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Dissertations / Theses on the topic '"Song of love"'

Author: Grafiati

Published: 5 June 2025

Last updated: 2 August 2025

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1

Stillman, Johanna. "Love Song." Thesis, Konstfack, Institutionen för Konst (K), 2017. http://urn.kb.se/resolve?urn=urn:nbn:se:konstfack:diva-5791.

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Love Song is an essay about romance, passion, obsession, attraction, Eros, intoxication, infatuation, to fall in love and love. Love songs, as artworks, are almost always directed towards a nameless “you” and this essay wants to talk to you. The text might be seen as a way to create and rewrite something, a performance to understand other performances, a dwelling on past relationships, a love letter, or just a text for me to vent you with others that have been thinking about you. I would love to hear Elsa von Freytag-Loringhoven, Chris Kraus, Beyoncé, Bell Hooks, Anaïs Nin and Taylor Swift tal

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2

Fu, Xiaowei. "The LOVE IS A UNITY Metaphor in Love Song Lyrics." Thesis, Kristianstad University College, Department of Teacher Education, 2010. http://urn.kb.se/resolve?urn=urn:nbn:se:hkr:diva-5803.

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3

Tucker, Kim S. "Sentimentality and the American Love Song." The Ohio State University, 1999. http://rave.ohiolink.edu/etdc/view?acc_num=osu1394802112.

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4

Black, Fiona Catherine. "The grotesque body in the Song of Songs." Thesis, University of Sheffield, 1999. http://ethos.bl.uk/OrderDetails.do?uin=uk.bl.ethos.311696.

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5

Williams, Jeffrey C. "Love and Loss: A Contemporary Song Cycle." Youngstown State University / OhioLINK, 2020. http://rave.ohiolink.edu/etdc/view?acc_num=ysu1588778516530969.

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6

Rider, Gard Anna Elizabeth. "Pathways of love through song: the composer’s intention." Kansas State University, 2015. http://hdl.handle.net/2097/19142.

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Master of Music<br>Department of Music, Theatre, and Dance<br>Amy Underwood<br>The following report is extended program notes that focus on the expression of love in various ways. These songs were presented on a graduate recital March 31, 2015 in All Faiths Chapel at Kansas State University. It is in partial fulfillment of the requirements for the Master of Music degree in vocal performance. The works included are by Bellini, Bernstein, Hahn, Koechlin, Obradors, Saint-Saëns, Schumann, and Sullivan. Below is a detailed description explaining the focus of the report. Many musicians discuss the

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7

Gerolami, Mark T. ""I love this bar" working class expression through karaoke song selection /." Connect to this title online, 2007. http://rave.ohiolink.edu/etdc/view?acc%5Fnum=bgsu1167928429.

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8

Seville, Douglas J. S. "A simple love song, for soprano, tenor and orchestra : analytical commentary." Thesis, Birmingham City University, 2003. http://ethos.bl.uk/OrderDetails.do?uin=uk.bl.ethos.399799.

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9

Woolner, Christina. "The labour of love songs : voicing intimacy in Somaliland." Thesis, University of Cambridge, 2018. https://www.repository.cam.ac.uk/handle/1810/286359.

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This dissertation is about the work of love songs in Hargeysa, Somaliland. In a setting where music and expressions of love are conspicuously absent from public soundscapes, I explore the lives and labour of a genre as it moves and is moved across time and space, the singing and speaking voices that animate these songs, and the entanglement of love songs in the mediation of intimacy and the shaping of contested post-war soundscapes. What, I ask, is a love song? In a setting marked by war, where music-making and expressions of love are contested, what do love songs do? And how do they do what t

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10

Anderson, Quiliano Niñeza. "Kundiman love songs from the Philippines: their development from folksong to art song and an examination of representative repertoire." Diss., University of Iowa, 2015. https://ir.uiowa.edu/etd/1821.

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In the Philippines, a type of love song known as the Kundiman had existed since the early 19th century. But in the early 20th century Kundiman had developed into art song. The term Kundiman comes from the Tagalog phrase “kung hindi man” or “if it were not so”. Written in the Tagalog language, these folksongs were subtly patriotic but typically disguised as love songs. Filipinos, in their long struggle against an oppressive Spanish regime, saw it as a tool that would ultimately unite Filipino revolutionaries to wage war against the Spaniards in 1896 during the Spanish-American War. The composer

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11

Gavelin, Emma. "Conceptual metaphors: a diachronic study of LOVE metaphors in Mariah Carey's song lyrics." Thesis, Umeå universitet, Institutionen för språkstudier, 2016. http://urn.kb.se/resolve?urn=urn:nbn:se:umu:diva-116716.

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This essay is an account of an investigation of conceptual metaphors of LOVE in two albums by singer Mariah Carey. It also includes an investigation of if LOVE metaphors were used differently at the beginning of her career from how they are used twenty-four years later. The study is based on the singles of Carey's debut album and those of her latest album. The analysis showed that although the songs are separated by approximately twenty years the LOVE metaphors most reflected in the song lyrics were the same in both albums. The results also showed that the source concept which was most typical

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12

Anderson, Quiliano Nineza. "Kundiman love songs from the Philippines| Their development from folksong to art song and an examination of representative repertoire." Thesis, The University of Iowa, 2015. http://pqdtopen.proquest.com/#viewpdf?dispub=3726807.

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<p> In the Philippines, a type of love song known as the <i>Kundiman </i> had existed since the early 19<sup>th</sup> century. But in the early 20<sup>th</sup> century <i>Kundiman</i> had developed into art song. The term <i>Kundiman</i> comes from the Tagalog phrase “kung hindi man” or “if it were not so”. Written in the Tagalog language, these folksongs were subtly patriotic but typically disguised as love songs. Filipinos, in their long struggle against an oppressive Spanish regime, saw it as a tool that would ultimately unite Filipino revolutionaries to wage war aga

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13

Lidström, Shona. "High off her love - LOVE IS A DRUG : A comparative study of the use of love and sadness metaphors and their meaning in country and rap song lyrics." Thesis, Umeå universitet, Institutionen för språkstudier, 2017. http://urn.kb.se/resolve?urn=urn:nbn:se:umu:diva-140210.

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This paper researches the use of conceptual metaphors in rap and country song lyrics. It looks specifically at conceptual metaphors for the concepts of LOVE and SADNESS, focusing on what source domains are proposed in each genre, what similarities there are in source domains between the genres and the style of language found in the linguistic expressions in the two genres. Song lists and lyrics were obtained from internet sites and then, using the Metaphor Identification Procedure (MIP), linguistic expressions were identified which were then subjected to a qualitative analysis. Those relating

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14

Aguiar, Angiuli Copetti de. "O tempo da ironia em “The love song of J. Alfred Prufrock”, de T. S. Eliot." Universidade Federal de Santa Maria, 2016. http://repositorio.ufsm.br/handle/1/12076.

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The works of the English poet T. S. Eliot (1888-1965) reveal a thematic and aesthetic interest in the subject of “time” as human experience, whether collective, as history, or subjective, as memory. His first poem, “The Love Song of J. Alfred Prufrock” (1916), is a pioneer experiment on the stream of consciousness technique through which are shown the complex mental processes of its character, Prufrock, in a complex fabric of times and logical chains. The temporal dimension was an object of analysis for many critics of the poem, most of whom relied on interpretations based on philosophical per

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Bhattacharya, Nandini. "A love song to our mongrel selves : problematics of identity in the novels of Salman Rushdie /." Delhi : Worldview Publications, 2005. http://catalogue.bnf.fr/ark:/12148/cb41332013k.

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16

Anderson, Melanie R. "The beloved paradise : spectrality in the novels of Toni Morrison from Song of Solomon through Love /." Full text available from ProQuest UM Digital Dissertations, 2009. http://0-proquest.umi.com.umiss.lib.olemiss.edu/pqdweb?index=0&did=1800249031&SrchMode=1&sid=2&Fmt=2&VInst=PROD&VType=PQD&RQT=309&VName=PQD&TS=1268164733&clientId=22256.

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17

Beasley, Rebecca Choate. "The influence of Sister Helen Prejean on the life and work of Jake Heggie as seen in the song cycle The Deepest Desire: Four Meditations on Love." Thesis, connect to online resource, 2008. http://digital.library.unt.edu/permalink/meta-dc-9795.

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18

Thomas, Eric Sanders. "An Examination of the Solo and Duet Vocal Repertoire of Kenneth Mahy." Scholarly Repository, 2008. http://scholarlyrepository.miami.edu/oa_dissertations/105.

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This doctoral essay examines the vocal solo and duet repertoire of Kenneth Mahy, an American composer of art song and choral music in the late twentieth and early twenty-first centuries. By examining his songs, assessing their difficulty, and analyzing their texts, this essay establishes that Kenneth Mahy is a composer worthy of note. In addition, this study provides pedagogical observations and performance notes of his songs. Furthermore, this essay provides biographical information about Mahy, and examines how his training, education, military experience, and unique experiences as the son

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19

Catalano, Giada. "Proposta di traduzione di “Love Is a Mix Tape: Life and Loss, One Song at a Time” di Robert Sheffield." Bachelor's thesis, Alma Mater Studiorum - Università di Bologna, 2021.

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Questo elaborato presenta la proposta di traduzione e la rispettiva analisi di uno dei capitoli della memoria autobiografica di Robert Sheffield intitolata "Love Is a Mix Tape: Life and Loss, One Song at a Time". Nel primo capitolo di questo elaborato mi sono concentrata sui problemi specifici della traduzione letteraria e, in modo particolare, sui culture-specific items e il loro trattamento. In seguito, ho illustrato alcune delle strategie proposte dagli studiosi che hanno indagato questa particolare difficoltà traduttiva, a cui ho fatto nuovamente riferimento nel commento alla traduzione. N

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Mór, Samira de Jesus. "Ah, se ao te conhecer, dei pra sonhar, fiz tantos desvarios”: esse amor de todos nós em canções de Chico Buarque." Universidade Federal de Juiz de Fora, 2013. https://repositorio.ufjf.br/jspui/handle/ufjf/1113.

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Submitted by Renata Lopes (renatasil82@gmail.com) on 2016-04-01T12:09:56Z No. of bitstreams: 1 samiradejesusmor.pdf: 765926 bytes, checksum: 22248374993eeb2e12ca0d290b301f88 (MD5)<br>Approved for entry into archive by Adriana Oliveira (adriana.oliveira@ufjf.edu.br) on 2016-04-24T03:09:30Z (GMT) No. of bitstreams: 1 samiradejesusmor.pdf: 765926 bytes, checksum: 22248374993eeb2e12ca0d290b301f88 (MD5)<br>Approved for entry into archive by Adriana Oliveira (adriana.oliveira@ufjf.edu.br) on 2016-04-24T03:13:52Z (GMT) No. of bitstreams: 1 samiradejesusmor.pdf: 765926 bytes, checksum: 22248374993

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Anufrieva, Maria. "“I have measured out my life with coffee spoons” – T.S. Eliot : A semantic analysis of selected metaphors in The Love Song of J. Alfred Prufrock by T.S. Eliot." Thesis, Stockholms universitet, Engelska institutionen, 2012. http://urn.kb.se/resolve?urn=urn:nbn:se:su:diva-77190.

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Metaphor is the most widely recognized and discussed type of trope. It has attracted the attention of analysts from various disciplines, e.g. philosophy, psychology, cognitive science, and literature. Research from these fields has shown that metaphors are ubiquitous and indispensable in our lives. It is not only literary discourse that is abundant with metaphors, but metaphors are also common in scientific discourse and even in our everyday language. Moreover, research from cognitive linguistics has shown that our thinking is metaphorical to a certain extent. Thus, if metaphors are so ubiquit

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22

Viberg, Olga. "“Do I Dare Disturb the Universe?” A Dantean Quest for Meaning in Prufrock’s Liminal World : A Hermeneutical Reading of T.S. Eliot’s “The Love Song of J. Alfred Prufrock”." Thesis, Högskolan Dalarna, Engelska, 2008. http://urn.kb.se/resolve?urn=urn:nbn:se:du-3240.

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23

Raymundo, Larissa de Macedo. "O conceito do amor de Deus em Meditaciones Sobre los Cantares, de Santa Teresa de Jesus." Universidade Presbiteriana Mackenzie, 2015. http://tede.mackenzie.br/jspui/handle/tede/2465.

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Made available in DSpace on 2016-03-15T19:48:34Z (GMT). No. of bitstreams: 1 Larissa de Macedo Raymundo.pdf: 1166838 bytes, checksum: 34ec265869df8faa06414d7da3cd5460 (MD5) Previous issue date: 2015-08-28<br>Coordenação de Aperfeiçoamento de Pessoal de Nível Superior<br>The focus of this work is the symbology, using similes, allegories and metaphors, which Saint Teresa of Jesus used in her work, Meditaciones sobre los Cantares with a view to explain how she felt, experienced and sensed the love that God had for her and that she struggled to repay. For her, the main source for her inspiration

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24

Stibe, Anna. ""I am walking in my city" : The Production of Locality in Githa Hariharan’s In Times of Siege, Vikram Chandra’s Love and Longing in Bombay, and Amit Chaudhuri’s Freedom Song." Doctoral thesis, Karlstads universitet, Institutionen för språk, litteratur och interkultur, 2014. http://urn.kb.se/resolve?urn=urn:nbn:se:kau:diva-32160.

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At the center of this study are three Indian novels with an urban setting and dealing with political and social issues of the 1990s: Githa Hariharan’s In Times of Siege (2003), Vikram Chandra’s Love and Longing in Bombay (1997) and Amit Chaudhuri’s Freedom Song (1998). The Delhi of In Times of Siege is portrayed as a city infused with power but haunted by a troubled past that is brought to the present by a dissenting professor of history. The Bombay of Love and Longing in Bombay is also a haunted city, but is primarily imagined as a narrative locality in which storytelling is central to both t

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25

Downs, Trail Sarah C. "BEVERLY, “MUSIC MISSES YOU”: A BIOGRAPHICAL AND PERFORMANCE GUIDE TO AMERICAN MEZZO-SOPRANO BEVERLY WOLFF’S CAREER AND HER SUBSEQUENT IMPACT ON AMERICAN OPERA AND ART SONG." UKnowledge, 2014. http://uknowledge.uky.edu/music_etds/27.

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American mezzo-soprano, Beverly Wolff has not received the credit or respect that she deserves in operatic history. Her career began in 1952 and flourished until her retirement from the stage in 1981. Her intense characterizations, innate musicianship, and intelligence made her one of the most sought-after performers from the 1950s to the 1970s. For thirty years, she worked with some of the operatic world’s finest musicians, including Leonard Bernstein, Gian-Carlo Menotti, Samuel Barber, Ned Rorem, Beverly Sills, Norman Triegle, Placido Domingo, among others. She was represented by Columbia Ar

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26

Hall, Eleanor Kinser. "Conduire Amour: Liebe Der Frau Als Schlüssel Zum Heil Und Brüderlichen Frieden in Wolfram Von Eschenbachs Parzival." Digital Archive @ GSU, 2009. http://digitalarchive.gsu.edu/mcl_theses/7.

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This paper examines Wolfram von Eschenbach’s juxtaposition of contrary things in Parzival as the beginning of the road to spiritual salvation for Parzival. Men’s quest for fame and honor in the material, Arthurian world is compared to the divine Grail kingdom and the godlike women who shed compassionate, Christ-like tears. Wolfram’s message of peace and love for brother is examined through his use of symbolism, particularly through womens’ tears and turtledove imagery. Parzival, Gâwân and Feirefiz are compared in order to show that the love and quest for personal honor in the Arthurian world i

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27

De, Araujo Magalhaes Maria Da Gloria. "La dialectique du troubadour et de la figure féminine dans les chansons d’amour et d’ami Gallaïco-portugaises une thématique : l’amour et l’érotisme." Thesis, Paris 3, 2010. http://www.theses.fr/2010PA030139.

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L‘étude de notre corpus porte sur les chansons d‘amour et d‘ami gallaïco-portugaises datées de la fin du XIIème jusqu‘au milieu du XIVème siècle. La problématique consiste à déterminer quelle dialectique entretiennent le troubadour et la figure féminine à travers ces deux genres lyriques dans le cadre de l‘amour et de l‘érotisme. Leur rapport amoureux repose sur une dialectique soit platonicienne, soit hégélienne, en fonction du genre lyrique, de la thématique de l‘amour et de l‘érotisme, de leur appartenance sociale, de la référence aux histoires amoureuses réelles et imaginaires de l‘époque,

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Anaz, Sílvio Antonio Luiz. "A comunicação do amor romântico no pop-rock brasileiro: um estudo do imaginário nos processos criativos de Erasmo Carlos, Rita Lee, Lobão e Pato Fu." Pontifícia Universidade Católica de São Paulo, 2013. https://tede2.pucsp.br/handle/handle/4590.

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Made available in DSpace on 2016-04-26T18:13:46Z (GMT). No. of bitstreams: 1 Silvio Antonio Luiz Anaz.pdf: 3321084 bytes, checksum: 4875c8d29f817f8ad5a0cd6f2339195a (MD5) Previous issue date: 2013-12-06<br>Romantic love is one of the most habitual subjects in the international pop-rock songs since the 1950 s. It is a regular topic in the Brazilian pop-rock songs in the same period, too. Those Brazilian and international pop-rock songs have built a romantic love imaginary that has been disseminated by the cultural industry and mass communication media. In this research, we look for understand

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29

Kirkendoll, Elizabeth. "“Slightly Overlooked Professionally”: Popular Music in Postmillennial Romantic Comedies." The Ohio State University, 2018. http://rave.ohiolink.edu/etdc/view?acc_num=osu1531250614267114.

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30

Ward, Megan. "When Love Cries: Popular 1980's Love Songs Examined Through Intimate Partner Violence." University of Akron / OhioLINK, 2014. http://rave.ohiolink.edu/etdc/view?acc_num=akron1396889008.

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31

Bell, Gregory Stuart. "John Donne: Love and Voices in the Elegies and Songs and Sonnets." Thesis, The University of Sydney, 2015. http://hdl.handle.net/2123/15326.

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This thesis argues that Donne's Elegies and Songs and Sonnets found a readership trained to appreciate his words. It draws on the work of Wolfgang Iser. Iser particularly looks at the importance of a text providing a space in which the reader can imagine possibilities that extend his or her world. It is through voices that Donne connects with his readers, and creates worlds and spaces that they can explore. As his poetic control matures, Donne increasingly lives inside the poetic worlds he creates. At first, in the Elegies, his speaker is the societal observer and participant. Through this spe

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32

Nelson, Michael. "Songs for cripples." [Tampa, Fla] : University of South Florida, 2009. http://purl.fcla.edu/usf/dc/et/SFE0002952.

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Girnyte, Ieva. "Conceptual Metaphors and Metonymies of LOVE in Maroon 5 Songs." Thesis, Umeå universitet, Institutionen för språkstudier, 2019. http://urn.kb.se/resolve?urn=urn:nbn:se:umu:diva-157250.

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34

De, la Peza Maria del Carmen. "Songs, memories and identities : the bolero and sentimental education in contemporary Mexico." Thesis, Loughborough University, 1997. https://dspace.lboro.ac.uk/2134/9626.

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The confluence of singers, composers and audiences within contemporary Mexican culture, produces a "bolero effect" in which the bolero tradition of the popular love song is established as a complex network of relationships between actors and spaces. The relationships between public discourses about romance, courtship and self identities, is produced and secured by the deployment of a variety of codes and languages that together constitute love as a shared memory. Collective and personal memory are strongly related. The process of interpreting and responding to the bolero is rooted· not only in

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35

Phelps, James Malet. "The interloper plot in the novels and other works of D.H. Lawrence." Thesis, University of York, 1996. http://ethos.bl.uk/OrderDetails.do?uin=uk.bl.ethos.336575.

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36

Downes, Stephen Clive. "Szymanowski as post-Wagnerian : The Love songs of Hafiz, Op. 24." Thesis, Goldsmiths College (University of London), 1992. http://ethos.bl.uk/OrderDetails.do?uin=uk.bl.ethos.389617.

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Chua, Sharon Jane Go. "Negotiations and love songs Heloise and the question of religious authenticity /." Connect to Electronic Thesis (CONTENTdm), 2009. http://worldcat.org/oclc/459742063/viewonline.

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Downes, Stephen C. "Szymanowski as post-Wagnerian : the love songs of Hafiz, op. 24 /." New York ; London : Garland, 1994. http://catalogue.bnf.fr/ark:/12148/cb35855114n.

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Clark, Cameron C. ""And she was loved" trauma and testimony in Toni Morrison's Song of Solomon /." [Gainesville, Fla.] : University of Florida, 2003. http://purl.fcla.edu/fcla/etd/UFE0000664.

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Dowler, Robert Edward Mackenzie. "Songs of love : a pastoral reading of St Augustine of Hippo's 'Enarrations in Psalmos'." Thesis, Durham University, 2006. http://etheses.dur.ac.uk/1813/.

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Zorzos, Steven P. "Addiction and idolatry self-renunciation, forgiveness and love, a healing meditation on the parable of the prodigal son /." Theological Research Exchange Network (TREN), 2008. http://www.tren.com/search.cfm?p015-0482.

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Hsu, Huei-en. "Understanding Libby Larsen’s “Beloved, Thou Hast Brought Me Many Flowers”A Collection of Love Songs." The Ohio State University, 2011. http://rave.ohiolink.edu/etdc/view?acc_num=osu1301069079.

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Ynoguti, Carlos Alberto. "Síntese de sons musicais baseada na transformada de Karhunen-Loève." Universidade de São Paulo, 1995. http://www.teses.usp.br/teses/disponiveis/18/18133/tde-25012018-113143/.

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Tradicionalmente, a técnica de síntese aditiva com funções base de Fourier é a que tem apresentado melhores resultados no que diz respeito à qualidade dos sons gerados. Entretanto, a carga computacional imposta por esta técnica é extremamente alta, dificultando assim a sua implementação em tempo real. Substituindo as funções de Fourier por outras mais complexas, derivadas das técnicas estatísticas de Karhunen-Loève, consegue-se uma redução na quantidade de operações necessárias. Neste trabalho foi estudado e implementado em microcomputador um modelo de síntese aditiva baseada em análise utiliz

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Ferguson, Naomi Joy. "Literary Alchemy - Turning Fact into Fiction, Songs My Mother Taught Me, Songs My Mother Taught Me - Revised Edition, In Defence of Love." Thesis, University of Canterbury. School of Humanities, 2010. http://hdl.handle.net/10092/5062.

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My MFA portfolio consists of two scripts for performance and a research essay exploring the methods and process of writing these. Songs My Mother Taught Me is a one-woman cabaret piece; set in 1972, it explores hippie culture in New Zealand and a young women‟s search for independence. This portfolio contains two versions of this script. Both versions of this piece have been performed. In Defence of Love is a play for three actors, each of whom plays one aspect of an abused woman trying to find her way out of a destructive relationship.

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45

Alonso, Fernández Irene. "The role of the medial temporal lobe in binding lyrics and melodies : a neuropsychological and neuroimaging approach." Thesis, Lille 3, 2015. http://www.theses.fr/2015LIL30009/document.

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Les chansons lient naturellement des mélodies à des paroles. Elles représentent l’une des formes les plus utilisées de l’expression musicale. De façon intéressante, les chansons nécessitent l’intégration simultanée d’informations verbales (les paroles) et d’informations musicales (la mélodie) pour former une seule trace mnésique. Le lobe temporal médian a été identifié comme région clé pour la mémoire épisodique et en particulier pour le processus de binding, qui consiste en la liaison de plusieurs éléments d’un souvenir. Néanmoins, les mécanismes par lesquels le cerveau réalise la liaison ent

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Vojtěšek, Jiří. "MORAVSKÉ VINAŘSKÉ CENTRUM BRNO." Master's thesis, Vysoké učení technické v Brně. Fakulta stavební, 2016. http://www.nusl.cz/ntk/nusl-354946.

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The city of Brno has always been a center of Moravian wine. The new draft of wine center responds to this reality and represents the grandeur of wineries in its full glory. Respect for nature, love for traditions and love for order/system are the main aspects of the design. The proposal is essentially open to the public, however, the necessary modesty is preserved. Conversely taciturnity of production part of buliding holds the secrets of the deep traditions of Viticulture and Enology. Designed buildings are used for production, wine storage, administration associated with the production, tast

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Salerno, Stephanie. "True Loves, Dark Nights: Queer Performativity and Grieving Through Music in the Work of Rufus Wainwright." Bowling Green State University / OhioLINK, 2016. http://rave.ohiolink.edu/etdc/view?acc_num=bgsu1476645017261653.

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Porchak, Aynsley. "“If I Could Only Win Your Love”: Lyrical Analysis of the Sacred and Secular Songs of the Louvin Brothers." Digital Commons @ East Tennessee State University, 2020. https://dc.etsu.edu/etd/3687.

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In this thesis, I demonstrate how analysis through literary criticism can provide a commentary on Appalachian song. While literary analysis of both sacred and secular song lyrics is an approach that is largely overlooked in this region’s traditional music, it nonetheless provides insightful perspective on the art form itself. As I argue, one particular duo of Appalachian musicians, the Louvin Brothers, are uniquely suited to this inquiry. I propose that themes that are found in many of the Louvin Brothers’ songs, such as love, acceptance, and rejection, create a bridge between the historically

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Wong, Gloria Ngar-Yan. "Conversations with a loved one : poetry, melody and social change in Hani dialogue songs." Thesis, University of British Columbia, 2009. http://hdl.handle.net/2429/17413.

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The Hani reside in the Red River region located in China’s southwest province of Yunnan. This study centers on dialogue forms of their oldest extant song tradition—laba. These songs are orally transmitted and composed extemporaneously using melodic and textual formulae. The study begins with an introduction to existing scholarship on laba epics, which provides the basis for an overview of Hani history and religious beliefs. This is followed by a study of the interpretation and structuring of dialogue songs based on recordings made between 2002 and 2006. There are two main types of male-female

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HUANG, HSIU-WEN, and 黃袖雯. "Love "Love Song" ．"Love" song ―― Taiwan Mandarin pop music (1980 to 2013) the love of writing." Thesis, 2013. http://ndltd.ncl.edu.tw/handle/36259024324228326892.

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碩士<br>國立屏東教育大學<br>中國語文學系碩士班<br>101<br>As one of the most popular modern pop art form, pop melodies represent a distinct period of times, which lead to a variety of emotions as the theme to express the stories with happiness or sadness story.Through music and singers who have such husky sensual, somehow low or high-pitched voices full of affection, pop capture the changes of people’s feelings, accurately touch somewhere s melodies oftest in their hearts as well. In the meanwhile, they express the strong different emotional rendering and lead the listeners to get spiritual catharsis and other

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