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Journal articles on the topic 'Song, Jiaoren, China China China'

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Published: 4 June 2021
Last updated: 14 February 2022

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1

Von Glahn, Richard. "The Song Transformation: Song China (960-1279)." Journal of the Economic and Social History of the Orient 54, no. 5 (2011): 773–80. http://dx.doi.org/10.1163/156852011x614046.

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2

Dilnoza Duturaeva. "Qarakhanid Envoys to Song China." Journal of Asian History 52, no. 2 (2018): 179. http://dx.doi.org/10.13173/jasiahist.52.2.0179.

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3

Abdullina, G. V., and P. Yu. "Patriotic Song in Today’s China." Университетский научный журнал, no. 50 (2019): 160–66. http://dx.doi.org/10.25807/pbh.22225064.2019.50.160.166.

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4

AOKI, Atsushi. "Shujobo Chogen's Visit to Song China." JOURNAL OF INDIAN AND BUDDHIST STUDIES (INDOGAKU BUKKYOGAKU KENKYU) 46, no. 1 (1997): 132–35. http://dx.doi.org/10.4259/ibk.46.132.

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5

Jian, Sun. "The Fengzeng System in Song China." Monumenta Serica 65, no. 2 (July 3, 2017): 321–41. http://dx.doi.org/10.1080/02549948.2017.1393972.

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6

Ebrey, Patricia Buckley. "Informing the Public in Song China." Harvard Journal of Asiatic Studies 79, no. 1-2 (2019): 189–229. http://dx.doi.org/10.1353/jas.2019.0007.

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7

Wagner, Donald B. "Blast Furnaces in Song-Yuan China." East Asian Science, Technology, and Medicine 18, no. 1 (August 13, 2001): 41–74. http://dx.doi.org/10.1163/26669323-01801008.

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8

SATO, Shako. "Traces of Dogen's Stay in Song China." JOURNAL OF INDIAN AND BUDDHIST STUDIES (INDOGAKU BUKKYOGAKU KENKYU) 40, no. 2 (1992): 758–62. http://dx.doi.org/10.4259/ibk.40.758.

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9

Kim, Young-jae. "Customs Duties of the Song Dynasty China." Institute of History and Culture Hankuk University of Foreign Studies 56 (November 30, 2015): 155–86. http://dx.doi.org/10.18347/hufshis.2015.56.3.155.

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10

Katz, Paul, and Edward L. Davis. "Society and the Supernatural in Song China." Harvard Journal of Asiatic Studies 62, no. 2 (December 2002): 449. http://dx.doi.org/10.2307/4126608.

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11

Eskildsen, Stephen, and Edward L. Davis. "Society and the Supernatural in Song China." Pacific Affairs 75, no. 2 (2002): 288. http://dx.doi.org/10.2307/4127202.

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12

Vaseková, Veronika. "Analýza orientalizmu v Bowieho skladbe „China Girl“ / Analysis of Orientalism in David Bowie’s Song “China Girl”." Kulturní studia 2020, no. 2 (November 1, 2020): 47–59. http://dx.doi.org/10.7160/ks.2020.150203.

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Among other areas, Orientalism is widespread in pop music. The aim of this essay is to analyze Chinese Orientalism in the song and video “China Girl” by British singer David Bowie. Bowie is known for his interest in Asian cultures, signified most notably by the influence of Japanese style on Bowie’s musical performances, among other examples. The song “China Girl” initiated a passionate discussion about racist motives in the video clip; although Bowie is known for his opposition to racism, and the intended purpose of the video was to criticize racism, it is clear from the public and professional discussion that this intention may have failed. Displaying racist motives without a proper commentary is always problematic. Although Bowie’s song “China Girl” is often mentioned in academic texts as an example of Orientalism, its detailed analysis has not yet been processed. In my analysis, I will focus on the ornamental and content Orientalism of the video clip. I will also consider the extent to which Orientalism can be dangerous if individual stereotypes are described without a proper context.
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13

Deng, Licai, Yu Xin, Xiaobin Zhang, Yan Li, Xiaojun Jiang, Guomin Wang, Kun Wang, Jilin Zhou, Zhengzhou Yan, and Zhiquan Luo. "SONG China project – participating in the global network." Proceedings of the International Astronomical Union 8, S288 (August 2012): 318–19. http://dx.doi.org/10.1017/s1743921312017115.

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AbstractSONG (Stellar Observations Network Goup) is a low-cost ground based international collaboration aimed at two cutting edge problems in contemporary astrophysics in the time-domain: 1) Direct diagnostics of the internal structure of stars and 2) looking for and studying extra solar planets, possibly in the habitable zone. The general plan is to set up a network of 1m telescopes uniformly distributed in geographic latitude (in both hemispheres). China jointed the collaboration (initiated by Danish astronomers) at the very beginning. In addition to SONG's original plan (http://song.phys.au.dk), the Chinese team proposed a parallel photometry subnet work in the northern hemisphere, namely 50BiN (50cm Binocular Network, previously known as mini-SONG), to enable a large field photometric capability for the network, therefore maximising the potential of the network platform. The network will be able to produce nearly continuous time series observations of a number of selected objects with high resolution spectroscopy (SONG) and accurate photometry (50BiN), and to produce ultra-high accuracy photometry in dense field to look for micro-lensing events caused by planetary systems. This project has great synergy with Chinese Astronomical activities in Antarctica (Dome A), and other similar networks (e.g. LCOGT). The plan and current status of the project are overviewed in this poster.
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14

Ditmanson, Peter. "Society and the Supernatural in Song China (review)." China Review International 9, no. 2 (2002): 397–402. http://dx.doi.org/10.1353/cri.2003.0084.

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15

Schimmelpennynck, Antoinet, and Frank Kouwenhoven. "Folk Song Collecting in China - a Short Survey." China Information 3, no. 1 (June 1988): 43–57. http://dx.doi.org/10.1177/0920203x8800300106.

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16

de Pee, Christian. "Empresses, Art, and Agency in Song Dynasty China." NAN NÜ 13, no. 2 (2011): 348–51. http://dx.doi.org/10.1163/156852611x602656.

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17

Kim, Sangbum. "Jinglinggong and Imperial Rites in Northern Song China." JOURNAL OF ASIAN HISTORICAL STUDIES 136 (September 30, 2016): 1. http://dx.doi.org/10.17856/jahs.2016.09.136.1.

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18

Bossler, Beverly. "Shifting Identities: Courtesans and Literati in Song China." Harvard Journal of Asiatic Studies 62, no. 1 (June 2002): 5. http://dx.doi.org/10.2307/4126583.

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19

Schaberg, David. "Song and the Historical Imagination in Early China." Harvard Journal of Asiatic Studies 59, no. 2 (December 1999): 305. http://dx.doi.org/10.2307/2652717.

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20

Ebrey, Patricia. "Empresses, Art, and Agency in Song Dynasty China." Harvard Journal of Asiatic Studies 71, no. 2 (2011): 404–9. http://dx.doi.org/10.1353/jas.2011.0020.

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21

Feuillas, Stéphane. "Transformative Journeys: Travel and Culture in Song China." T'oung Pao 97, no. 4-5 (2011): 404–9. http://dx.doi.org/10.1163/156853211x613963.

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22

Zheng-zhou, Yan, Lu Xiao-meng, Tian Jian-feng, Zhang Chun-guang, Wang Kun, and Deng Li-cai. "SONG-China Project: A Global Automated Observation Networktwo." Chinese Astronomy and Astrophysics 42, no. 4 (October 2018): 609–25. http://dx.doi.org/10.1016/j.chinastron.2018.10.008.

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23

Weiming, Jiang, and An Ning. "The National Library of China." Alexandria: The Journal of National and International Library and Information Issues 8, no. 2 (August 1996): 143–47. http://dx.doi.org/10.1177/095574909600800206.

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The National Library of China, established 84 years ago, aims to collect, process, preserve and disseminate human knowledge and information for the Communist Party of China, the government, key national projects, science and technology, research and academic institutions, and to some extent the general public. The library has a collection of 19 million items, 40% of them Chinese. The collections, which date back to the Southern Song Dynasty of the 13th century, have among their special treasures 35,000 pieces of inscribed turtle shells and animal bones, and 280,000 rare books published before 1795. The library started collecting non-print material in 1987. An Electronic Reading Room provides users with CD-ROMs and online services.
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24

TANG, GUO, and SHUQIANG LI. "Crab spiders from Hainan Island, China (Araneae, Thomisidae)." Zootaxa 2369, no. 1 (February 24, 2010): 1. http://dx.doi.org/10.11646/zootaxa.2369.1.1.

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The crab spiders (Araneae: Thomisidae) collected from Hainan Island, China are studied. A total of 25 genera, 43 species are reported, including 12 new species, two new combinations and one new synonym. The new species are: Borboropactus brevidens sp. nov., Borboropactus edentatus sp. nov., Borboropactus longidens sp. nov., Lycopus longissimus sp. nov., Lysiteles furcatus sp. nov., Lysiteles leptosiphus sp. nov., Oxytate multa sp. nov., Ozyptila biprominula sp. nov., Paraborboropactus liangweii sp. nov., Paraborboropactus oblatus sp. nov., Thomisops altus sp. nov., Thomisus eminulus sp. nov. The species Philodamia gongi (Yin et al, 2004) comb. nov. is transferred from Tmarus and Sinothomisus hainanus (Song, 1994) comb. nov. from Xysticus. The species Lysiteles guangxiensis He & Hu, 1999 is a junior synonym of Alcimochthes limbatus Simon, 1885. The true females of B. hainanus Song, 1993 and Lysiteles minusculus Song & Chai, 1990 are described for the first time.
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25

ZHANG, FENG, MING-SHENG ZHU, and I.-MIN TSO. "Review of the genus Hongkongia (Araneae: Gnaphosidae) from China." Zootaxa 2164, no. 1 (July 21, 2009): 61–68. http://dx.doi.org/10.11646/zootaxa.2164.1.6.

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The spider genus Hongkongia Song et Zhu, 1998, belonging to the Echemus group, is reviewed. A new species, Hongkongia songi sp. nov., is described, and the type species, Hongkongia wuae Song et Zhu, 1998 is redescribed.
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26

Nickum, James E. "China: Twenty Years of Reform. Ross Garnaut , Ligang Song." China Journal 48 (July 2002): 222–24. http://dx.doi.org/10.2307/3182470.

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27

김보경. "Song Poetry and the ‘Early Modern Era’ of China." CHINESE LITERATURE 65, no. ll (November 2010): 1–24. http://dx.doi.org/10.21192/scll.65..201011.001.

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28

Holz, Carsten. "China: Is Rapid Growth Sustainable?. Ross Garnaut , Ligang Song." China Journal 54 (July 2005): 155–57. http://dx.doi.org/10.2307/20066086.

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29

Mostern, Ruth. "The Digital Gazetteer of Song Dynasty China, Version 1.0." Journal of Song-Yuan Studies 39, no. 1 (2009): 277–78. http://dx.doi.org/10.1353/sys.0.0008.

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30

Lin, Zoe Shan. ""Favoring Their Own": Grain Embargoes in Southern Song China." Journal of Song-Yuan Studies 46, no. 1 (2016): 169–208. http://dx.doi.org/10.1353/sys.2016.0006.

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31

Yang, Qin Zhang. "South-Song stone anchors in China, Korea and Japan." International Journal of Nautical Archaeology 19, no. 2 (May 1990): 113–21. http://dx.doi.org/10.1111/j.1095-9270.1990.tb00242.x.

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32

Ebrey, Patricia. "Portrait Sculptures in Imperial Ancestral Rites in Song China." T'oung Pao 83, no. 1 (1997): 42–92. http://dx.doi.org/10.1163/1568532972630959.

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33

Du, P., and X. Zheng. "City drainage in ancient China." Water Supply 10, no. 5 (December 1, 2010): 753–64. http://dx.doi.org/10.2166/ws.2010.112.

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This paper gives an overview of the evolution of city drainage in ancient China, and analyzes the achievement of drainage of such cities as Pingliangtai in Henan province, Xibo of Shang Dynasty, Linzi, the capital of the State of Qi, Chang'an, the capital of Han and Tang Dynasties, Kaifeng, the Eastern Capital of Northern Song Dynasty, Ganzhou, Dadu, the capital of Yuan Dynasty; and Beijing, the capital of Ming and Qing Dynasties. This paper also sums up the characteristics and the management experiences of the drainage facilities of ancient Chinese cities, including drainage system management methods, rules and laws about drainage in different eras, and overall principles of ancient city water systems. At present, most major cities in China are facing issues relating to drainage systems and city water systems. These cities are often bothered by floods and other water-related problems. Learning from the ancestors' experience would be important and necessary for modern planners and decision makers. Therefore this paper may be used for reference in modern city planning and construction.
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34

Wagner, Donald. "THE ADMINISTRATION OF THE IRON INDUSTRY IN ELEVENTH-CENTURY CHINA." Journal of the Economic and Social History of the Orient 44, no. 2 (2001): 175–97. http://dx.doi.org/10.1163/156852001753731033.

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AbstractRobert Hartwell's research in the early 1960's into the iron industry of Song China (960-1279) showed, using a variety of evidence, that the applications of iron expanded greatly in the early Song. He then calculated from tax data the annual iron production of China in the 11th century. This article argues that, while Hartwell's qualitative conclusions hold, his specific calculation of annual production is flawed: no reliable calculation is possible based on presently available sources. Les recherches de Robert Hartwell au début des années 1960 sur l'industrie du fer en Chine à l'époque Song (960-1279) ont montré, en exploitant un large éventail de faits évidents, que les demandes en fer ont fort augmenté dans la première période de l'époque Song. Il avait alors calculé, d'après les données tirées des registres d'imposition, la production annuelle de ce minerai en Chine au XIème siècle. Cet article relève que, si les conclusions qualitatives de Hartwell paraissent correctes, son évaluation de la production annuelle s'avère infondée: aucun calcul fiable ne peut être effectué en exploitant les données actuellement disponibles.
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35

TANG, GUO, and SHUQIANG LI. "Lynx spiders from Xishuangbanna, Yunnan, China (Araneae: Oxyopidae)." Zootaxa 3362, no. 1 (July 2, 2012): 1. http://dx.doi.org/10.11646/zootaxa.3362.1.1.

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The lynx spiders (Araneae: Oxyopidae) from the tropical forests of Xishuangbanna, Yunnan Province, China were studied. Atotal of three genera and 16 species were examined and studied, including 10 new species from two genera: Hamataliwa fove-ata sp. nov., H. manca sp. nov., H. menglunensis sp. nov., H. oculata sp. nov., H. pedicula sp. nov., H. pentagona sp. nov., H.pilulifera sp. nov., H. submanca sp. nov., Oxyopes complicatus sp. nov. and O. submirabilis sp. nov. Hamataliwa subhadrae(Tikader, 1970) comb. nov. is transferred from Oxyopes Latreille, 1804. The females of Oxyopes mirabilis Zhang, 2005 and O.tenellus Song, 1991 are described for the first time. Hamadruas hieroglyphica (Thorell, 1887) and Hamataliwa subhadrae(Tikader, 1970) are newly recorded from China. The species Oxyopes bianatinus Xie & Kim, 1996 is considered a junior syn-onym of Oxyopes fujianicus Song & Zhu, 1993. Oxyopes decorosus Zhang & Zhu, 2005 is recorded from the Yunnan Province, China for the first time.
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36

McMahon, Keith. "Women Rulers in Imperial China." Nan Nü 15, no. 2 (2013): 179–218. http://dx.doi.org/10.1163/15685268-0152p0001.

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“Women Rulers in Imperial China”is about the history and characteristics of rule by women in China from the Han dynasty to the Qing, especially focusing on the Tang dynasty ruler Wu Zetian (625-705) and the Song dynasty Empress Liu. The usual reason that allowed a woman to rule was the illness, incapacity, or death of her emperor-husband and the extreme youth of his son the successor. In such situations, the precedent was for a woman to govern temporarily as regent and, when the heir apparent became old enough, hand power to him. But many women ruled without being recognized as regent, and many did not hand power to the son once he was old enough, or even if they did, still continued to exert power. In the most extreme case, Wu Zetian declared herself emperor of her own dynasty. She was the climax of the long history of women rulers. Women after her avoided being compared to her but retained many of her methods of legitimization, such as the patronage of art and religion, the use of cosmic titles and vocabulary, and occasional gestures of impersonating a male emperor. When women ruled, it was an in-between time when notions and language about something that was not supposed to be nevertheless took shape and tested the limits of what could be made acceptable.
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37

WANG, LU-YU, YURI M. MARUSIK, and ZHI-SHENG ZHANG. "Notes on three poorly known Arctosa species from China (Araneae: Lycosidae)." Zootaxa 3404, no. 1 (July 31, 2012): 53. http://dx.doi.org/10.11646/zootaxa.3404.1.2.

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Three species of the genus Arctosa are revised and their relationship with A. cinerea, the type species of the genus, is dis-cussed. Arctosa binalis Yu & Song, 1988 is a junior synonym of A. depectinata (Bösenberg & Strand, 1906). Males ofArctosa gougu Chen & Song, 1999 and Arctosa vaginalis Yu & Song, 1988 are described for the first time. All specimensexamined were collected from the Yunnan Province, China. Morphological illustrations, photos, descriptions and SEMphotographs of the male bulbus of all species are given. Stridulatory files on chelicerae in Lycosidae are reported for the first time.
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38

Yue, Zhang. "RUSSIAN FOLK SONG "OVER THE SILVER RIVER" AND ITS FATE IN CHINA." Arts education and science 1, no. 2 (2021): 160–67. http://dx.doi.org/10.36871/hon.202102020.

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The article deals with the history of the Russian poet F. N. Glinka's poem "Veiled Traces", which was the basis for the famous folk song "Over the Silver River". The article reveals the content of the text and shows different variants of its "plot". This refers to several Russian collections containing the song "Over the Silver River", including "Ural Folk Songs" by L. Christiansen and "Folk Songs of Krasnoyarsk Region" by K. Skobtsov. Folklore collectors considered this song as an example of Russian lyrical song genre. The author analyzes the arrangement of this song included in A. Chernyavsky's piano book and notes the expressive features of the performance of the song by the famous singer I. M. Skobtsov. The original and adapted versions are compared in terms of style and expressive techniques in the context of Chinese traditions, in order to identify specific and common properties within two different cultures. The roles of the folklore collector Wang Lobin, who recorded the song "Over the Silver River" using elements of Chinese music, and the composer Li Yinghar, who arranged Russian melody adopted in Chinese culture, are highlighted. Musical samples are also presented. Russian music in China is a special "cross-border" phenomenon, and the interest in Russian culture and Russian musical folklore in China is very high. Russian folk songs are loved in China and are very popular.
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39

Zhang, Cong Ellen, and Weijing Lu. "Anecdotal Writing on Illicit Sex in Song China (960-1279)." Journal of the History of Sexuality 22, no. 2 (May 2013): 253–80. http://dx.doi.org/10.7560/jhs22204.

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40

Keidel, Albert. "China: New Engine of World Growth. Ross Garnaut , Ligang Song." China Journal 56 (July 2006): 205–8. http://dx.doi.org/10.2307/20066218.

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41

Eichman, Shawn. "Voices of the Song Lyric in China (review)." China Review International 3, no. 2 (1996): 589–97. http://dx.doi.org/10.1353/cri.1996.0112.

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42

Teets, Jessica C. "Red Swan Song: The End of Policy Experimentation in China?" Current History 117, no. 800 (September 1, 2018): 244–46. http://dx.doi.org/10.1525/curh.2018.117.800.244.

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43

Zaccarini, Maria Cristina. "The Oriole's Song: An American Girlhood in Wartime China (review)." China Review International 12, no. 1 (2005): 84–88. http://dx.doi.org/10.1353/cri.2005.0172.

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44

Kim, Young-jae. "Marine Trade Commodities between China and Korea in Song Dynasty." Institute of History and Culture Hankuk University of Foreign Studies 60 (November 30, 2016): 151–90. http://dx.doi.org/10.18347/hufshis.2016.60.151.

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45

Goossaert, Vincent. "Edward L. Davis, Society and the Supernatural in Song China." Archives de sciences sociales des religions, no. 118 (April 1, 2002): 87–151. http://dx.doi.org/10.4000/assr.1626.

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46

Levine, Ari Daniel. "The Age of Confucian Rule: The Song Transformation of China." Chinese Historical Review 17, no. 1 (January 2010): 117–20. http://dx.doi.org/10.1179/tcr.2010.17.1.117.

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47

von Glahn, Richard. "Ji'an Literati and the Local in Song-Yuan-Ming China." Harvard Journal of Asiatic Studies 69, no. 1 (2009): 256–63. http://dx.doi.org/10.1353/jas.0.0002.

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48

Lin, Hang. "Book Review: Transformative Journeys: Travel and Culture in Song China." China Report 48, no. 3 (August 2012): 369–71. http://dx.doi.org/10.1177/0009445512462297.

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49

Eryong, Li. "Russian emigration in China and its reflection in the song." OOO "Zhurnal "Voprosy Istorii" 2020, no. 12-2 (December 1, 2020): 185–89. http://dx.doi.org/10.31166/voprosyistorii202012statyi39.

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The article is devoted to the activities of Russian emigration in China in the last decades of the 20th century. Special attention is paid to its reflection in song culture. The problem is analyzed on the basis of new approaches in historical researches.
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50

McDermott, Joseph P. "WOMEN OF PROPERTY IN CHINA, 960–1368: A SURVEY OF THE SCHOLARSHIP." International Journal of Asian Studies 1, no. 2 (June 2004): 201–22. http://dx.doi.org/10.1017/s147959140400021x.

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The issue of women's property rights during the Song dynasty has been heatedly debated for over half a century. First in Japan, and then in China, Taiwan and the West, scholars have developed strikingly divergent views of the legal and social dimensions of Song women's claims to property and control over their remarriage as widows. This article discusses and assesses the different views, particularly those of Bettine Birge in her recent book-length analysis of the topic. In siding largely with earlier studies that stressed Song women's legally backed rights to property as daughters, wives and widows, Birge's work provides the most comprehensive and persuasive treatment of this debate in any language. In addition, she discusses the fate of Chinese widows, accustomed to remarrying under favourable terms in the Song, and then suffering during the Yuan serious restrictions on their options for remarriage as well as on their property rights. The turning point, according to this book, was the merger of Mongol government and neo-Confucian court interests in the late thirteenth and early fourteenth century, thereby depriving women of many powers they had acquired in the Song.
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