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Dissertations / Theses on the topic 'Songs (High voice) with lute'

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Published: 4 June 2021
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1

Lee, Hyun Min. "French art songs for high voice by famous opera composers." College Park, Md. : University of Maryland, 2005. http://hdl.handle.net/1903/3198.

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2

Mitchell, Mark Howard. "Season songs : a song cycle for voice and orchestra." Thesis, University of British Columbia, 1991. http://hdl.handle.net/2429/32242.

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Season Songs is a song cycle for mezzo-soprano (or tenor) and medium sized orchestra (a perfoming version for voice and piano is appended). There are four songs and an orchestral prelude. The poems are by various authors and provide the programmatic elements of the cycle in that each poem is set in a different season of the year and time of day: winter/morning, spring/afternoon, summer/evening, and autumn/night respectively. The title of the prelude sets it just before dawn. The music of the prelude and the last song is closely related both motivically and tonally, thus reinforcing the cyclical nature of the work. The accompanying commentary seeks to explain the compositional processes and aesthetic principles which guided the creation of Season Songs. The music explores nonfunctional tonality, in that means other than traditional tonic-dominant (i.e., V-I) relationships are sought by which to create a sense of forward propelled harmonic motion. This sense of harmonic "trajectory", in conjunction with appropriate rhythmic proportions, is held to be one of the most important factors contributing toward the sense of departure and return, tension and resolution in the music. The main means used toward this end is a four-note source cell which governs much of the harmonic and motivic activity in the work, from the most local level of leading motives of individual songs to the broadest level of key relationships among songs. The harmonic manifestation of the source cell promotes root movement by major thirds and minor seconds on the local as well as broad levels. Sonorities associated with traditional tonality, such as open fifths in the bass and major or minor triads, are common, although the contexts in which they are heard are usually non-traditional. The metric pulse is usually distinctly articulated and readily intelligible, although changes in metre are frequent in most of the songs. The text setting aspires to a directness of expression. The words will be intelligible in performance and the music reflects and magnifies the emotional content of the the text. While there are several levels on which the music can be appreciated, over-obscurity is avoided, as a rule, especially in the composition of the musical surface.
Arts, Faculty of
Music, School of
Graduate
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3

Weirmeir, Jude Thomas. "Aspic trails : [for soprano, flute, and 'cello : 2004-06 : opus -1] /." Diss., Connect to a 24 p. preview or request complete full text in PDF format. Access restricted to UC campuses, 2006. http://wwwlib.umi.com/cr/ucsd/fullcit?p3236632.

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4

Nakano, Koji. "Time song II : howling through time : for female singer, flutist, and percussionist /." Diss., Connect to a 24 p. preview or request complete full text in PDF format. Access restricted to UC campuses, 2006. http://wwwlib.umi.com/cr/ucsd/fullcit?p3236635.

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5

Walls, Jay Alan. "Autographs 1928 : Four Songs for Soprano and Chamber Ensemble." Thesis, University of North Texas, 1995. https://digital.library.unt.edu/ark:/67531/metadc279054/.

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Autographs 1928: Four Songs for Soprano and Chamber Ensemble is a composition of approximately 16 minutes' duration and is scored for mezzo-soprano, flute, oboe, clarinet, horn in F, viola, violoncello, one keyboardist (piano and celesta), and two percussionists (marimba, xylophone, chimes, timpani, bass drum, temple blocks, triangle, and slapstick). The work consists of four songs and four readings with texts from Walls's maternal grandmother's autograph book. The composition opens with a reading and alternates between readings and songs. The music is intended to reflect the playful, tender and humorous nature of the lyrics.
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6

Frehner, Paul (Paul Anton). "Souvenirs du vent : pour soprano et orchestre de chambre = for soprano and chamber for orchestra." Thesis, McGill University, 1997. http://digitool.Library.McGill.CA:80/R/?func=dbin-jump-full&object_id=28027.

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Souvenirs du vent is a composition for soprano and chamber orchestra with a duration of approximately 16'.30". The piece consists of three movements, a prelude, two interludes and a postlude. The poems set in the three movements were chosen for their similar subject matter, the wind. This common subject is emphasized by a music in which both the large-scale and small-scale formal divisions are blurred through structural counterpoint. The poets of the three poems are all from the Montreal area; they are: Emile Nelligan, Claude Brouille and Remi-Paul Forgues.
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7

Lackey, William Joseph Mobberley James. "Ritual of the body electric a multimedia work scored for soprano, chamber ensemble and electronics /." Diss., UMK access, 2009.

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Thesis (D.M.A.)--Conservatory of Music and Dance. University of Missouri--Kansas City, 2009.
"Five dances and nineteen musicians are featured in the work"--p. ii. "A dissertation in music composition." Advisor: James Mobberley. Duration: 30:00. Typescript. Vita. Title from "catalog record" of the print edition Description based on contents viewed Nov. 25, 2009. Online version of the print edition.
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8

Monroe, Deborah Jean. "Prayers of adoration, confession, thanksgiving and supplication a composition for soprano and chamber ensemble /." connect to online resource, 2004. http://www.unt.edu/etd/all/Aug2004/monroe%5Fdeborah%5Fjean/index.htm.

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Thesis (M.M.)--University of North Texas, 2004.
For soprano, clarinet, bassoon, trumpet, trombone, violin, double bass, and percussion. Duration: 14:00. Includes commentary by composer. Includes bibliographical references (p. 33-35).
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9

Sasnett, Kathleen Beth. "Twenty-five works for the dramatic soprano voice and orchestra a study guide /." Columbus, Ohio : Ohio State University, 2006. http://rave.ohiolink.edu/etdc/view?acc%5Fnum=osu1155060397.

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10

Hall, Emily. "Inside is the sky : for mezzo soprano and chamber orchestra." Thesis, McGill University, 2005. http://digitool.Library.McGill.CA:80/R/?func=dbin-jump-full&object_id=83168.

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Inside is the Sky is a musical composition for mezzo soprano and chamber orchestra. It is a collection of four songs using poems by renowned Canadian poet Lorna Crozier: A Summer's Singing, In Moonlight, Tautologies of Summer, and Inner Space. The composer wishes to connect music and poetry on a fundamental level. The approach is to write music that responds not to the mere surface of the poems, but rather to their central poetic themes, by means of parameters intrinsic to music: harmony, rhythm, melody, and registral expanse.
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11

Jacobsen, Nicolai Lee Chen Yi Dante Alighieri. "Ghirlandi." Diss., UMK access, 2005.

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Thesis (M.M.)--Conservatory of Music. University of Missouri--Kansas City, 2005.
Song cycle for tenor voice, French horn, and piano, based on the love story of Dante Alighieri and Beatrice. "A thesis in music composition." Advisor: Chen Yi. Text taken primarily from Dante's La vita nuova. Typescript. Includes text of poems in Italian with English translation. Vita. Title from "catalog record" of the print edition Description based on contents viewed Nov. 12, 2007. Online version of the print edition.
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12

Beth, Marc Spears d'Armond Okrand Marc. "We are not alone Marc Beth." Bowling Green, Ohio : Bowling Green State University, 2009. http://rave.ohiolink.edu/etdc/view?acc%5Fnum=bgsu1237768652.

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Thesis (M.M.)--Bowling Green State University, 2009.
Document formatted into pages; contains 1 score (vii, 55 p.) For flute/alto flute, oboe/English horn, B♭/bass clarinet, bassoon, horn, two C trumpets, two trombones, vibraphone, harp, two violins, viola, cello, soprano, and electronic sound effects. "The soprano sings an original poem translated to Klingon with the assistance of Klingon-language expert Dr. d'Armond Spears and linguist Dr. Marc Okrand, creator of the official language."--Abstract. Text of song also printed separately in English and Klingon (with IPA pronunciation) on p. vi. Includes bibliographical references.
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13

Brock, Nathan Brock Nathan Brock Nathan Brock Nathan. "Two scenes from Beowulf ; and, selections from the Tesserae/Tesseract cycle /." Diss., Connect to a 24 p. preview or request complete full text in PDF format. Access restricted to UC campuses, 2007. http://wwwlib.umi.com/cr/ucsd/fullcit?p3282869.

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Thesis (Ph. D.)--University of California, San Diego, 2007.
Selections from a cantata for TBarB soloists, large chorus, chamber orchestra, and percussion ensemble, and three pieces from a projected cycle for soprano, flute, and string trio. Words to Beowulf adapted by the composer from Seamus Heaney's translation; also printed as text preceding score on p. 6-30. Words to Tesserae/Tesseract use poem by the composer, both as text and as the source of additional phonemes used by the singer. Vita. Accompanying disc is recorded DVD-R and contains complete text of dissertation, all scores, and master-quality and CD-quality audio tracks.
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14

Bower, John La Fontaine Jean de. "Trois fables de Jean de la Fontaine." Diss., Connect to the thesis, 2008. http://hdl.handle.net/10066/1370.

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15

Hoose, Shane Baudelaire Charles. "Correspondances." Bowling Green, Ohio : Bowling Green State University, 2009. http://rave.ohiolink.edu/etdc/view?acc%5Fnum=bgsu1237663289.

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Thesis (M.M.)--Bowling Green State University, 2009.
Document formatted into pages; contains 1 score (vi, 13 p.). For soprano, viola, percussion (vibraphone, bass drum, 18" suspended cymbal, log drum, tam tam, rain stick, USB pedal) and live electronics. The verse is the poem, Correspondence, by Charles Baudelaire. Includes bibliographical references.
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16

Wood, Kelly Thomas Cummings E. E. "Now all the fingers of this tree." connect to online resource, 2003. http://www.library.unt.edu/theses/open/20031/wood%5Fkelly/index.htm.

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Thesis (M.M.)--University of North Texas, 2003.
Duration: ca. 19:00. For 9 part solo soprano, where one performer records each of 9 vocal lines (1st movement); electro-acoustics (2nd movement). Includes bibliographical references (p. xxxi).
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17

Schultz, Arlan Nelson Renner Martha. "String quartet no. 1 /." Diss., Connect to a 24 p. preview or request complete full text in PDF format. Access restricted to UC campuses, 2004. http://wwwlib.umi.com/cr/ucsd/fullcit?p3166407.

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18

Cary, Tristram. "Portfolio of original compositions." Title page and table of contents only, 2000. http://web4.library.adelaide.edu.au/theses/09MUD/09mudc333.pdf.

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Includes comprehensive bibliography the composer's works. Biographical notes and list of works -- The ladykillers: a suite for orchestra in three movements based on the music composed for the 1955 Ealing comedy -- Contours and densities at First Hill: fifteen landscapes for orchestra -- I am here, for soprano and tape -- Scenes from a life, for orchestra - one movement with three sections. Apart from Contours and densities at First Hill, which was commissioned by the University of Adelaide, these works submitted for D. Mus have not ben published commercially.
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19

Monroe, Deborah J. "Prayers of Adoration, Confession, Thanksgiving and Supplication: A Composition for Soprano and Chamber Ensemble." Thesis, University of North Texas, 2004. https://digital.library.unt.edu/ark:/67531/metadc4584/.

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This paper examines the relationship between text and music in Prayers of Adoration, Confession, Thanksgiving and Supplication - a four-movement composition, fourteen minutes in length, for soprano, clarinet, bassoon, trumpet, trombone, violin, double bass, and percussion. The text of the composition is taken from the Psalms and The Book of Common Prayer. The names and themes of the movements follow an ancient pattern for prayer identified by the acronym, A.C.T.S. Compositional considerations are contrasted to those of Igor Stravinsky and Steve Reich, with special emphasis on the use of musical structures, motives, and text-painting to highlight the meaning of religious texts.
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20

Levine, Josh Levine Josh Levine Josh Levine Josh. "Between image, process, and memory /." Diss., Connect to a 24 p. preview or request complete full text in PDF format. Access restricted to UC campuses, 2002. http://wwwlib.umi.com/cr/ucsd/fullcit?p3049670.

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21

Lillios, Elainie. "Earth Ascending: A Composition in Three Movements for Female Voice, Electroacoustic Music, and Video." Thesis, University of North Texas, 2000. https://digital.library.unt.edu/ark:/67531/metadc2627/.

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Earth Ascending is a composition in three movements scored for female voice, electroacoustic music, and video. Composed in the Year 2000, Earth Ascending lasts approximately sixteen minutes and was created specifically for live performance in which all three elements combine to create a sonic and visual environment. As such, no single element has greater importance than any other, with each of the three performing forces assuming a foreground role at various times throughout the work. Earth Ascending is defined by a single poem written by contemporary female British poets Jeni Counzyn, Jehanne Mehta, and Cynthia Fuller. The movements are named according to the title of each poem: Earth-Body, Light-Body; Wringcliff Beach; and Pool. The movements are separated in performance by five seconds of silence and black on the video screen. The paper accompanying the score of Earth Ascending is divided into five chapters, each discussing in detail an element central to the composition itself. The Introduction presents background information, general ideas, and approaches undertaken when creating the work. Chapters 1 through 3 investigate in detail the content of the electroacoustic music, voice, and video. Chapter 4 discusses scoring techniques, revealing approaches and methods undertaken to solve issues relating to notation and ways of accurately representing sound, pitch, and rhythm within the context of a mixed media work. Chapter 5 presents information relevant to the live performance of the piece.
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22

Grahl, Trevor Aaron Grahl Trevor Aaron Grahl Trevor Aaron Grahl Trevor Aaron. "Three pieces." Diss., [La Jolla, Calif.] : University of California, San Diego, 2009. http://wwwlib.umi.com/cr/ucsd/fullcit?p1464882.

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Thesis (M.A.)--University of California, San Diego, 2009.
Title from first page of PDF file (viewed July 8, 2009). Available via ProQuest Digital Dissertations. Includes disc containing sound files of the pieces and PDF versions of the thesis and program.
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23

Johnson, Allison Adah Johnson Allison Adah Johnson Allison Adah Johnson Allison Adah. "Transmission/translation/transgression /." Diss., Connect to a 24 p. preview or request complete full text in PDF format. Access restricted to UC campuses, 2003. http://wwwlib.umi.com/cr/ucsd/fullcit?p3099912.

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Thesis (Ph. D.)--University of California, San Diego, 2003.
Vita. "Three related compositions written for string quartet, small ensemble (soprano, violin, viola, cello, flute, clarinet, piano) and percussion duo"--P. viii; 3rd work an open form composition. Also available on the World Wide Web. (Access restricted to UC campuses).
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24

Bright, Kimberly J. "The History and Importance of Welsh Art Song: The Soprano Repertoire of Dilys Elwyn Edwards." Bowling Green, Ohio : Bowling Green State University, 2009. http://rave.ohiolink.edu/etdc/view?acc%5Fnum=bgsu1237834773.

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25

McBride, Melissa Lyn. "For Unto Us…" Thesis, University of North Texas, 1989. https://digital.library.unt.edu/ark:/67531/metadc501092/.

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For Unto Us is a one movement work for soprano and orchestra. The text, by the composer, describes the thoughts and feelings of Mary, the mother of Jesus, as she watches the crucifixion. Mary's process of faith is traced through the sequence of dramatic events which proceed and follow the crucifixion. The work explores symbolic instrumentation, juxtaposition of harmonic languages, and extended techniques for performance and notation. The setting of the text combines traditional operatic idioms with new elements in the music. The duration of this dramatic, quasi-operatic scene is approximately nine minutes.
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26

McCallum, Clinton McCallum Clinton McCallum Clinton McCallum Clinton. "Three pieces." Diss., Connect to a 24 p. preview or request complete full text in PDF format. Access restricted to UC campuses, 2008. http://wwwlib.umi.com/cr/ucsd/fullcit?p1453675.

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Thesis (M.A.)--University of California, San Diego, 2008.
Accompanying disc is DVD-ROM and contains sound files of recordings of the pieces. Title from first page of PDF file (viewed June 25, 2008). Available via ProQuest Digital Dissertations. Durations: ca. 21:00-25:00 ; ca. 10:00 ; ca. 9:00. Performance instructions precede each score The 2nd work reproduced from holograph.
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27

Tacke, Daniel Arthur Tacke Daniel Arthur Tacke Daniel Arthur Tacke Daniel Arthur. "Resistance in compositional practice three mediatory works /." Diss., Connect to a 24 p. preview or request complete full text in PDF format. Access restricted to UC campuses, 2008. http://wwwlib.umi.com/cr/ucsd/fullcit?p1453233.

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Thesis (M.A.)--University of California, San Diego, 2008.
Accompanying disc is DVD-ROM, and contains sound files for recordings of 2nd and 3rd compositions. Title from first page of PDF file (viewed June 25, 2008). Available via ProQuest Digital Dissertations. Reproduced from holograph.
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28

Ferguson, Sean. "Vox Machina." Thesis, McGill University, 1993. http://digitool.Library.McGill.CA:80/R/?func=dbin-jump-full&object_id=69656.

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Vox Machina, for soprano, chamber ensemble, real-time digital signal processing and digital sounds, deals with the historical relationship between humanity and machines. The text uses excerpts drawn from a variety of sources, all in the public domain, as well as material written especially for the piece by the composer. The instrumental ensemble consists of 8 performers: flute, b-flat clarinet, horn, violin, viola, cello, guitar and percussion. A conductor is required, as well as a technician to control a mixing board and the performance of computer-generated sections of music. Digital sounds may be performed directly from computer, or may be played from DAT cassette.
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29

Tseng, Yu-Chung 1960. "Song of Pi-Pa." Thesis, University of North Texas, 1994. https://digital.library.unt.edu/ark:/67531/metadc279013/.

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Sona of Pi-Pa is a composition set to a poem to be performed by soprano and mixed instrumental ensemble. The formal plan is through-composed and the organization of each individual piece is largely determined by the structure of the poetic text. The text, drawn from Song of Pi-Pa by Po Chu-i, depicts the story of how the poet became overwhelmed by the chance hearing of a virtuosic performance of a woman playing the pi-pa. The general characteristics of the work reflect the assimilation of certain non-western musical and philosophical influences. Traditional western compositional techniques are also employed in the treatment of thematic materials, musical form, instrumentation, and the developmental process. The total performance time for this composition is approximately twenty-six minutes.
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30

Sosa, Ortega Jorge Raymundo Rudy Paul. "Refractions a collection of three pieces for solo instruments and fixed electronic media /." Diss., UMK access, 2008.

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Thesis (D.M.A.)--Conservatory of Music and Dance. University of Missouri--Kansas City, 2008.
First piece for amplified clarinet and fixed electronic media, the second piece for electric guitar and fixed electronic media, and the third piece for amplified high voice (soprano or tenor) and fixed electronic media. "A dissertation in music composition." Advisor: Paul Rudy. Typescript. Vita. Title from "catalog record" of the print edition Description based on contents viewed Apr. 14, 2009 Online version of the print edition.
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31

Chan, Sze-rok Chan Sze-rok Chan Sze-rok Chan Sze-rok Chan Sze-rok. "Inspired by the Hindu tradition compositions and reflections /." Click to view the E-thesis via HKUTO, 2006. http://sunzi.lib.hku.hk/hkuto/record/B37933966.

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32

吳俊凱 and Chun Hoi Daniel Ng. "Original compositions for young musicians." Thesis, The University of Hong Kong (Pokfulam, Hong Kong), 1993. http://hub.hku.hk/bib/B31212608.

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33

Pedneault, D. Julie. "Fraue und seele : relations texte-musique dans les Altenberg lieder op. 4 de Berg." Thesis, McGill University, 2003. http://digitool.Library.McGill.CA:80/R/?func=dbin-jump-full&object_id=19771.

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For his first work composed without Schoenberg's supervision, Berg chose to set five short poems by his friend and intellectual idol, the controversial poet Peter Altenberg. Carrying the title Filnf Orchesterlieder nach Ansichtskarten-Texten von Peter Altenberg (1912), the cycle is at once aphoristic (with respect to the songs' duration) and titanic (with respect to their orchestration and motivic density). But the title invites the question: what imagery might the composer have hoped to illustrate with these musical postcards? This thesis investigates text-music relations in Berg's opus 4 with the objective of showing that the music's structure, far from being semantically neutral, participates actively in the création of rich poetic imagery anchored in the socio-cultural context of turn-of-the-century Vienna. Previous studies focus on the work's cyclic motives its interval-cycle substructure. The present study focuses on text-music relations and voice leading - the contrapuntal and harmonie procedures which govern the music's surface and determine its deep structure. It is shown that the voice-leading structures of the individual lieder - in both local detail and at a more broadly conceptual level - give form, meaning, and nuance to the poetic image that emerges in each song, and help define the different facets—physical, emotional, and spiritual — of the protagonist that inhabits them.
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34

Figg, Graham Elliot. "Just Intonation and the Revitalization of Neoclassicism: Three Works for Baroque Instruments." Thesis, connect to online resource, 2008. http://digital.library.unt.edu/permalink/meta-dc-6113.

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Thesis (M.M.)--University of North Texas, 2008.
First work for harpsichord; 2nd work for baroque cello and harpsichord continuo; 3rd work for tenor and baroque ensemble (trumpet, cello, timpani, organ and harpsichord). System requirements: Adobe Acrobat Reader. Includes bibliographical references (p. 48-50).
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Chan, Sze-rok, and 陳詩諾. "Inspired by the Hindu tradition: compositionsand reflections." Thesis, The University of Hong Kong (Pokfulam, Hong Kong), 2006. http://hub.hku.hk/bib/B37933966.

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36

Bober, Nicholas Bradburn. "This Creature, Bride of Christ." Thesis, University of North Texas, 2010. https://digital.library.unt.edu/ark:/67531/metadc28395/.

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This Creature, Bride of Christ is a composition for soprano, alto flute, viola, marimba, and computer running custom software for live interactive performance in the Max/MSP environment. The work is a setting of excerpts from The Book of Margery Kempe, an early autobiographical manuscript depicting the life of a Christian mystic. The thesis discusses the historical, sociological, and musical context of the text and its musical setting; the use of borrowed materials from music of John Dunstable, Richard Wagner, and the tradition of change ringing; and the technologies used to realize the computer accompaniment. A score of the work is also included in the appendix.
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Porter, Amanda H. "Remnants." Connect to this title online, 2007. http://rave.ohiolink.edu/etdc/view?acc%5Fnum=bgsu1166400966.

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Thesis (M.M.)--Bowling Green State University, 2007.
Document formatted into pages; contains 1 score (36 p.) For soprano and chamber orchestra (flute, bassoon, viola, piano, harp and percussion) Includes bibliographical references.
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38

Wood, Kelly Thomas. "Now All the Fingers of This Tree." Thesis, University of North Texas, 2003. https://digital.library.unt.edu/ark:/67531/metadc4166/.

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Now All the Fingers of This Tree is a work in two movements based upon a poem of the same name by E. E. Cummings. It is divided into two movements: The first movement is scored for nine part solo soprano, where one performer records each of the nine vocal lines. The second movement is an electro-acoustic work derived from four phrases of the original recording of the first movement. Total duration of the work is approximately 19 minutes. The paper provides a detailed analysis of both movements as well as a discussion on usage of text, problems addressed with traditional notation techniques, and technology utilized in the production of the work.
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Lin, Chia-hui, and 林佳慧. "(Six songs for high voice)." Thesis, 2003. http://ndltd.ncl.edu.tw/handle/85360780411622320150.

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40

Rumsey, Brandon Scott. "Master's thesis recital (composition)." 2014. http://hdl.handle.net/2152/23703.

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41

McCormick, Dana Shepherd. "The leash of love's longing /." 2000. http://gateway.proquest.com/openurl?url_ver=Z39.88-2004&res_dat=xri:pqdiss&rft_val_fmt=info:ofi/fmt:kev:mtx:dissertation&rft_dat=xri:pqdiss:9965128.

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42

Zabelsky, Jennifer Ann. "Viktor Ullmann's Terezín Lieder: a performance guide to songs for soprano or high voice." Thesis, 2015. https://hdl.handle.net/2144/15196.

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Viktor Ullmann's Terezín Lieder: A Performance Guide to Songs for Soprano or High Voice is, as the title states, a detailed guide of nine songs composed while Ullmann was imprisoned in the Terezín Ghetto from 1942-1944. This dissertation also proves that although he was incarcerated in terrible and inhumane conditions, Ullmann, among others, was able to compose music highly artistic in style and value. The songs and sets included in this document are "Wendla im Garten" (1918/1943), Hölderlin Lieder (1943/1944), Lieder der Tröstung (1943), and Drei jiddische Lieder/Březulinka Op. 53 (1944). Included is the history of Terezín before and during World War II, the camp's musical output, and a concise biographical background of Viktor Ullmann's life. A brief biography of each poet or writer (Frank Wedekind, Friedrich Hölderlin, Albert Steffen, David Einhorn, and Zalman Shneour) is given along with a discussion as to why Ullmann chose particular poems and prose. The importance anthroposophy had on his life and his musical output is also explored. The original text of each poem or prose is given with a poetic translation. In addition, the texts presented in Ullmann's scores are provided with a word for word translation and International Phonetic Alphabet pronunciation guide. A style guide to various elements - e.g. melody, harmony, range, accompaniment, etc. - in each song is also provided in hopes of allowing these songs to be more approachable and accessible. Finally, lists of various foundations dedicated to the life and music of Viktor Ullmann and the Holocaust, as well as Ullmann lieder scores and recordings are provided.
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43

Rodriguez, Juan Carlos (Tenor). "Doctoral thesis recital (voice, tenor)." 2014. http://hdl.handle.net/2152/26507.

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Dichterliebe : op. 48 / Robert Schumann -- Paris / Cesar Franck -- Gianni Schicchi. Avete torto! ; Firenze e come un albero fiorito / Giacomo Puccini -- Suite Espanola / Agustin Lara -- On the town. New York, New York / Leonard Bernstein -- The holy city / Michael Maybrick.
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Choi, Sunglee Victoria. "Doctoral thesis recital (collaborative piano)." 2014. http://hdl.handle.net/2152/23679.

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Der Nussbaum : from Myrten, op. 25, 3 ; Marienwurmchen : from Lieder-Album fur die Jugend, op. 79, 13 ; Weit, weit : from Myrten, op. 25, 20 ; Du bist wie eine Blume : from Myrten, op. 25, 24 ; Erstes Grun : from 12 Gedichte, op. 35, 4 / Robert Schumann - La Boheme. Act I. Chi e la? ; Si sente meglio? ; Che gelida manina ; Si, mi chiamo Mimi ; O soave fanciulla / Giacomo Puccini -- Piano trio in A minor / Maurice Ravel.
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Corbin, Benjamin. "Doctoral thesis recital (collaborative piano)." 2014. http://hdl.handle.net/2152/27673.

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Sonate pour basson et piano, op. 71 / Charles Koechlin -- Lachrymae : op. 48 / Benjamin Britten -- Concerto for saxophone and orchestra / Henri Tomasi -- Das Rosenband : op. 36, no. 1 ; Traum durch die Dammerung : op. 29, no. 1 ; September / Richard Strauss.
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Lee, Jung-A. Ko Eunae Choe Jeeyoung. "Agility and fioratura the foundation of coloratura soprano." 2007. http://hdl.handle.net/1903/9731.

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Jackson, Bianca. "Doctoral thesis recital (lecture recital, soprano)." 2014. http://hdl.handle.net/2152/23958.

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"Little Black slave child" : operatic expressions of Black cultural trauma from William Grant Still's A troubled island and A bayou legend: Introduction -- From Troubled island (1939). Little black slave child ; 'Tis sunset in the garden -- From A bayou legend. In ages past ; Now they will be coming to the tree -- Lecture.
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Childs, Adrian Phillip Sōgi Miner Earl Roy. "Alone : for soprano solo and seven players /." 1999. http://gateway.proquest.com/openurl?url_ver=Z39.88-2004&res_dat=xri:pqdiss&rft_val_fmt=info:ofi/fmt:kev:mtx:dissertation&rft_dat=xri:pqdiss:9951774.

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Crowne, Scott F. "The piano in the works of Herbert Howells and his British contemporaries." 2007. http://hdl.handle.net/1903/9735.

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Nass, Daniel Raymond. "Scattered needles." Thesis, 2007. http://hdl.handle.net/2152/3126.

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