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Journal articles on the topic 'Song of Igor’s Campaign'

Author: Grafiati

Published: 28 May 2022

Last updated: 31 July 2025

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1

RANCHIN, A. M. "DID THE AUTHOR OF THE TALE OF IGOR’S CAMPAIGN KNOW THE CHRONICLE NARRATIVES ABOUT THE CAMPAIGN OF 1185? PART 1." Lomonosov Journal of Philology, no. 2, 2024 (June 16, 2024): 97–111. http://dx.doi.org/10.55959/msu0130-0075-9-2024-47-02-6.

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The article is devoted to the problem of textual connections between The Tale of Igor’s Campaign and the narratives about the campaign of Prince Igor in 1185, which are part of the chronicles of the Laurentian group and the Ipatiev Chronicle. Hypotheses and opinions belonging to various scholars are examined in detail: the idea of the absence of such connections, the assumption of the primacy of the Tale in relation to the narrative from the Ipatiev Chronicle, the statement of the secondary nature of the ‘song’ about Igor’s campaign in relation to both narratives. The subject of attention is p

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Ranchin, Andrey. "DID THE AUTHOR OF THE TALE OF IGOR’S CAMPAIGN KNOW THE CHRONICLE NARRATIVES ABOUT THE CAMPAIGN OF 1185? PART TWO." Lomonosov Journal of Philology, no. 3, 2024 (June 17, 2024): 195–208. http://dx.doi.org/10.55959/msu0130-0075-9-2024-47-03-15.

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The article is devoted to the problem of textual connections between The Tale of Igor’s Campaign and the narratives about the campaign of Prince Igor in 1185, which are part of the chronicles of the Laurentian group and the Ipatiev Chronicle. Hypotheses and opinions belonging to various scholars are examined in detail: the idea of the absence of such connections, the assumption of the primacy of The Tale in relation to the narrative from the Ipatiev Chronicle, the statement of the secondary nature of the “song” about Igor’s campaign in relation to both narratives. The subject of attention is p

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3

Wang, Yu. "Kiev as an artistic toponym in “The Song of Igor’s Campaign” and the Chinese translations." RUDN Journal of Studies in Literature and Journalism 24, no. 4 (2019): 713–20. http://dx.doi.org/10.22363/2312-9220-2019-24-4-713-720.

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The article explores the toponym “Kiev” as an universal center of the space - time organization of “The Song of Igor’s Campaign”. The capital city of Ancient Russia is mentioned in 10 episodes, in each of which it appears in the symbolic incarnation of a certain political slogan or poetic hyperbole. The study analyzes and compares the image of Kiev, displayed in the original text of “The Song”, its translations into Chinese, and commentaries by Wei Huangnu and Li Xiyin, who discovered the artistic value of the ancient Russian masterpiece to Chinese philologists and a wide circle of readers.

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RADZIIEVSKA, Tetiana. "VLADIMIR NABOKOV’S ENGLISH TRANSLATION OF “THE SONG OF IGOR’S CAMPAIGN” AS A PRECEDENT SITUATION IN INTERCULTURAL COMMUNICATION." Folia Philologica, no. 4 (2022): 67–77. http://dx.doi.org/10.17721/folia.philologica/2022/4/9.

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The paper deals with the English translation of “The Song of Igor’s Campaign”, carried out by Vladimir Nabokov in the middle of the 20th century. The translation is considered in a linguocultural perspective as a precedent situation (a case) in intercultural communication. Such approach involves not only an analysis of the lexical and syntactical features of the translated medieval text, but also a study of the dynamics of translation activity, which advances in specific historical conditions, depends on certain factors that influence it, and corresponds to certain tasks. The purpose of the pa

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Wang, Yu. "The image of wolf in artistic animalism of “The Song of Igor’s Campaign” and ancient Chinese literature." RUDN Journal of Studies in Literature and Journalism 24, no. 3 (2019): 424–32. http://dx.doi.org/10.22363/2312-9220-2019-24-3-424-432.

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The article analyzes the image of the wolf in “The Song of Igor's Campaign” and ancient Chinese literature. In the motive complex of artistic animalism of “The Song” the wolf is represented semantically multivalued. He acts as a symbolic function of the forerunner of tragic events, poeticizes as a legendary mythological werewolf, and is also intensively used as a comparison-personification. In ancient Chinese literature the wolf in the vast majority of texts acts as a carrier of negative emotions. Its main metaphorical associations are alien invaders, rebels, sovereigns-tyrants. The image of t

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Li, Ziwei. "On the “phrase-for-phrase” translation of The Song of Igor’s Campaign by Xiyin Li." Vestnik Tomskogo gosudarstvennogo universiteta. Filologiya, no. 88 (2024): 167–95. https://doi.org/10.17223/19986645/88/9.

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The second full Chinese translation of The Song of Igor’s Campaign was completed by Xiyin Li at the end of the 20th century. In the preface of his work, the translator clearly pointed out his approach to translation, namely, “translate phrase-forphrase”. The objective of this study was to analyze the essence of his translation approach based on not only the translated text, but also its paratext. The paratext was studied in two aspects, the form and the content. The contradiction between the rich form and the random content was explained by investigating the general historical influences on th

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Burykin, Alexey A. "Еще раз о Босом волке в тюрко-монгольском эпосе и «Слове о полку Игореве»". Бюллетень Калмыцкого научного центра Российской академии наук, № 1 (20 грудня 2020): 113–22. http://dx.doi.org/10.22162/2587-6503-2020-1-13-113-122.

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The article analyses the names of the wolf in the eposes of the Mongolian and Turkic nations, which is of interest for defining the Mongolian and Turkic epic traditions and perceptions related to the wolf. One of the problems discussed by the author is the understanding of the Old Russian word-combination ‘босый волк’(off-white wolf) which appears in “The Song of Igor’s Campaign”. In the Mongolian folklore, a name of the wolf includes the word hалзн ‘a white mark or white stripe on the forehead of the animal’ which is inherent in the definition of a wolf by color. This specification allows us

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Pevtsov, G. D. "Linguistic, Historical and Poetical Stylistic Aspects of Translating of The Song of «Igor's Campaign». The Subjects of the Authorship and the Time of Creation." Язык и текст 4, no. 1 (2017): 39–47. http://dx.doi.org/10.17759/langt.2017040104.

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The article presents some peculiarities of the new translation of The Song of Igor's Campaign made by the author of the present article as well as the translations by the most famous Russian authors of different times. The translations are compared and their advantages and shortcomings come to light. The subjects of the authorship of The Song and the time of its creation are touched upon as well.

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Kovaleva, Tatyana I., and Igor E. Loshchilov. "“The ancient duel of Mstislav…”: the story of “The Russian Primary Chronicle” in a V. Sosnora’s poem “The battle of Mstislav with Rededya” (1959)." Sibirskiy filologicheskiy zhurnal, no. 2 (2023): 166–79. http://dx.doi.org/10.17223/18137083/83/13.

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This paper deals with the poem by V. Sosnora, “The Battle of Mstislav with Rededya” (1959). The poem is based on the story of “The Russian Primary Chronicl” under 6530 (1022) devoted to the event mentioned in the title. According to the poet, when writing his “historical” poems, he “re-imagines” the material of ancient Russian monuments and brings it closer to the modern reader. The poet’s creative method was often misunderstood by critics and satirists who referred to his “irreverent” treatment of history. In terms of literary criticism, “re-imagining” implies using a rich palette of poetic m

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Russell, James R. "Iranians, Armenians, Prince Igor, and the Lightness of Pushkin." IRAN and the CAUCASUS 18, no. 4 (2014): 345–81. http://dx.doi.org/10.1163/1573384x-20140403.

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The Animal Style that characterizes Scythian art came into Armenia and Russia, where it is attested in bas-reliefs on churches; and the epic Song of Igor's Campaign, a unique verbal reflection of it, inspired Pushkin and his descendants in their poetic visions.

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Hösle, Vittorio. "On Some Specific Traits of Russian Culture." Zeitschrift für Medien- und Kulturforschung 8, no. 1 (2017): 61–78. http://dx.doi.org/10.28937/1000107622.

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"The essay discusses the question in which sense there are continuities between the pre-Soviet, the Soviet, and the post-Soviet phase of Russian culture. It discovers in the rejection of the bourgeois value system an important constant factor. Even if originally rooted in the specific orthodox Christian sensibility, it helped prepare the Soviet revolution and survived even after 1991. From the Song of Igor’s Campaign to Tolstoy’s dramas, Eisenstein’s films and his film theory, and Maxim Kantor’s iconic interpretations of the late Soviet Union and its aftermath the essay tries to unveil crucial

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HyunTae Byun. "Mythological Thought and Historical Consciousness in "The Song of Igor's Campaign"." 러시아연구 17, no. 1 (2007): 59–87. http://dx.doi.org/10.22414/rusins.2007.17.1.59.

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13

Nazarenko, Oksana. "Intertextual units in prose of Yuri Izdryk." Culture of the Word, no. 90 (2019): 55–64. http://dx.doi.org/10.37919/0201-419x-2019.90.5.

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The article is devoted to the study of the implementation of the category of intertextuality in modern Ukrainian prose by Yu. Izdryk. An excursion into the theory of intertextuality presented in modern linguistics is made. Intertextual elements in the literary text are updated and their sources are determined. Two types of intertext in modern prose are distinguished depending on the source. The first type includes intertextual elements, the sources of which are works of literature. Among them: allusions, quotes (certified and non-certified), reminiscences, paraphrases, parades on literary text

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OKATIEVA, Inna. "Images from the world of nature in „The song of Igor’s campaigh” and its english (V. Nabokov) and german (R.M. Rilke) translatiohs." Humanities science current issues 3, no. 41 (2021): 80–85. http://dx.doi.org/10.24919/2308-4863/41-3-12.

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15

Meyer, Priscilla. "Igor, Ossian, and Kinbote: Nabokov's Nonfiction as Reference Library." Slavic Review 47, no. 1 (1988): 68–75. http://dx.doi.org/10.2307/2498839.

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“How ludicrous these efforts to translate Into one's private tongue a public fate!“Pale Fire, lines 231-232It is becoming apparent as research sets out the points of contact among Vladimir Nabokov's works that Nabokov deliberately designed his total oeuvre as a spiral that finds ever-widening patterns in the weave of the universe. We are beginning to see how Nabokov combines the passion of natural scientific investigation and the cool distance of literary creation in his art; from reading his commentaries to Pushkin's Eugene Oneginand The Song of Igor's Campaign,we understand how he interprets

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16

Lukin, Pavel. "Russian chronicles and West European chivalric epics: two possible comparisons." St. Tikhons' University Review. Series III. Philology 72 (September 30, 2022): 46–62. http://dx.doi.org/10.15382/sturiii202272.46-62.

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The article is devoted to the comparison of accounts of Russian chronicles of the pre-Mongol time and episodes from the West-European chivalrous epic. Two parallel plots are considered, in which the author sees certain similarities. First, an account of the Novgorod First Chronicle on the conflict in Novgorod in 1015, in the course of which some noble Novgorodians were killed on the order of Prince Yaroslav, and an episode from "The Song of Roland", which refers to an attempt of barons of Charlemagne to intercede for the traitor Ganelon. It is concluded that both stories are based on similar i

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І.І., Окатьєва. "ФЕНОМЕН ПРИРОДИ ЯК ЗАСІБ ТВОРЕННЯ КОНФЛІКТНИХ КОЛІЗІЙ У «СЛОВІ О ПОЛКУ ІГОРЕВІМ» ТА ЙОГО АНГЛОМОВНОМУ (В. НАБОКОВ) ТА НІМЕЦЬКОМОВНОМУ (Р.М. РІЛЬКЕ) ПЕРЕКЛАДАХ". Наукові записки Харківського національного педагогічного університету ім. Г. С. Сковороди "Літературознавство" 1, № 87 (2018): 108–20. https://doi.org/10.5281/zenodo.1322528.

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The article is devoted to revealing the translation specifics of the phenomenon of nature in «The Song of Igor’s campaign», the role of nature in the creation of conflicts in the original text and the peculiarities of its English translation of V. Nabokov and in the German version by R.M. Rilke. The author has argued that the natural phenomenon in the composition has a multilevel semantic filling. Personified in the image of animals and birds, nature directly affects all the events of the work. With the help of the phenomenon of nature, conflicts are modeled and are not found

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18

Szurmińska, Hanna. "THE LITERATURE GROUP „ZEWONIA” HISTORY AND FOLKLORE." Polish Studies of Kyiv, no. 35 (2019): 424–27. http://dx.doi.org/10.17721/psk.2019.35.424-427.

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The article analyses the group of writers «Ziewonia», in the work and activities of which Slavophile ideas have strengthened through cycles of translations, songs and dumas. It reveals interest in the culture of the Slavic people in the 30s of the 19th century. It analyses the idea of national identity and ethnic culture using a differentiated approach to the phe- nomena of literary folklore, which becomes the main motive of «Ziewonia». The level of Ziewonia’s comprehension in Polish science is not significant yet but still to be more learned than in Ukrai- nian science. The article is said ab

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Bondarenko, Grigory. "Hiberno-Rossica: 'Knowledge in the Clouds' in Old Irish and Old Russian." Studia Celto-Slavica 1 (2006): 185–200. http://dx.doi.org/10.54586/agvn6086.

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The present discussion aims to deal with one rare example of formulaic similarities in Old Irish and Old Russian poetic speech. In the past years several studies appeared devoted to Celto-Slavic isoglosses or correspondences in theonymics and mythopoetic language. The paper is focused on two particular fragments in two Old Irish and Old Russian texts (the former is much less known than the latter) with a special emphasis on the semantics and poetic rules, which are common for both examples. The first text is an Old Irish poem Immaccallam in druad Brain ocus inna banfhátho hóas Loch Febuil (‘Th

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Ram, Harsha. "Imagining Eurasia: The Poetics and Ideology of Olzhas Suleimenov's AZ i IA." Slavic Review 60, no. 2 (2001): 289–311. http://dx.doi.org/10.2307/2697272.

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The article examines the controversial book AZ i IA (1975) by the Russian-language Kazakh writer Olzhas Suleimenov. Ostensibly a study of the Russian medieval classic The Song of Igor's Campaign, the book was quickly understood to be a pointed commentary on the history of Russo-Turkic relations and a vindication of the Central Asian nomads, who were seen as oppressed by imperial domination in the field of knowledge no less than in politics. While Soviet critics noted the tension between the book's scholarly premises and its ideological claims, they chose to ignore the deeper implications of AZ

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Fataliyeva, Sevinj Khabib kyzy. "Typology of the Category of Case in Beowulf, The Book of Dede Korkut, The Song of the Nibelungs and The Tale of Igor's Campaign." Path of Science 9, no. 6 (2023): 1029–37. http://dx.doi.org/10.22178/pos.93-18.

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Okhotin, N. G. "From the Commentary to E. A. Baratynsky’s "Omens"." Russkaya literatura 3 (2020): 58–67. http://dx.doi.org/10.31860/0131-6095-2020-3-58-67.

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This article explores certain lexical echoes of the Tale of Igor’s Campaign in a late-period poem by Evgeny Baratynsky "Omens" (1839), and the conceptual dependence of this poem on the analysis of the "Tale of Igor’s Campaign" in the published lectures by M. A. Maksimovich (1836).

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Sokolova, Lidia. "“ORNATUS DIFFICILIS” STYLE IN “THE TALE OF IGOR’S CAMPAIGN”." Проблемы исторической поэтики 21, no. 1 (2023): 7–34. http://dx.doi.org/10.15393/j9.art.2023.11922.

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The opinions of scientists about the extent to which the text of “The Tale of Igor’s Campaign” was comprehensible to its contemporaries are divided. Some believed that “The Tale of Igor’s Campaign” was a folk work in the deepest sense of the word; its artistic essence was widely accessible to everyone. Others insisted that the refined and figurative style of the work required cultured readers, which made it a work for a select few. D. I. Chizhevsky, R. O. Yakobson and other scientists compared the style of “The Tale of Igor’s Campaign” with the “ornatus difficilis” style of Western European po

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Burykin, Aleksey A. "A few more words about the author’s problem “The Tale of Igor’s Campaign”: why are all the characters of “The Tale”, living at 1185, relatives of Andrei Bogolyubsky?" Neophilology, no. 17 (2019): 49–53. http://dx.doi.org/10.20310/2587-6953-2019-5-17-49-53.

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The study is devoted to the consideration of kinship relations between the princes mentioned in the “The Tale of Igor’s Campaign” and Andrei Bogolyubsky, an attempt to deal with the ambiguity of the identification of princes mentioned in the “The Tale” with those historical figures who are known to us by the names of the chronicles. We reveal the special preferences of “The Tale of Igor’s Campaign” author to the princes consisting in relationship with Andrei Bogolyubsky. It is proved that, despite the fact that the main characters of the story “The Tale of Igor’s Campaign” were Olgovichi, desc

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Nesterenko, Petro. "AN IMMORTAL POEM IN THE WORKS OF UKRAINIAN ARTISTS." Research and methodological works of the National Academy of Visual Arts and Architecture, no. 30 (December 9, 2021): 83–91. http://dx.doi.org/10.33838/naoma.30.2021.83-91.

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Abstract. For the first time, the article highlights the continued interest of researchers and artists in the memorial of ancient Russian literature of the end of the 12th century, "The Tale of Igor’s Campaign" at the present stage. The peculiarities of the decoration of editions dedicated to the poem performed by domestic artists in the second half of XX — beginning of XXI centuries are investigated. The pearl of ancient Russian literature of the end of the XII century, «The Tale of Igor’s Campaign» does not leave many generations of its admirers indifferent. The 200 th anniversary of the rel

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Li, Ziwei. "How did the Chinese Russianists interpretate the leading theme in “The Tale of Igor’s Campaign”." Izvestiia Rossiiskoi akademii nauk. Seriia literatury i iazyka 83, no. 5 (2024): 150–56. https://doi.org/10.31857/s1605788024050138.

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The reception of “The Tale of Igor’s Campaign” in China can be traced back to a hundred years ago. The most significant issue in this process was the discussion about the leading theme in this epic, initiated by the Chinese Russianists. This article mainly focuses on an important controversy about the patriotic idea in the “The Tale of Igor’s Campaign” that arose in China in the 1980s. Firstly, the author overviews the main works and their basic views in this discussion, including the “initiator” of this debate, Liu Wenxiao, who denied the presence of patriotic ideas in this epic, and his oppo

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Bystrov, Vyacheslav N. "“It Was All So Recent…”. The Poem “To Russia” by Vladimir Gippius." Texts and History: Journal of Philological, Historical and Cultural Texts and History Studies 3 (2020): 180–91. http://dx.doi.org/10.31860/2712-7591-2020-3-180-191.

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The author presents an analysis of Vladimir Gippius’s poem “To Russia” (in the manuscript of the first redaction of the unpublished collection “Eclipses of Stars”, the poem has the title The Lay of Igor’s Campaign). The poem was written at the beginning of World War I, presumably in the autumn of 1914. The text is reproduced from the publication in the collection War in Russian Poetry (1915). The analysis involves materials of a lecture on The Lay of Igor’s Campaign that Vladimir Gippius gave to his students at the Tenishev School. The poem is an artistic interpretation of the ancient text wit

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Dąbrowska, Magdalena. "Samuel Bogumił Linde w dziejach recepcji twórczości Nikołaja Karamzina (wokół polskiego przekładu Rysu historycznego literatury rosyjskiej Nikołaja Grecza)." Acta Polono-Ruthenica 3, no. XXIV (2019): 101–12. http://dx.doi.org/10.31648/apr.4663.

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The paper presents annex no. 1 to the Historical background of the Russian literatureby Nikolay Gretsch, translated and edited by Samuel Bogumił Linde (Warszawa, 1823). The annex, entitled About the story “The Igor’s Campaign” by Karamzin, is a translation of the excerpt from the History of the Russian state (chap. 7, vol. III), which was published in another work of Gretsch, the Scientific book of the Russian literature (vol. 1–4, Saint-Petersburg, 1819–1822). It concerns the masterpiece of the Old-Russian literature The Tale of Igor’s Campaign. The paper presents the place of Karamzin’s work

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Nikolaev, Sergei L. "Lexical Stratification of “The Tale of Igor’s Campaign”." Slovene 3, no. 2 (2014): 7–109. http://dx.doi.org/10.31168/2305-6754.2014.3.2.1.

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This paper deals with the problem of dialect in The Tale of Igor’s Campaign. The author places great emphasis on lexical stratification. Dialectally marked vocabulary in The Tale is associated with only two areas of the East Slavic dialect continuum: 1) the South Eastern area (Southwest Russian, Belarusian, and Ukrainian dialects) and 2) the Northern area (Russian dialects originating in Pskov and Novgorod). Distribution of dialect words in The Tale is uneven: the South Western items characterize the main part of the text and the Northern elements prevail in some fragments. Although the presen

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Kuznetsov, Evgeniy V., and Yuri A. Kurdin. "ANTIQUE REMINISCENCES IN “THE TALE OF IGOR’S CAMPAIGN”." Bulletin of the Moscow State Regional University (History and Political Science), no. 4 (2020): 45–56. http://dx.doi.org/10.18384/2310-676x-2020-4-45-56.

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Fenenko, A. V. "Political Philosophy of “The Tale of Igor’s Campaign”." Governance and Politics 3, no. 2 (2024): 43–68. http://dx.doi.org/10.24833/2782-7062-2024-3-2-43-68.

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The political, philosophical and conceptual basis of “The Tale of Igor’s Campaign,” a conventionally ancient Russian poem about the unsuccessful campaign of the Novgorod-Seversk prince Igor Svyatoslavich (1155-1201) against the Polovtsians in 1185, remains debatable. It directly depends on the author’s intention in the context of the intended dating of the era. From a scientific point of view, it is more correct to talk not about the political and philosophical thought of “The Tale...”, but rather about the complex of discussions around this text. Therefore, it is possible to understand the po

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Rasulov, Rustam K. "Suggestion in a communicative system of “The Lay of Igor`s campaign”." Vestnik slavianskikh kul’tur [Bulletin of Slavic Cultures] 62 (2021): 166–73. http://dx.doi.org/10.37816/2073-9567-2021-62-166-173.

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The paper explores suggestiveness in a communicative system of “The Lay of Igor’s Campaign” including the analysis of the literary term “suggestion”, which characterizes poetic images and plots, literary techniques and motives. The suggestive image in literature makes the reader’s imagination work, poetically influencing him. The suggestiveness comes as a type of speech act in a communicative model of literary text. In the communication system of “The Lay of Igor’s Campaign”, the phenomenon of suggestiveness allows us to understand the relationship between the characters. In the monument under

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Lobakova, Irina A. "«DEPICTING NOT THE BATTLE, BUT THE SYMBOL OF THE BATTLE»: DMITRY S. LIKHACHEV AS THE AUTHOR OF SKETCHES FOR THE LAY OF IGOR’S CAMPAIGN." Texts and History Journal of Philological Historical and Cultural Texts and History Studies 1 (2024): 95–107. https://doi.org/10.31860/2712-7591-2024-1-95-107.

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The problem of how artists read and interpret the text of The Lay of Igor’s Campaign has already been discussed by researchers since this text has attracted the attention of illustrators more than any other source of Old Russian literature. Publications in honor of the 800th anniversary of Igor’s campaign in 1185 expressed a variety of artistic solutions, ranging from theatrical to monumental and including attempts to convey the reality of the past. The draft of a letter to Natalia N. Akatova, which was discovered in Likhachev’s archive, contains significant notes by the scholar on the princip

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Aleksandrov, S. S. "The Fantastic in The Tale of Igor’s Campaign Content." Izvestiya of Saratov University. New Series. Series: Philology. Journalism 16, no. 2 (2016): 160–64. http://dx.doi.org/10.18500/1817-7115-2016-16-2-160-164.

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Povarnitsyna, Elena D. "Lexical Variability in French Translations of The Tale of Igor’s Campaign." NSU Vestnik. Series: Linguistics and Intercultural Communication 19, no. 1 (2021): 142–58. http://dx.doi.org/10.25205/1818-7935-2021-19-1-142-158.

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In this article we consider the lexical variability of the French translations of “The Tale of Igor’s Campaign”. The research material includes the following lexical classes: color designations, flora and fauna names, as well as warfare terms. Lexical units are selected manually and processed with the help of a self-compiled parallel corpus of translated texts. A distinctive feature of the monument’s translations into foreign languages is the absence of the original text, which leads to a situation of multiple “original” texts. We have analyzed 11 texts of French translations of “The Tale of I

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Eremina, Valeria I., and Svetlana A. Semiachko. "Igor Petrovich Eremin: His Life and Academic Studies." Труды Отдела древнерусской литературы 68 (2020): 800–826. http://dx.doi.org/10.31860/0130-464x-2020-67-800-826.

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The article is devoted to the famous Russian philologist I. P. Eremin (1904—1963). The biography of the scholar is accompanied by photographs of him and his family. The second part of the article briefly reviews his main academic works on Russian chronicles, The Tale of Igor’s Campaign, writings of Theodosius of the Caves, Cyril of Turov, Simeon Polotsky, Ivan Vyshensky, Baroque culture and literature, and folk theater

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Wang , Yu, A. O. Shelemova, and A. G. Kovalenko. "Ornithological Mythologeme Falcon in «The Tale of Igor’s Campaign» and Ancient Chinese Literature." Nauchnyi dialog 1, no. 7 (2021): 154–64. http://dx.doi.org/10.24224/2227-1295-2021-7-154-164.

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The image of a falcon in “The Tale of Igor’s Campaign” and ancient Chinese literature is analyzed. The material for the study was the original text of “The Tale”, its translations and comments to them by Chinese literary scholars Wei Huangnu and Li Xiyin, as well as famous ancient Chinese works. One of the main motives of the artistic and pictorial ornithology of “The Tale” is examined in detail — the individual and personal images of the falcons-Russian princes, opposing the spontaneity, chaos of the bird flock as an enemy horde. In ancient Chinese literature, the ornithological figurative co

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Choi, Jumg Hyun. "History, Its Circling and Displacement -Innovation in Lay of Igor’s Campaign -." Journal of Humanities 76 (February 28, 2020): 59–95. http://dx.doi.org/10.31310/hum.076.03.

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Dyadyshcheva-Rosovetska, Juliya. "Stanislav Rosovetsky: Volodymyr Peretz's scientific heritage linguistic aspect." Current issues of Ukrainian linguistics: theory and practice, no. 47 (2023): 131–51. http://dx.doi.org/10.17721/apultp.2023.47.131-151.

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The article analyzes the linguistic aspect of Volodymyr Peretz's researches based on the observations of Stanislav Rosovetskyi. Emphasis is placed on his conclusion about the existence of a solid baggage of in-depth studies of ancient Ukrainian poetry, polemical literature, and Ukrainian folklore even before V. Peretz's arrival in Kyiv. The urgency of the justification by this energetic organizer of Ukrainian science in 1906 in the local press of the importance of establishing departments of Ukrainian studies at the university: language, literature, history, ethnography and customary law is em

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Vaulina, Svetlana. "On Means of Expressing Author’s Modality in “The Tale of Igor’s Campaign”." Vestnik Volgogradskogo gosudarstvennogo universiteta. Serija 2. Jazykoznanije 15, no. 2 (2016): 25–33. http://dx.doi.org/10.15688/jvolsu2.2016.2.3.

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Markov, Alexander V. "conology of G.V. Golokhvastov’s Books Illustrations: Avinoff and Dobuzhinsky." Vestnik slavianskikh kul’tur [Bulletin of Slavic Cultures] 71 (2024): 234–48. http://dx.doi.org/10.37816/2073-9567-2024-71-234-248.

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Russian New York poet Georgy Golokhvastov was one of the key figures in Russian artistic America, specifically of its part focused on the achievements of esoterically colored symbolism. The artistic design of his books was an integral part of the concept of adapting world culture for prestigious consumption. The study for the first time reconstructs the iconological program of illustrations for the poem The ruin of Atlantis (1938), made by Andrey Avinoff, and for the poetic arrangement of The Tale of Igor’s Campaign (1950), belonging to Mstislav Dobuzhinsky (Dobujinsky). The author analyzes in

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Rostovtsev, Evgeny A. "The Immortal Host of Prince Igor." Vestnik of Saint Petersburg University. History 65, no. 3 (2020): 883–903. http://dx.doi.org/10.21638/11701/spbu02.2020.311.

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The attention of the author of this paper is focused on “The Tale of Igor’s Campaign” (Slovo o polku Igoreve), a famous work of Russian literature. Before the revolution the text was included in the school curriculum, and within the period of 1850–1917 its separate editions exceeded 150. The early Soviet period was marked by a brief decline of the popularity of the “Tale”, but since mid-1930s, the number of its separate editions started to grow, and the negative or indifferent comments on Prince Igor Sviatoslavich in Soviet encyclopedias were replaced by the favorable ones. The heroization of

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Pautkin, Alexey. "The Menacing Echo of “The Tale of Igor’s Campaign” (B. Lavrenev’s “Wormwood-grass”)." Stephanos Peer reviewed multilanguage scientific journal 66, no. 4 (2024): 7–12. http://dx.doi.org/10.24249/2309-9917-2024-66-4-7-12.

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The article deals with one of the brightest manifestations of the reception of “The Tale of Igor’s Campaign” in the prose of the 20th century. B. Lavrenev’s story “Wormwood-grass”, which appeared a hundred years ago, contains many references to the Old Russian monument, which has become a precedent text of the national culture. The story can be called a characteristic example of ornamental prose of the mid 1920s. The mythopoetics of the medieval work acts as the main means of creating an epic-romantic sound of the New Age text telling about the events of the Civil war in the south of Russia. T

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GERGINOV, Dmytro. "THE OPENING VERSES OF THE TALE OF IGOR’S CAMPAIGN IN ITS BULGARIAN TRANSLATIONS." Ezikov Svyat volume 22 issue 1, ezs.swu.v22i1 (February 23, 2024): 86–93. http://dx.doi.org/10.37708/ezs.swu.bg.v22i1.8.

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This article presents a comparison of the opening verses of the famous anonymous work of ancient Russian literature, The Tale of Igor’s Campaign, translated into Bulgarian by four different translators in the course of more than a century: Efrem Karanov (1898), Lyudmil Stoyanov (1954), Kiril Kadiyski (1985), and Krasimir Georgiev (2015). The main goal is to analyze the changes in translation decisions and identify any possible deviations from the source text. Special attention is paid to the strategies employed by the translators to convey the meaning of several challenging passages in the anc

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Pautkin, Alexey. "“THE TALE” AND “THE CASE OF IGOR’S CAMPAIGN” (RUSSIA INSIDE OUT IN THE NOVEL BY HOLM VAN ZAICHIK)." Lomonosov Journal of Philology, no. 6 (March 19, 2023): 133–40. http://dx.doi.org/10.55959//msu0130-0075-9-2022-6-133-140.

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The article is devoted to the literary reception of Th e Tale of Igor’s Campaign, which can undoubtedly be called a precedent text of Russian culture. The recognition of individual fragments of the record used in speech and texts of various genres is high. Th e unparalleled significance of the “Igor Tale” developed gradually, under the influence of many factors. During the 19th century, there was a kind of intermedial field of influence of the Old Russian work, manifested primarily in a variety of lyric poetry responses. In prose, the precedent of the “Igor Tale” gains strength only in the 20t

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Purwanto, Hari Eko. "Political Communication Strategy Through Campaign Songs for Presidential and Vice-Presidential Candidates: An Analysis of the Song "OKAY GAS PRABOWO GIBRAN IS MOST FITTING"." Riwayat: Educational Journal of History and Humanities 7, no. 3 (2024): 1362–72. http://dx.doi.org/10.24815/jr.v7i3.40541.

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In modern politics, communication plays a pivotal role in influencing public perception of a candidate, especially through alternative media such as campaign songs. In Indonesia, the campaign song "Oke Gas Prabowo Gibran Paling Gas" has garnered attention for its effectiveness in conveying political messages through popular media. This study analyzes the campaign song using the Bandwagon Effect and The Communicative Function Model theories. It was found that the song successfully utilizes the concepts of conformity, interpersonal influence, and speaker status to persuade listeners to support t

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Parina, Elena. "Textual Criticism and Text Reconstruction: Approaches to Early Russian and Welsh Poetry." Studia Celto-Slavica 5 (2010): 149–58. http://dx.doi.org/10.54586/iumu8654.

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The Tale of Igor’s Campaign and The Gododdin, two poetic texts crucially important for the history of Early Russian and Welsh literature respectively, have a very dark history. Both are preserved in only one reliable source and are supposed to be composed about 600 years before this edition or manuscript was created. Anna Dybo and John Koch however propose an attempt of reconstruction for the Ur-Text of these poetic masterpieces. In this article we compare the framework within which these reconstructions were created. Whereas Anna Dybo relies mainly on contemporary texts, John Koch in the abse

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Blažek, Václav. "The Tale of Igor’s Campaign from the perspective of the loanwords of oriental origin." Slavia 92, no. 1 (2023): 47–65. http://dx.doi.org/10.58377/slav.2023.1.04.

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Wang, Yiman. "People vs. ‘god of plague’: Socialist China’s anti-zoonotic campaign media as environmental media." Journal of Environmental Media 4, no. 2 (2023): 147–66. http://dx.doi.org/10.1386/jem_00107_1.

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This article cross-pollinates environmental media studies with socialist China’s anti-snail fever campaign media, including two 1965 science education films, a 1961 song book, all entitled ‘Song wensheng’ (‘Sending away god of plague’), and a 1970 Chijiao yisheng shouce (‘The handbook for barefoot doctors’). Through studying popular audio-visual and print media produced to support the socialist state-sponsored campaign against snail fever – the longest anti-zoonotic campaign in China – I adopt a cross-media approach to campaign media. Unpacking the environmental unconscious in campaign media,

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Ranchin, Andrey. "On the new book by A.N. Uzhankov and the study “The Tale of Igor’s Campaign”." Literary fact, no. 4 (June 2017): 358–76. http://dx.doi.org/10.22455/2541-8297-2017-4-358-376.

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