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Books on the topic 'Song of the Albigensian Crusade'

Author: Grafiati

Published: 4 June 2021

Last updated: 1 February 2022

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1

Guillaume. The song of the Cathar wars: A history of the Albigensian Crusade. Aldershot, England: Scolar Press, 1996.

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2

God's heretics: The Albigensian Crusade. Stroud: Sutton, 2005.

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3

Burl, Aubrey. God's heretics: The Albigensian Crusade. Stroud: Sutton, 2002.

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4

God's heretics: The Albigensian crusade. Stroud: Sutton, 2002.

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5

The Cathars and the Albigensian Crusade. Manchester, U.K: Manchester University Press, 1997.

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6

Petrus. The history of the Albigensian Crusade. Woodbridge, Suffolk, UK: Boydell Press, 1998.

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7

Massacre at Montségur: A history of the Albigensian crusade. London: Phoenix Giant, 1998.

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8

Pegg, Mark Gregory. A most holy war: The Albigensian Crusade and the battle for Christendom. Oxford: Oxford University Press, 2008.

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9

Pegg, Mark Gregory. A most holy war: The Albigensian Crusade and the battle for Christendom. Oxford: Oxford University Press, 2008.

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10

A, Sibly W., and Sibly M. D, eds. The chronicle of William of Puylaurens: The Albigensian crusade and its aftermath. Woodbridge, Suffolk, UK: Boydell Press, 2003.

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11

The history of the Albigensian crusade: Peter of les-Vaux-de-Cernay's Historia Albigensis. Woodbridge, Suffolk, UK: Boydell Press, 2000.

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12

(Translator), Janet Shirley, ed. The Song of the Cathar Wars: A History of the Albigensian Crusade (Crusade Texts in Translation). Scolar Press, 1996.

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13

Sumption, Jonathan. The Albigensian Crusade. Faber & Faber, 2000.

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14

Léglu, Catherine, Rebecca Rist, and Claire Taylor, eds. The Cathars and the Albigensian Crusade. Routledge, 2013. http://dx.doi.org/10.4324/9781315798141.

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15

The Cathars and the Albigensian Crusade: A Sourcebook. Routledge, 2013.

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16

Graham-Leigh, Elaine. The Southern French Nobility and the Albigensian Crusade. Boydell Press, 2005.

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17

Dennis, Peter, and Marcus Cowper. Cathar Castles: Fortresses of the Albigensian Crusade 1209-1300. Bloomsbury Publishing Plc, 2012.

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18

MASSACRE AT MONTSEGUE: A HISTORY OF THE ALBIGENSIAN CRUSADE. Weidenfeld and Nicolson, 1997.

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19

Dennis, Peter, and Marcus Cowper. Cathar Castles: Fortresses of the Albigensian Crusade 1209-1300. Bloomsbury Publishing Plc, 2012.

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20

Oldenbourg, Zoé. Massacre at Montsegur: A History of the Albigensian Crusade. Marboro Books, 1988.

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21

Kill Them All: Cathars and Carnage in the Albigensian Crusade. History Press Limited, The, 2018.

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22

Cowper, Marcus. Cathar Castles: Fortresses of the Albigensian Crusade 1209-1300 (Fortress). Osprey Publishing, 2006.

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23

Pegg, Mark Gregory. Most Holy War: The Albigensian Crusade and the Battle for Christendom. Oxford University Press, Incorporated, 2009.

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24

Sibly, W. A., and M. D. Sibly. The Chronicle of William of Puylaurens: The Albigensian Crusade and its Aftermath. Boydell Press, 2003.

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25

Sibly, W. A., and M. D. Sibly. The History of the Albigensian Crusade: Peter of les Vaux-de-Cernay's `Historia Albigensis'. Boydell Press, 1998.

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26

The Occitan War: A Military and Political History of the Albigensian Crusade, 1209-1218. Cambridge University Press, 2009.

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27

The Occitan War: A Military and Political History of the Albigensian Crusade, 1209-1218. Cambridge University Press, 2008.

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28

(Translator), W. A. Sibly, and M. D. Sibly (Translator), eds. The History of the Albigensian Crusade: Peter of les Vaux-de-Cernay's `Historia Albigensis'. Boydell Press, 1998.

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29

Mapping Medieval Identities in Occitanian Crusade Song. Oxford University Press, Incorporated, 2020.

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30

Golden, Rachel May. Mapping Medieval Identities in Occitanian Crusade Song. Oxford University Press, 2020. http://dx.doi.org/10.1093/oso/9780190948610.001.0001.

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Home to the troubadours and a creative monastic center, twelfth-century Occitania (the south of France) fostered a vibrant musical culture that encompassed both secular and sacred, vernacular and Latin, spanning a wealth of locally cultivated genres. Such musical-poetic impulses reflected and responded to regional practices of courtly love, chivalric ideals, votive worship, monastic theologies, pilgrimage, and Holy War. This book demonstrates the rich cross-fertilizations between early Christian Crusades and two roughly contemporaneous musical-poetic repertories of Occitania: the sacred, Latin Aquitanian versus and the vernacular troubadour lyric. These two repertories are known largely in medieval and musicological studies for reasons apart from the Crusades—for monastic piety and Marian devotion in the case of the versus, and for courtly love and authorial voices in the case of the troubadour repertory. Yet, when considered against unfolding Crusade events, these poetic-musical repertories illuminate shifting Occitanian identities and worldviews as refracted by contemporaneous devotional practices, religious beliefs, and geographies, both physical and metaphoric. The author’s contextual investigations and musical-textual interpretations reveal how Crusade songs distinctively arose out of their southern French environments, at a historical moment when Holy War and new genres of musical composition coincided. Engaging both the outer world and the poet’s subjectivity, Crusade songs shaped regional identities, enacting individual concerns, the communal homeland, religious and military aspirations, and specific historical and geopolitical positions.

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31

A Most Holy War: The Albigensian Crusade and the Battle for Christendom (Pivotal Moments in World History). Oxford University Press, USA, 2007.

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32

Song of the Cathar Wars (Crusade Texts in Translation). Ashgate Pub Ltd, 2000.

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33

The Knight, the Cross, and the Song: Crusade Propaganda and Chivalric Literature, 1100-1400. University of Pennsylvania Press, 2017.

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34

Vetter, Thomas G., Thomas G. Vetter, Thomas G. Vetter, Thomas G. Vetter, and Thomas G. Vetter. Siege Master's Song: The Recollections of Lord Godric MacEuan on the First Crusade, Volume Two. Vetter Books, LLC, Tom, 2016.

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35

Vetter, Thomas. Siege Master's Song : The Recollections of Lord Godric MacEuan on the First Crusade: Volume Two. Vetter Books, LLC, Tom, 2016.

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36

Lippiatt, G. E. M. Simon V of Montfort and Baronial Government, 1195-1218. Oxford University Press, 2017. http://dx.doi.org/10.1093/oso/9780198805137.001.0001.

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Dissenter from the Fourth Crusade, disseised earl of Leicester, leader of the Albigensian Crusade, prince of southern France: Simon of Montfort led a remarkable career of ascent from mid-level French baron to semi-independent count before his violent death before the walls of Toulouse in 1218. Through the vehicle of the crusade, Simon cultivated autonomous power in the liminal space between competing royal lordships in southern France in order to build his own principality. This first English biographical study of his life examines the ways in which Simon succeeded and failed in developing this independence in France, England, the Midi, and on campaign to Jerusalem. Simon’s familial, social, and intellectual connexions shaped his conceptions of political order, which he then implemented in his conquests. By analysing contemporary narrative, scholastic, and documentary evidence—including a wealth of archival material—this book argues that Simon’s career demonstrates the vitality of baronial independence in the High Middle Ages, despite the emergence of centralised royal bureaucracies. More importantly, Simon’s experience shows that barons themselves adopted methods of government that reflected a concern for accountability, public order, and contemporary reform ideals. This study therefore marks an important entry in the debate about baronial responsibility in medieval political development, as well as providing the most complete modern account of the life of this important but oft-overlooked crusader.

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37

Blumhofer, Edith L. Singing to Save. Oxford University Press, 2017. http://dx.doi.org/10.1093/acprof:oso/9780190683528.003.0004.

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This chapter explores an integral aspect of Billy Graham’s crusades: music, the people responsible for it, its role in bringing diversity to Graham crusade platforms, and its influence on post–World War II Christian song. For the sixty-year span of the crusades, choir director Cliff Barrows and soloist George Beverly Shea were the most visible members of Graham’s team, setting the tone for every sermon and response. They understood crusade music as part of the ministry flow, not as entertainment. The goal of every song was the same as the goal of every sermon—bringing people to a moment of decision. Over the years, many popular artists brought to the crusades a wide variety of musical styles, from classical to hip-hop, featuring guest artists that brought ethnic, regional, gender, and racial diversity. But the dependable elements Barrows and Shea adhered to gave the crusades remarkable musical consistency.

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