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Journal articles on the topic 'Songs, Shona'

Author: Grafiati
Published: 4 June 2021
Last updated: 28 July 2025

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1

Rafomoyo, Fredrick. "A Semiotic Exploration of the Evolving Messaging in the Shona Traditional Songs: The Elusive Context, Categorization and Paralinguistic Features of the Song “Nyama Yekugocha." Current Trends in Mass Communication 3, no. 1 (2024): 01–06. https://doi.org/10.33140/ctmc.03.01.06.

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This study employs a semiotic exploration to investigate the evolving categorization and usage of the Shona traditional song "Nyama Yekugocha." Despite its association with specific occasions, the song's origins and cultural context remain elusive. The research, utilizing netnography and narrative interviews, aims to unravel the song's shrouded context, dissecting layers of meaning in its lyrics and exploring paralinguistic features. Acknowledging the song's transformative nature, from a cultural artifact to a symbol of victory, the study addresses challenges posed by contemporary shifts. The
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Mutasa, D. E., and I. Mutawi. "A philosophical interpretation of the significance of oral forms in I. Mabasa’s novel Mapenzi (1999)." Literator 29, no. 3 (2008): 157–80. http://dx.doi.org/10.4102/lit.v29i3.130.

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The article critically analyses the use of Shona oral art forms in I. Mabasa’s novel “Mapenzi” (“Mad people”/“Foolish people”). It departs from the realisation that the writer identifies with Shona people’s oral experiences in the form of songs, “bembera” (satiric poetry) and folktales among others. These oral art forms provide the means by which the writer overcomes both selfcensorship and real or imagined state censorship. The article advances the argument that Mabasa uses the Shona people’s oral art forms in a manner that is ideologically and pedagogically empowering. This is consistent wit
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Muranda, Richard. "Reflecting on death through song among the Shona people of Zimbabwe." DANDE Journal of Social Sciences and Communication 2, no. 2 (2018): 106–19. http://dx.doi.org/10.15641/dande.v2i2.53.

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Singing is undertaken by individuals and the community in dealing with real life experiences including death. Death is a reality which humans and animals are not immune to. It defines the end of life and brings pain to humanity. However, humans have mechanisms to deal with pain caused by death, and singing is one of them. The article examines how song is used to tackle the inevitable incidence of death. In this study, traditional and contemporary popular songs were purposively sampled to analyse and reflect on the nature of music used to cope with death. The study engaged 20 people, among them
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4

Makina, Blandina. "Images of women in Shona songs by Zimbabwean male singers." Muziki 10, sup1 (2013): 50–59. http://dx.doi.org/10.1080/18125980.2013.852743.

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Tembo, Charles, Allan T. Maganga, and Aphios Nenduva. "MUSICIAN AS CULTURE HERO: EXPLORING MALE-FEMALE RELATIONS IN PACHIHERA’S AND SIMON CHIMBETU’S SELECTED SONGS." Commonwealth Youth and Development 13, no. 2 (2016): 129–42. http://dx.doi.org/10.25159/1727-7140/1152.

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This article is a comparative exposition of positive male-female relations in lyrical compositions of selected Zimbabwean singers. Particular attention is on one female voice, Pah Chihera and a male voice, Simon Chimbetu. The argument avowed in this article is that the selected musicians are sober in their appreciation of gender relations in African ontological existence. It further argues that, unlike feminists who view male-female relations as antagonistic, the two musicians celebrate cordial and mutual cohesion, which is part of Shona or African heritage. Against that background, the musici
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Maguraushe, Wonder. "When Vulgarism Comes through Popular music: An Investigation of Slackness in Zimdancehall Music." Filosofia Theoretica: Journal of African Philosophy, Culture and Religions 12, no. 1 (2023): 131–44. http://dx.doi.org/10.4314/ft.v12i1.8.

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In Zimbabwe, popular music, particularly the Zimdancehall music genre, has become a cultural site where Shona moral values clash with explicit sexual lyrical content despite a censorship regime in the country. This article examines the nature and cultural consequences of the moral decadence that emerges in popular Zimdancehall song lyrics by several musicians. The article illustrates how vulgar language popularises Zimdancehall songs in unheralded ways that foster identities laced with cultural ambivalences that may portray the artists as both famous and depraved. This qualitative study does t
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Makanda, Arthur Takawira P., and Maurice T. Vambe. "Popular songs and the creation and expansion of Shona orthography in Zimbabwe." Muziki 9, no. 1 (2012): 99–117. http://dx.doi.org/10.1080/18125980.2012.737108.

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Muwati, Itai, and Davie E. Mutasa. "An analysis of selected Shona children's songs: Philosophical perspectives on child development." Muziki 5, no. 1 (2008): 1–10. http://dx.doi.org/10.1080/18125980802633086.

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Vambe, Maurice T. "The function of songs in the Shona ritual-myth of Kurova Guva." Muziki 6, no. 1 (2009): 112–19. http://dx.doi.org/10.1080/18125980903037393.

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10

Musiyiwa, Mickias, and Marianna W. Visser. "The communicative functions of post-2000 Shona popular songs: A typological analysis." South African Journal of African Languages 35, no. 2 (2015): 249–59. http://dx.doi.org/10.1080/02572117.2015.1113019.

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Muwati, Itai, Charles Tembo, and Davie E. Mutasa. "Children’s songs and human factor development: A comparative analysis of Shona children’s songs and imported English nursery rhymes." South African Journal of African Languages 36, no. 1 (2016): 55–64. http://dx.doi.org/10.1080/02572117.2016.1186897.

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Gundani, Paul. "Theology from below: An examination of popular mourning songs by Shona Christian women." Muziki 4, no. 1 (2007): 42–51. http://dx.doi.org/10.1080/18125980701754595.

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13

Makaudze, Godwin. "TEACHER, BOOK AND COMPANION: THE ENVIRONMENT IN SHONA CHILDREN’S LITERATURE." Commonwealth Youth and Development 13, no. 2 (2016): 100–109. http://dx.doi.org/10.25159/1727-7140/1150.

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Contemporary society has had running battles with citizens, trying to force them to be aware and appreciative of the importance of relating well with, and also safeguarding the environment. Modern ways of child socialisation seem in mentoring youngsters about the being, nature and significance of the environment (both natural and social) in life. Today, society it has largely become the duty of non-governmental organisations and law enforcement agents to educate and safeguard against the abuse of the social environment and the degradation, pollution and extinction of crucial facets of the natu
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14

Beach, D. N. "An Innocent Woman, Unjustly Accused? Charwe, Medium of the Nehanda Mhondoro Spirit, and the 1896–97 Central Shona Rising in Zimbabwe." History in Africa 25 (1998): 27–54. http://dx.doi.org/10.2307/3172179.

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The rising of the Ndebele and southwestern and central Shona people against colonial rule in the 1890s has become one of the classic cases of such resistance. Yet, since the independence of Zimbabwe in 1980, very little fresh research has been carried out on the subject. This paper re-examines the role of Shona religious authorities in the rising, especially that of the medium of the Nehanda spirit of the Mazowe valley in the central Shona area. In just over a century, the figure of “Mbuya Nehanda” has become the best-known popular symbol of resistance to colonial rule in modern Zimbabwe. She
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Mutema, Fungai. "Shona Traditional Children’s Games And Songs As A Form Of Indigenous Knowledge: An Endangered Genre." IOSR Journal Of Humanities And Social Science 15, no. 3 (2013): 59–64. http://dx.doi.org/10.9790/0837-1535964.

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Manyawu, Andrew Tichaenzana. "The construction ofUhuruparty group identity in Zimbabwe: a textual analysis of revolutionary songs in Shona." South African Journal of African Languages 34, no. 1 (2014): 49–63. http://dx.doi.org/10.1080/02572117.2014.949469.

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Kristanto, Wisnu. "Javanese Traditional Songs for Early Childhood Character Education." JPUD - Jurnal Pendidikan Usia Dini 14, no. 1 (2020): 169–84. http://dx.doi.org/10.21009/141.12.

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 Character education in early childhood is not new, and character education is also not just a transfer of knowledge, but something that needs to be built early on through various stimula- tions. This study aims to develop the character of early childhood through audio-visual media with traditional Javanese songs. Using educational design-based research to develop audio-visual media from traditional songs, this media was tested in the field with an experimental design with a control group. Respondents involved 71 kindergarten students from one experimental class in one cont
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18

Ratcliffe, Jonathan. "The Epic Legacy of Shono-Baatar." Inner Asia 24, no. 2 (2022): 279–302. http://dx.doi.org/10.1163/22105018-02302030.

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Abstract Compared with epic heroes such as Geser and Jangar who are widely popular among the Mongolic peoples of Inner Asia, the far less well-known epic of Shono-Baatar stems from a determinable and relatively recent historical basis: the eighteenth-century Dzungar prince Louzang Shunu and his seeking sanctuary from persecution by his relatives in the Russian Empire. While legends and short songs about this figure are widely attested from Kalmykia to Xinjiang, only among the Buryats has any full-length oral epic been preserved: a single specimen taken down from storyteller Sagadar Shanarsheev
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19

Kreutzer, Natalie Jones. "Song Acquisition among Rural Shona-Speaking Zimbabwean Children from Birth to 7 Years." Journal of Research in Music Education 49, no. 3 (2001): 198–211. http://dx.doi.org/10.2307/3345706.

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This study is an analysis of samples of one years vocal productions of 92 children between birth and age 7 in the Nharira Communal Lands of Zimbabwe to determine at what stage and to what degree children's melodic efforts resembled adult song prototypes. Results indicate a common sequence of song acquisition that parallels the age-related phases observed in children of other cultures. Milestones were the use of characteristic tune segments and musical conventions at 3 years; ability to sing independently with larger ranges and forward motion at age 4; marked improvement of pitch precision at a
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20

Gutova, L. A. "Shora Nogmov as a researcher of the Adyghe historical-heroic epic." ADYGHE INTERNATIONAL SCIENTIFIC JOURNAL 25, no. 1 (2025): 89–97. https://doi.org/10.47928/1726-9946-2025-25-1-89-97.

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The article is devoted to the identification of the role of Sh. B. Nogmov in the history of Adyghe folklore and the definition of its methodological principles. The article examines the recordings of the lyrics of songs of a historical and heroic nature that have survived to the present time, as well as mentions of the legends accompanying them, based on which the work “History of the Adykhey people”was created as an important source. Based on the materials reviewed, it is concluded that it was Sh. B. Nogmov who laid the foundations for working with field materials and the methodology for stud
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21

Sugiyanto Sugiyanto, Agustin Tri Hastuti, Inggris Yossi Pranatika, Siti Amri Alimatul Muflikhah, and Mohammad Syafrizal Affandi. "Pengaruh Kebijakan Promosi dan Harga Tiket Masuk Terhadap Keputusan Wisatawan Berkunjung di Objek Wisata Candi Gedong Songo Kabupaten Semarang." Public Service and Governance Journal 6, no. 2 (2025): 01–11. https://doi.org/10.56444/h59c0g59.

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Gedong Songo Temple is a Hindu cultural relic from the Sanjaya Dynasty era which was discovered in 1804 and is located at an altitude of 1,220 to 1,310 meters above sea level. The Minister of Education and Culture designated Gedong Songo Temple as a National Ranked Cultural Heritage Area in 2015 whose preservation must be maintained, including preserving the natural beauty around the Gedong Songo Temple area. This research is to explain the influence of promotional policies and entrance ticket prices on tourists' decisions to visit the Gedong Songo Temple tourist attraction in Semarang Regency
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22

Chigangaidze, Robert. "Social work ethos in indigenous Shona music: a qualitative content analysis of the song Mugariro (Ephat Mujuru, 1994) through Ubuntu philosophy and Ukama construct in Zimbabwe." African Journal of Social Work 13, no. 6 (2023): 285–93. http://dx.doi.org/10.4314/ajsw.v13i6.2.

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Several analysts working within the dominant Western paradigms are unwilling to evaluate and examine their indigenous perspectives as they find their structures to be culturally dependent rather than logical. Inspired by the principles of decolonial social work, this article analyses the song Mugariro (a way of living) by Ephat Mujuru, 1994, through the African philosophy of Ubuntu and its construct of ukama (relatedness/ relationality). Utilizing qualitative content analysis, this paper latently explores the song Mugariro and reflects on themes such as a good way of life, Ukama (relatedness/
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23

Long, Jeff E. "Songs that cannot be sung: Hayashi Fusao's ‘Album’ and the political uses of literature during the early Showa years." Japan Forum 19, no. 1 (2007): 69–88. http://dx.doi.org/10.1080/09555800601127320.

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24

Hidayatulloh, Taufik, Elindra Yetti, and Hapidin. "Movement and Song Idiom Traditional to Enhance Early Mathematical Skills: Gelantram Audio-visual Learning Media." JPUD - Jurnal Pendidikan Usia Dini 14, no. 2 (2020): 215–30. http://dx.doi.org/10.21009/jpud.142.02.

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Many studies have shown a link between being competent in early mathematics and achievement in school. Early math skills have the potential to be the best predictors of later performance in reading and mathematics. Movement and songs are activities that children like, making it easier for teachers to apply mathematical concepts through this method. This study aims to develop audio-visual learning media in the form of songs with a mixture of western and traditional musical idioms, accompanied by movements that represent some of the teaching of early mathematics concepts. The stages of developin
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25

Cave, Peter. "Story, song, and ceremony: shaping dispositions in Japanese elementary schools during Taisho and early Showa." Japan Forum 28, no. 1 (2015): 9–31. http://dx.doi.org/10.1080/09555803.2015.1077875.

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26

Crawford, Matthew R. "Reading the Diatessaron with Ephrem: The Word and the Light, the Voice and the Star." Vigiliae Christianae 69, no. 1 (2015): 70–95. http://dx.doi.org/10.1163/15700720-12341191.

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Through a consideration of the reception history of the so-called “Diatessaron,” Tatian’s second-century gospel compilation, we can learn much about the nature of this peculiar text. Of paramount importance here is the Syriac Commentary on the Gospel attributed to Ephrem of Nisibis. In this article I argue that the ordering of pericopae in the opening section of Tatian’s gospel, which interweaves Matthean and Lukan passages within a broadly Johannine incluisio, prompts the Syriac exegete to an unexpected interpretation of these narratives. By reading these pericopae as a single, continuous nar
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Chelaru, Cătălina. "Stylistic Reflections on Soprano Maria Slătinaru Nistor's Vocal Interpretation of the Lieder by Robert Schumann and Richard Wagner." ARTES. JOURNAL OF MUSICOLOGY 30, no. 29-30 (2024): 223–41. http://dx.doi.org/10.35218/ajm-2024-0013.

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The article aims to highlight the artistic personality of soprano Maria Slătinaru Nistor, born in Iași on May 25, 1938. A student of the distinguished opera and lied professor and soloist Arta Florescu, Maria Slătinaru Nistor shone on the world's greatest lyrical stages, both in Italian repertoire (as an incomparable Leonora in Verdi's Il Trovatore, earning accolades from audiences and music critics in Verdi's Aida, later portraying an impetuous and striking Floria Tosca in Puccini's opera, a role played over 250 times, as well as taking on Mimi in La Bohème, Liu and Turandot in Puccini's epon
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(Голубинская), Н.Ф., Клобукова. "Confucian Moral and Educational Function of Music: from the History of Japanese School Education." Журнал Общества теории музыки, no. 2(38) (November 1, 2022): 30–41. http://dx.doi.org/10.26176/otmroo.2022.38.2.007.

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Данная статья сосредоточена на некоторых аспектах школьной образовательной реформы, предпринятой во время эпохи Мэйдзи (1868–1912). В процессе создания системы образования по западному образцу в программы начальной и средней школ была включена музыка как обязательный предмет. Для занятий пением были разработаны специальные хрестоматии «Сёгаку сёка сю», выходившие в 1881–1884 годах; их авторами были японский деятель образования Исава Сюдзи и американский педагог и композитор Лютер Уайтинг Мэйсон. Тексты песен были основаны как на природной тематике, так и на принципах морально-нравственного вос
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STANKOVICH, ZINAIDA G. "REFLECTION OF OWN POETIC WORD IN THE LYRICS OF ALEXANDER BASHLACHEV." Челябинский гуманитарий 70, no. 1 (2025): 31–36. https://doi.org/10.47475/1999-5407-2025-70-1-31-36.

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The article examines the manifestations of self-reflection in the creativity of Alexander Bashlachev through the assessment of their own words by lyrical subjects. As the research material were used poetic and song texts created from 1981 to 1987: the poems “The light bulb shone. And the water dripped ...” / “To the Poets”, “And the work is absurd ...”, as well as the songs “Funeral of the Fool” and “Pastry”. In the course of the study were used motivic and comparative methods of analysis. The author of the article comes to the conclusion that in di erent periods the poet’s attitude to words (
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30

Soga, Yoshie. "Study on the Creation Process of “Singing Dance” Writing process of Hoiku-shoka (Childcare songs) found in the Gagaku-roku (The Official Documents of Japanese Imperial Court Music)." Taiikugaku kenkyu (Japan Journal of Physical Education, Health and Sport Sciences) 53, no. 2 (2008): 297–313. http://dx.doi.org/10.5432/jjpehss.a530222.

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31

Munetz, Mark R. "Working With People at High Risk of Developing Psychosis: A Treatment Handbookedited by Jean Addington, Shona M. Francey and Anthony Morrison; Somerset, New Jersey, John Wiley and Sons, 2007, 206 pages, $140." Psychiatric Services 59, no. 5 (2008): 578–79. http://dx.doi.org/10.1176/ps.2008.59.5.578a.

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32

Wahl, Karina. "Outcome and Innovation in Psychological Treatments of Schizophrenia Til Wykes, Nicholas Tarrier and Shon Lewis Chichester: John Wiley & Sons, 1988. pp.291. £22.50 (paperback). ISBN: 0-4719-7842-6." Behavioural and Cognitive Psychotherapy 30, no. 1 (2002): 117–22. http://dx.doi.org/10.1017/s1352465802241119.

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33

არგანაშვილი, გია. "ქართული ისტორიული ეპოსი – ძიებები და ვარაუდები". Literary Researches 44 (27 листопада 2024): 292–314. https://doi.org/10.62119/lr.44.2024.8243.

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Our interest towards the Georgian folk epic is determined not only by a professional attitude, but also by the necessity to know our national identity, because no matter how paradoxical it is, in the era of globalization as universal integration, it becomes even more topical to clarify one's own identity among independent nati­ons, which is best preserved by collective memory and folk orality. It is noticeable that in the conditions of Georgian national identity and long-lasting state life, the deficiency of Georgian orality in terms of historical genre texts causes a kind of surprise, such a
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34

Malobola-Ndlovu, Johann. "Functions of Children’s Games and Game Songs: A Case Study of the amaNdebele in Mpumalanga Province." Southern African Journal for Folklore Studies 31, no. 2 (2022). http://dx.doi.org/10.25159/2663-6697/8577.

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Children’s games and game songs are part of the traditional literature that was handed down from generation to generation by word of mouth. However, on a more subtle level, game songs can also be performed by children to vent secret feelings or experiences that they dare not express openly. The question to be asked is, how do children vent their emotions through games and game songs? The aim of this article is to show how children’s games and game songs could function to assist children with challenges. The current research was mainly initiated by the performance of the monologue game songs pl
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Makaudze, Godwin. "Children and Childhood in Shona Proverbs." Southern African Journal for Folklore Studies 30, no. 1 (2021). http://dx.doi.org/10.25159/1016-8427/7486.

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Childhood is not a neatly definable concept as it differs among cultures. Among the Shona, a child and childhood are defined in terms of age, marital status, behaviour and also relations to other members in society. The Shona, like other ethnic groups, have a plethora of ways through which their worldview is fashioned and conveyed, and these include songs, folktales, riddles and proverbs, among others. In this article, Shona proverbs are analysed in terms of how they present Shona people’s perception and conceptualisation of childhood. Afrocentricity is used to analyse the content of proverbs
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Musvoto, Rangarirai A. "Imagining the future nation: A critical appreciation of Emmanuel Ngara’s vision in Songs from the Temple." Literator 38, no. 1 (2017). http://dx.doi.org/10.4102/lit.v38i1.1323.

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This article analyses Emmanuel Ngara’s collection of poetry Songs from the Temple. It argues that through some of the poems in this collection, Ngara forges an anti-colonial nationalist discourse that problematises hegemonic colonial narratives, which claimed that the black subaltern did not have history, culture and civilisation prior to the colonial interloper’s presence. Ngara’s main strategy in unseating these accounts is to lay claim to a flourishing precolonial culture of the Shona people on one hand, foregrounding their history and cultural symbols, and on the other through the use of a
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Rafomoyo, Fredrick. "A Semiotic Exploration of the Evolving Messaging in the Shona Traditional Songs: the Elusive Context, Categorization and Paralinguistic Features of the Song 'Nyama Yekugocha'." SSRN Electronic Journal, 2024. http://dx.doi.org/10.2139/ssrn.4733824.

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38

Smoliak, Oleg, Liliia Bobyk, Liudmyla Shchur, and Anatoliy Bankovskyi. "Ukrainian priests as creators of church carols in the 17th – 19th centuries." Culture Unbound, July 5, 2024. http://dx.doi.org/10.3384/cu.4806.

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The study highlights the development of the genre of church carols in the work of Ukrainian priests as a component of the spiritual song culture of the 17th – 19th centuries with a possible specification of their authors. A review of the scientific works of Ukrainian and foreign scientists was carried out, in which the question of the existence of church carols at various stages of their development was investigated. The works of Ivan Franko, Mykhailo Wozniak, Hans Rohte, Larysa Hnatiuk, Lidia Korniy, Larysa Kostiukovets, Yuriy Medvedyk and others were analysed. In the process of research, it
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Dvalidze, Nino. "IDIOMS AND SLOGANS IN POSTER LIKE PROPAGANDA." International Journal of Innovative Technologies in Social Science, no. 4(40) (November 2, 2023). http://dx.doi.org/10.31435/rsglobal_ijitss/30122023/8066.

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21-st century is very busy, contradictive and tensed because of several cores of wars, accordingly abundant information flows out from the internet. Nobody has time to read several pages for a long time. Minimalism in words is appreciated more. As the 12 th century renaissance period Georgian poet Shota Rustaveli said in the prologue to his famous masterpiece "The Man in the Panther’s Skin”: “A long word is told shortly” (in few words is uttered a long discourse) as “Minstrelsy is, first of all, a branch of wisdom “…
 So, the idioms, slogans, proverbs, parables, some other kinds of phrasa
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Ryan, Robin, and Uncle Ossie Cruse. "Welcome to the Peoples of the Mountains and the Sea: Evaluating an Inaugural Indigenous Cultural Festival." M/C Journal 22, no. 3 (2019). http://dx.doi.org/10.5204/mcj.1535.

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IntroductionFestivals, according to Chris Gibson and John Connell, are like “glue”, temporarily sticking together various stakeholders, economic transactions, and networks (9). Australia’s First Nations peoples see festivals as an opportunity to display cultural vitality (Henry 586), and to challenge a history which has rendered them absent (587). The 2017 Australia Council for the Arts Showcasing Creativity report indicates that performing arts by First Nations peoples are under-represented in Australia’s mainstream venues and festivals (1). Large Aboriginal cultural festivals have long thriv
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