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Dissertations / Theses on the topic 'Songs of the ghetto'

Author: Grafiati

Published: 4 June 2021

Last updated: 1 February 2022

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1

Belk, Samuel Bynem. ""A memória e a história do 'Shteitl'na canção popular judaica"." Universidade de São Paulo, 2003. http://www.teses.usp.br/teses/disponiveis/8/8152/tde-23122004-143731/.

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RESUMO Neste trabalho procurei retratar resumidamente a diáspora judaica, desde a destruição do Segundo Templo até a expulsão dos judeus da Europa cristã, culminando com o seu refúgio no leste europeu, especialmente na Polônia e Lituânia. Estes dois reinos, que foram unificados em 1569, passaram para o total domínio russo em 1815. Nesta ocasião os judeus ficaram sujeitos aos novos mandatários e foram confinados no assim chamado Distrito de Residência, em algumas cidades e em aldeias denominadas de shteitlach, na Europa Oriental. Em seguida, apresentei a biografia de alguns poetas popul

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2

Himmelmann, Werner. "„Ghetto“ : Die juristische Definition." Universität Potsdam, 2012. http://opus.kobv.de/ubp/volltexte/2012/6157/.

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Das „Gesetz zur Zahlbarmachung von Renten aus Beschäftigungen in einem Ghetto” (ZRBG) aus dem Jahre 2002 machte es erforderlich, das Phänomen und den im Gesetz verwendeten Begriff „Ghetto“ juristisch einer eindeutigen Klärung zuzuführen. Die hierbei aufgetretenen Fragen und Probleme sollen nachfolgend dargestellt werden.<br>The “law regarding the conditions for making pensions payable from an employment in a ghetto” / „Gesetz zur Zahlbarmachung von Renten aus Beschäftigungen in einem Ghetto” (ZRBG) passed in 2002 requires a clear judicial specification of the phenomenon and the term of the Nat

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3

Raim, Edith. "„Teuerster Onkel und Tante!“ Korrespondenz vom Ghetto Litzmannstadt ins Ghetto Theresienstadt (1941– 1944)." HATiKVA e.V. – Die Hoffnung Bildungs- und Begegnungsstätte für Jüdische Geschichte und Kultur Sachsen, 2014. https://slub.qucosa.de/id/qucosa%3A35071.

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4

Richardson, Shaun. "That's so Ghetto: A Study of the Racial/Socioeconomic Implications Associated with the Term "Ghetto"." Honors in the Major Thesis, University of Central Florida, 2014. http://digital.library.ucf.edu/cdm/ref/collection/ETH/id/1639.

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The term "ghetto" has an ambiguous meaning in American society. The term frequently has been used as either a noun or an adjective. As a noun the term "ghetto" is often used to describe a place - Small describes the ghetto as a: "…a particular type of neighborhood; it exhibits a cohesive set of characteristics, such as deteriorating housing, crime, depopulation, and social isolation…"(2008: 78.) This description as a noun is indicative of unsavory social conditions and climate that fosters an unproductive populace. As an adjective the term remains more difficult to solidly define. The bulk of

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5

De, Masi Sonya Marie. "Xenophobic charity : escaping the cultural ghetto /." Title page and introduction only, 1993. http://web4.library.adelaide.edu.au/theses/09AR/09ard372.pdf.

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6

Ward, Karla. "A depiction of the ghetto in feature film : a cinematic platform for confronting contemporary representations of ghetto occupancy." Master's thesis, University of Cape Town, 2008. http://hdl.handle.net/11427/8130.

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Includes abstract.<br>Includes bibliographical references (leaves 30-31).<br>The thesis film project, Mile in My Shoes, is a narrative depiction of a particular South African experience that consists of broader implications. It utilizes the ghetto/township setting to illustrate diverse, counter hegemonic depictions of black and especially black African characters, lifestyles, images, love, gender, and their position/focus in film.

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7

Vieillard-Baron, Hervé. "Le Risque du "ghetto" dans l'agglomération parisienne." Paris 1, 1990. http://www.theses.fr/1990PA010617.

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À partir de trois exemples choisis à Versailles, Chanteloup-les-Vignes et Sarcelles, l'auteur s'interroge sur les processus de ségrégation en cours dans l'agglomération parisienne. Les conclusions de la recherche qui ont été répertoriées dans huit articles et deux recueils énumèrent les éléments qui conduisent au "ghetto" : représentations négatives associées aux quartiers "sensibles" et aux établissements scolaires attenants ; stabilisation forcée dans les grands ensembles des ménages les plus modestes; persistance d'enclaves à moitie urbanisées et mal reliées; élargissement du fossé existant

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8

Cobb, Brian A. "Campfire songs /." Thesis, Connect to this title online; UW restricted, 2006. http://hdl.handle.net/1773/11271.

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Thesis (D. Mus. Arts)--University of Washington, 2006.<br>For mezzo, baritone, flute, clarinet, bass clarinet, guitar, banjo, violin, cello and 2 percussionists. Texts by Walt Whitman, Hamlin Garland, David Wagoner, Mary Austin, and John Haines. Vita. Includes bibliographical references (leaf 156).

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9

Hubbard, Colton M. "Tea Songs." University of Cincinnati / OhioLINK, 2005. http://rave.ohiolink.edu/etdc/view?acc_num=ucin1116378208.

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10

Best, Ulrich, and Dirk Gebhardt. "Ghetto-Diskurse : Geographie der Stigmatisierung in Marseille und Berlin." Universität Potsdam, 2001. http://opus.kobv.de/ubp/volltexte/2010/4550/.

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Vorbemerkungen "Ghettos" und "Armutsviertel" in deutschen Städten wurden Ende der 90er Jahre ein zentrales und umkämpftes Motiv. Publizistische und politische Programme und Persönlichkeiten legitimierten und profilierten sich rund um diese Begriffe, die sich so zu einem stabilen Deutungssystem der Stadt, in diesem Fall zu einer Folge von Bedrohungsszenarien entwickelten. In diesem Kontext, der uns in Berlin fast jeden Tag in der Zeitung begegnete, entdeckten wir unabhängig voneinander ein Forschungsfeld für unsere Diplomarbeiten, in dem wir unser Interesse an theoretischen und konzeptionellen

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11

Schroeter, Gudrun. "Worte aus einer zerstörten Welt das Ghetto in Wilna." St. Ingbert Röhrig, 2007. http://d-nb.info/990464946/04.

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12

Yette, Christian. "La représentation du ghetto dans l'oeuvre d'Alex La Guma." Nancy 2, 1999. http://www.theses.fr/1999NAN21017.

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A travers l'oeuvre d'Alex la Guma, nous avons envisagé l'étude de l'aspect spatial qui, de tous les aspects romanesques, n'avait été exploré jusque là que sous l'angle du décor et de la description. L'objectif a été de montrer que l'espace constitue un aspect essentiel pour la compréhension de l'oeuvre d'un écrivain qui a beaucoup écrit sur la cause des opprimés en Afrique du Sud. Après une étude approfondie des thèmes qui sont liés à la vie du ghetto à savoir, la violence, la mort, la délinquance, la prison et la perte d'identité, et une synthèse de ses procédés narratifs, nous avons conclu q

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13

Wiens, Carl K. (Carl Kristian). "Structural organization in selected songs from Charles Ives's 114 songs." Thesis, McGill University, 1992. http://digitool.Library.McGill.CA:80/R/?func=dbin-jump-full&object_id=61136.

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Charles Edward Ives was the first twentieth-century North American composer to write from a purely American perspective. His music also anticipated many of the stylistic features which characterize later twentieth-century music. This study begins with an examination of secondary literature to show how other scholars have interpreted Ives's music. Few projects have dealt with the question of coherence in Ives's music, in large part due to the seemingly disjunct nature of the music. Unity and coherence were overriding concerns to Ives, as is evident in his writings which are strongly steeped in

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14

Benningfield, Brittany C. "THE NILES-MERTON SONGS: A PERFORMANCE GUIDE OF SELECTED SONGS." UKnowledge, 2018. https://uknowledge.uky.edu/music_etds/110.

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The Niles-Merton Songs is a two-opus collection of twenty-two songs by John Jacob Niles setting the poetry of Thomas Merton. The songs are beautiful but contrast from his more popular works in poetry and composition. This project explores reasons why these songs are rarely performed, and gives an overview and analysis of ten selected pieces. The document includes a brief introduction, biographies of Niles and Merton, information detailing Niles’s compositional process, and the technical and artistic requirements for performing the songs, including appropriate age and voice type.

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15

Nelson, Michael. "Songs for cripples." [Tampa, Fla] : University of South Florida, 2009. http://purl.fcla.edu/usf/dc/et/SFE0002952.

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16

Hung, Justin. "Songs about Words." Digital Commons @ Butler University, 2020. https://digitalcommons.butler.edu/grtheses/523.

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A song cycle for baritone and mixed chamber ensemble, "Songs about Words" consists of five songs for everyday concepts and subjects, and explores deeper themes of communication and identity. The ensemble consists of piano, accordion, tenor saxophone, percussion and double bass. The text was inspired by Pablo Neruda and written by the composer.

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17

Löw, Andrea. "Juden im Getto Litzmannstadt Lebensbedingungen, Selbstwahrnehmung, Verhalten." Göttingen Wallstein-Verl, 2005. http://deposit.ddb.de/cgi-bin/dokserv?id=2815383&prov=M&dok_var=1&dok_ext=htm.

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18

Klein, Peter. "Die "Gettoverwaltung Litzmannstadt" 1940 bis 1944 eine Dienststelle im Spannungsfeld von Kommunalbürokratie und staatlicher Verfolgungspolitik." Hamburg Hamburger Ed, 2007. http://d-nb.info/991418891/04.

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19

Modlinger, Martin. "'Die Tod-Verweigerung' : the Theresienstadt ghetto in history and literature." Thesis, University of Cambridge, 2012. http://ethos.bl.uk/OrderDetails.do?uin=uk.bl.ethos.610842.

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20

Sandosharaj, Alice. "Ghetto proclivities race and class in a model minority memoir /." College Park, Md.: University of Maryland, 2008. http://hdl.handle.net/1903/8755.

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Thesis (Ph. D.) -- University of Maryland, College Park, 2008.<br>Thesis research directed by: Dept. of American Studies. Title from t.p. of PDF. Includes bibliographical references. Published by UMI Dissertation Services, Ann Arbor, Mich. Also available in paper.

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21

Rodrigues, Isabelle Ingrid Freitas. "Cria??o em processo no espet?culo Ethnotron-Ghetto Experimen." Universidade Federal do Rio Grande do Norte, 2014. http://repositorio.ufrn.br:8080/jspui/handle/123456789/12466.

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Made available in DSpace on 2014-12-17T14:00:20Z (GMT). No. of bitstreams: 1 IsabelleIFR_DISSERT.pdf: 4469749 bytes, checksum: a9b8404d44b032a93ad62617bb2e8096 (MD5) Previous issue date: 2014-02-07<br>Este trabalho investigou o processo criativo do espet?culo Ethnotron-Ghetto Experiment, do Coletivo paraibano Tribo ?thnos, fundado na d?cada de 1990 e ainda em atividade. A estrat?gia metodol?gica se d? atrav?s de estudos descritivos, valendo-se da teoria e pr?tica de diversas linguagens art?sticas presentes na obra apontada: artes visuais, performance, literatura e hist?rias em quadrinho; em

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22

Di, Trani Antonella. "Le Ghetto de Venise, anthropologie contemporaine d’une ancienne enclave urbaine." Paris, EHESS, 2015. http://www.theses.fr/2015EHES0649.

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En 1516 le Sénat de la République de Venise institue un lieu de résidence forcée pour les Juifs de la cité lagunaire. Il persiste jusqu’en 1797 date à laquelle Napoléon abat les grilles du Ghetto. Le départ progressif d’une partie des Juifs vers la ville et l’arrivée de citadins chrétiens dans l’ancienne enclave ont progressivement recomposé sa population. En analysant les processus en œuvre en ce lieu, cette thèse se propose d’abord de réinterroger la notion de Ghetto à travers le cas singulier de Venise. En portant une attention particulière à la trajectoire sémantique de ce mot pris entre r

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23

Courtois, Laurent. "Processus de formation du ghetto dans une ville moyenne, Angoulême." Bordeaux 2, 2008. http://www.theses.fr/2008BOR21549.

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Les mutations de la société française modifient profondément les espaces urbains. Les villes se segmentent. Elles témoignent des fractures sociales et économiques de la société et illustrent l’inégale répartition des richesses. Des quartiers, jusque là définis par la précarité et la relégation, s’enfoncent dans un processus de ghettoïsation. Le ghetto étudié au sein d’une ville moyenne ne se limite pas à une ségrégation territoriale, sociale et raciale. Il se définit par un ensemble de conduites sociales émanant d’une organisation sociale et morale particulière. Face à la pauvreté, au racisme

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24

Hull, Susan Hall. "The fighting spirit of hip hop : an alternative ghetto experience." Thesis, University of British Columbia, 1988. http://hdl.handle.net/2429/28073.

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This study investigates the expressive youth movement hip hop, a predominately black male subculture defined through participation in the competitive activities of graffiti writing, rapping and breakdancing. The general objective is to determine what is being communicated through these expressive forms, to whom, how, and finally to suggest why it is being communicated. The extent to which the encoded messages are consistent with reports of the subculture's goals is then discussed. It is asserted that hip hop operates as an alternative identity management and problem-solving mechanism within th

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25

Linnemann, Travis. "Beyond the ghetto: methamphetamine and the punishment of rural America." Diss., Kansas State University, 2011. http://hdl.handle.net/2097/12021.

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Doctor of Philosophy<br>Department of Sociology, Anthropology, and Social Work<br>L. Susan Williams<br>Since the early 1970s, the United States has grown increasingly reliant on the criminal justice system to manage a wide array of social problems. Aggressive drug control policies and an over-reliance on imprisonment helped produce the world’s largest prison and correctional population, often described as mass imprisonment. Within this context, the study provides an explanatory account of the political, cultural, and social conditions that encourage states like Kansas to pursue methamphetami

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26

Baraldi, Luca. "Immobile Tremor : The Immobility of the Ghetto and the Human Vitality." Universität Potsdam, 2011. http://opus.kobv.de/ubp/volltexte/2011/5325/.

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The threshold between the XVth and the XVIth Century represents a historical period during which, both for Christians and for Jews, the geopolitical sceneries and the interior horizons radically change. The modified reality provokes new forms of expectation and the need of new historical interpretations. Ferrara, within this scenery, can be considered, as other Italian cases, as a paradigmatic example, a narrow space where phenomena of spiritual and cultural Jewish rebirth can take shape. The permeability between Christian artistic and cultural world and Jewish intellectual production determin

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27

Pesch, Thomas Joerg. "Microcosmic spaces, power, and identity in John Edgar Wideman's Ghetto Writings." Thesis, University of Leeds, 2009. http://ethos.bl.uk/OrderDetails.do?uin=uk.bl.ethos.522966.

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Kavanaugh, Sarah. "The Jewish leadership of the Theresienstadt ghetto : culture, identity and politics." Thesis, University of Southampton, 2003. http://ethos.bl.uk/OrderDetails.do?uin=uk.bl.ethos.400544.

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Danchin, Sebastian. "Earl Hooker (1929-1970) : vie et mort d'un héros du ghetto." Nancy 2, 1985. http://www.theses.fr/1985NAN21017.

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30

Fowler, Heather. "Father and Mother Songs." ScholarWorks@UNO, 2015. http://scholarworks.uno.edu/td/2048.

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Lanci, Michael P. "Songs for Joe Hill." University of Cincinnati / OhioLINK, 2017. http://rave.ohiolink.edu/etdc/view?acc_num=ucin149580760300849.

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32

Foust, E. J., and E. J. Foust. "Songs out of Sorrow." Diss., The University of Arizona, 2016. http://hdl.handle.net/10150/622987.

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Songs out of Sorrow is a seven-movement work for wind ensemble and soprano. The text and title come from the second chapter of American poet Sara Teasdale’s collection Love Songs. The methodical use of trichord combinations provides the primary harmonic and melodic language of the work, creating rising tension through the first four movements and subsequent resolution through the final three. Movement one, Spirit’s House, utilizes non-functional triadic harmonies with the addition of fourths and seconds. The second movement, Mastery, contains whole tone language. An instrumental interlude prec

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Chang, Debra Wei Kwen. "Songs of the wind." Thesis, University of North Texas, 1991. https://digital.library.unt.edu/ark:/67531/metadc332464/.

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Songs of the Wind is a five-movement composition for reader, chamber choir, and chamber orchestra. The work is approximately twenty-five minutes in duration. The title describes the programmatic nature of the piece, which depicts an animistic ritual invoking the wind as a deity. The texts are drawn from translations of American Indian poetry as well as original poems by the American Indian scholar Hartley Alexander.

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Kalle, Filippa. "Urbana utmaningar : Svensk urban marginalisering i ett komparativt perspektiv." Thesis, Uppsala universitet, Statsvetenskapliga institutionen, 2017. http://urn.kb.se/resolve?urn=urn:nbn:se:uu:diva-323008.

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Events of social unrest and violent crime increasingly draws attention to the urban periphery of Swedish cities. Media and politicians depict a homogenized image of the suburbs as problem estates and ‘no-go zones’. This aggravates the urban integration process as well as creates a stigma for the individual resident. This could lead to misconceptions among the decision makers and policies based on skew presumptions. Urban marginalization is part of the consequences of political priorities. Despite this fact, there is a lack of research on urban marginalization in Sweden. Studying also the negat

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35

Junkermann, Penelope Robin. "The relationship between Targum Song of Songs and Midrash Rabbah Song of Songs." Thesis, University of Manchester, 2011. https://www.research.manchester.ac.uk/portal/en/theses/the-relationship-between-targum-song-of-songs-and-midrash-rabbah-song-of-songs(d9749f55-93cb-4b58-b235-36d5a0f9a697).html.

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This dissertation investigates the relationship between Targum Song of Songs and Song of Songs Rabbah, and challenges the view that the Targum is dependent on the Midrash. In chapter one I set out the problem to be investigated and consider some of the reasons why scholars in the past have assumed that the Targum drew on the Midrash. Having rejected these reasons as inadequate and established the need for a fresh review of the evidence, I describe the approach I will adopt in the present thesis. In chapters two and three I introduce the two key texts individually, discussing such background in

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Gerhardt, Kristiane. "Vom Raum zur Geschichte : 'Ghetto' als Metapher historischer Grenzziehung im 19. Jahrhundert." Universität Potsdam, 2011. http://opus.kobv.de/ubp/volltexte/2011/5322/.

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Der Begriff des Ghettos hat eine lange Forschungsgeschichte. Dieser Beitrag diskutiert ihn im Kontext der Historisierung der Lebenswelten des 19. Jahrhunderts. Der Terminus wird im 19. Jahrhundert zum Inbegriff der frühneuzeitlichen Tradition. Im Folgenden werden einige Aspekte der Entstehungsgeschichte dieses Bedeutungswandels analysiert, der auf einer Zivilisierungsdynamik gegenüber den Juden im ausgehenden 18. Jahrhundert wie der Historisierung der Hebräischen Bibel in der Aufklärung basierte.<br>The term „Ghetto“ has a long research history. The article discusses „Ghetto” as the result of

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37

Bergström, Carl Mikael, and Eva Ardevi. "Landskap, ghetto, klassrum : den fysiska skolmiljön och dess betydelse för lärares arbete." Thesis, Örebro universitet, Akademin för humaniora, utbildning och samhällsvetenskap, 2009. http://urn.kb.se/resolve?urn=urn:nbn:se:oru:diva-8876.

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38

Meli, Sarah. "Art from within : an encounter with holocaust art from the Terezin ghetto." Thesis, University of British Columbia, 2013. http://hdl.handle.net/2429/44321.

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Terezin, located in what is now called Prague, Czechoslovakia, functioned as a Holocaust ghetto for the incarceration of Jews during the Second World War. Creating an image of a ‘model camp’ for its detained elite Europeans of economic and intellectual wealth, certain leeway was given to mask the reality of the situation. Being allowed to teach art to children, having a Drawing Office, and providing an Art Workshop, resulted in Terezin being one of the ghettos/camps in which thousands of art pieces were produced by children, youths, and adults. With a focus on the artwork made between the p

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McCallum, Suzanne. "Out of the ghetto?, the feminist impact on international human rights law." Thesis, National Library of Canada = Bibliothèque nationale du Canada, 1998. http://www.collectionscanada.ca/obj/s4/f2/dsk1/tape11/PQDD_0029/MQ66629.pdf.

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Leclerc, Marie-Hélène. "Les organismes communautaires : un ghetto ou un lieu d'affirmation pour les travailleuses?" Sherbrooke : Université de Sherbrooke, 2003.

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Armstrong, Andrew Barton. "The Japanese "Ghetto-Gangsta": searching for prestige in Kansai hip hop performance." Thesis, Boston University, 2012. https://hdl.handle.net/2144/31501.

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Thesis (Ph.D.)--Boston University<br>PLEASE NOTE: Boston University Libraries did not receive an Authorization To Manage form for this thesis or dissertation. It is therefore not openly accessible, though it may be available by request. If you are the author or principal advisor of this work and would like to request open access for it, please contact us at open-help@bu.edu. Thank you.<br>This dissertation treats emergent, outspoken class consciousness among performers of what I call "ghetto-gangsta" hip hop in Japan's Kansai region. Musicians, including Anarchy from the public housing project

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Leclerc, Marie-Hélène. "Les organismes communautaires un ghetto ou un lieu d'affirmation pour les travailleuses?" Mémoire, Université de Sherbrooke, 2003. http://savoirs.usherbrooke.ca/handle/11143/535.

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Les femmes sont, de nos jours, de plus en plus actives sur le marché du travail. Néanmoins, elles vivent une situation précaire en emploi. Face à cette problématique, diverses solutions ont été envisagées dont des investissements publics au sein des organismes communautaires où une majorité de femmes, soit 80%, y occupent les emplois rémunérés. On peut donc se demander si ces organismes représentent un ghetto ou un lieu d'affirmation pour les travailleuses qui y oeuvrent. Afin de répondre à cette question, 44 organismes communautaires québécois ont été visités et 88 entrevues semi-dirigées ont

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Webb, Adam Michael. "Art songs for tenor : a pedagogical analysis of art songs for the tenor voice." Diss., University of Iowa, 2012. https://ir.uiowa.edu/etd/3401.

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The purpose of this project is to assist voice teachers in training tenors by selecting forty art songs that are pedagogically useful in the training of the tenor voice, and providing specific pedagogical strategies for the learning process of the selected repertoire. The list of repertoire consists of ten art songs from each of the four main Western singing languages: Italian, English, German, and French. These four languages have been selected because they represent the vast majority of standard art song repertoire for the typical undergraduate tenor. What is missing in current literature, a

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Baur, Dominikus. "The Songs of Our Past." Diss., lmu, 2011. http://nbn-resolving.de/urn:nbn:de:bvb:19-137993.

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Vazquez, Ricardo Marcelo. "Songs from the boca kitchen /." Available to subscribers only, 2006. http://proquest.umi.com/pqdweb?did=1203579641&sid=3&Fmt=2&clientId=1509&RQT=309&VName=PQD.

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Ommen, Ann Elizabeth. "Songs of the Ziegfeld Follies." Columbus, Ohio : Ohio State University, 2007. http://rave.ohiolink.edu/etdc/view?acc%5Fnum=osu1179334149.

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Modrow, Lena [Verfasser]. "Wie Songs erzählen / Lena Modrow." Frankfurt : Peter Lang GmbH, Internationaler Verlag der Wissenschaften, 2016. http://d-nb.info/1090772785/34.

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48

Moore, James K. "The songs of Seymour Barab /." Thesis, Connect to this title online; UW restricted, 2000. http://hdl.handle.net/1773/11213.

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Woodward, Mark E. McNeil Ryan Woodward Mark E. Aubuchon Rachel McKenney W. Thomas. "Three songs for unaccompanied choir." Diss., Columbia, Mo. : University of Missouri--Columbia, 2009. http://hdl.handle.net/10355/6259.

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The entire thesis text is included in the research.pdf file; the official abstract appears in the short.pdf file; a non-technical public abstract appears in the public.pdf file. Title from PDF of title page (University of Missouri--Columbia, viewed on January 26, 2010 Thesis advisor: Dr. W. Thomas McKenney. Includes bibliographical references.

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Baron, Michael David. "The songs of Franz Liszt." Connect to resource, 1993. http://rave.ohiolink.edu/etdc/view?acc%5Fnum=osu1234717504.

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