Relevant bibliographies by topics / Song of Solomon (Morrison, Toni)

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Academic literature on the topic 'Song of Solomon (Morrison, Toni)'

Author: Grafiati
Published: 4 June 2021
Last updated: 14 February 2022

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Journal articles on the topic "Song of Solomon (Morrison, Toni)"

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Manu and Dr. Abha Shukla Kaushik. "Existential Dilemma in Toni Morrison’s Beloved." Creative Launcher 6, no. 3 (August 30, 2021): 110–17. http://dx.doi.org/10.53032/tcl.2021.6.3.22.

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Toni Morrison verbalizes in novel manners the pain and battle of a traumatized self and local area. In her novels, the traumatic truth of a dark self shows itself in the characters' self-hatred and self-disdain, and in the deficiency of their individual and cultural identity. Her fiction resolves issues of African American history, traumatizing experience and identity, often additionally captivating with inquiries of sex and sex, and, less significantly, class. When writing in a climate where everything except a couple of dark writers battled for acknowledgment, presently the subject of much recognition, Morrison’s work has provoked various and assorted basic reactions. The Beloved and Song of Solomon utilize the devices of disruption, corruption and sensuality to portray the traumatic encounters of the Black ladies’ heroes. During the last fifteen or so years grant treating the Morrison oeuvre has blossomed, making her clearly quite possibly the most talked about creators of the contemporary time frame. Toni Morrison’s In her novel, Beloved (1987), Toni Morrison shows the overwhelming impacts of slavery and its specialist disasters as these impacts show themselves through numerous ages of one family. The trauma of slavery is with the end goal that nobody contacted by it can break liberated from the past, even a long time after actual freedom. This is valid for the novel's hero, Sethe, a once in the past oppressed lady living in Cincinnati after the Civil War and third novel Song of Solomon (1977) goes about as a milestone in her profession, since it uncovers the imaginative development she has acquired, and furthermore presents the arrangement she has observed to tackle the overwhelming issues she depicts in her initially traumatizing novel. The distinctive traumatic occasions make Morrison's novels appropriate for logo helpful perusing and examination.
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Farhan, Muhammad Dera. "Ulysses Theme in Toni Morrison‟s Song of Solomon: A Thematic Study." International Journal of Psychosocial Rehabilitation 24, no. 5 (March 31, 2020): 1489–96. http://dx.doi.org/10.37200/ijpr/v24i5/pr201819.

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WANG, Miaomiao, and Chengqi LIU. "A Study on the Postmodern Narrative Features in Toni Morrison’s Song of Solomon." English Language and Literature Studies 11, no. 3 (July 15, 2021): 28. http://dx.doi.org/10.5539/ells.v11n3p28.

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Toni Morrison (1931-2019) is renowned as the Nobel and Pulitzer Prize-winning American novelist. Her third novel Song of Solomon was written in the context of postmodernism, which embodies a variety of postmodern narrative features. Postmodern works are frequently inclined to ambiguity, anarchism, collage, discontinuity, fragmentation, indeterminacy, metafiction, montage, parody, and pluralism. Such postmodern narrative features as parody, metafiction and indeterminacy have been manifested in Song of Solomon. In this novel, Toni Morrison employs the strategy of parody in order to subvert traditional narrative modes and overthrow the western biblical narrative as well as African mythic structure. Meta-narratives are also used in the text to dissolve the authority of the omniscient and omnipotent narrator. By questioning and criticizing the traditional narrative conventions, Morrison creates a fictional world with durative indeterminacy and unanswered problems. Through presenting parody, metafiction and indeterminacy, this paper attempts to analyze the postmodern narrative features in Song of Solomon and further explore Morrison’s writing on the African-American community and its future development.
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López Ramírez, Manuela. "Icarus and Daedalus in Toni Morrison's "Song of Solomon"." Journal of English Studies 10 (May 29, 2012): 105. http://dx.doi.org/10.18172/jes.183.

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In Song of Solomon Toni Morrison rewrites the legend of the Flying Africans and the Myth of Icarus to create her own Myth. Her depiction of the black hero’s search for identity has strong mythical overtones. Morrison rescues those elements of mythology black culture which are still relevant to blacks and fuses them with evident allusions to Greek mythology. She reinterprets old images and myths of flight, the main mythical motif in the story. Her Icarus engages on an archetypical journey to the South, to his family past, led by his Daedalic guide, on which he finally recovers his ancestral ability to fly. His flight signals a spiritual epiphany in the hero’s quest for self-definition in the black community.
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Midžić, Simona. "Responses to Toni Morrison's oeuvre in Slovenia." Acta Neophilologica 36, no. 1-2 (December 1, 2003): 49–61. http://dx.doi.org/10.4312/an.36.1-2.49-61.

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Toni Morrison, the first African American female winner of the Nobel Prize in Literature, is certainly one of the modern artists whose novels have entered the world's modern literary canon. She is one of the most read novelists in the United States, where all of her novels have been bestsellers. However, only Song of Solomon and Beloved have so far been translated into Slovene. There have been several articles or essays written on Toni Morrison but most of them are simply translations of English articles; the only exception is a study by Jerneja Petrič. This paper presents the Slovene translation of Song ofSolomon by Jože Stabej and the articles written on Toni Morrison by Slovene critics. Jože Stabej is so far the only Slovene translator who has translated Toni Morrison. The author of this article uses some Slovene translations from the novel in comparison to the original to show the main differences appearing because of different grammatical structures of both languages and differences in the two cultures. The articles by Slovene critics are primarily resumes or translations of English originals and have been mainly published in magazines specializing in literature.
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Wehner, David Z., and Jan Furman. "Toni Morrison's Song of Solomon: A Casebook." Journal of the Midwest Modern Language Association 37, no. 2 (2004): 110. http://dx.doi.org/10.2307/4144715.

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ROYNON, TESSA. "A New “Romen” Empire: Toni Morrison's Love and the Classics." Journal of American Studies 41, no. 1 (March 8, 2007): 31–47. http://dx.doi.org/10.1017/s0021875806002738.

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An important but little-studied feature of Toni Morrison's novels is their ambivalent relationship with classical tradition. Morrison was a classics minor while at Howard University, and her deployment of the cultural practices of ancient Greece and Rome is fundamental to her radical project. Indeed, the works' revisionary classicism extends far beyond the scope of established criticism, which has largely confined itself to the engagement with Greek tragedy in Beloved, with the Demeter/Kore myth in The Bluest Eye and with allusions to Oedipus and Odysseus in Song of Solomon.1 Morrison repeatedly subverts the central role that Greece and Rome have played in American self-definition and historiography. In Paradise, for example, the affinity between the Oven in Ruby and the Greek koine hestia or communal hearth critiques the historical Founding Fathers' insistence on their new nation's analogical relationship with the ancient republics. And in their densely allusive rewritings of slavery, the Civil War and its aftermath, Beloved and Jazz expose the dependence of the “Old South” on classical pastoral tradition. It should come as no surprise, therefore, that in her most recent novel – Love (2003) – Morrison further develops the transformative engagement with America's Graeco-Roman inheritance that characterizes all of her previous fiction.2
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Fletcher, Judith. "Signifying Circe in Toni Morrison's "Song of Solomon"." Classical World 99, no. 4 (2006): 405. http://dx.doi.org/10.2307/4353064.

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Fletcher, Judith. "Signifying Circe in Toni Morrison's Song of Solomon." Classical World 99, no. 4 (2006): 405–18. http://dx.doi.org/10.1353/clw.2006.0065.

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Terry, Jennifer. "Buried perspectives." Power and Narrative 17, no. 1 (October 30, 2007): 93–118. http://dx.doi.org/10.1075/ni.17.1.08ter.

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In examining representations of engagements with the North American landscape in the fiction of Toni Morrison, this article seeks to explore the author’s revision of dominant discourses about the topography and symbolic spaces of the continent and her exposure thereby of historical structures of power. Focusing on her fourth novel, Song of Solomon (1977), it traces how Morrison attempts to give voice to African American experience and identity and to revisit and contest familiar stories of national belonging and being in the land. In crafting tales of black displacement, dispossession, estrangement, travel, discovery, connection and home, the author is found to excavate buried perspectives and shape her own potent narrative act.
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Dissertations / Theses on the topic "Song of Solomon (Morrison, Toni)"

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Novais, Célia Cândida Valente. "Da América como "home" : identidade e linguagem em Song of Solomon de Toni Morrison." Dissertação, Porto : [Edição do Autor], 2003. http://aleph.letras.up.pt/F?func=find-b&find_code=SYS&request=000142533.

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A dissertação apresenta um estudo sobre as questões da Identidade e da Linguagem na obra de Toni Morrison, Song of Solomon. Procura-se mostrar de que forma(s) o grupo afro-americano faz uma apropriação muito própria da linguagem escrita que aliada à palavra oral adquire sentidos alternativos, em especial um mundo de multiplicidades como a América. pretende-se, afinal sugerir formas de entender a América como "home" através dessa apropriação da(s) linguagem(ns) e também através da afirmação da identidade afro-americana.
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Novais, Célia Cândida Valente. "Da América como "home" : identidade e linguagem em Song of Solomon de Toni Morrison." Master's thesis, Porto : [Edição do Autor], 2003. http://hdl.handle.net/10216/10823.

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A dissertação apresenta um estudo sobre as questões da Identidade e da Linguagem na obra de Toni Morrison, Song of Solomon. Procura-se mostrar de que forma(s) o grupo afro-americano faz uma apropriação muito própria da linguagem escrita que aliada à palavra oral adquire sentidos alternativos, em especial um mundo de multiplicidades como a América. pretende-se, afinal sugerir formas de entender a América como "home" através dessa apropriação da(s) linguagem(ns) e também através da afirmação da identidade afro-americana.
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Ribeiro, Maria Emília da Silva Quintela. "O legado da ancestralidade : mito, magia e ritual em Song of Solomon de Toni Morrison." Dissertação, Porto : [Edição do Autor], 2010. http://aleph.letras.up.pt/F?func=find-b&find_code=SYS&request=000206239.

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A presente tese procura demonstrar que o interesse de Toni Morrison pela inscrição da cultura aITo-americana na cultura americana branca a leva a escrever o romance Song ofSolomon. Ao tentar revitalizar as características do passado ancestral, a autora interliga os elementos mito, magia e ritual, que serviam de base à construção da identidade dos negros nos primórdios, para demonstrar que a aculturação dos valores dominantes leva os negros, do século XX, a se esquecerem de quem são e de onde provêm. As tensões criadas entre os princípios da cultura africana e a cultura americana conduzem ao desfasamento entre os modos de vida dos afro-americanos. Contudo, apenas os que seguem a tradição africana se sentem realizados a nível pessoal, já que possuem a memória dos feitos das figuras do passado, que lhes foi sendo transmitida de geração em geração. Tendo em consideração que o mito do africano voador constitui uma narrativa verdadeira, sagrada e consagrada como exemplo, só os que mantêm as suas raízes africanas têm a capacidade de "voar" ao encontro da liberdade. Os americanos brancos consideravam que os rituais e a magia dos negros eram obras do diabo, já que o cepticismo em relação a este tipo de religião impõe a descrença de que não existem espíritos com os quais é possível estabelecer contacto. Neste sentido, Morrison constrói duas personagens, que embora sendo irmãos, se comportam de modo muito distinto em relação à vida. Se, por um lado, Pilate apadrinha o estilo de vida dos antepassados, sendo a guardiã da tradição oral, por outro Macon Dead II molda-se ao estilo de vida dos americanos, interessando-lhe o sucesso material. Estas circunstâncias levam à ruptura dos laços familiares entre os dois. Milkman é, então, confrontado com estas duas atitudes, vivendo inicialmente de acordo com o estabelecido pelo pai.(...)
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Ribeiro, Maria Emília da Silva Quintela. "O legado da ancestralidade : mito, magia e ritual em Song of Solomon de Toni Morrison." Master's thesis, Porto : [Edição do Autor], 2010. http://hdl.handle.net/10216/55352.

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A presente tese procura demonstrar que o interesse de Toni Morrison pela inscrição da cultura aITo-americana na cultura americana branca a leva a escrever o romance Song ofSolomon. Ao tentar revitalizar as características do passado ancestral, a autora interliga os elementos mito, magia e ritual, que serviam de base à construção da identidade dos negros nos primórdios, para demonstrar que a aculturação dos valores dominantes leva os negros, do século XX, a se esquecerem de quem são e de onde provêm. As tensões criadas entre os princípios da cultura africana e a cultura americana conduzem ao desfasamento entre os modos de vida dos afro-americanos. Contudo, apenas os que seguem a tradição africana se sentem realizados a nível pessoal, já que possuem a memória dos feitos das figuras do passado, que lhes foi sendo transmitida de geração em geração. Tendo em consideração que o mito do africano voador constitui uma narrativa verdadeira, sagrada e consagrada como exemplo, só os que mantêm as suas raízes africanas têm a capacidade de "voar" ao encontro da liberdade. Os americanos brancos consideravam que os rituais e a magia dos negros eram obras do diabo, já que o cepticismo em relação a este tipo de religião impõe a descrença de que não existem espíritos com os quais é possível estabelecer contacto. Neste sentido, Morrison constrói duas personagens, que embora sendo irmãos, se comportam de modo muito distinto em relação à vida. Se, por um lado, Pilate apadrinha o estilo de vida dos antepassados, sendo a guardiã da tradição oral, por outro Macon Dead II molda-se ao estilo de vida dos americanos, interessando-lhe o sucesso material. Estas circunstâncias levam à ruptura dos laços familiares entre os dois. Milkman é, então, confrontado com estas duas atitudes, vivendo inicialmente de acordo com o estabelecido pelo pai.(...)
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Hudson, Julie Ellen. "Family and national narratives in Toni Morrison's Song of Solomon and Beloved and Gabriel García Márquez's One Hundred years of solitude and the autumn of the patriarch /." Digital version accessible at:, 1999. http://wwwlib.umi.com/cr/utexas/main.

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Anderson, Melanie R. "The beloved paradise : spectrality in the novels of Toni Morrison from Song of Solomon through Love /." Full text available from ProQuest UM Digital Dissertations, 2009. http://0-proquest.umi.com.umiss.lib.olemiss.edu/pqdweb?index=0&did=1800249031&SrchMode=1&sid=2&Fmt=2&VInst=PROD&VType=PQD&RQT=309&VName=PQD&TS=1268164733&clientId=22256.

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Josephson, Sally-Anne. "The relationship between character and setting: A narrative strategy in Toni Morrison's Song of Solomon." CSUSB ScholarWorks, 1996. https://scholarworks.lib.csusb.edu/etd-project/1250.

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Ranström, Ingrid. "Black Community in Toni Morrison's The Bluest Eye, Sula and Song of Solomon." Thesis, Högskolan i Halmstad, Sektionen för humaniora (HUM), 2010. http://urn.kb.se/resolve?urn=urn:nbn:se:hh:diva-5206.

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Using the novels, The Bluest Eye, Sula and Song of Solomon, the purpose of this essay is to examine Toni Morrison’s characters in the setting of the black community with emphasis on gender, participation in society and the class differences which exist within the black collective. All of the characters in the narratives exist in communities which are defined by the racial barriers formed by the surrounding white societies. Due to her concern with the inter-relatedness of race, gender and class as they are lived by the individuals, Morrison gives her characters physical and psychological qualities which enhance their chances for survival and fulfillment, thus leading to the survival of the black community. Through her characters in The Bluest Eye, Sula and Song of Solomon, Toni Morrison portrays the black community with reference to blackness and the inner struggles of the individual as well as the class differences and social structures within the collective. It can be concluded that the black community is an important part of today’s society as the contemporary individual must embrace his/her culture and heritage, which is found in the unity of the collective.
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Watson, Khalilah Tyri. "Literature as Prophecy: Toni Morrison as Prophetic Writer." Digital Archive @ GSU, 2009. http://digitalarchive.gsu.edu/english_diss/50.

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From fourteenth century medieval literature to contemporary American and African American literature, researchers have singled out and analyzed writing from every genre that is prophetic in nature, predicting or warning about events, both revolutionary and dire, to come. One twentieth-century American whose work embodies the essence of warning and foretelling through history-laden literature is Toni Morrison. This modern-day literary prophet reinterprets eras gone by through what she calls “re-memory” in order to guide her readers, and her society, to a greater understanding of the consequences of slavery and racism in America and to prompt both races to escape the pernicious effects of this heritage. Several critics have recognized and written about Morrison’s unique style of prophetic prose. These critics, however, have either taken a general cursory analysis of her complete body of works or they are only focused on one of her texts as a site of evidence. Despite the many critical essays and journal articles that have been written about Morrison as literary prophet, no critic has extensively investigated Morrison’s major works by way of textual analysis under this subject, to discuss Morrison prophetic prose, her motivation for engaging in a form of prophetic writing, and the context of this writing in a wider general, as well as an African-American, tradition. This dissertation takes on a more comprehensive, cross-sectional analysis of her works that has been previously employed, concentrating on five of Morrison’s major novels: The Bluest Eye, Song of Solomon, Beloved, Jazz and Paradise, in an order to assess how Morrison develops and infuses warnings and admonitions of biblical proportions. This investigation seeks to reveal Morrison’s motivation to prophecy to Americans, black and white, the context in which she engages with her historical and contemporary subjects, and the nature of the admonitions to present and future action she offers to what she sees as a contemporary generation of socially and historically oblivious African Americans, using literary prophecy as the tool by which to accomplish her objectives. This dissertation also demonstrates—by way of textual analysis and literary theory—the evolution through five novels of Morrison’s development as a literary prophet.
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Hinkson, Warren. "Morrison, Bambara, Silko : fractured and reconstructed mythic patterns in Song of Solomon, The salt eaters, and Ceremony." Thesis, Université Laval, 2010. http://www.theses.ulaval.ca/2010/27566/27566.pdf.

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Books on the topic "Song of Solomon (Morrison, Toni)"

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Toni Morrison's Song of Solomon. Piscataway, N.J: Research & Education Association, 1996.

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name, No. Toni Morrison's Song of Solomon: A casebook. New York, NY: Oxford University Press, 2003.

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African American servitude and historical imaginings: Retrospective fiction and representation. New York, USA: Palgrave Macmillan, 2004.

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Morrison, Toni. Toni Morrison: Jazz/Beloved/Song of Solomon. Plume Books, 1994.

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Harold, Bloom, ed. Toni Morrison's Song of Solomon. Philadelphia: Chelsea House, 1999.

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Harold, Bloom, ed. Toni Morrison's Song of Solomon. New York: Chelsea House, 2009.

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Pardes, Ilana. Toni Morrison’s Shulamites. Oxford University Press, 2018. http://dx.doi.org/10.1093/oso/9780198722618.003.0008.

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This chapter focuses on Toni Morrison’s renditions of new Shulamites in Song of Solomon (1977) and Beloved (1987). The female characters of both novels highlight the power and bold eroticism of the Shulamite’s voice, calling for a different perception of gender relations and feminine sexuality. While offering new representations of femininity, Morrison is no less eager to fashion a new grand Song as a base for a redefinition of the African-American community. In Song of Solomon, the ancient biblical love poem merges with African folk songs and legends and in Beloved, the ghostly Beloved is both a tormented and tormenting Shulamite as well as the spirit of the many slaves whose sufferings she embodies. Special attention is given to Morrison’s response to African-American commentaries on the verse ‘I am black, but comely’ and to points of affinity between her exegesis and feminist biblical criticism in the 1970s and 1980s.
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Jan, Furman, and Morrison Toni, eds. Toni Morrison's Song of Solomon: A casebook. New York, USA: Oxford University Press, 2003.

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Morrison, Toni. Toni Morrison Box Set: The Bluest Eye, Song of Solomon, Beloved. Vintage, 2019.

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1956-, Smith Valerie, ed. New essays on Song of Solomon. Cambridge [England]: Cambridge University Press, 1995.

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Book chapters on the topic "Song of Solomon (Morrison, Toni)"

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Peach, Linden. "Song of Solomon (1977)." In Toni Morrison, 55–74. London: Macmillan Education UK, 1995. http://dx.doi.org/10.1007/978-1-349-24176-7_4.

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Wagner-Martin, Linda. "Song of Solomon: One Beginning of Morrison’s Career." In Toni Morrison, 24–43. London: Palgrave Macmillan UK, 2015. http://dx.doi.org/10.1057/9781137446701_2.

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Stein, Daniel. "Morrison, Toni: Song of Solomon." In Kindlers Literatur Lexikon (KLL), 1–2. Stuttgart: J.B. Metzler, 2020. http://dx.doi.org/10.1007/978-3-476-05728-0_12179-1.

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Duvall, John N. "Song of Solomon, Narrative Identity, and the Faulknerian Intertext." In The Identifying Fictions of Toni Morrison, 71–98. New York: Palgrave Macmillan US, 2000. http://dx.doi.org/10.1057/9780312299439_4.

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Kamali, Leila. "“Solomon’s Leap”: Toni Morrison’s Song of Solomon." In The Cultural Memory of Africa in African American and Black British Fiction, 1970-2000, 61–91. New York: Palgrave Macmillan US, 2016. http://dx.doi.org/10.1057/978-1-137-58171-6_3.

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Byars-Nichols, Keely. "Black Nationalism and Native Separatism Unhinged: Toni Morrison’s Song of Solomon." In The Black Indian in American Literature, 73–93. New York: Palgrave Macmillan US, 2014. http://dx.doi.org/10.1057/9781137389183_5.

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Walters, Tracey L. "The Destruction and Reconstruction of Classical and Cultural Myth in Toni Morrison’s Song of Solomon, Beloved, and The Bluest Eye." In African American Literature and the Classicist Tradition, 99–132. New York: Palgrave Macmillan US, 2007. http://dx.doi.org/10.1057/9780230608870_5.

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"Song of Solomon and Tar Baby." In Toni Morrison, 41–60. Chichester, UK: John Wiley & Sons, Ltd, 2012. http://dx.doi.org/10.1002/9781118326732.ch2.

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Brown, Alma Jean Billingslea. "Toni Morrison’s Performance of the Word in Song of Solomon." In Toni Morrison, 185–93. University Press of Mississippi, 2014. http://dx.doi.org/10.14325/mississippi/9781628460193.003.0015.

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Scott, Joyce Hope. "Song of Solomon and Tar Baby: the subversive role of language and the carnivalesque." In The Cambridge Companion to Toni Morrison, 26–42. Cambridge University Press, 2007. http://dx.doi.org/10.1017/ccol052186111x.003.

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Conference papers on the topic "Song of Solomon (Morrison, Toni)"

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Izgarjan, Aleksandra. "Shifting Identities in Toni Morrison’s ‘Song of Solomon’." In Cross-cultural Readings of the United States. Filozofski fakultet u Zagrebu, FF Press, 2014. http://dx.doi.org/10.17234/wpas.2014.3.

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Savinich, Sergei S. "Reconquest Of The Past In “Song Of Solomon” By T. Morrison." In Dialogue of Cultures - Culture of Dialogue: from Conflicting to Understanding. European Publisher, 2020. http://dx.doi.org/10.15405/epsbs.2020.11.03.89.

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