device made in ancient China by Su Song during the Northern Song Dynasty (960~1,127 AD). The device, which was a unique feature of the ancient Chinese escapement regulators, was used in Su’s famous clock tower, Shui Yun Yi Xiang Tai (Water-Powered Armillary Sphere and Celestial Globe). Evidence found in certain historical literature, however, suggests that the astronomical clocks made before the Northern Song Dynasty were also equipped with escapement regulators. But due to insufficient
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Voytishek, E. E., A. V. Zinchenko, and Yao Song. "“Ten virtues of incense” in Buddhist Tradition of China and Japan." In IV Международный научный форум "Наследие". SB RAS, 2023. http://dx.doi.org/10.25205/978-5-6049863-7-0-10-30.

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This article is based on the text known as “Ten Virtues of Incense” (香十德 Xiang shí de) written during the Song dynasty (960–1279). In this text, the fundamental functions of incense, manifesting in everyday life and Buddhist ceremonies, are listed in a metaphorical form. This short text, consisting only of 40 Chinese characters, over time, has become one of the fundamental works of traditional Chinese and Japanese culture, exerting its influence on the Chan and Zen practices of Buddhist masters, as well as on the arts of tea and incense. The question of authorship adds extra intrigue to the ph
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Shevchenko, Marianna. "RESEARCH ON PLANNING OF MEDIEVAL PUBLIC PARKS OF CHINA, BASED ON THE EXAMPLE OF QINGXI PARK IN NANJING OF THE SOUTHERN SONG DYNASTY." In 5th SGEM International Multidisciplinary Scientific Conferences on SOCIAL SCIENCES and ARTS SGEM2018. STEF92 Technology, 2018. http://dx.doi.org/10.5593/sgemsocial2018/5.3/s21.063.

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Wang, Haina, Fangfei Liu, and Yun Chen. "The Characteristics and Influencing Factors of the Colour of the Cizhou Kiln Porcelain." In AHFE 2023 Hawaii Edition. AHFE International, 2023. http://dx.doi.org/10.54941/ahfe1004222.

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Chinese ceramic art boasts a rich and diverse history, and the colours of porcelain produced by different kilns reflect the aesthetic preferences, socio-cultural developments, and historical contexts of various periods and regions. Among the folk kilns in China, the Cizhou kiln stands out for its unique black-and-white colour scheme. While existing studies have extensively analyzed the history, decorative patterns, and shapes of Cizhou porcelain, few have explored the colour characteristics of the kiln and the factors that influence them. Therefore, this study aims to conduct a comprehensive i
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