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Academic literature on the topic 'Songs for choir'

Author: Grafiati

Published: 5 June 2025

Last updated: 1 August 2025

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Journal articles on the topic "Songs for choir"

Xiang, Jiajie, Jiawei Zhong, Junnan Chen, Jinwen Liu, Shasha He, and Chenghong Wang. "Enriching the Charm of Folk Songs with Multi part Forms: A Practical Exploration of the Creation of Multi part Chorus of Qiang Folk Songs." Journal of Education and Educational Research 5, no. 3 (2023): 136–40. http://dx.doi.org/10.54097/jeer.v5i3.13651.

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The Qiang ethnic group is a long-standing ethnic group in China, and its historical changes, religious beliefs, customs, and customs have great research value. Qiang folk songs are a vivid display of their ethnic customs and living customs. Qiang folk songs have a rich flavor and diverse forms, including love songs, labor songs, mountain songs, wine songs, and other types. Folk song choir is an important way to inherit and promote Qiang folk songs. This article introduces the types of Qiang folk songs and creates a multi part choir to enrich the charm of folk songs with multi tone sound, in or

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Johnson, Bret. "Recent Ned Rorem CDs." Tempo 60, no. 238 (2006): 43–45. http://dx.doi.org/10.1017/s0040298206270311.

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ROREM: Flute Concerto; Violin Concerto; Pilgrims for strings. Philippe Quint (vln), Jeffrey Khaner (fl), Royal Liverpool Philharmonic Orchestra c. José Serebrier. Naxos American Classics 8.559278.ROREM: The Auden Songs; The Santa Fe Songs. Christopher Lemmings (ten), Sara Fulgoni (mezzosop), Chamber Domaine. Black Box BBM 1104.ROREM: Works for Choir and Organ. Harvard University Choir dir. Murray Forbes Somerville with Carson Cooman (organ). Black Box BBM 1102.

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Aikina, Liubov', Aleksandr Afanasev та Iulia Nikishina. "ОБРАБОТКИ НАРОДНЫХ ПЕСЕН В ТВОРЧЕСТВЕ РОССИЙСКИХ КОМПОЗИТОРОВ". Proceedings of Altai State Academy of Culture and Arts, № 2 (2021): 62–68. http://dx.doi.org/10.32340/2414-9101-2021-2-62-68.

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Briefly describes some issues of preservation of ethnic song heritage of Russians through adaptations of people's songs for various academic choirs. Several versions of interpretation of terms “adaptation”, “setting”, “arrangement”, and “transcription” outlined in classic musicological works are considered. Key design techniques of authorial adaptations of people's songs for academic choirs are analyzed. On the authors' opinion, adaptation of a Russian folk song for academic choir opens brand new performing opportunities, let to substantially enrich list of productions of any amateur or profes

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Suryati, Suryati. "Planning arrangement of medley regional songs on choir for the preservation of local culture." Linguistics and Culture Review 5, S3 (2021): 977–91. http://dx.doi.org/10.21744/lingcure.v5ns3.1696.

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This study aims to motivate students' creativity in making musical compositions in Cultural Arts and Fine Arts learning. Student creativity is needed to preserve cultural arts. This study focuses on making folk song medley arrangements and their implementation for high school choirs. This study uses a qualitative descriptive method. Data was obtained through literature study, observation, and field studies. The sample of this research is the student choir group at SMA Muhammadiyah 2 Yogyakarta. Data were analyzed using the Miles and Huberman models, namely by data reduction, tabulation, presen

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Horobets, Volodymyr, and Valentyn Slaston. "Folk Song and Its Transformation in the Repertoire of the Stanislav Pavliuchenko Ukrainian Folk Choir." Bulletin of Kyiv National University of Culture and Arts. Series in Arts, no. 46 (May 22, 2022): 87–93. https://doi.org/10.31866/2410-1176.46.2022.258620.

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The purpose of the research is to analyse the features of the transformation of folk songs in the repertoire of the Stanislav Pavliuchenko Ukrainian Folk Choir. Methods. The article is based on a musical and theoretical analysis of the repertoire of the Ukrainian Folk Choir. The article, along with general scientific methods (analysis, synthesis, generalisation), uses cross-cultural and systematic analysis, making it possible to characterise the transformation processes of Ukrainian folk songs holistically. Methods of processing musical material are aimed at preserving the features of the orig

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Rotikan, Geraldo, Meyny Kaunang, and Luccylle Takalumang. "THE ANALYSIS OF THE LEARNING PROCESS ON CHOIR EXTRACURRICULAR ACTIVITY AT SENIOR HIGH SCHOOL LEVEL." SoCul: International Journal of Research in Social Cultural Issues 3, no. 2 (2023): 813–20. http://dx.doi.org/10.53682/soculijrccsscli.v3i2.7991.

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This study aimed to explore and characterize the extracurricular choir learning activities at SMA Negeri 1 Tondano, with a specific focus on the choir training initiatives implemented to enhance students' creativity in the realm of music. Employing a descriptive qualitative research approach, this study utilized observation, interviews, and documentation as data collection techniques. The research findings revealed that the teachers employed instructional methods including the demonstration, question-and-answer, and exercise techniques. The teachers in charge of the choir extracurricular imple

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Bjerk, Paul. "'Building A New Eden': Lutheran Church Youth Choir Performances in Tanzania." Journal of Religion in Africa 35, no. 3 (2005): 324–61. http://dx.doi.org/10.1163/1570066054782351.

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AbstractA study of three songs by a Tanzanian youth choir reveals a synthesis of historical and intellectual sources ranging from pre-colonial social philosophy to Lutheran theology to Nyerere's Ujamaa socialism. The songs show how the choir performances break down the barrier between Bourdieu's realms of the disputed and undisputed. In appropriating an active role in shaping Christian ideology, the choir members reinterpret its theology into something wholly new and uniquely Tanzanian. Thus they appropriate an authoritative voice that shapes the basic societal concepts about the nature of lif

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Мевсим, Хюсеин. "Музикално-педагогическата дейност на учителя Димо Бойчев в Истанбул (1923–1935)". Lyuboslovie 23 (10 грудня 2023): 235–59. http://dx.doi.org/10.46687/yrab3455.

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Dimo Boychev (1878–1966) was a choir conductor and music pedagogue, considered the progenitor of children's musical bands and popularizer of children's choral singing and children's operetta in Bulgaria. From 1923 to 1935 he was a singing teacher at the Bulgarian primary school „Josif 1“ in Istanbul, at the same time leading the Exarchate Mixed Choir and the Children's Musical Band „Macedonka“. In the present text, based on materials from the Bulgarian archives, memories and publications in periodicals, we make an attempt to provide a more comprehensive presentation of his musical and pedagogi

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Untung, Rachel Mediana, Wisma Nugraha Christianto, and Victor Ganap. "Hybrid Performance as The Behavior of Singing Folk Songs Chorally in Indonesia Choir Competition in 2019." Jurnal Kawistara 12, no. 1 (2022): 33. http://dx.doi.org/10.22146/kawistara.68229.

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The artistic contestation between choral culture and folk song is an important concern in the study of musicology. The problem that is of concern in this study focuses on singing behavior in singing hybrid vocal music. Choir singing behavior has standard vocal techniques, on the other hand the context of understanding folk songs includes natural singing expressions from an ethnicity without being overshadowed by good vocal techniques. The study aims to reconstruct the practice of artistic requirements in Indonesian folksong choir competitions. The study is important because there is artistic c

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Rancāne, Anna. "CONTRIBUTION OF CHOIR CONDUCTORS TERĒZE BROKA AND STANISLAVS BROKS TO THE DEVELOPMENT OF LATGALIAN CULTURE IN DAUGAVPILS IN THE 60s OF THE 20TH CENTURY." Via Latgalica, no. 10 (November 30, 2017): 141. http://dx.doi.org/10.17770/latg2017.10.2774.

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Latgalian culture of the 60s and 70s of the 20th century is still insufficiently studied and evaluated. Although this time in Latvia is marked by the dominance of the Soviet ideology in all spheres of social life, russification, and ban of Latgalian print, there were people who managed to develop Latgalian identity and culture. Terēze Broka (1925) and Stanislavs Broks (1926–1977), the two outstanding choir conductors, are among such people. After graduation from Latvia State Conservatory they were appointed to work in Daugavpils. In this city, characterized by Russian spirit and with no choirs

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Dissertations / Theses on the topic "Songs for choir"

Woodward, Mark E. McNeil Ryan Woodward Mark E. Aubuchon Rachel McKenney W. Thomas. "Three songs for unaccompanied choir." Diss., Columbia, Mo. : University of Missouri--Columbia, 2009. http://hdl.handle.net/10355/6259.

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The entire thesis text is included in the research.pdf file; the official abstract appears in the short.pdf file; a non-technical public abstract appears in the public.pdf file. Title from PDF of title page (University of Missouri--Columbia, viewed on January 26, 2010 Thesis advisor: Dr. W. Thomas McKenney. Includes bibliographical references.

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Morgan, Sarah. "Community choirs : a musical transformation ; a review of my work in management, music, choir leadership and folk-song." Thesis, University of Winchester, 2013. http://ethos.bl.uk/OrderDetails.do?uin=uk.bl.ethos.666336.

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My aims have always been to present an exploration of English community choirs, their music and their leadership from a very personal perspective, which brings together my background as a folk musician, my career in training and facilitation, and my developing understanding of a system of musical hierarchies which (though often unspoken) inform and colour not only my own musical experience but that of many others. My motivation for this is partly to put into words the story of a movement that has had relatively little attention from the academic world, and to bring into the foreground aspects

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Kruger, Candace. "In The Bora Ring: Yugambeh Language and Song Project - An Investigation into the Effects of Participation in the ‘Yugambeh Youth Choir’, an Aboriginal Language Choir for Urban Indigenous Children." Thesis, Griffith University, 2017. http://hdl.handle.net/10072/365270.

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Knowledge of Indigenous language and identity for Australian Indigenous children is vital. Despite this there has been little research into the effects that living culture practice affords Australian Indigenous children through learning heritage language. Yarrabil (to sing) is one way in which Indigenous youth can participate in learning Indigenous language. Through a series of surveys, wula bora (focus group) sessions, interviews and reflections, the jarjum (children) of the Yugambeh language region assisted to discover how the process of participation in an urban Aboriginal children’s langua

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Åkerström, Per. ""Sång får ju faktiskt människor att må bra" : Kören: hälsan å riten!" Thesis, Department of Culture and Communication, 2009. http://urn.kb.se/resolve?urn=urn:nbn:se:liu:diva-20646.

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In this thesis you will meet people that are members of a “health-choir”. This people are singing together once a week and the purpose is to get a better health. You will also see if choir-singing can be seen as A rites of Passage. You will get a direct link to the informants. The choir singers who participate will speak to you.

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Oliveira, Eduardo Aparecido de. "A poética de Gilberto Mendes: texto e música." Universidade de São Paulo, 2012. http://www.teses.usp.br/teses/disponiveis/8/8156/tde-05032013-103954/.

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No ponto de intersecção entre música e literatura na construção da unidade de uma obra musical que faz uso de texto canção, música coral etc. reside um artesanato cuja abordagem do processo criativo é tão antigo quanto a própria expressão verbal da qual podese hipoteticamente afirmar como originária da música quanto arte: observa-se a forte presença da voz na música antiga (ars antiqua, ars nova). Tal aproximação racional com os formantes sígnicos do texto semantizado pela música levou a um senso comum entre os compositores na teoria (ou doutrina) dos afetos em voga desde o período barroco e

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Åkerström, Per. "Utan rödvin och körsång är livet inte värt att leva : Kören i människan." Thesis, Linköping University, Department of Social Anthropology, 2007. http://urn.kb.se/resolve?urn=urn:nbn:se:liu:diva-8118.

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People have different hobbies. The people we are going to meet here share the same interest - choir singing. Singing together in different choirs is their hobby (leisure time interest).What brings them together is the singing, getting an opportunity to sing together with people they otherwise would not meet. In this essay you will learn some of the reasons behind the fact that choir singing is a big movement in Sweden (reasons behind choir singing having a great number of practitioners). You will get a direct link to the informants, without having to read answers that have been tampe

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Gross-Mejía, Jennifer Anne. "The working hour: A rhetorical analysis of the lyrics of Tears for Fears." CSUSB ScholarWorks, 2003. https://scholarworks.lib.csusb.edu/etd-project/2477.

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Childhood friends Curt Smith and Roland Orzabal founded the band Tears for Fears, and were the two primary members from 1982-1990. Their songs describe the struggle of coping with childhood abuse. This thesis analyzes the rhetorical aspects of their lyrics, emphasizing how the words of their songs express the fundamental human response to abuse, and the painful process of recovery. It explores how the songwriters use the psychological theories of Arthur Janov and Carl Jung to scaffold their experience of working through emotional trauma; and how they combine those theories with astrological sy

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Schröder, Gesine. "Hermann Kretzschmars Kompositionen." Saechsische Landesbibliothek- Staats- und Universitaetsbibliothek Dresden, 2010. http://nbn-resolving.de/urn:nbn:de:bsz:14-qucosa-60530.

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Die Beschäftigung mit Hermann Kretzschmars Kompositionen bereichert das Gesamtbild dieser musikschriftstellerisch und musikpolitisch wirkungsmächtigen Persönlichkeit. In dem Beitrag werden Kretzschmars Bearbeitungen für Männerchor und deren Bezug zu seinen Schriften untersucht; seine Originalkompositionen für dieselbe Besetzung werden mit Rücksicht auf die Leipziger Harmonielehre der Mitte des 19. Jahrhunderts betrachtet, seine Chorsätze für gemischten Chor dienen als Dokument für Kretzschmars formale Ambitionen und für seine Arbeitsweise. Für die Geschichte der musiktheoretischen Unterweisun

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Favero, Ebel Armelle. "Bernard Lallement, diplomate et musicien : les chorales franco-allemandes et le traité de l'Élysée." Thesis, Littoral, 2022. https://documents.univ-littoral.fr/access/content/group/50b76a52-4e4b-4ade-a198-f84bc4e1bc3c/BULCO/Th%C3%A8ses/HLLI/119725_FAVERO_2022_archivage.pdf.

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Bernard Lallement, chef de choeur et diplomate français, passe toute sa carrière professionnelle au service du ministère des Affaires étrangères. Nommé en 1965 à Berlin dans le climat de la guerre froide et la dynamique du traité de l'Élysée signée deux années plus tôt, par Charles de Gaulle et Konrad Adenauer, il use de sa qualité de diplomate pour développer la coopération entre Allemands et Français autour du chant choral. En l'espace de quinze ans, il crée les quatre premières chorales franco-allemandes (CFAs) dans les villes où il exerce ses fonctions : Berlin, Munich, Paris et Bonn. En 1

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Luel-Rochberg, Liat. "A Jewish/Hebrew choir program for elementary/middle schools choirs /." 2003. http://wwwlib.umi.com/dissertations/fullcit/1413375.

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Books on the topic "Songs for choir"

Taylor, Steven V. 25 songs for two-part choir. Word Music, 1992.

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Schafer, R. Murray. Two songs from The spirit garden for children's choir. Arcana Eds., 2004.

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Nicol, Matt, and Chamber Choir of Europe, eds. Works for choir a capella: Vol. 3. Brilliant Classics, 2008.

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Jens, Wollenschlager, Matt Nicol, and Chamber Choir of Europe, eds. Works for choir a capella: Vol. 7. Brilliant Classics, 2008.

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Jens, Wollenschlager, Matt Nicol, and Chamber Choir of Europe, eds. Works for choir a capella: Vol. 6. Brilliant Classics, 2008.

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Nicol, Matt, and Amadeus-Chor, eds. Works for choir a capella: Vol. 4. Brilliant Classics, 2008.

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Jens, Wollenschlager, Schrott Martina, Schindler Sebastian, Schorr Sebastian, Matt Nicol, and Chamber Choir of Europe, eds. Works for choir a capella: Vol. 8. Brilliant Classics, 2008.

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Gabriele, Hierdeis, Mohlmann Eibe, Sans Daniel, et al., eds. Works for choir a capella: Vol. 1. Brilliant Classics, 2008.

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(Pianist), Meier Jurgen, Matt Nicol, and Chamber Choir of Europe, eds. Works for choir a capella: Vol. 2. Brilliant Classics, 2008.

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Anders, Nyberg, ed. Freedom is coming: Songs of protest and praise from South Africa for mixed choir. Iona Community, 1990.

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Book chapters on the topic "Songs for choir"

Moy, Wendy K. "Professional Choirs." In Resurrecting Song. Routledge, 2024. http://dx.doi.org/10.4324/9781003330486-6.

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Moy, Wendy K. "Collegiate Choirs." In Resurrecting Song. Routledge, 2024. http://dx.doi.org/10.4324/9781003330486-4.

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Moy, Wendy K. "Community Choirs." In Resurrecting Song. Routledge, 2024. http://dx.doi.org/10.4324/9781003330486-2.

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Moy, Wendy K. "New Choirs." In Resurrecting Song. Routledge, 2024. http://dx.doi.org/10.4324/9781003330486-7.

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Moy, Wendy K. "Children and Youth Choirs." In Resurrecting Song. Routledge, 2024. http://dx.doi.org/10.4324/9781003330486-3.

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Kręglewska, Katarzyna. "Song, musicality and the choir." In Włodzimierz Staniewski and the Phenomenon of “Gardzienice”. Routledge, 2021. http://dx.doi.org/10.4324/9780367808143-31.

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Edmondson, Belinda. "Travelling Dialect." In Creole Noise. Oxford University Press, 2022. http://dx.doi.org/10.1093/oso/9780192856838.003.0005.

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Dialect is a paradox. Bounded by its geographic and cultural specificity, it is, by definition, insular and local, the product of limited interactions; its literary concerns fleeting and dated, not universal, cosmopolitan, or of lasting value. And yet dialect narratives and musical traditions have been global fixtures for hundreds of years. This chapter explores the theme of travelling dialect in Creole literature. It describes how, in the post-Emancipation period, African-American dialect via sketches and “plantation songs” became a model for the literary rendering of Caribbean dialect. It ex

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Malone, Mark Hugh. "The Rise of the Tuskegee Choir to National Prominence." In William Levi Dawson. University Press of Mississippi, 2023. http://dx.doi.org/10.14325/mississippi/9781496844798.003.0003.

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Chapter Three relates the rise of the Tuskegee Choir to national prominence under the direction of William Dawson. In December of 1932, the Tuskegee Choir sang nightly during the month-long opening of Radio City Music Hall in New York City. From 1937-1951 the Tuskegee Choir sang frequent concerts broadcast over the NBC, CBS, and ABC radio networks. In 1952, the singers from Tuskegee made their debut on Ed Sullivan’s “Talk of the Town” television show and also appeared on Kate Smith’s show on television that same year. The Tuskegee Choir was featured on Eddie Fisher’s “Coke Time” shown over the

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Birch, Catherine, Ruth Currie, Wayne Dawson, and Stephen Clift. "Songs of Diversity." In The Oxford Handbook of Community Singing. Oxford University Press, 2024. http://dx.doi.org/10.1093/oxfordhb/9780197612460.013.18.

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Abstract The chapter presents insights from three case studies of different community singing initiatives in the United Kingdom: a singing group in a women’s prison, a singing group that is part of a community music organization, and an LGBTQ+ choir. These qualitative, culturally, and contextually specific accounts are framed in the context of a wider literature on singing and well-being that adopts the more positivistic, standardized procedures of structured surveys and controlled experimental evaluations. It is argued that individual case studies are particularly valuable for the insights th

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Bonde, Lars Ole, and Stefan Ingerslev. "«Alle Kan Synge»: Sangglæde og social og faglig trivsel i indskolingen via klassekorpædagogik og tolærersystem." In Samsang gjennom livsløpet. Cappelen Damm Akademisk/NOASP, 2022. http://dx.doi.org/10.23865/noasp.162.ch4.

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The community singing project Everyone can sing (AKS) is based on the hypothesis that mandatory high-quality “class choir” from grade 0–3 can promote children’s singing and positively affect their social and academic well-being. Since 2018, AKS runs as a prototype project at Herstedøster School (Albertslund, a Copenhagen suburb). 25% of the children have an ethnic background other than Danish, and the school faces challenges related to children’s well-being and academic level. All 0.–3. classes form separate class choirs, with 1–2 hours per week over 4 years (n = 350). A repertoire of familiar

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Conference papers on the topic "Songs for choir"

ZAMFIR, Oana Diana. "Myriam Marbé – Avant-garde and Ideological Neutrality." In The International Conference of Doctoral Schools “George Enescu” National University of Arts Iaşi, Romania. Artes Publishing House UNAGE Iasi, 2024. https://doi.org/10.35218/icds-2024-0005.

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Myriam Marbé (1931-1997) was part of the Golden Generation of Romanian composers, involved in developing the technique of composition following the model of the European avant-garde. This objective was at odds with the aesthetic of socialist realism officially promoted in the 1950s and 1960s. The composer managed to avoid political conformism due to her style, in which she combines innovative language with musical and spiritual sources of Romanian folklore. The artist’s creative prestige reached a first climax with the famous work Ritual for the thirst of the earth (1968). The interest in capi

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Střílková, Daniela. "Nová písňová tvorba pro děti a její využitelnost v hudební výchově." In Musica viva in schola. Masaryk University Press, 2023. http://dx.doi.org/10.5817/cz.muni.p280-0272-2023-3.

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The author presents a new song cycle suitable for music education. It is based on her own experience in vocal activities while leading a children’s choir and teaching didactics at the Faculty of Education, University of Ostrava.

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Xiaozhi Wang and Neil Pegg, ISSC 2022 Editors. "Proceedings of the 21st International Ship and Offshore Structures Congress VOLUME 2 Specialist Committee Reports." In 21st International Ship and Offshore Structures Congress, Volume 2. SNAME, 2022. http://dx.doi.org/10.5957/issc-2022-committee-vol-2.

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Table of Contents Preface ..............................................................................................................iii Committee V.1: Accidental Limit States .......................................................1 Bruce Quinton; Gaetano De Luca; Topan Firmandha; Mihkel Körgesaar; Hervé Le Sourne; Ken Nahshon; Gabriele Notaro; Kourosh Parsa; Smiljko Rudan; Katsuyuki Suzuki; Osiris Valdez Banda; CareyWalters; Deyu Wang; Zhaolong Yu Committee V.2: Experimental Methods ......................................................91 Soren Ehlers (Chair); Nagi Abdussamie; Kim Branner;

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Galuscenco, Oleg. "Folklorist Paul Chior: biography pages." In Ethnology Symposium "Ethnic traditions and processes", Edition II. Institute of Cultural Heritage, Republic of Moldova, 2021. http://dx.doi.org/10.52603/9789975333788.14.

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The article presents the biography of the folklorist Pavel Chior, the chief architect of the new Soviet Moldovan culture in the interwar years. He was one of the party and state leaders in of the Moldovan Autonomous Soviet Socialist Republic: secretary of the Komsomol of the Autonomous Republic, editor of the republican newspaper “Plugarul Rosu” (“The red ploughman”), People’s Commissar of Education of the MASSR, head of the Moldovan Scientific Committee, precursor of the Moldovan Academy of Sciences, one of the founders of the Writers’ Union of the Moldovan ASSR. Pavel Chior devoted great att

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Rinjani, Riyan, and Prayoga Bestari. "Harmony Choir: Strenghtening Nationalism Through the Activity of Singing National Song." In 2nd Annual Civic Education Conference (ACEC 2019). Atlantis Press, 2020. http://dx.doi.org/10.2991/assehr.k.200320.052.

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Synofzik, Thomas. "„Würde Sie’s zu sehr ermüden zu begleiten?“ – Clara Schumann als Lied- und Kammermusikpartnerin." In Jahrestagung der Gesellschaft für Musikforschung 2019. Paderborn und Detmold. Musikwissenschaftliches Seminar der Universität Paderborn und der Hochschule für Musik Detmold, 2020. http://dx.doi.org/10.25366/2020.82.

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80 percent of Clara Schumann‘s playbills in her complete collection of concert programmes (Robert-Schumann-Haus Zwickau) include vocal participation of solo singers, choirs or actors. The question is to which extent Clara Schumann used to accompany these vocal contributions herself on the piano. Only rarely are other accompanists named on the concert playbills, but evidence from concert reviews suggests that these vocal contributions normally served as rests for the solo pianist. Sometimes separate accompanists are named in the concert reviews. In orchestral concerts it was usually the conduct

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Xiaozhi Wang and Neil Pegg, ISSC 2022 Editors. "Proceedings of the 21st International Ship and Offshore Structures Congress VOLUME 3 Discussions." In 21st International Ship and Offshore Structures Congress Volume 3 Discussions. SNAME, 2022. http://dx.doi.org/10.5957/issc-2022-discussion-vol-3.

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Committee I.1: Environment Alexander Babanin (Chair); Mariana Bernardino; Franz von Bock und Polach; Ricardo Campos,; Jun Ding; Sanne van Essen; Tomaso Gaggero; Maryam Haroutunian; Vanessa Katsardi; Alexander Nilva; Arttu Polojarvi; Erik Vanem; Jungyong Wang; Huidong Zhang; Tingyao Zhu Floor Discussers: Florian Sprenger; Carlos Guedes Soares; Henk den Besten Committee I.2: Loads Ole Andreas Hermundstad (Chair); Shuhong Chai; Guillaume de Hauteclocque; Sheng Dong; Chih-Chung Fang; Thomas B. Johannessen; Celso Morooka; Masayoshi Oka; Jasna Prpić-Oršić; Alessandro Sacchet; Mahmud Sazidy; Bahadir

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Hvarkata, Zdravka. "SPECIFICS OF TEACHING CHOIR CONDUCTING IN THE SPECIALITIES “MUSIC” AND “PEDAGOGY OF TEACHING MUSIC” IN PLOVDIV UNIVERSITY “PAISII HILENDARSKI”, BASED ON THE EXAMPLE OF “BATTLE SONG” BY CLAUDE LE JEUNE." In 16th International Technology, Education and Development Conference. IATED, 2022. http://dx.doi.org/10.21125/inted.2022.0275.

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Qiu, Renyi, Guangqing Zhang, Zhong Anhai, Lu Mingjing, Yang Feng, and Dawei Zhou. "Effects of Supercritical CO2-Brine/shale Interaction on Fracturing Behavior." In 57th U.S. Rock Mechanics/Geomechanics Symposium. ARMA, 2023. http://dx.doi.org/10.56952/arma-2023-0607.

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ABSTRACT As a caprock for CO2 geological sequestration, the mechanical properties of shale may change significantly from the long-term CO2-fluid interaction. To study the long-term effects of supercritical CO2-brine interaction on the mechanical properties of shale, the marine LMX shale was treated with supercritical CO2-brine at temperature of 110 °C and pressure of 30 MPa for 15, 30, and 60 days, respectively. The Brazilian tests combined with Acoustic Emission (AE) monitoring were conducted on shale before and after the treatments. The results show that: (1) Compared with the dry shale, the

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