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Dissertations / Theses on the topic 'Songs, Chinese - China - Texts'

Author: Grafiati

Published: 4 June 2021

Last updated: 1 February 2022

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1

Gong, Xiaolin, and 宮小琳. "A study of modern Chinese Song Lyrics." Thesis, The University of Hong Kong (Pokfulam, Hong Kong), 2005. http://hub.hku.hk/bib/B38628600.

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2

Lee, Cheuk-ying Esther, and 李卓瑛. "A study of Chao Zhou children songs." Thesis, The University of Hong Kong (Pokfulam, Hong Kong), 2006. http://hub.hku.hk/bib/B36942935.

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3

Tang, Wai-yan. "Hong Kong : an unidentified subject under colonialism /." Hong Kong : University of Hong Kong, 1996. http://sunzi.lib.hku.hk/hkuto/record.jsp?B1739059X.

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4

Ho, Mei Fung Linda. "A cross-cultural analysis of the organization of English and Chinese texts." HKBU Institutional Repository, 1996. https://repository.hkbu.edu.hk/etd_ra/82.

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Li, Ren-Yuan. "Making Texts in Villages: Textual Production in Rural China During the Ming-Qing Period." Thesis, Harvard University, 2014. http://nrs.harvard.edu/urn-3:HUL.InstRepos:13065015.

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This dissertation uses the textual materials found in several villages in Pingnan, northeastern Fujian, from 2008 to 2011, to examine the use of texts in rural China during the imperial period. The discussion focuses on the texts produced by local people and used locally. The central theme of the dissertation is to contextualize the rise of textual culture and the spread literate mentality in a marginal society, and explore the relationship between text and society. The dissertation consists of two major parts. Part I covers the period when Pingnan was the northern part of Gutian County, and P

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6

Ng, Pong-wai Brenda, and 吳邦瑋. "The development in Hong Kong of commercial popular songs in Cantonese." Thesis, The University of Hong Kong (Pokfulam, Hong Kong), 1996. http://hub.hku.hk/bib/B31213522.

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7

Li, Mo. "Musical and Lyrical Multiplicity of Hua’er Flower Songs." The Ohio State University, 2011. http://rave.ohiolink.edu/etdc/view?acc_num=osu1306777564.

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8

黃美霞 and Mei-ha Hebe Wong. "The perceived and actual use of strategies of tertiary students in reading Chinese and English texts." Thesis, The University of Hong Kong (Pokfulam, Hong Kong), 2002. http://hub.hku.hk/bib/B31243782.

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9

Yu, Siu-lei, and 余小梨. "Strategy use by good and poor Chinese ESL readers in comprehending easy and difficult expository texts." Thesis, The University of Hong Kong (Pokfulam, Hong Kong), 2000. http://hub.hku.hk/bib/B31944735.

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10

Lee, Kwong-hung, and 李廣雄. "Bilingual texts: a study of the effects of providing L1 Chinese terms in L2 English texts on text comprehensionand on English vocabulary acquisition." Thesis, The University of Hong Kong (Pokfulam, Hong Kong), 1995. http://hub.hku.hk/bib/B31958011.

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11

Hui, Wing-yiu, and 許榮耀. "Canton-pop and the teaching of Chinese in Hong Kong." Thesis, The University of Hong Kong (Pokfulam, Hong Kong), 2009. http://hub.hku.hk/bib/B42694784.

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12

Li, Belinda. "Folk Songs and Popular Music in China: An Examination of Min’ge and Its Significance Within Nationalist Frameworks." Scholarship @ Claremont, 2016. http://scholarship.claremont.edu/pomona_theses/162.

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This thesis examines the function of music within different theories of nationalism and the appropriation of folk music within the genre of min’ge. Min’ge, a term in Chinese which directly translates to “folk songs”, has generally been defined as oral musical traditions. However, due to the increased politicization of popular music since the 1930s, the nature folk music has fundamentally changed, reflecting its new significance within Chinese nationalism. Through the years, min’ge has become more useful to promoting the goals of the state than representing the musical traditions of the many di

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13

Tang, Wai-yan, and 鄧惠欣. "Hong Kong: an unidentified subject under colonialism." Thesis, The University of Hong Kong (Pokfulam, Hong Kong), 1996. http://hub.hku.hk/bib/B31951181.

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14

Cheung, Kwok-hung Stephen, and 張國雄. "Traditional music and ethnicity : a study of Hakka shange." Thesis, The University of Hong Kong (Pokfulam, Hong Kong), 2013. http://hdl.handle.net/10722/195958.

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This research is an investigation into Hakka shange 客家山歌 (Hakka mountain songs) and their relationship with Hakka ethnicity, with principal discussions on the interplay between music making and ethnic/cultural identity in the Hakka populations. Hakka is a complex ethnic and cultural phenomenon which stepped into the limelight of history beginning in the 19th century. This study includes research into archival materials for an in-depth understanding of Hakka ethnicity and Hakka shange in the context of historical development, aiming to obtain new information/data and insights into historical da

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15

Lee, Kwok-chor, and 李國礎. "The strategies of segmentation of cluster of sentences and paragrahing of Chinese texts by Hong Kong form 6 students." Thesis, The University of Hong Kong (Pokfulam, Hong Kong), 1998. http://hub.hku.hk/bib/B31960315.

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16

Jiang, Yun. "The Making of the Ephemeral Beauty: Acceptance and Rejection of Patriarchal Constructions of Hongyan Boming in Late-Ming Texts." Thesis, University of Oregon, 2019. http://hdl.handle.net/1794/24177.

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This thesis explores how late-Ming writers interpreted the expression “beauty is ill-fated” (hongyan boming) and how male and female writers constructed and accepted the image of the ephemeral beauty (hongyan) differently. I argue that late-Ming male literati destigmatized and immortalized hongyan, but their interpretations of hongyan reinforced male fantasies about women, and served the status quo of the patriarchal family structure as well as the established literary conventions of the time. Female writers, conversely, often rejected the image and idea of hongyan and even managed to assert f

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17

Wong, Jum-sum James, and 黃湛森. "The rise and decline of cantopop." Thesis, The University of Hong Kong (Pokfulam, Hong Kong), 2003. http://hub.hku.hk/bib/B31057330.

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18

李詠健 and Wing-kin Lee. "A philological study of the excavated texts included in the seventh volume of the Compilation of Warring States Chu bambooslips housed at the Shanghai Museum." Thesis, The University of Hong Kong (Pokfulam, Hong Kong), 2012. http://hub.hku.hk/bib/B48329745.

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In 1994, two batches of unearthed Chu 楚 bamboo slips from the Warring States period (Zhanguo shidai 戰國時代, 475–221 B.C.), totaling 1200 pieces and featuring over 35000 characters, appeared in the cultural relic market of Hong Kong. These slips, highly valuable for philological research, cover nearly 100 kinds of ancient Chinese classic. They were soon collected by the Shanghai Museum for restoration and analysis, and have, since 2001, been published in successive volumes entitled Shanghai bowuguan cang Zhanguo Chu zhushu 上海博物館藏戰國楚竹書, eight volumes of which have been issued to date. My study

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19

吳月華. "歌影拍和 : 粤語青春歌舞片歌曲與電影的關係 (1966-1969) = Songs in tune with movies : the relationship of movie songs and Cantonese youth musicals in 1966-1969". HKBU Institutional Repository, 2006. http://repository.hkbu.edu.hk/etd_ra/687.

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20

Lau, Man-chun, and 劉文俊. "A study of Hong Kong popular music industry (1930-2000)." Thesis, The University of Hong Kong (Pokfulam, Hong Kong), 2003. http://hub.hku.hk/bib/B4389608X.

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21

Cheung, Kwok-hung Stephen, and 張國雄. "Traditional folksongs in an urban setting: a study of Hakka Shange in Tai Po, Hong Kong." Thesis, The University of Hong Kong (Pokfulam, Hong Kong), 2004. http://hub.hku.hk/bib/B31364846.

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22

Fu, Lok-yi Alice, and 傅樂怡. "Contemporary Cantopop: reception of crossovermusic in Hong Kong." Thesis, The University of Hong Kong (Pokfulam, Hong Kong), 2008. http://hub.hku.hk/bib/B39634334.

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Tse, Heung-wing, and 謝向榮. "A philological study of the excavated texts of Zhouyi included in the third volume of the compilation of Warring States Chu bamboo slips housed at the Shanghai Museum = "Shanghai bo wu guan cang Zhan guo Chu zhu shu (san), zhou yi" cong kao." Thesis, The University of Hong Kong (Pokfulam, Hong Kong), 2014. http://hdl.handle.net/10722/202374.

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Since the antiquity, the Book of Change (Zhouyi 周易) has been praised as the leading scripture among the five classics (with the Book of Documents [Shangshu 尚書], the Book of Odes [Shijing 詩經], the Spring and Autumn Annals [Chunqiu 春秋], and the Book of Rites [Liji 禮記]), and the supreme dao of the three mysteries (with Laozi 老子 and Zhuangzi 莊子). However, its guayaoci 卦爻辭 (general and line judgments of the hexagrams) are not only recondite but also proliferate with conflicting exegeses that lead nowhere. Fortunately, multiple early manuscripts of the Book of Change, including those from the Mawang

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24

黃凱茵 and Hoi-yan Wong. "Centre for HK Cantonese Opera Artist's Association." Thesis, The University of Hong Kong (Pokfulam, Hong Kong), 1998. http://hub.hku.hk/bib/B31984216.

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25

Go, Kin-ming Joseph, and 吳建明. "Nostalgic musicians in North Point: a survey of Fujian Nanyin activities in Fujian Tiyuhui, from 1957 to thepresent." Thesis, The University of Hong Kong (Pokfulam, Hong Kong), 2003. http://hub.hku.hk/bib/B31227351.

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26

Liang, Lin. "Análisis contrastivo de la traducción científico - técnica del español al chino con enfoques terminológicos - Caso del petróleo." Doctoral thesis, Universitat Autònoma de Barcelona. Programa de Doctorat en Traducció i Estudis Interculturals, 2020. http://hdl.handle.net/10803/670614.

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En l’actualitat, a causa de la vertiginosa velocitat amb la qual el coneixement cientificotècnic influeix en l’època de globalització, els esmentats idiomes que servien de lingua franca ja no poden cobrir les necessitats d’intercanvi internacional en certs camps cientificotècnics de la situació de la Xina actual. Ara, la ciència i la tecnologia han adquirit nous llenguatges especialitzats que requereixen una comunicació satisfactòria del nou conocimiento.No obstant això, el procés de realitzar una traducció cientificotècnica no consisteix únicament a traduir terminologia, ja que aquesta rarame

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27

凌錦雄. "澳門粵曲曲藝的發展與李向榮研究 = A research on the development of Cantonese operatic songs in Macao and Li Xiang Rong". Thesis, University of Macau, 2009. http://umaclib3.umac.mo/record=b2101689.

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28

Chen, David Tze-yun Qu Yuan. "The nine songs a reexamination of shamanism in ancient China /." 1986. http://catalog.hathitrust.org/api/volumes/oclc/27371586.html.

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29

"廣府話說唱本木魚書的硏究". 1989. http://library.cuhk.edu.hk/record=b5895423.

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吳瑞卿.<br>Thesis (Ph.D.)--香港中文大學, 1989.<br>Manuscript (Reprint of computer reprint)<br>Includes bibliographical references (leaves 314-324).<br>Wu Ruiqing.<br>Thesis (Ph.D.)--Xianggang Zhong wen da xue, 1989.<br>導論<br>Chapter I´Ø --- 選取木魚書作硏究對象的意義 --- p.1<br>Chapter 一´Ø --- 作為地方文學的 --- p.1<br>Chapter 二´Ø --- 作為俗文學的一種 --- p.2<br>Chapter II´Ø --- 本論文的硏究目的<br>Chapter A´Ø --- 整理及分析一種地方文學遺産 --- p.2<br>Chapter B´Ø --- 以木魚書為例論證俗文學的特徵範圍<br>Chapter 一´Ø --- 俗文學研究的回顧 --- p.3<br>Chapter 二´Ø --- 俗文學的特徴和領域問題 --- p.7<br>Chapter 三´Ø --- 木魚書與俗文學 --- p.8<br>Chapter III´Ø --- 木魚書研究在其他方面能提供的貢獻<br>Chapter 一´Ø

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Liao, Hsueh-Chun, and 廖雪君. "A Comparative Study on the Chinese Translation Texts of General Agreement on Trade in Services between Taiwan and China." Thesis, 2009. http://ndltd.ncl.edu.tw/handle/18148660884880242187.

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碩士<br>輔仁大學<br>翻譯學研究所在職專班<br>97<br>Abstract Under the principles of accuracy, consistency, precision and concision, this study aims to probe explicitation and simplification features in Taiwan’s and China’s trans-lation texts of General Agreement on Trade in Services (GATS). It proves that lan-guage materials of Taiwan and China contain the universals of translation, and this also indicates that both Taiwan and China simultaneously achieve the goal of explici-tation and simplification. First, with the selected examples of explicitation and simplification, the study describes their characterist

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"二十一世紀初新疆王洛賓現象解讀". 2005. http://library.cuhk.edu.hk/record=b5896426.

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鄭燕虹.<br>"2005年9月".<br>論文(哲學碩士)--香港中文大學, 2005.<br>參考文獻(leaves 97-108).<br>"2005 nian 9 yue".<br>Abstracts in Chinese and English.<br>Zheng Yanhong.<br>Lun wen (zhe xue shuo shi)--Xianggang Zhong wen da xue, 2005.<br>Can kao wen xian (leaves 97-108).<br>Chapter 第一章 --- 導論 --- p.1<br>Chapter 第一節 --- 研究背景及研究目的 --- p.1<br>Chapter 第二節 --- 研究動機 --- p.2<br>Chapter 第三節 --- 研究焦點與研究限制 --- p.3<br>Chapter 第四節 --- 研究角度 --- p.4<br>Chapter 第五節 --- 文獻回顧 --- p.6<br>Chapter 第六節 --- 研究方法 --- p.8<br>Chapter 第七節 --- 内容簡述 --- p.10<br>Chapter 第二章 --- 新疆漢族人的身份危機 --- p.11<br>Chapter 第一節 --- 新疆的史地和民族現況概述 --- p

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"香港西貢及其鄰近地區歌謡硏究". 1989. http://library.cuhk.edu.hk/record=b5887244.

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葉賜光 = A study on the folk songs of Sai Kung and its neighbouring areas ...<br>稿本(據電腦打印本複印)<br>Thesis (M.A.)--香港中文大學, 1989.<br>Gao ben (ju dian nao da yin ben fu yin)<br>Includes bibliographical references (leaves 253-262).<br>Ye Ciguang = A study on the folk songs of Sai Kung and its neighbouring areas ...<br>Thesis (M.A.)--Xianggang Zhong wen da xue, 1989.<br>嗚謝 --- p.i<br>序 --- p.iii<br>地圖索引 --- p.v<br>歌謠譜例索引 --- p.vi<br>歌詞例子索引 --- p.viii<br>圖表索引 --- p.x<br>音樂例子索引 --- p.xiii<br>照片索引 --- p.xiv<br>Chapter 第一部分： --- 論文<br>Chapter 第一章 --- 前言<br>Chapter 第一節 --- 研究地區之讓擇 --- p.1<

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Jhu, Ting-Huei, and 朱庭慧. "Discussion on the Effect of Chinese Language Teaching in China: The Range of Songs Sung by Fang Wenshan and Jay Chou." Thesis, 2018. http://ndltd.ncl.edu.tw/handle/8r72cc.

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碩士<br>國立屏東大學<br>華語文教學碩士學位學程<br>106<br>The purpose of the study is to apply five Chinese songs of Jay Chou, "Shanghai 1943", "Hair such as snow", "Chrysanthemum Taiwan", "Blue and white porcelain", "Orchid Pavilion Preface", With different themes to design textbooks, cultural teaching andcultural experience activities. The teaching view of this study is totake "from language learning into cultural learning", hoping thatlearners can learn Chinese culture by learning Chinese. This study explores whether music can be applied to language learning or there is any correlation between the two? Are no

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"初中中文精讀敎材篇章結構之分析硏究 = An analysis of text structures of Chinese language texts in lower secondary school". 香港中文大學, 1995. http://library.cuhk.edu.hk/record=b5888367.

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謝樹強.<br>論文(碩士) -- 香港中文大學硏究院敎育學部, 1995.<br>參考文獻: leaves 396-399.<br>Xie Shuqiang.<br>Chapter 第一章 --- 引言<br>Chapter 第一節 --- 研究背景 --- p.1<br>Chapter 第二節 --- 研究意義 --- p.2-3<br>Chapter 第三節 --- 研究範圍 --- p.3-4<br>Chapter 第二章 --- 文獻綜述 --- p.5<br>Chapter 第一節 --- 名詞釋義 --- p.5-13<br>Chapter 第二節 --- 文章结構理論述評 --- p.14-39<br>Chapter 第三章 --- 理論架構 --- p.40<br>Chapter 第一節 --- 《文章结構學》的價值 --- p.40-53<br>Chapter 第二節 --- 《文章结構學》的理論架構 --- p.54-107<br>Chapter 第三節 --- 文體的定義、分類和「與本研究的關係」 --- p.108-117<br>Chapter 第四章 --- 研究設計 --- p.118<br>Chapter 第一節 --- 研究對象 --- p.119-122<br>Chapter 第二節 --- 研究目的 --- p.122

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"(Re) construction and (re) definition of national identity in the postcolonial era: the changing musical and visual presentation of patriotic indoctrination in Hong Kong media after the handover in 1997." 2009. http://library.cuhk.edu.hk/record=b5896593.

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Chan, Mun Tak Ada.<br>Thesis (M.Phil.)--Chinese University of Hong Kong, 2009.<br>Includes bibliographical references (leaves 65-69).<br>In English with some Chinese characters; abstract also in Chinese.<br>Abstract --- p.i<br>Abstract (Chinese) --- p.iii<br>Acknowledgements --- p.iv<br>Table of Contents --- p.V<br>List of Figures and Tables --- p.vii<br>Chapter Chapter One --- Introduction --- p.1<br>Geographical Location and Political Status of Hong Kong --- p.3<br>Personal Reflection on the Change of HKSAR´ةs Sovereignty --- p.8<br>Chapter Chapter Two --- Propaganda on Television: M

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"香港「兒歌」與香港社會文化研究(一九八零-)". 2007. http://library.cuhk.edu.hk/record=b5893396.

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杜綺明.<br>"2007年12月".<br>論文(哲學碩士)--香港中文大學, 2007.<br>參考文獻(leaves 90-96).<br>"2007 nian 12 yue".<br>Abstract also in English.<br>Du Qiming.<br>Lun wen (zhe xue shuo shi)--Xianggang Zhong wen da xue, 2007.<br>Can kao wen xian (leaves 90-96).<br>摘要 --- p.iii<br>目錄 --- p.iv<br>Chapter 第一章 --- 導論 --- p.1-10<br>Chapter 第二章 --- 民族音樂學與香港「兒歌」的硏究 --- p.11-19<br>Chapter 第三章 --- 從歷史看「幼童時期」Childhood的槪念與香港「兒歌」的關係 --- p.20-35<br>Chapter 第四章 --- 中國兒童歌謠與香港電視「兒歌」 --- p.36-48<br>Chapter 第五章 --- 香港電視廣播有限公司與香港「兒歌」的發展 --- p.49-73<br>Chapter 第六章 --- 校園裡兒歌與兒童生活及成長 --- p.74-81<br>Chapter 第七章 --- 總結 --- p.82-89<

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"香港地水南音初探". 1998. http://library.cuhk.edu.hk/record=b5896292.

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李潔嫦.<br>論文(哲學碩士) -- 香港中文大學硏究院音樂學部, 1998.<br>參考文獻: leaves 99-106.<br>Li Jiechang.<br>撮要 --- p.iii<br>Chapter 第一章 --- 地水南音源流槪說<br>Chapter 一´Ø --- 引言 --- p.一<br>Chapter 二´Ø --- 南音的起源和發展 --- p.二<br>Chapter 三´Ø --- 有關南音的原始資料及研究 --- p.四<br>Chapter 第二章 --- 地水南音在香港的發展(二十至九十年代）<br>Chapter 一´Ø --- 南音在香港早期的槪況 --- p.八<br>Chapter 二´Ø --- 地水南音的衰落與戲台、粤曲南音的蓬勃(四十至六十年代） --- p.十九<br>Chapter 三´Ø --- 七十年代 --- p.二五<br>Chapter 四´Ø --- 八十年代至今 --- p.二八<br>Chapter 第三章 --- 地水南音的音樂風格<br>Chapter 一´Ø --- 引言 --- p.四三<br>Chapter 二´Ø --- 唱詞結構 --- p.四四<br>Chapter 三´Ø --- 板面及過序的處理 --- p.四八<br>Chapter 四´Ø --- 《霸王別姬》音樂

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"從學習者角度探究香港中國語文科高中精讀敎材與敎學目標之關係 =: Investigating the relationship to the senior high selected texts and the teaching objectives of Chinese language from the learner's point of view". 香港中文大學, 1995. http://library.cuhk.edu.hk/record=b5895571.

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蔣鳳.<br>論文(碩士) -- 香港中文大學硏究院敎育學部, 1995.<br>參考文獻: leaves 129-135.<br>Jiang Feng.<br>Chapter 第一章 --- 緒論<br>Chapter 第一節 --- 研究動機與目的 --- p.1<br>Chapter 第二節 --- 研究範圍 --- p.5<br>Chapter 第三節 --- 研究方法與步驟 --- p.7<br>Chapter 第四節 --- 主要名詞界定 --- p.8<br>Chapter 第二章 --- 理論基礎與文獻回顧<br>Chapter I . --- 目標<br>Chapter 第一節 --- 敎學目標的重要性及訂定的原則 --- p.9<br>Chapter 第二節 --- 香港中國語文科敎學目標的變革 --- p.12<br>Chapter 第三節 --- 香港中國語文科敎學目標分析 --- p.18<br>Chapter II . --- 精讀敎材<br>Chapter 第四節 --- 敎材的作用、重要性及與目標的關係 --- p.20<br>Chapter 第五節 --- 敎材内容的選取 --- p.22<br>Chapter 第六節 --- 敎材的組織 --- p.27<br>Chapter 第七節 --- 香港中國語文科精讀敎材的编選 --

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"泉州南音: 一個福建民間音樂傳統與文化認同的研究 = Nanyin in Quanzhou : a study of a folk musical tradition and cultural identity in Fujian". 2002. http://library.cuhk.edu.hk/record=b5891409.

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吳瑞珠.<br>"2002年7月".<br>論文(哲學碩士)--香港中文大學, 2002.<br>參考文獻 (leaves 152-156).<br>附中英文摘要.<br>"2002 nian 7 yue".<br>Wu Ruizhu.<br>Lun wen (zhe xue shuo shi)--Xianggang Zhong wen da xue, 2002.<br>Can kao wen xian (leaves 152-156).<br>Fu Zhong Ying wen zhai yao.<br>致謝 --- p.iv<br>摘要（中文） --- p.v<br>摘要（英文） --- p.vi<br>Chapter 第一章 --- 導論 --- p.1<br>人類學與民族音樂學 --- p.6<br>音樂傳統與文化認同 --- p.12<br>研究問題與理論架構 --- p.18<br>研究地點和研究方法 --- p.22<br>本文章節安排 --- p.25<br>Chapter 第二章 --- 福建泉州南音 --- p.27<br>何謂南音? --- p.27<br>歷史沿革 --- p.30<br>曲譜類別、樂器及音樂特色 --- p.39<br>南音和閩南風俗及其音樂功能<br>從名稱上看南音的發展 --- p.46<br>南音裡的男女現

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"嘎老音樂傳統與侗人社群認同: 以貴州省從江縣小黃侗寨為個案的考察與研究". Thesis, 2008. http://library.cuhk.edu.hk/record=b6074471.

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Al laox, is a kind of polyphonic folk song which are sung and widely practiced by parts of Dong people in southern China. As an indispensable component of the non-literary peasant society of Dong ethnic culture, Al laox music tradition has been systematically passed down, with full participation and ritualized performance in Dong people's daily life.<br>As a case study of "local music tradition", this research will contribute to further research topics, such as the common characteristic of Dong traditional music, sociological meaning of polyphonic folk song and contemporary transformation of t

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"排瑤"歌堂儀式"音聲研究". Thesis, 2008. http://library.cuhk.edu.hk/record=b6074472.

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Firstly, while the Yao people inhabit in wide geographic regions stretching across Southern China and South East Asia, even overseas, the Paiyao, a branch of the Yao who inhabits only in the Liannan district of the Guangdong province, is unique not only in their geographical inhabitancy but also cultural characteristics.<br>Secondly, while Yao people's Getang ritual is a wide spread ritual practice with local variations, there has not been any in-depth study on the Getang ritual of the Paiyao people.<br>The significance of this study are Three-fold.<br>The thesis aims to study the soundscape o

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"鄂西土家族哭嫁歌之音樂特徵與社會涵義". 1999. http://library.cuhk.edu.hk/record=b6073779.

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余詠宇.<br>論文(博士)--香港中文大學, 1999.<br>附參考文獻(p. 210-222)及索引.<br>中英文摘要.<br>Available also through the Internet via Dissertations & theses @ Chinese University of Hong Kong.<br>Electronic reproduction. Hong Kong : Chinese University of Hong Kong, [2012] System requirements: Adobe Acrobat Reader. Available via World Wide Web.<br>Electronic reproduction. Ann Arbor, MI : ProQuest Information and Learning Company, [200-] System requirements: Adobe Acrobat Reader. Available via World Wide Web.<br>Mode of access: World Wide Web.<br>Yu Yongyu.<br>Lun wen (bo shi)--Xianggang Zhong wen da xue, 1999.<br>Fu can

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