Relevant bibliographies by topics / Song of the Albigensian Crusade

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Academic literature on the topic 'Song of the Albigensian Crusade'

Author: Grafiati
Published: 4 June 2021
Last updated: 1 February 2022

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Journal articles on the topic "Song of the Albigensian Crusade"

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McGlynn, Sean. "The Song of the Cathar Wars: A History of the Albigensian Crusade by William of Tudela." Catholic Historical Review 83, no. 2 (1997): 312–13. http://dx.doi.org/10.1353/cat.1997.0143.

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Aubrey, Elizabeth. "The dialectic between Occitania and France in the thirteenth century." Early Music History 16 (October 1997): 1–53. http://dx.doi.org/10.1017/s0261127900001686.

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The thirteenth century was a time of turmoil in Occitania, starting with the buildup to the Albigensian Crusade during the first decade and its eruption in the second and third, which resulted in the establishment of the university in Toulouse in 1229, the founding of the Order of Friars Preachers a short time later and the unleashing of several decades of inquisition led by these Dominicans, and ultimately the dissolution of the powerful county of Toulouse. France profited both economically and politically from this plundering of the rich culture to its south: the consolidation of power by the late Capetian monarchy owed much to the absorption of Occitania into its holdings. The inhabitants of the Midi continued to demonstrate their fierce independence from their conquerors in myriad ways, some overt, some subversive. But the tempestuous events in their homeland caused some trauma among the troubadours, and although this did not necessarily result in a general deterioration in the quality of the songs that they produced, it probably is at least partly to blame for a decline in the number of both songs and composers.
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Paden, William D. "Perspectives on the Albigensian Crusade." Tenso 10, no. 2 (1995): 90–98. http://dx.doi.org/10.1353/ten.1995.0006.

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Rychkov, A. L. "A. Blok’s Marginalia on the Albigensian Crusade as an Indication of the Historical Sources of “Notes” in the Drama “The Rose and the Cross”." Solov’evskie issledovaniya, no. 2 (June 30, 2021): 114–34. http://dx.doi.org/10.17588/2076-9210.2021.2.114-134.

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This article considers the problem of the historical sources reflected in Blok’s drama “The Rose and the Cross”. It demonstrates that Blok’s marginalia in the books of his library serve as an indication of the unknown literary and historical sources of the “Notes” on the Albigensian crusade in the drama “The Rose and the Cross”, and can also be used in interpreting the symbolism of this drama. The marginal notes on the history of the Albigensian crusade that Blok made while working on the play are drawn on as a scholarly source for the first time. In the Appendice to the article facsimiles of Blok’s notes on the Albigensian crusade are published for the first time, accompanied by commentaries and a concordance.
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Power, D. "Who Went on the Albigensian Crusade?" English Historical Review 128, no. 534 (September 24, 2013): 1047–85. http://dx.doi.org/10.1093/ehr/cet252.

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Léglu, Catherine. "Myths of Exile and the Albigensian Crusade." New Readings 4 (January 1, 1998): 7. http://dx.doi.org/10.18573/newreadings.31.

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Dunbabin, J. "The Southern French Nobility and the Albigensian Crusade." English Historical Review CXXI, no. 492 (June 1, 2006): 905–6. http://dx.doi.org/10.1093/ehr/cel149.

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Grange, H. "The Cathars and the Albigensian Crusade: A Sourcebook." French Studies 68, no. 4 (September 30, 2014): 536–37. http://dx.doi.org/10.1093/fs/knu201.

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HONG, Yong-Jin. "Albigensian Crusade: A French 'Civil war' in Middle Ages ?" Institute of History and Culture Hankuk University of Foreign Studies 72 (November 30, 2019): 95–126. http://dx.doi.org/10.18347/hufshis.2019.72.95.

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Marvin, Laurence W. "The Albigensian Crusade in Anglo-American Historiography, 1888-2013." History Compass 11, no. 12 (December 2013): 1126–38. http://dx.doi.org/10.1111/hic3.12122.

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Dissertations / Theses on the topic "Song of the Albigensian Crusade"

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Raguin, Marjolaine. "Propagande politique et religieuse dans la "Chanson de la Croisade albigeoise", texte de l'Anonyme." Thesis, Montpellier 3, 2011. http://www.theses.fr/2011MON30064/document.

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Ce travail de thèse de doctorat consiste en une analyse minutieuse du discours de propagande politique et religieuse dans la partie anonyme de la Chanson de la Croisade albigeoise, construite comme une suite qui détourne, fond et forme, le texte du premier auteur Guilhem de Tudela. Située dans le champ disciplinaire de la littérature médiévale, cette étude prend en compte les apports interdisciplinaires de la théologie chrétienne, l’histoire politique, militaire et religieuse, pour l’essentiel. Nous avons pu souligner les relations d’intertextualité entre les sirventés de la période du conflit albigeois et certains points importants du propos de l’Anonyme. Cette étude a permis de réorienter les recherches en vue de l’identification de l’auteur en démontrant la mention explicite d’un mécénat. L’Anonyme remplace l’argumentation de Guilhem de Tudela sur l’hérésie en pays d’oc qui justifiait la croisade, par la notion d’héritage lignager qui, elle, implique que les Méridionaux luttent contre leur dépossession sous la conduite des comte raimondins de Toulouse. Nous avons montré que le discours politique se fonde dans le religieux, car l’Anonyme a bien compris que seule la démonstration de la catholicité des Raimondins pouvait assurer le succès de l’entreprise de reconquête : il élabore l’idéologie d’une contre-croisade. L’auteur insiste sur une triangulation d’un lien à la terre qui vaut lien du sang entre les Méridionaux, leur seigneur raimondin et les territoires placés sous la garde d’un Dieu protecteur. Nous montrons que l’argumentation est fondée sur deux postulats : la trahison du suzerain français et ses barons, associés à un clergé menteur de faux prédicateurs
This doctoral dissertation is a detailed analysis of the religious and political propaganda in the anonymously authored section of the Song of the Albigensian Crusade, a section generally thought of as reshaping the form and content of the text of its original author, Guilhem de Tudela. Anchored in the field of Occitan medieval literature, this study takes into account interdisciplinary contributions of Christian theology as well as religious, political and military history. This work highlights intertextual connections between sirventés from the period of the Albigensian war and certain aspects of the work of the anonymous author. This study permits a reorientation of scholarship on the identification of the author by bringing attention to the explicit mention of a sponsor. The anonymous author replaces Guilhem de Tudela’s arguments of heresy in the Occitan territories, which justified the crusade, with the notion of inherited lineage to imply that the Southerners were fighting against their dispossession under the command of the Raimondin count of Toulouse. The political discourse in the work is based on religious rhetoric, as the anonymous author understood that only a demonstration of the catholicity of Raimondins could ensure the success of the reconquest; as such he developed an ideology of a counter-crusade. The author insists on a threefold connection to the land consisting of a blood relationship between the Southerners, their lord Raimondin, and territories under the care of a protective God. The anonymous author’s argument is based on two postulates: the betrayal of the French suzerain and the association of its barons with a lying clergy of false preachers
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Graham-Leigh, Elaine Amanda. "The Trencavel Viscounts of Carcassonne, Beziers, Albi and Razes and the Albigensian Crusade." Thesis, Queen Mary, University of London, 2000. http://qmro.qmul.ac.uk/xmlui/handle/123456789/28818.

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This thesis examines the dispossession of the Trencavel Viscounts of Carcassonne, Beziers, Albi and Razes by the Albigensian crusaders in 1209. It considers the factors influencing the crusaders' decision to attack Beziers and Carcassonne and the response from the Trencavel lands, setting the end of Trencavel power in the context of their eleventh- and twelfth-century history. The introduction considers the use of the name 'Trencavel' and construction of the family identity. It then sets out the major political developments of twelfth -century Languedoc, and surveys the main events of the Albigensian crusade from the 1209 campaign against Beziers and Carcassonne to Raymond Trencavel II's surrender to Louis IX in 1247. The first chapter considers the primary and secondary sources for the study of the Trencavel and the apparent division in previous historiography between studies of the Albigensian crusade and of the twelfth-century nobility of Languedoc. The next four chapters then examine the development of Trencavel power during the twelfth century and their position on the eve of the crusade. They compare their nominal with their actual authority, arguing that they were ill-placed to command for themselves sigmficant local support against the crusade, and consider the lack of response to Trencavel dispossession in this light. The following two chapters then consider the factors influencing the choice of the Trencavel lands as the first target of the crusade. They argue that the Trencavel were neither heretical themselves nor especially tolerant of heresy, and that it was the family's poor relations with the Cistercian Order which set them apart from their neighbours for the crusaders. They conclude with a consideration of Pope Innocent III's woMes about the effect of the crusade on the reputation of the church, and exarmine the ameliorating effect of the case of Trencavel dispossession on papal concerns for the crusade.
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Graham-Leigh, Elaine. "Papal policy and local lordship : Pope Innocent III, the Trencavel family and the Albigensian crusade." Thesis, University of London, 2000. https://ethos.bl.uk/OrderDetails.do?uin=uk.bl.ethos.606328.

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Blair, Judith Jane. "Conflict and Coercion in Southern France." Digital Archive @ GSU, 2006. http://digitalarchive.gsu.edu/rs_hontheses/1.

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This paper endeavors to examine the mechanisms by which the crown of France was able to subsume the region of Languedoc in the wake of the Albigensian Crusade in the thirteenth century. The systematic use of Catholic doctrine and an inquisition run by the Dominican Order of Preachers allowed France to dominate the populace of the region and destroy any indigenous social, economic, and political structures.
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Martin, Daniel J. "The Chimerae of their Age:Twelfth Century Cistercian Engagement beyond Monastic Walls." Scholarship @ Claremont, 2014. http://scholarship.claremont.edu/pomona_theses/110.

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One of the great paradoxes of the medieval period is the Albigensian Crusade (1209-1225), in which monks of the Cistercian Order took an active and violent role in campaigning against the heretics of the Languedoc. Why, and how, did this order officially devoted to prayer and contemplation become one of the prime orchestrators of one of medieval Europe’s most gruesome affairs? This thesis seeks to answer that question, not by looking at the crusading Cistercians themselves, but at their predecessor Bernard of Clairvaux, who—I will argue—made the Albigensian Crusade possible by making it permissible for monks to intervene in the world outside the cloister. The logic of this thesis is as follows. Bernard of Clairvaux lived in a world in which monastics had a certain spiritual authority that granted them special privileges over ecclesiastics (Chapter II). The Cistercian Order itself, even before Bernard became their prime mover and shaker, used these privileges to cultivate contacts beyond monastic borders (Chapter IV), and once Bernard became a prominent abbot himself, his desire to do good and criticisms of the outside world (Chapter VI) led him to intervene in various endeavors (Chapter V). These interventions drew backlash from other monastics and ecclesiastics, which then required justification in order to reconcile the vita passiva and Bernard’s active lifestyle (Chapter VII). These justifications, along with Bernard’s justifications of violence (Chapter VIII), came to more broadly characterize the Cistercian Order as a whole (Chapters I, IV), and thus the ideological material to justify monastic holy war was all present in eloquently defended and rapturously accepted form by the time Henry of Clairvaux took a castle during his 1281 preaching mission turned mini-crusade (Chapter IX). With all of this built into the Cistercian DNA, Arnaud Amaury found it very easy to lead a crusade in 1212. Could he have done this without Bernard’s example paving the way and ingraining such lessons in Cistercian thought? It is my contention that he could not have.
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Cantalupi, Cecilia. "Une nouvelle édition critique du troubadour Guilhem Figueira." Thesis, Paris Sciences et Lettres (ComUE), 2017. http://www.theses.fr/2017PSLEP015.

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La thèse propose une nouvelle édition critique du corpus lyrique du troubadour Guilhem Figueira (BdT 217), originaire de Toulouse mais actif principalement en Italie du Nord dans la première moitié du XIIIe siècle. Poète représentatif du climat historique et culturel toulousain à l’époque de la croisade contre les Albigeois, protagoniste de la diaspora de poètes et intellectuels et membre d’un cercle idéal de troubadours frédériciens, Figueira nous a laissé une chanson d’amour, deux sirventes contre la papauté de Rome et les faux clergés, deux sirventes pour Frédéric II et deux chansons de croisade. Il échangea aussi deux coblas et une tenson avec Aimeric de Peguilhan (BdT 10). Par rapport à l’édition de référence (Emil Levy, 1880) on a inclus une cobla esparsa anonyme contre Sordel (BdT 437) conservé dans le chansonnier P ; par contre, on a décidé de ne pas accueillir les deux pièces qui lui sont attribuées par le chansonnier a2. On a fourni une étude de la tradition manuscrite, qui compte aujourd’hui cinq nouveaux témoins, avec une mise à jour de la bibliographie ; une étude des thèmes, de la métrique et de la langue de Figueira, une traduction des pièces en italien et un commentaire ponctuel des textes ; un glossaire complet et deux annexes (l’édition du sirventes BdT 217.4a qu’on n’a pas jugé authentique mais qui sert pour l’interprétation d’une autre poésie et les premiers résultats d’une recherche sur Emil Levy éditeur de troubadours, avec l’édition de neuf lettres qu’il envoya à Ernesto Monaci entre 1879 et 1887 et que nous avons trouvé à Rome)
The thesis proposes a new critical edition of the lyric production by Guilhem Figueira (BdT 217), who was born in Toulouse and active during the first half of the XIIIth century, mainly in Northern Italy. Figueira’s corpus is representative of the historical and cultural climate in Toulouse during the Albigensian crusade; he was himself a protagonist of the diaspora of poets and intellectuals and a member of an ideal circle of Friderician troubadours. He left a love song, two sirventes against the papacy and the false clergy, two sirventes for Frederic II and two crusade songs. He also exchanged two coblas and one tenson with Aimeric de Peguilhan (BdT 10). In comparison with the critical edition by Emil Levy (1880), we have included an anonymous cobla esparsa against Sordel (BdT 437), preserved by the chansonnier P; on the other hand, we have decided not to accept two other poems assigned to him by a2. The thesis opens with a study of the tradition, which today includes five new witnesses, with an update of the bibliography; we have provided a study of themes, metric and language of Figueira, an Italian translation and a punctual commentary of the poems; a complete glossary and two appendices (the edition of sirventes BdT 217.4a, which we considered inauthentic but helpful to the correct interpretation of another poem; and the first results of a research on Emil Levy editor of troubadours, with the edition of nine letters he sent to Ernesto Monaci between 1879 and 1887 that we have found in Rome)
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(9017870), Adrian James McClure. "Haunted by Heresy: The Perlesvaus, Medieval Antisemitism, and the Trauma of the Albigensian Crusade." Thesis, 2020.

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This study presents a new reading of the Perlesvaus, an anonymous thirteenth-century Old French Grail romance bizarrely structured around an Arthurian restaging of the battle between the Old and the New Law. I construe this hyper-violent, phantasmagorical text as a profoundly significant work of “trauma fiction” encoding a hitherto-unrecognized crisis of religious ethics and identity in Western Europe in the first half of the thirteenth century. Combining literary and historical analysis and drawing on current trends in trauma studies, I tie what I term the “deranged discourse” of the Perlesvaus to the brutal onset of internal crusading in southern France (the papal-sponsored Albigensian Crusade, 1209-29), making the case that the collective trauma staged in its narrative perturbations was a contributing factor in the well-documented worsening of Western European antisemitism during this period. One key analytical construct I develop is the “doppelganger Jew”—personified in the Perlesvaus by its schizoid authority figure, Josephus, a conflation of first Christian priest and first-century Romano-Jewish historian—who functions as an uncanny embodiment of powerful, unacknowledged fears that Christians were losing their spiritual moorings and reverting into reviled, scapegoated Jews. Traces of this collective trauma are explored in other contemporary texts, and one chapter examines how the fourteenth-century Book of John Mandeville revives similar fears of collapsing Judeo-Christian identity and unfolds under the sign of the doppelganger Jew.

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Books on the topic "Song of the Albigensian Crusade"

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Guillaume. The song of the Cathar wars: A history of the Albigensian Crusade. Aldershot, England: Scolar Press, 1996.

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God's heretics: The Albigensian Crusade. Stroud: Sutton, 2005.

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Burl, Aubrey. God's heretics: The Albigensian Crusade. Stroud: Sutton, 2002.

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God's heretics: The Albigensian crusade. Stroud: Sutton, 2002.

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The Cathars and the Albigensian Crusade. Manchester, U.K: Manchester University Press, 1997.

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Petrus. The history of the Albigensian Crusade. Woodbridge, Suffolk, UK: Boydell Press, 1998.

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Massacre at Montségur: A history of the Albigensian crusade. London: Phoenix Giant, 1998.

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Pegg, Mark Gregory. A most holy war: The Albigensian Crusade and the battle for Christendom. Oxford: Oxford University Press, 2008.

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Pegg, Mark Gregory. A most holy war: The Albigensian Crusade and the battle for Christendom. Oxford: Oxford University Press, 2008.

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A, Sibly W., and Sibly M. D, eds. The chronicle of William of Puylaurens: The Albigensian crusade and its aftermath. Woodbridge, Suffolk, UK: Boydell Press, 2003.

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Book chapters on the topic "Song of the Albigensian Crusade"

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Gouiran, Gérard, and Linda M. Paterson. "The Toulousains cry ‘Toulouse!’, the Gascons ‘Comminges!’ … The Comminges parallels in the Song of the Albigensian Crusade." In From Chanson de Geste to Epic Chronicle, 173–91. New York, NY : Routledge, 2020. | Series: Variorum collected studies: Routledge, 2020. http://dx.doi.org/10.4324/9781351028387-15.

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Gouiran, Gérard, and Linda M. Paterson. "Drama queen? Worse: a jongleur! – or how to discredit an opponent: the representation of Bishop Fulk of Toulouse, alias Folquet de Marseille, by the anonymous author of the Song of the Albigensian Crusade." In From Chanson de Geste to Epic Chronicle, 123–35. New York, NY : Routledge, 2020. | Series: Variorum collected studies: Routledge, 2020. http://dx.doi.org/10.4324/9781351028387-12.

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Power, Daniel. "The Albigensian Crusade after Simon of Montfort (1218-1224)." In Histoires de famille. La parenté au Moyen Age, 161–78. Turnhout, Belgium: Brepols Publishers, 2020. http://dx.doi.org/10.1484/m.hifa-eb.5.119504.

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Gardner, Christopher K. "Heretics or Lawyers? Propaganda and Toulousan Identity Through the Albigensian Crusade." In Medieval Paradigms, 115–37. New York: Palgrave Macmillan US, 2005. http://dx.doi.org/10.1007/978-1-137-10718-3_7.

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Duffy, Paul, and Daniel J. F. Brown. "2. From Carrickfergus to Carcassonne: Hugh de Lacy and the Albigensian Crusade." In OUTREMER, 9–30. Turnhout: Brepols Publishers, 2018. http://dx.doi.org/10.1484/m.outremer-eb.5.114236.

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Meschini, Marco. "Chapter 6: Innocent III, the Fourth Lateran Council and the Albigensian Crusade." In OUTREMER, 113–30. Turnhout: Brepols Publishers, 2018. http://dx.doi.org/10.1484/m.outremer-eb.5.115857.

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Jenkins, Ernest E. "Fracturing a Regional Community, Part 1: Peter II and the Genesis of the Albigensian Crusade." In The Mediterranean World of Alfonso II and Peter II of Aragon (1162–1213), 123–40. New York: Palgrave Macmillan US, 2012. http://dx.doi.org/10.1057/9781137078261_7.

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Jenkins, Ernest E. "Fracturing a Regional Community, Part 2: Peter II and the Conflicts of the Albigensian Crusade." In The Mediterranean World of Alfonso II and Peter II of Aragon (1162–1213), 141–57. New York: Palgrave Macmillan US, 2012. http://dx.doi.org/10.1057/9781137078261_8.

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Smith, Damian J. "Chapter 7: The Reconciliation of Guillem Ramon de Montcada, the Albigensian Crusade and Fourth Lateran." In OUTREMER, 131–50. Turnhout: Brepols Publishers, 2018. http://dx.doi.org/10.1484/m.outremer-eb.5.115858.

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Lippiatt, G. E. M. "Worse than All the Infidels. The Albigensian Crusade and the Continuing Call of the East." In Crusading Europe, 119–44. Turnhout, Belgium: Brepols Publishers, 2019. http://dx.doi.org/10.1484/m.outremer-eb.5.117318.

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